OrganisationTitleAcquiredEarliestDateLatestDateDateCommentDurationMediaDescDimensionThesisConditionCopyrightRelatedCollectionArtistsCreditNotesAccessionEprintSierraArch
ACMI 15 Jahre Werkleitz: 7 selected shortfilms 1996 2006 DVD External collection;Experimenta Collection/ACMI Special Collections Mike STUBBS, Ralph Jurdgen COLMAR, Paul HARRISON, Philipp HIRSCH, Urmi JUVEKAR, Bjorn MELHUS, Alina RUDNITSKAYA, Dorothee WENNER, John WOOD B2005595
ACMI 2 Spellbound 1999 Les LEVEQUE Les Leveque takes Alfred Hitchcock's classic psychoanalysis and memory loss thriller and injects it with a large dose of adrenalin. What remains is a speeded up frenzy of image, light and hardcore techno music as Ingrid Bergman and Gregory Peck flash before our eyes, subverting our own memory of the film into a hazy waking dream. B1003079
ACMI 2 x videos CD-R External collection;Experimenta Collection/ACMI Special Collections Irena HANENBERGH B2005617
ACMI 2007 QUT BFA Graduates - RSK Exhibition 2007 DVD-R External collection;Experimenta Collection/ACMI Special Collections B2005553
ACMI 30 words for the city 1994 CD ROM External collection;Experimenta Collection/ACMI Special Collections John COLLETTE, AUSTRALIAN FILM COMMISSION, Andrew LANCASTER 30 Words for the City was an interactive media project I produced in the early 1990s. It explored the relationship between subjectivity and mass mediated environments, and was set in an imaginary city that was a mixture of Sydney and Tokyo. The project was undertaken over about 18 months, utilizing a database of around 2000 photographs, location audio and moving image sequences. It was scripted in Director and made extensive use of Photoshop and version one of After Effects. Between the prescriptive forms of emergent “interactivity” and the potentialities of a given text, 30 Words was intended as an incomplete artifact that favored trace over text, layering and flux as its native mode. The experience of cities is oblique and layered, always becoming – perpetual immanence Source: John Colette website http://www.johncolette.com/project/30-words-for-the-city/ [Last accessed 13/10/2022] B2005331
ACMI 37 Stories about leaving home Purchase 1996 00:52:00:00 Shelly SILVER In 37 Stories About Leaving Home, a group of Japanese women living in the Tokyo area recount personal stories of their own experiences of leaving home. In these stories one can begin to see, from very personal and individual perspectives, the societal changes that have occurred over the last three generations for women in Japan, bringing an exciting and often conflicting array of choices and positions. Many of the stories revolve around the relationships these grandmothers, mothers and daughters have with each other, filled with respect, rebellion, loss and love. The interviews are framed by a traditional Japanese folktale, a magical and somewhat shocking narrative of a mother's search for her abducted daughter, kidnapped by a monster on the eve of her wedding. B1000129
ACMI 4 Vertigo Licence 2000 00:08:52:00 Les LEVEQUE Les LeVeque is a New York-based artist who has produced a number of videos and video installations exploring the cultural implications of technological change. Recently he has been making video works that use Hollywood classics as their starting point, transforming them into sensuous, hallucinatory works which aim to unveil the repressed representations that loiter inside so many 'wholesome' American classics. These include '2 Spellbound' (1999), a reworking of Alfred Hitchcock's 'Spellbound' (1945), and 'Backwards Birth of a Nation' (2000), in which D.W. Griffith's 1915 feature film is reversed and re-edited into a 13-minute phantasm. LeVeque's works have featured at the New York Video Festival, the Sundance Film Festival, the 2000 Whitney Biennial and the Pompidou Centre in Paris. In '4 Vertigo', Hitchcock's 128-minute feature film 'Vertigo' has been processed anew by capturing one frame for every two seconds of the original movie. The condensed film was duplicated four times, shifting the horizontal or vertical orientation of the frame with each duplication so that the first image is right side up, the next is sideways, then upside down, then sideways, and finally right side up again. This is only evident when the video is examined frame by frame: played at normal speed the result is a stuttering kaleidoscopic engine that gives the viewer a nauseating yet thrilling sensation of physical and psychic weightlessness. In LeVeque's treatment the layered plot line and psychological depths of the Hitchcock original are overtaken by the patterns and rhythms of the new aesthetic centrifuge. LeVeque states: 'Building on the notion of obsessive looking, I wanted to transform the original movie into a spinning mandala to generate a sensuous viewing where the dramatic narrative becomes unstable and elusive, a viewing experience where the hypnosis of cinematic spectacle is articulated to such a physical degree that it engenders a consciousness of watching.' B1001831
ACMI 5,000 calls 1999 David CHESWORTH, Sonia LEBER Commissioned by Olympic Co-ordination Authority Public Art Program. B1001227
ACMI 9 to 5 City Shunt VHS External collection;Experimenta Collection/ACMI Special Collections Michael EYRE B2005447
ACMI A Goose's Bridle CD-R External collection;Experimenta Collection/ACMI Special Collections Elizabeth MCLENNAN B2005708
ACMI A New Year Licence; 2004 1989 00:06:02:00 Sadie BENNING B2000274
ACMI A Place called Lovely Licence; 2004 1991 00:13:43:00 Sadie BENNING B2000272
ACMI A Soft Place to Fall / Glow 1999 CD External collection;Experimenta Collection/ACMI Special Collections Lee PREGNALL B2005605
ACMI AIM RMIT Washing Machine Collection VHS External collection;Experimenta Collection/ACMI Special Collections B2005435
ACMI AW's Cola Cola CD-R External collection;Experimenta Collection/ACMI Special Collections Anthony WHITING B2005663
ACMI Aderlab = Blood-letting Licence (perpetual); 2005 1981 00:11:00:00 Peter TSCHERKASSKY B2000220
ACMI Aerobicide Licence; 2004 1998 00:03:10:00 Sadie BENNING Set against a backdrop of a woman singing and the constant image of a woman's legs making energetic cycling movements, a room full of men attempt to cultivate female trends but are ultimately unsuccessful. The energy of the women in this short music clip, singing and exercising is a stark contrast to the inertia of the males around them. B1000601
ACMI Alone - Apart Optical Disc External collection;Experimenta Collection/ACMI Special Collections Michael ASCROFT, Somaya LANGLEY B2005660
ACMI Alone/Apart CD-R External collection;Experimenta Collection/ACMI Special Collections Somaya LANGLEY B2005465
ACMI Altered States screening program VHS External collection;Experimenta Collection/ACMI Special Collections B2005425
ACMI Alternate interfaces Licence; 2003 2003 STELARC B1005894
ACMI Anamorphic Archive: dance works 2008 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Samuel JONES B2005676
ACMI Ancestor Worship 16mm film External collection;Experimenta Collection/ACMI Special Collections
ACMI And the world was flesh Planet of vampires VHS External collection;Experimenta Collection/ACMI Special Collections Sebastian OLIVEIRO B2005452
ACMI Angela McNiece movie DVD-R External collection;Experimenta Collection/ACMI Special Collections Angela MCNIECE B2005504
ACMI Animalalalala Optical Disc External collection;Experimenta Collection/ACMI Special Collections Bert NERT B2005621
ACMI Animation ; Timelapse & Motion Control ; Super 8 1999 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Daniel CROOKS B2004380
ACMI Annie Wilson Show Reel 2002 2003 VHS External collection;Experimenta Collection/ACMI Special Collections Annie WILSON 'fight or Flight' Bus: 2003 'rhythm of an [...] body' Mass: 2002 'Moving Wallpaper' Westspace: 2002 B2005451
ACMI Anti Ergonomic Hump Machine ; Excelsior 2001 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Ian HAIG B2004379
ACMI Antiques of advertising Purchase 1988 Alexander KLUGE Ads for defunct and foreign products are interspersed with newsreel and documentary footage. The result is a distanced view of the link between desire and commodities. For instance, footage of the Hitler youth with 'S' shirts performing a swastika is overlaid with an ad for 'Stabil'. Products become strange interlopers when they pop up in romantic movies of the Nazi period. Ads in other languages also strip products of desire: Soviet fashion is demonstrated in Cyrillic, phallic chocolates unwrap magically, and a product named 'Time' is sucked dry to a Japanese voiceover. A hollow product of unknown use floats in space like the monolith of 2001. B1000112
ACMI Apophany (stills) CD-R External collection;Experimenta Collection/ACMI Special Collections Jennifer LEGGETT B2005464
ACMI April 2nd, 1993 Purchase 1994 Shelly SILVER Silver casts her female gaze onto a series of anonymous male subjects that she follows through the streets of the Marais district in Paris. The resulting `surveillance narrative,' which features the music of Jo Privat, is an observation of viewing, power, and privacy in a public space. B1000132
ACMI Aqueous CD-R External collection;Experimenta Collection/ACMI Special Collections B2005667
ACMI Arabesque Licence (perpetual); 2003 1975 00:06:46:00 John WHITNEY The geometry of Islamic art is translated into computer graphics set to the music of composer Manoochelher Sadeghi. B1003529
ACMI Are we ready: still images CD-R External collection;Experimenta Collection/ACMI Special Collections Andrew TUTTLE B2005497
ACMI Are we ready: still images (?) Mini DV External collection;Experimenta Collection/ACMI Special Collections Andrew TUTTLE B2005498
ACMI Aristippus CD-R External collection;Experimenta Collection/ACMI Special Collections Mark O'ROURKE B2005309
ACMI Arlo Mountford Show Reel DVD External collection;Experimenta Collection/ACMI Special Collections Arlo MOUNTFORD B2005655
ACMI Arlo Mountford Showreel 2003-2006 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Arlo MOUNTFORD B2005656
ACMI Artificial 2002 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Jackie RYAN B2004371
ACMI Artificial illuminations Purchase 1997 00:10:14:00 Dan ASHER In 'Artificial illuminations', Asher records the patterns, shadows, and traces of ambient light. Each glowing particle embodies a temporary life. B1000071
ACMI Artwork Images CD-R External collection;Experimenta Collection/ACMI Special Collections Stephen HONEGGER, Anthony HUNT B2005555
ACMI Astro Black: A History of Hip-Hop 2007 2008 DVD+R, Optical Disc, ISO External collection;Experimenta Collection/ACMI Special Collections SODA_JERK B2005218
ACMI AstroTurf Licence (perpetual); 2001 1996 00:06:25:00 Ian HAIG 'AstroTurf' is a 3-D animation that tours through periods of time that mark different technologies, from the prehistoric to beyond the 21st century. As the technology advances, human evolution is virtually at a standstill, always at odds with the technology that is demonstrated to be fallible. Ian Haig uses bold graphic style drawing on influences such as; 1950s television, sci-fi imagery, computer games, cartoons and comic books. 'AstroTurf' becomes a platform to celebrate computer imaging and the alternate aesthetics that the medium allows for. B1001955
ACMI Astroturf trailer Martine Ad SP Betacam, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Ian HAIG B2004388
ACMI Audio for Time Capsule exhibition CD-R External collection;Experimenta Collection/ACMI Special Collections Brook ANDREW B2005683
ACMI Aviopolis Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005658
ACMI BLO nightly news 1994 00:29:00:00 Melinda STONE, Igor VAMOS Igor Vamos is a media artist and culture jammer living and working in New York. Vamos is well-known for his collaborative public art projects such as the Barbie Liberation Organization and the Center For Land Use Interpretation, a non-profit organization dedicated to the increase and dissemination of knowledge about the nature of human interaction with the Earth. Currently, Vamos is teaching at Renslaaer Polytechnic Institute. The Barbie Liberation Organization is a cultural activist organization with 25 members that uses donations from anonymous donors to challenge gender stereotyping in the toy industry. BLO NIGHTLY NEWS - In this new form of subversive media terrorism, BLO operatives purchased talking Barbie and G.I. Joe dolls, both of which are programmed to speak crude cultural cliches. The dolls are then taken to the BLO headquarters where 'corrective surgery' is performed by switching the voice boxes on the two dolls. The dolls are then placed back on the store shelves in a process of reverse shoplifting -'shopgiving'. In the format of a nightly news program, this witty and satiric video documents the activities of the Barbie Liberation Organization, including the 'corrective surgery' procedure and the 'shopgiving' actions. The tape functions as a witness to and instruction manual on 'cultural jamming,' an interference strategy used by guerrilla art and media activists to expose and undermine the logic and domination of corporate-controlled media and capitalist culture. B1001826
ACMI Bachdisc Purchase 1988 Juan DOWNEY The Bachdisc marks a milestone in the treatment of musical subjects in laserdisc format. How does one add visually to something that is not only heard, but is considered to be the most subjective of the arts? Bachdisc creator, Juan Downey, incorporates onto a multiple-image screen various images of the famous New York harpsichordist Elaine Comparone playing Bach's Fugue #24 in B minor. On side 2 of the disc is a documentary of Bach's personal life and work. B1000097
ACMI Basilisk Purchase; 2002 1998 Panos COUROS, Lloyd SHARP, Wayne STAMP 'Basilisk' is an interactive CD-Rom that operates as a conceptual journey into an ancient illustrated philosophical text and an imaginary bestiary. Through labryinthine visuals and language, 'Basilisk' charts a fiction of the genesis of the male as a queered perspective on subjectivity. As the artists state: 'It derives its intensities from an alchemistry of mediaeval marvels and a bricolage of contemporary nomadic thought... Basilisk diagrams the multiple relations that converge upon a making of the male that is monstrous and virtual. As a queered perspective on subjectivity, it derives itself from a hybrid relation between the alchemistry of wonder and a wander in the fourfold thought of the subject in Felix Guattari's philophical text 'Chaosmosis'. B1004157
ACMI Before + After 2004 DVD-R External collection;Experimenta Collection/ACMI Special Collections B2005603
ACMI Behind the Scenes: A Media Guide to the Arts in Victoria - Disc One and Disc Two Optical Disc External collection;Experimenta Collection/ACMI Special Collections ARTS VICTORIA B2005718
ACMI Behind the mountain Commission; 2004 2004 video, projections and cardboard Darren DALE, Jonathan JONES This collaborative video installation presents floor projections in randomly scattered blank cardboard boxes, encased within the borders of each the image of a moving figure of a mixed Aboriginal demographic, confined and enclosed in the space through the image size. The viewer moves in amongst and interacts with these images, their shadow visible over the image as they lean to look into each box. The figures within, dancers filmed from the Bangarra Dance Company, contort and rotate in the limits of the space, pulling inwards and pushing outwards, visually and spatially engaging in the historical and contemporary forces which construct and confine the Aboriginal body. In interaction with these images the use of a surround sound composite creates an aural journey that evokes pulsing electrical currents in a storage space, interrupted sporadically by the sound of tearing packing tape and a strong bass sound from below each box which creates a sensorial engagement with the movement in the images within. B1006109
ACMI Beijing: K. Wilkinson DVD-R External collection;Experimenta Collection/ACMI Special Collections K. WILKINSON B2005539
ACMI Beneath the Floorboards of the Forest, Empty Space Optical Disc External collection;Experimenta Collection/ACMI Special Collections UNKNOWN B2005308
ACMI Bianca Barling DVD Optical Disc External collection;Experimenta Collection/ACMI Special Collections Bianca BARLING B2005614
ACMI Bilderbuch fur Ernst Will 1993 00:10:56:00 Peter CALLAS The most complex and multi-layered of Callas' CVI works, 'Bilderbuch' focuses on the geographic continent and turbulent political history of Europe. The primary image source of the work is a children's wartime pictorial scrapbook (or 'bilderbuch'). Callas has described 'Bilderbuch fur Ernst Will' as an 'electronic rendering of a form of proto-televisual iconomania', involving the collecting and collating of seemingly random images which, when seen together, reveal underlying narratives and belief systems. Seen in this context, images from the child's scrapbook come together to create a startling picture of wartime Europe and its legacy. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001506
ACMI Bio-see Optical Disc External collection;Experimenta Collection/ACMI Special Collections Gina MOORE, Jeremy YUILLE B2005620
ACMI Black Hole Radio Purchase; 1999 1992 00:07:00:00 Jem COHEN Over the past 20 years, filmmaker Jem Cohen has assembled a massive visual archive of Super 8 and 16mm by filming everyday images and experiences as he negotiates his way through the spaces of New York City. Filled with enigmatic glimpses, gestures and images seeming to come from half-remembered dreams, memories and snatches of conversations, this archive contains hints for unearthing the many secrets of contemporary metropolitan life. In the mid 1990s Cohen encountered a series of advertisements for a New York City 'Phone Confession Line'.To call in and confess was free; to listen cost money. Cohen acquired recordings of these taped confessions of murderous thoughts, desire and treachery, and used them to form the audio heartbeat of his video installation 'Black Hole Radio'. Accompanied by ghostly Super 8 images filmed by the artist during his nocturnal wanderings, the installation reveals the anonymous lives and restless spirits that haunt the phonelines, televisions and sleepless nights of the city. For this version of the installation, ACMI has worked with the artist to create a small confessional cell where images shimmer like paranoid hallucinations while disturbing whispers hang in mid-air, semi-publicly. The elusive images that linger on the edge of visual perception provide the evidence of Cohen's investigation into the small confessed 'crimes': loving the wrong man, harbouring hatred or greed. Visitors leave 'Black Hole Radio' feeling the way they do when a shameful memory wakes them in the dead of night. Inside Cohen's confessional, it is understood that it is both a privilege and a curse: to live as social beings and to know that isolation and forgetting can't conceal the troubled heart of the city. B1000385
ACMI Black/White/Text Purchase 1980 00:07:19:00 Gary HILL B1002877
ACMI Blast Theory 2008 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Rider SPOKE B2005592
ACMI Blaze of Glory 2009 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Lauren BRIARAT B2005584
ACMI Blended realities CD-R, ISO External collection;Experimenta Collection/ACMI Special Collections Troy INNOCENT B2005213
ACMI Blind grace Purchase 1993 Adam COHEN New York City -- a huge, slow pulse of light steaming through daytime and night time. A study of the soul of the city, its radiance, its isolates and its irates -- the special souls who are lost to the vision of the workaday world but scorched into the vision of Cohen's video world. A world of blindness, grace and vision. A world made more sacred by noise -- the special noise composed in response to the city's scorching radiance, another kind of soul music. B1000092
ACMI Blood Landscapes: Palimpsest 2008 DVD-R External collection;Experimenta Collection/ACMI Special Collections Richard O'SULLIVAN B2005554
ACMI Blood disco: Dirk wears white socks Licence (perpetual); 2004 2004 00:00:30:00 Scott REDFORD Scott Redford's visually rampant fist-in-mouth and Egyptian eye images riff on the early surrealist films of Luis Buñuel, via a queer punk aesthetic, in this pop-savvy work. B1006502
ACMI Blow-up Purchase; 2002 2000 00:01:39:00 Siegfried FRUHAUF 'Blow up' is a visual pun. Austrian experimental film-maker, Siegfried Fruhauf, uses discovered footage of a man demonstrating mouth to mouth resuscitation on celluloid. The film is displayed in a way that show-cases the celluloid format as an object, rather than viewing the film with the content frame by frame. As the footage rolls the film is objectively abstracted with penetrating sounds of heavy breathing. As the 'camera' pans closer, the image takes over and we enter the film. It is our breath that now fills the image. B1002793
ACMI Bludren DVD+R External collection;Experimenta Collection/ACMI Special Collections B2005480
ACMI Blurring the boundaries Licence (perpetual); 2004 2004 00:00:30:00 Craig WALSH Repurposing documentation of his wild installation, where unexpected images are projected onto a shop window in Vietnam, Craig Walsh captures the interaction between art and its audience. B1006508
ACMI Bobe's legend 1998 © the artist Robert GLIGOROV Bobe's Legend shows the artist joined in a symbiotic relationship with a young chick which, over a time-lapsed seqence, we see hatched and nurtured in the artist's mouth until it eventually takes flight. B1001285
ACMI Booth at ACMI 2003 Grant HILLIARD The Booth at ACMI is an intimate venue designed for the exhibition of short custom made audio visual works. A cross between the world's smallest cinema and largest photobooth with a companion Boothsite that can take the portraits of Booth visitors generated by the encounter and admit them into a growing, online, interactive community of Booth visitors. It is a coin-operated vending machine that vends cinema itself and, like the black and white photobooth, provides its visitors with a take away souvenir record of their encounter in the form of a photographic portrait. It includes an evolving soundscape that shifts as day turns to night, enlivened by lighting that plays over and under the 120 mother of pearl discs in the Booth's shell. B1003637
ACMI Boxing fragments 2001 00:01:58:00 Tina GONSALVES B2000260
ACMI Breathing Sounds - Experimental Sound Performance Optical Disc External collection;Experimenta Collection/ACMI Special Collections Nigel BROWN, Lucky DRAGONS, Christian FENNESZ, Rosalind HALL, Alice HUI-SHENG CHANG, Herman KOLGEN, Chun LEE, Sheng-Po SHEN, TOKTEK, Fujui WANG, Zong-Heui YEH, Yung-Ta CHANGE B2005724
ACMI Brook Andrew Optical Disc External collection;Experimenta Collection/ACMI Special Collections Brook ANDREW B2005684
ACMI Buried in light Licence (perpetual) 1994 01:00:00:00 Jem COHEN In this work originally commissioned as a multi-screen installation, Cohen meditates on 'a time between times' as he travels through Central and Eastern Europe. The filmmaker invests his own dreamily elegiac images of sites of past horror and devastation with 'found' commentaries taken from radio announcers and museum guides. With a considered use of archival material, Cohen restores a deep and affecting agency to the ghosts of the past, even as he signals a concern with the encroaching signs of change being wrought on contemporary European societies. A lightness emerges, ultimately, in Cohen's visually poetic and spiritually consoling 'seven possibilities for colour beyond advertising'; a wry melancholy postscript the filmmaker proposes as a parting gift. B1000140
ACMI Burnout 2001 2002 Ben MORIESON Burnout 2001 is an interactive game which allows users to use a catalogue of authentic burnout movements to create various markings on the screen. A variety of vehicle's available each having a particular speciality to their burnout. B1004071
ACMI Bystander pdf 2006 CD-R External collection;Experimenta Collection/ACMI Special Collections Kate RICHARDS B2005499
ACMI Bystander: documentation 2006 DVD External collection;Experimenta Collection/ACMI Special Collections B2005500
ACMI Cannibal Dad Compilation 1984 2002 ISO, DVD+R External collection;Experimenta Collection/ACMI Special Collections Ian HAIG B2005214
ACMI Carbon, sampler 1.0 1993-1998 John LYCETTE B1003708
ACMI Carbon: sampler 1993 1998 Optical Disc External collection;Experimenta Collection/ACMI Special Collections John LYCETTE, Mark LYCETTE B2005211
ACMI Cartes postales video Licence (perpetual); 2005 1984 1988 1984-1988 01:03:57:00 Robert CAHEN The conventions and style of the postcard's photographic moment are transformed by movement and sound in this exquisite collection of thirty-second video postcards. Time worn images fade in, only to be suddenly and momentarily released with a gesture, a punctuating sound - and then frozen again. Witty and often poignant, these revealing documents of time, place and memory capture a fleeting, ephemeral reality. We are invited into a narrative of what the artist calls 'thirty seconds worth of dreams'. Produced in Paris, New York, Rome, Quebec, Iceland, Lisbon, Cairo, Algiers, and other sites around the world, these video postcards form fragments a perceptual voyage by way of the subtle magic of a temporal trompe l'oeil. B1000087
ACMI Cellular activity: Split Screen DVD-R External collection;Experimenta Collection/ACMI Special Collections Neil Ira NEEDLEMAN B2005645
ACMI Cerebellum 2002 2002 Charles ATLAS, Leigh BOWREY, Gary CARSLEY, KINGPINS, Monika TICHACEK Cerebellum was a video installation exhibition curated by Gary Carsley in 2002, and investigated the modes of self-transformation through an art of public display. In doing so, Gary paired the work of two contemporary Australian artists with their more senior performative counterparts. In the exhibition Monika Tichacek responded to the work of Charles Atlas and the Kingpins to Leigh Bowrey's performance group 'Raw Sewage'. The cd-rom contains images and information about the exhibition - inc. video interview with Charles Atlas, a unique set of archival documents pertaining to the work of Leigh Bowery and Raw Sewage, and essays by German curator and writer Rafael von Uslar and Rachel Kent, Senior Curator at the Museum of Contemporary, Sydney. Submitted by Blair French, Assoc. Director The Performance Space Ltd, Sept 2003. B2000172
ACMI Chain times three Commission; 2001 2002 30 December 2002 Jem COHEN As regional character disappears and corporate culture homogenizes our surroundings, it's increasingly hard to tell where you are. Landscapes from L.A. to New Jersey, Vancouver to Melbourne, share a strange indeterminate quality. A new Wal-Mart megastore opens, somewhere, every four days. CHAIN is a multi-screen installation in CHAIN, this global, 'superlandscape' sets the mood and serves as mortar for a series of linked narratives and mini-documentaries that will be joined into a unique hybrid feature. CHAIN explores the effects on humans of an altered environment made not only of architecture and geography, but of the shift in economic and social horizons brought on by the increasing commercialism and surveillance that mark the 'Age of Information'. Cohen was in residence with ACMI during 2000. The idea for this project was developed during his time in residency. B1001823
ACMI Changing time (quickly) Purchase 1988 Alexander KLUGE We see the celebration of New Year's Eve with fireworks in 1988, repeated exactly in 1923, in 1908, and in munitions explosions in 1812, as well as an air attack in World War II and there is no difference in the image. Meanwhile, a group of women tries to remember the words of the third stanza of Schiller's lyrics to Beethoven's Ode to Joy. Freeways, clocks and the solar system form categories which shape experience, while Lenin's lying in state reminds us of the previous one we saw of Gardel. Martin Heidegger and Hannah Arendt are philosophers of the city, which is visualized as a gigantic clock. Finally, Freder in Metropolis tries to hold back the hands of the enormous clock/machine anticipating the turn of the century. B1000113
ACMI Charmed 2007 CD-R External collection;Experimenta Collection/ACMI Special Collections Priscilla BROOKS B2005513
ACMI Children's tapes Purchase 1974 Terry FOX Children's Tapes is a classic early video work, a seminal investigation that translates the aesthetics of minimalism, performance, perception and real time into the vernacular of the everyday. With ingenuity and wit, Fox constructs phenomenological dramas from the science of the quotidian. Suspense and surprise suffuse a series of anecdotal episodes that demonstrate basic physical phenomena. Fox builds dramatic tension and mystery with an extreme economy of means, focusing a stationary black-and-white camera on ordinary household objects. With the camera close to his still-life subjects, Fox constructs a series of elementary experiments that illustrate fundamental principles of physical science: A piece of fruit is placed under a tin lid held up by a single match, as an unsuspecting fly approaches the bait; a spoon, balanced on a fork, holds a piece of ice until the melting water topples it; a candle in a pan of water is extinguished when a pot is placed over it. The intimate scale, magnified view, and suspenseful unfolding of minute events in real time all serve to intensify the viewers' perceptions and expectations in these engaging mini-narratives. B1000102
ACMI Chile: Artes Para El Mundo/Arts of the World Optical Disc External collection;Experimenta Collection/ACMI Special Collections CONSEJO NACIONAL DE LA CULTURA Y LAS ARTES, CHILE B2005594
ACMI Chromos 2000 Paul BROWN Chromos is a computer-generated work which uses computational processes called 'cellular automata' to produce patterns which change over time. Cellular automata were conceived by Stanislaw Ulam and John von Neumann in the 1940s, and popularised by John Conway's Game of Life in the late 1960s. Each cell - like the individual tiles that make up chromos - is a discrete system that follows its own simple rules. These rules govern the transitions of the tiles over time. Although both the tiles and the rules are simple, the overall behaviour of the system is complex and unpredictable. Chromos, like any beautiful design, invites contemplation, so rather than try to identify the mathematical rules at play, most viewers will happily lose themselves in the entrancing visual maze. The work engages aspects of behavioural and cognitive theories and theories of creativity. The human brain has evolved to seek meaning and so many viewers of cellular automata believe they are witnessing a much higher degree of intelligence and lifelike-ness than is implicit in the system itself. Conversely these systems also enable us to perceive that many aspects of human intelligence and creativity are perhaps nothing more than the outcome of simple but unpredictable behavioural processes. B1005533
ACMI Chronicles of the New Human Organism 2010 DVD+R External collection;Experimenta Collection/ACMI Special Collections Ian HAIG, Philip BROPHY, Philip SAMARTZIS B2005216
ACMI Cinco anos [interactive] 1993 Angela BARNETT Interactive online work about Barcelona, containing a montage of multi-layered colourful images using hand-drawn animation, newspaper cuttings and stills to convey a sense of the local community and the use of street art. B1007081
ACMI City of chromatic dissolution 1999 00:16:01:00 Arthur CANTRILL, Corinne CANTRILL Arthur and Corinne Cantrill used footage of Melbourne's cityscapes and buildings from the mid 1980s to create this evocative piece on movement, colour and the city. The various parts of inner city Melbourne were originally shot on black and white negative in three colour separation, then printed on Eastmancolor film. The results are static shots of the city, where the movement of people and vehicles have a quality that is colour saturated and ghostly. This is complemented with a sountrack both urban and discordant in tone. This is one of a series of films made by the Cantrills that experiment with dramatic distortions of colour through three-colour separation processes. The original inspiration for this project (as the filmmakers report in the final edition of Cantrills Filmnotes) came back in the mid-1970s when Kodak stopped making the Cantrills' preferred 16mm reversal colour film stocks. B2000672
ACMI Clare Rae showreel DVD-R External collection;Experimenta Collection/ACMI Special Collections Clare RAE B2005543
ACMI Cleaner jpeg CD-R External collection;Experimenta Collection/ACMI Special Collections B2005671
ACMI Close CD-R External collection;Experimenta Collection/ACMI Special Collections Iain MOTT B2005630
ACMI Closer Commission; 2002 2002 video, software, sensor pads and vinyl interactive pillars Peter HENNESSEY, CHUNKY MOVE, Gideon OBARZANEK, Darrin VERHAGIN A commission of the Australian Centre of the Moving Image, 'Closer' is an interactive dance installation created and produced by renowned contemporary dance company Chunky Move. A constantly changing audiovisual environment with a single large projection of a solo dancer, Closer plays with the relationship between the audience and the interactive structures created by artists Gideon Obarzanek (Choreography), Peter Hennessey (Interactive and Visual Design), and Darrin Verhagin (Audio Landscape). Closer combines real time video processing with sensor pads that respond to audience members using their bodies to modify the moves of the on-screen dancer. The choreography is endlessly modified by the actions of the audience, and the audience's actions are in turn shaped and defined by the installation, which calls upon them to touch, throw or press their bodies against the upholstered, torso-size sensor pads mounted on the walls in the installation space. Closer redefines the installation space as a choreographic instrument, which is played by its audience to create new works every time. The work can also be described as an investigative tool, allowing the audience to explore, in more a more detail, the structure and topography of the movement and the body of the dancer. The work literally brings the audience closer to the work in every sense -closer to its creation, closer to the subtle details of its movement and closer to the body of its dancer. As the audience engages with the work, they become increasingly aware of the reflective relationship they share with the dancer. Their interaction, via large physical actions or movements, is very different from the usual 'mouse and keyboard' interface that commonly defines multimedia installations. As they activate the large wall pads, their bodies are pushed into a kind of physicality that is especially unusual in a traditional gallery context. They literally impact on the work. The choreography in Closer is itself based on impacts. A lone dancer bounces her body against a wall and, as the audience's input increases, this gentle rebounding is transformed into something far more intense and extraordinary. Closer, the audience's experience of dance, usually felt from the passive distance of theatre seats, is active and intimate. The minute complexities of the body - the ripple and flex of skin and muscles, hair, pores and subtle expression - form part of the choreographic palette of Closer. This is micro-choreography. This is Closer. B1002680
ACMI Coin-Op Interactive Projects 2006 DVD-R External collection;Experimenta Collection/ACMI Special Collections Johan BRUCKER-COHEN B2005574
ACMI Coin-Op Interactive Projects DVD-R External collection;Experimenta Collection/ACMI Special Collections Johan BRUCKER-COHEN B2005713
ACMI Collaborator 1999 Daniel CROOKS, Peter CIRCUITT Collaborator presents a unique opportunity for teachers and students of theatre to explore issues, processes and the personnel associated with the creation of a new piece of Australian Theatre. This CD-ROM provides insights into the creation of Arena Theatre's Panacea through interviews, both formal and informal, with the artists involved and presenting footage of the production in both rehearsal and in performance. Over two hours of video clips, extensive audio interview, animation, script and text help demystify the creation of the project. It allows students to closely examine the text of the play and the ideas that went into it. The artists are seen as they are; articulate, passionate and committed, but also exhausted and often unsure of the outcomes. Collaborator is a particularly useful tool for the teaching of both Units 4 for Drama and Theatre Studies as it allows your students to explore the process of play making by one of the most successful professional theatre companies working in Australia today. B1001135
ACMI Competing Bodies II: test work DVD+R External collection;Experimenta Collection/ACMI Special Collections Jemma WOOLMORE B2005527
ACMI Confession from the Commander's diary: a narration in five parts 1998 Alexander SOKUROV Observing the rituals, gestures and trance-like states of his crew, a naval Commander ponders his life. How did he get here? What went wrong? And right? Will he ever know light again? Probing the dark, unspecified seas, the ship becomes contemporary Russia: dazzling midnight snowstorms; plain human actions shaped by centuries of weariness and wanting; persistence; inquiry. B1001775
ACMI Consenting Adults DVD-R External collection;Experimenta Collection/ACMI Special Collections Neil Ira NEEDLEMAN B2005646
ACMI Contingent 2008 DVD External collection;Experimenta Collection/ACMI Special Collections Rivane NEUENSCHWANDER B2005537
ACMI Convergence 2001 00:02:28:00 Tina GONSALVES B2000259
ACMI Conversation CD ROM, ISO External collection;Experimenta Collection/ACMI Special Collections Troy INNOCENT Supporting documentation B2005209
ACMI Corroded grooves 2000 Chris HENSCHKE This interactive installation consists of two re-designed turntables, a computer, a monitor, audio speakers and a mixing console. The computer plays a variety of samples taken from the turntables which have been digitally manipulated and recomposed to create minimal rythums, melodies and bass tones. B1003078
ACMI Creator 1997 CD-R External collection;Experimenta Collection/ACMI Special Collections Stellah DE VILLE journey through an elemental landscape B2005493
ACMI Cry for Help Optical Disc External collection;Experimenta Collection/ACMI Special Collections THE FARMER COMPANY (ALEXANDRA LISEE) B2005669
ACMI Cultural dislocation Licence (perpetual); 2003 2002 Lydia HOHL Created as a Victoria University Multimedia After Effects assignment, this short work examines the question 'What is Culture?' B1005048
ACMI Cyberdelia [documentary] 1991 00:26:00:00 Jaffers ADEM, Steve SPANGARO In Cyberdelia we see the best of video and computer art that was available in Australia in the analogue pre-digital period. The self identified 'cyber artists' include Stelarc, Gus Till, Adem Jaffers, Captain ROM, Troy Innocent, Jeff Jaffers and Ollie Olsen. These early techno-artists used low-cost, high-result technology like the Amiga computer in innovative ways to achieve remarkable results. The show is a visual feast. Clever integration of conceptual art practice, video editing, digital and analogue effects, fractal generation, optical effects, and camera effects, provide a stunning range of visual experience. Passing time and mundane commercialisation of technology may have dampened the ardour of cyber ideologists, yet the philosophy and lifestyle evidenced in these artist interviews came from true believers in an alternative sub culture. B1004103
ACMI Cyberdelia [extended] Donation; 2016 1991 03:03:54:00 Adem JAFFERS Billed as a cyberdelic experience about the art form of technology, Cyberdelia was a public broadcasting event created in Melbourne. This recording of the event was captured during the live broadcast in 1991. Originally intended to be a thirty minute documentary broadcast, the event was spontaneously extended by several hours at the encouragement of impressed RMITV producers who claimed it 'was some of the best stuff they've ever seen on Public TV'. Utilising studio vision mixing equipment, the video jockeys (VJs) were able to combine, filter and manipulate the live-action and computer-generated images with accompanying techno rave audio. The collaboration featured local established and emerging artists including Stelarc, Third Eye, Jeff Jaffers, Cyber Dada, Adem Jaffers and Captain ROM. Enthusiasm for Cyberdelia paved the way for Cyberthon, a series of live VJ endurance broadcasts between 1991 and 1995, which continued to push the envelope of broadcast television as an experimental ar B2004204
ACMI Cyberflesh Girlmonster 1995 Linda DEMENT Donated body parts collected during Artists' Week of the Adelaide Festival 1994 have been used to construct a computer based interactive work. About 30 women participated in the original event by scanning their chosen flesh and digitally recording a sentence or sound. Conglomerate bodies were created from the information donated. These have been animated and made interactive. When a viewer clicks on one of these monsters, the words attached to that body part could be heard or seen, another monster may appear, a digital video could play, a story or medical information about the physical state described by the story, may be displayed. The user moves relatively blindly between these. There is no menu system or clear controllable interface. The work is a macabre, comic representation of monstrous femininity from a feminist perspective that encompasses revenge, desire and violence. This project was assisted by the Art Research & Development Fund of the Australian Network for Art and Technology and was produced in association with the Australian Film Commission. B1001952
ACMI Cyberthon I: For the Mind, Body and Soul Donation; 2016 1992 Adem JAFFERS ‘Cyberthon I: For the Mind, Body and Soul’ was the first guerrilla style T.V broadcast event of its namesake following the success of the Cyberdelia broadcast a year prior. Born from the idea of doing a ‘marathon cyber’ event, ‘Cyberthon I: For the Mind Body and Soul’ saw a group of artists broadcast, remix, JV and DJ mastered footage, experimental Amiga graphics and experimental art alongside performers and a live band at RMITV’s studio in Melbourne. Collaborator and curator to the events, Adem Jaffers said this is where the Cyberthon events really began and over the next five years they would expand in scope to feature over 300 VJ’s, DJ’s, artists and performers. Artists: Adem Jaffers, Troy Innocent, Dale Nason, Elenor Poppa, Steve Middleton, and Attillio Gangemi, Jason (Rudeboy) Mac, Terence Ho (Blast Off Sound System), Jeff Jaffers, VJ Kimberley Hughes, Ollie Olson, Darren Porter and Paul Wayne (Acid Death Bed). ‘Cyberthon I: For the Mind, Body and Soul’ is pa B2004200
ACMI Cyberthon II: The Virtual Transmission Donation; 2016 1992 Adem JAFFERS B2004201
ACMI Cyberthon II: The Virtual Transmission [1-hour compiltation] Donation; 2016 Adem JAFFERS Billed as 'an event that is sure to input Melbourne to the matrix of cyber-tek-fusion-modem', Cyberthon II: The Virtual Transmission was the second in a series of marathon video jockey (VJ) public broadcasts created in Melbourne. This one-hour edit was made a year after the live broadcast in March 1992, which spanned approximately 24 hours. The Virtual Transmission was made at the TVU's Studio in Footscray, Victoria and broadcasted live on frequency UHF-31 (RMITV). Exhibiting hypnotic animations, often rapidly mixed with still and live-action images accompanying a trance-like soundtrack. The work presents it's own disclaimer 'Warning: Optical orgasm may occur'. The work is a collaboraton of established and emerging artist with an enthusiasm for computer technologies and the underground rave scene. Artists inclue Tekno Madala, Stelarc, Cyber Dada and many more. Utilising Amiga computers and a vision mixer, VJ artists were able to manipulate, filter and mix footage in realtime. This work B2004314
ACMI Cyberthon III: The Underground Connection Donation; 2016 1992 Adem JAFFERS B2004202
ACMI Cyberthon III: The Underground Connection [1-hour compilation] Donation; 2016 1994 Adem JAFFERS Cyberthon III: The Underground Connection is the third in a series of live marathon video jockey (VJ) broadcasts created at TVU Studios in Footscray, Victoria. This one-hour compilation was created several months after the original broadcast which aired on 12th July 1992 lasting approximately nine hours. The work was a true collaboration, including performative contributions from live bands, DJs and VJs. The event also included two 3RRR Radio hosts conducting interviews and introductions. Viewers were encouraged to interact with creators during the broadcast via the bulletin board system (BBS) or fax. Artists involved in the event include Tekno Mandala, Cyber Dada, Don't Shoot the Messenger, Gstaud, Magnetic Head Circuit and more. With RRR Radio presenters Kate Bathgate and Liz Millar. This work is part of the Cyberthon Archive, generously donated to ACMI by Adem Jaffers (aka Tekno Mandala). B2004315
ACMI Cyberthon IV: EPIC Omnicast Donation; 2016 1995 Adem JAFFERS Cyberthon IV: EPIC Omnicast was the fourth in a series of marathon video jockey (VJ) broadcasts made in Melbourne, this one created as part of the 1994 Experimenta Festival on the 27th of November. The event was a true collaboration of broadcast media - with a multitude of artists and performers contributing via 3RRR Radio, Channel 31 Television and, as a world-first, on the internet using a video conferencing network. Encouraging global interaction, organisers set up a BBS dialup service for viewers to upload images and text to be included in the broadcast. The EPIC Omnicast was the first Cyberthon event where VJs mixed images simultaneously, opposed to having individual segments. Advertising for the event claimed it would 'push the barriers of experimental art based television'. Featuring VJs Tekno Mandala, Cyber Dada, Don't Shoot the Messenger, and DJs Voodoo Moon, Zen Paradox, Mystic Force, Fred Disco and The Visitor. This work is part of the Cyberthon Archive, generously donated t B2004203
ACMI Cyberthon V: Spectrum 1 - Red Donation; 2016 1995 Adem JAFFERS Cyberthon V: Spectrum is an eight-episode series of 60-minute video jockey (VJ) broadcasts, with each episode named after different colours. Red is the first episode in the series which aired on Channel 31 in Victoria. Featured VJs include Tekno Mandala, Third Eye, ABCTVXYZ along with DJs The Visitor and Future Films. This work is part of the Cyberthon Archive, generously donated to ACMI by Adem Jaffers (aka Tekno Mandala). B2004205
ACMI Cyberthon V: Spectrum 2 - Orange Donation; 2016 1995 Adem JAFFERS Cyberthon V: Spectrum is an eight-episode series of 60-minute video jockey (VJ) broadcasts, with each episode named after different colours. Orange is the second episode in the series which aired on Channel 31 in Victoria. Featured VJs include Tekno Mandala, Troubled Waters, Saphire, Air Fiction, Digital Primate along with DJs The Visitor and Future Films. This work is part of the Cyberthon Archive, generously donated to ACMI by Adem Jaffers (aka Tekno Mandala). B2004234
ACMI Cyberthon V: Spectrum 3 - Yellow Donation; 2016 1995 Adem JAFFERS Cyberthon V: Spectrum is an eight-episode series of 60-minute video jockey (VJ) broadcasts, with each episode named after different colours. Yellow is the third episode in the series which aired on Channel 31 in Victoria. Featured VJs include Tekno Mandala, DSTM, Phuture, ABCTVXYZ, Surfis along with DJs Digital Primate, 2120. This work is part of the Cyberthon Archive, generously donated to ACMI by Adem Jaffers (aka Tekno Mandala). B2004235
ACMI Cyberthon V: Spectrum 4 - Green Donation; 2016 1995 Adem JAFFERS Cyberthon V: Spectrum is an eight-episode series of 60-minute video jockey (VJ) broadcasts, with each episode named after different colours. Green is the fourth episode in the series which aired on Channel 31 in Victoria. Featured VJs include Tekno Mandala, Xmix, Rave Safe, Troubled Waters, Surfis along with DJ The Visitor. This work is part of the Cyberthon Archive, generously donated to ACMI by Adem Jaffers (aka Tekno Mandala). B2004206
ACMI Cyberthon V: Spectrum 5 - Blue Donation; 2016 1995 Adem JAFFERS Cyberthon V: Spectrum is an eight-episode series of 60-minute video jockey (VJ) broadcasts, with each episode named after different colours. Blue is the fifth episode in the series which aired on Channel 31 in Victoria. Featured VJs include Tekno Mandala, Space Between The Gaps, Cyber Dada, GSTAAD, Video Grafitti, ABCTVXYZ, Surfis and DSTM, along with DJ The Visitor. This work is part of the Cyberthon Archive, generously donated to ACMI by Adem Jaffers (aka Tekno Mandala). B2004246
ACMI Cyberthon V: Spectrum 6 - Indigo Donation; 2016 1995 Adem JAFFERS Cyberthon V: Spectrum is an eight-episode series of 60-minute video jockey (VJ) broadcasts, with each episode named after different colours. Indigo is the sixth episode in the series which aired on Channel 31 in Victoria. Featured VJs include Tekno Mandala, Force Fed, Magnetic Head Circuit, Antartica, Phuture, Wake up Return 2 Heart, Rave Safe and Air Fiction, along with DJ The Visitor. This work is part of the Cyberthon Archive, generously donated to ACMI by Adem Jaffers (aka Tekno Mandala). B2004247
ACMI Cyberthon V: Spectrum 7 - Violet Donation; 2016 1995 Adem JAFFERS Cyberthon V: Spectrum is an eight-episode series of 60-minute video jockey (VJ) broadcasts, with each episode named after different colours. Violet is the seventh episode in the series which aired on Channel 31 in Victoria. This work includes performing artist Stelarc with featured VJs including Tekno Mandala, Meltdown and Phuture along with DJ The Visitor. This work is part of the Cyberthon Archive, generously donated to ACMI by Adem Jaffers (aka Tekno Mandala). B2004207
ACMI Cyberthon V: Spectrum 8 - Black & White Donation; 2016 1995 Adem JAFFERS Cyberthon V: Spectrum is an eight-episode series of 60-minute video jockey (VJ) broadcasts, with each episode named after different colours. Black & White is the eighth episode in the series which aired on Channel 31 in Victoria. This final episode in the Spectrum series was an interactive experiment, allowing visual sequences to be compiled by participants controlling an Amiga computer situated at the Lounge Cafe in Melbourne's CBD. Featuring audio by DJ The Visitor. This work is part of the Cyberthon Archive, generously donated to ACMI by Adem Jaffers (aka Tekno Mandala). B2004248
ACMI Cyberthon VI: Telstra Edge Donation; 2016 Adem JAFFERS After the success of Spectrum, the Cyberthon crew were invited by Telstra to create a submission for an exhibition called The Edge, to be displayed at the Telstra Corporate Center on Exhibition Street. This demo was presented to Telstra at an annual meeting held at Dallas Brooks Hall. The first section of the demo shows a CGI artists impression of the proposed The Edge exhibit space. The middle section focuses on a simulation of the media submission process via the interactive Cyberthon VAT (V=Video, A=Audio, T=Text) porthole created using Deluxe Paint, with presentation edited in Scala on an Amiga 2000. Animation loops that appear in simulated submission section were created by Ian Haig, Cyber Dada (Dale Nason), Dont Shoot The Messenger (Steve Middleton & Attillio Gangemi), Tekno Mandala (Adem Jaffers), Julian Wong, Mish Fingers (Misha Hollenbach), Derek Shiel, Martine Carompt, and Force Fed (Stuart McCormick). Video camera footage was shot by Dale Nason from back of a Chris Wrights m B2004117
ACMI Daniel von Sturmer compilation of video works 2000-2001 2000 2001 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Daniel VON STURMER B2004373
ACMI Dark cave Purchase 1996 Tom KALIN Dark Cave (previously `That poured its hot breath') is an evocation of memory and identity that takes the form of a poetic video diary. Kalin endows intimate 'home movie' scenes of travel and personal life with mystery and melancholy. A quote from Alfred Chester serves to destabilize the lyrical nostalgia of the rhythmic images. B1000109
ACMI Darling child Purchase 1993 Tom KALIN Kalin's short video works function both as visual poems and as alternative music videos. With their astute conjunctions of image, music and text, these tapes respond to issues of sexuality and human interaction in the 1990s. In Darling Child, Kalin uses an economy of means spare visuals of an interior space, minimalist music to create an evocative, metaphoric interpretation of a text by Truman Capote. 'But we are alone, darling child, terribly, isolated from the other; so fierce is the world's ridicule we cannot speak or show our tenderness; for us death is stronger than life, it pulls like a wind through the dark, all our cries burlesqued in joyless laughter; and with the garbage of loneliness stuffed down us until our guts burst bleeding green, we go screaming round the world, dying in our rented rooms, nightmare hotels, eternal homes of the transient heart.' -- Truman Capote, Other Voices, Other Rooms. B1000110
ACMI Das Duracellband Purchase 1980 00:10:04:00 Klaus VON BRUCH In this dynamic collage, vom Bruch assembles powerful metaphors for threat and force, using fragmented, repeated images from media advertising and archival documents from World War II. The central image, appropriated from a popular TV commercial, is both riveting and ironic: A Duracell battery snaps together with a loud crack. This violent action, which is repeated over and over again, is intercut with flash-frame glimpses of the Nagasaki explosion, an American bomber pilot, aerial views of wartime destruction, victims of the nuclear bomb, and the artist's face. Vom Bruch constructs a landscape of associations through mediated images, building relational discourse on the violence of war and capital. Through the aggressive confluence of advertising, World War II destruction and self-images, vom Bruch positions contemporary identity within the context of the representational and historical apparatuses of the military and the mass media, as signifiers of collective memory. B1000085
ACMI Data panic! Purchase; 2003 1998 00:04:46:00 Ian ANDREWS Close to trillion dollars a day changes hands globally in foreign exchange transactions. Only 15 percent corresponds to actual commodities or capital. The incredible speed of the New York Stock Exchange's Superdot electronic order routing system means that the Dow Jones can swing back and forth by more than 50 points in a matter of minutes. These conditions bring about a condition known as 'data panic' a feeling of insecurity and anxiety that engulfs every transfer of digital information, from international trade to electronic banking. Data Panic combines images of computers, tape streamers, ATMs, terminals, workstations, printers, status indicators, traces and scans with computer animated icons, diagrams, pictograms, error messages, warnings, numbers, barcodes and binary digits. An advertorial style voice over narrates a non-sensical computer generated text interspersed with information technology advertising slogans. B1005587
ACMI Decophelia - Stills CD-R External collection;Experimenta Collection/ACMI Special Collections Brad BETTS B2005582
ACMI Deep & Shallow ; Thermogenic Muscle Detonator ; Love Makes You Weird ; Feeling for You 2002 2004 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Laresa KOSLOFF Laresa Kosloff, selected works: [00:00:01:00] Deep & Shallow (2004) ; [00:04:52:00] Thermogenic Muscle Detonator (2003) ; [00:10:29:00] Love Makes You Weird (2003) ; [00:12:50:00] Feeling for You (2002) NOTE: the following work (which was originally included in the Title field) does NOT appear on the digital files: Whereever You Are B2004382
ACMI Deeper 2001 00:02:23:00 Tina GONSALVES B2000251
ACMI Departure Purchase; 2003 2000 Ian ANDREWS In Departure, Ian Andrews has used mostly analogue techniques to evoke the decaying process that occurs in a film or photographic image over time, but in doing so, he has created an altogether different visual landscape in which different layers of image contest and compete against each other. A small strip of found film footage of a man 'departing' loops endlessly back and forth, and as it does so, the repeated actions of the man seem to physically alter the layers, the skin of film and image through which we watch this action take place. The figure is marking out the landscape by traversing it, by exiting the frame and leaving a ghostly trace of his presence - but it is the surface of the visual form itself that is left marked. B1005530
ACMI Di.o.rama: constructiong a virtual memory Optical Disc External collection;Experimenta Collection/ACMI Special Collections Dennis KRATZ B2005700
ACMI Dial history Purchase; 2004 1997 01:08:00:00 Johan GRIMONPREZ, Rony VISSERS In the found footage tradition, 'Dial H-I-S-T-O-R-Y' takes the viewer on a journey through media footage of airplane hijacking and other terrorism. B1003080
ACMI Digital Cinema 1996 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections MODERN IMAGE MAKERS ASSOCIATION B2004370
ACMI Digital Cinema VHS External collection;Experimenta Collection/ACMI Special Collections B2005441
ACMI Digital Gulag CD-R External collection;Experimenta Collection/ACMI Special Collections Mark O'ROURKE B2005310
ACMI Directors Showreel January 2003 2003 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Marcus LYALL B2004360
ACMI DisLocation (Keys) DVD-R External collection;Experimenta Collection/ACMI Special Collections B2005710
ACMI Disc 1: Images Optical Disc External collection;Experimenta Collection/ACMI Special Collections Penelope CAIN B2005570
ACMI Disc 2: (authored DVD) recent video Optical Disc External collection;Experimenta Collection/ACMI Special Collections Penelope CAIN B2005571
ACMI Dissect 2001 00:02:56:00 Tina GONSALVES B2000252
ACMI Dissonant particles Submission; 2004 2004 00:07:02:00 Gordon MONRO An abstract animation based on experiments with sound. Gordon describes the work as follows “Psychoacoustic experiments have indicated that two pure sine tones are played simultaneously, they will sound most dissonant when they are around a semitone apart in pitch. In Dissonant Particles, each particle emits a sine tone. The dissonance between them acts as a repulsive force that pushes the particles apart, both in position and in pitch. There is also a long-range (“cosmological”) attractive force that prevents the particles from flying off to infinity. The particles pulsate and slowly evaporate; both of these processes affect the way they 'feel' the forces acting on them. The colour of a particle indicates pitch: red for low pitches, green for intermediate, and blue for high. The camera tracks one particle, which is always shown in the centre of the screen.” Psycho acoustics is the study of subjective experience of audio versus the scientific measurement of sound by various devices. For example, the frequency of a signal may not change but we may perceive pitch changes if the amplitude changes. http://www.gordonmonro.com/pieces/dissparticles.html B2000085
ACMI Diversionary Tactics VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections UNKNOWN B2004357
ACMI Diversionary Tactics 1992 VHS External collection;Experimenta Collection/ACMI Special Collections B2005431
ACMI Document for Experimenta Media Art CD-R External collection;Experimenta Collection/ACMI Special Collections Yukihiro TAGUCHI B2005728
ACMI Documentation tape: Unstill life and Pin cushion 2000 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Gary ZEBINGTON, Mari VELONAKI B2004374
ACMI Dodg'em 1999 VHS [PAL], VHS External collection;Experimenta Collection/ACMI Special Collections Martine COROMPT, Philip SAMARTZIS Documentation of the Exhibition at Gallery 101 Collins Street, June 24 to July 1, 1999. Dodg'em is a collaborative installation consisting of two adult-sized pedal cars in which participants drive around an 'empty' gallery space, triggering a spatial soundscape of an unseen terrain as they go. Dodg'em achieves this by means of computer software developed at STEIM, Amsterdam, with an 8-16 channel soundscape. Re-developed for this festival in 2006, the work was originally conceived in 1999 and first exhibited at Gallery 101, Melbourne and subsequently toured Australia. Using computer technology and the humorous interface of a pedal car, this work asks an audience to re-think their expectations of what takes place within a gallery/museum space, where objects are usually fixed. It explores whether an electronic participatory (interactive) art piece can provide a meaningful and immersive experience without the participant feeling awkward or overwhelmed by the perceived complexity. 'The act of driving through a blank and characterless space of triggered sounds immediately places the driver in identifiable, visually suggestible locations. In achieving this sense of presence, of vicarious location in an elsewhere that is in excess of the gallery, the effect of Dodg'em is a compelling and hi-res as any 3D virtual world.' (Tofts, Darrin, Interzone (2005) Media Arts) In this project, the space is visually empty and attention is not so much on the pedal cars, as on the physical absence of the imagined sonic space. Through this blind interaction of driving or searching an unknown terrain, the gallery simply serves as a matrix in which to reveal that 'other place' (Description by RMIT University). B1003492
ACMI Domestic Disturbances VHS External collection;Experimenta Collection/ACMI Special Collections B2005421
ACMI Double Trouble 1986 00:05:45:00 Peter CALLAS One of the earliest works made by Callas using a Fairlight Computer Video Instrument (CVI) processor, a pioneering compositing and special effects system he utilised regularly from the mid 1980s to early 1990s. 'Double Trouble' is the first video made by Callas for a large exterior street screen form (in Tokyo). The image appears as though spliced into vertical halves, an array of imagery and characters appearing in double on either side of the division, and moving with alternating motion upwards and downwards. This two-frame animation technique creates two images from one checkerboard stencil which are then reversed, or asynchronously 'mirrored', producing an apt metaphor for cultural differences in 'body language' between East and West. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001500
ACMI Dr. Drone and Mr. Jester Optical Disc External collection;Experimenta Collection/ACMI Special Collections JC REYES B2005720
ACMI Dream Image vid Optical Disc External collection;Experimenta Collection/ACMI Special Collections T HENDERSON B2005672
ACMI Dream Kitchen 2000 CD ROM External collection;Experimenta Collection/ACMI Special Collections Josephine STARRS, Leon CMIELEWSKI B2005305
ACMI Dresscode From Movement to Fabric 2002 CD External collection;Experimenta Collection/ACMI Special Collections Raphael PERRET B2005607
ACMI Drift Licence (perpetual); 2002 1968 00:06:53:00 Michael LIGHT Since the first Apollo moon landing in the 1960s, NASA has compiled an enormous photographic record of its lunar saga. San Francisco photographer Michael Light gained access to the original negatives, presenting his collection of photography in major American and European museums including San Francisco Museum of Modern Art. As a reprise to his photographic exhibition 'Full Moon', Light has created 'Drift', an epic seven-minute loop of composite still imagery taken during NASA's moon missions. B1003093
ACMI EMAF Episode 3 VHS External collection;Experimenta Collection/ACMI Special Collections B2005424
ACMI ENESS DVD-R External collection;Experimenta Collection/ACMI Special Collections B2005573
ACMI ElectroFringe - The Remix Suite 2005 DVD External collection;Experimenta Collection/ACMI Special Collections SODA_JERK B2005241
ACMI Electronic Linguistic Purchase 1977 00:03:37:00 Gary HILL B1002867
ACMI Emerge 2001 00:04:09:00 Tina GONSALVES B2000249
ACMI Empire's Borders I Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005722
ACMI Entity Prototype 2 2006 CD-R External collection;Experimenta Collection/ACMI Special Collections John WALLER B2005547
ACMI Equalibrium Purchase; 2003 2001 01 January 2001 Ian ANDREWS One of the layers of this Equalibrium consists of an image of a Sufi like spinning dancer in a white lab coat. This out-take from an earlier film, Phonogramme, had somehow become splattered with a kind of mould that formed small flower like shapes in the frame. It is combined with a loop of hand-painted film which deteriorates slowly each time the loop repeats. B1005854
ACMI Erosion 2001 00:01:46:00 Tina GONSALVES B2000261
ACMI Erotique Licence (perpetual); 2005 1982 00:01:40:00 Peter TSCHERKASSKY B2000219
ACMI Escape from Woomera CD-R External collection;Experimenta Collection/ACMI Special Collections UNKNOWN B2005329
ACMI Essentials of tap technique Purchase 1989 00:06:00:00 Skip BLUMBERG, Brenda BUFALINO, Joseph CICALI, Charles COOK, Jim DENNY, Scott DONIGER, Mike FRIESE, Susan GOLDBETTER, Kevin RAMSEY In this delightful performance collaboration, Blumberg highlights the tap skills of dancers Charles 'Cookie' Cook, Brenda Bufalino and Kevin Ramsey. Focusing on the performers' movements from the knee down, Blumberg uses slow motion to isolate such tap techniques as the 'toe stab,' 'flam with pull-back,' and 'trenches.' The syncopated tapping forms a rhythmic counterpart to the dancers' demonstration of the essentials of their art. B1000083
ACMI Exercises for a pneumatic head 2004 DVD-R External collection;Experimenta Collection/ACMI Special Collections James DOOHAN B2005681
ACMI Exiternal & Domestique CD-RW External collection;Experimenta Collection/ACMI Special Collections S MCCARTHY B2005622
ACMI Exonemo Exhibition World B - Flyer 2006 Optical Disc External collection;Experimenta Collection/ACMI Special Collections YAMAGUCHI CENTRE FOR ARTS AND MEDIA B2005568
ACMI Experimenta 1994 Films Censorship Bureau Copy VHS External collection;Experimenta Collection/ACMI Special Collections B2005422
ACMI Experimenta 2003 ACMI 2003 CD-R External collection;Experimenta Collection/ACMI Special Collections B2005579
ACMI Experimenta 94 VHS External collection;Experimenta Collection/ACMI Special Collections B2005439
ACMI Experimenta Approval 2010 DVD External collection;Experimenta Collection/ACMI Special Collections B2005523
ACMI Experimenta Dubs VHS External collection;Experimenta Collection/ACMI Special Collections B2005433
ACMI Experimenta Episode 1 96 VHS External collection;Experimenta Collection/ACMI Special Collections B2005423
ACMI Experimenta Film Programme One 16mm film External collection;Experimenta Collection/ACMI Special Collections
ACMI Experimenta Hot DVD Jukebox CD-R External collection;Experimenta Collection/ACMI Special Collections B2005578
ACMI Experimenta House of Tomorrow - New Media Artworks CD-R External collection;Experimenta Collection/ACMI Special Collections B2005721
ACMI Experimenta House of Tomorrow Adelaide TV Footage VHS External collection;Experimenta Collection/ACMI Special Collections B2005437
ACMI Experimenta Roaming: Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005726
ACMI Experimenta Submission Tape AIM Grad Students House of Tomorrow VHS External collection;Experimenta Collection/ACMI Special Collections B2005436
ACMI Experimenta Vanishing Point Video Jukebox 2005 DVD-R External collection;Experimenta Collection/ACMI Special Collections EXPERIMENTA B2005521
ACMI Experimenta Video Jukebox 2002 2002 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections B2004384
ACMI Experimenta Xball 5.1 + 2 Stereo Mixs CD-R External collection;Experimenta Collection/ACMI Special Collections B2005561
ACMI Experimenta artist ads #2 U-Matic (low band), MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections UNKNOWN B2004366
ACMI Experimenta for Fed Screen CD-R External collection;Experimenta Collection/ACMI Special Collections B2005520
ACMI Experiments in motion graphics Licence (perpetual); 2003 1967 00:12:05:00 John WHITNEY In this documentary film exploring his working processes, John Whitney explains some of the techniques and philosophies involved in programming and animating his computer-made abstract films. He attempts to define his new art of 'motion graphics' by comparison with music and language. As well as an intriguing investigation into his work, this film is a visual feast of his remarkable dynamic abstractions. B1003525
ACMI Experiments in visual music 06/08 DVD+R External collection;Experimenta Collection/ACMI Special Collections Wade MARYNOWSKY B2005502
ACMI Explanation CD-R External collection;Experimenta Collection/ACMI Special Collections Kate ARMSTRONG B2005701
ACMI Eye Speak CD External collection;Experimenta Collection/ACMI Special Collections Matthew PERKINS B2005606
ACMI Faces 1976-1996 Licence (perpetual); 2002 1976 1996 1976-1996 Sue FORD Director Sue Ford features in this fascinating project which presents several individual's faces shot in the mid-1970s, and then again in the 1990s. Ford has drawn upon a stable of 19 artists and friends to present their faces to her on film, but as if in a still photo. Her return to them in the 1990s using the same technique reveals striking differences in some of the faces, whilst at the same time reveals an inherent sameness about their poses. B1001727
ACMI Falling Without Fear M.I.R. Flight 001 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Morag WIGHTMAN B2004372
ACMI Feeling for you ; Swell ; [Untitled] 2002 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Laresa KOSLOFF Compilation: [00:00:03:00] Feeling for you (2002) ; [00:02:29:00] Swell (2002) ; [00:05:31:00] [Untitled] B2004381
ACMI Film Ist Purchase 1998 00:59:21:00 Gustav DEUTSCH Austrian filmmaker Gustav Deutsch is one of contemporary cinema's pre-eminent avantgarde artists. After several years combing a massive archive of scientific films, Deutsch released 'Film Ist (1-6)', a film made up of found footage edited together into extraordinary assemblages of sound and image. The fragments of film traverse a vast range of human experimentation with time, light, motion, and the human form. We see vocal chords at work while we hear a singer rehearsing. As if peering into the suppressed memory of cinema itself, we see an eye being excised from the socket, the slow motion movement of apes, bullets, children and cats, and the world offered back to us as a phantasmagoria of wave forms, wind patterns, lightning flashes and electrical currents. Cinema was born out of scientific endeavour and has since redefined so much of how we understand the physical and temporal properties of the world. 'Film Ist' is a remarkable surrealistic report on cinema's own memory of its mysterious role in the creation of the modern world. B1002225
ACMI Finally destroy us Purchase 1991 Tom KALIN Kalin's short video works function both as visual poems and as alternative music videos. With their astute conjunctions of image, music and text, these tapes respond to issues of sexuality and human interaction in the 1990s, more than a decade into the AIDS crisis. In finally destroy us, Kalin uses found film footage, home movies, and haunting pop music (Annie Lenox singing Cole Porter) to poignantly recall moments of love, shared and lost. The title is taken from Virginia Woolf: 'But these meetings, these partings, finally destroy us'. B1000107
ACMI Fire of time 2000 Adam COHEN Urban development in Barcelona has all but destroyed the once vibrant Barrio Chino where the nights were days and the days were long. This is an evocative film shot through windows, on street corners and in small rooms. People, clouds, and the swift tail lights of cars glide past and through, as fleeting traces of the passage of time. And as this one working-class Red Light district is transformed and changed by the process of gentrification, the former residents appear as ghosts, their prescence - as graffiti, as shadows - a reminder of the real history of the city. Larger forces cause buildings and neighbourhoods to vanish but they are rebuilt again in memories, worn photographs and in light. Adam Cohen's handling of light gives people the substance of phantoms and their passages through the half deserted streets evoke Eliot, Proust, and Chris Marker. Sounds of this world are orchestrated with cello, organ and guitar to form a profoundly beautiful work about memory, longing and loss. B1000187
ACMI Fishtank Licence (perpetual); 2001 1998 00:46:43:00 Richard BILLINGHAM A high-rise flat in the U.K. Midlands. Ray is the father who drinks, Liz the mother, Jason the brother. There are some animals and the brother kills flies. The older brother films them with his handycam - intently observing whatever is going on. In 1996 Richard Billingham's 'Ray's a Laugh' was hailed as the photo book of the decade. His photographs were one of the talking points of 'Sensation'. Billingham has now made 'Fishtank', a commission for television by Artangel in collaboration with film-maker Adam Curtis and Illuminations TV for BBC2's acclaimed TV series. The 'video verite' of Fishtank is contained within the compressed space/fishtank of the flat. Sometimes they talk, sometimes they argue. Billingham's film registers the emotional temperature of this space and the family who live there with a closeness that transcends camera conventions. Like the paintings of Lucian Freud, Billingham crafts a terrible beauty from the landscape of family life and its patterns of pathos, despair and hope. B1000151
ACMI Five Company Production Logos in 3D 2010 ISO, Optical Disc External collection;Experimenta Collection/ACMI Special Collections Emile ZILE B2005312
ACMI Flat is beautiful Licence; 2004 1998 00:49:48:00 Sadie BENNING Partly shot in Pixelvision and partly in Super 8 and using a combination of hand-drawn masks, animation and live action, this experimental film explores the theme of gender identity through the eyes of androgenous 11-year-old Taylor (Sammy Steel). B2000280
ACMI FlightPaths: writing journeys CD External collection;Experimenta Collection/ACMI Special Collections NEXT WAVE FESTIVAL PRODUCTION B2005695
ACMI Float Optical Disc External collection;Experimenta Collection/ACMI Special Collections Aernout MIK B2005696
ACMI Flux VHS External collection;Experimenta Collection/ACMI Special Collections B2005443
ACMI Forced into images 2001 Destiny DEACON DESTINY DEACON has shown in exhibitions including the 2001 Yokohama Triennale, Das Lied von der Erde at the Museum Fridericianum in Kassel, the 2000 Biennale of Sydney and the 1995 Havana Biennial and the Yokohoma triennial. Using people and objects close to her - friends and family, dolls and other toys - the artist creates strange, unsettling images that address some of the most difficult aspects of contemporary Australian life. Cultural stereotyping, domestic violence and the status of Aboriginal women all inform Deacon's photography, and her gift for storytelling and biting sense of humour provide her work with a compelling edge. With her photographic series Forced into Images (a title taken from a poem by Alice Walker), a dramatic narrative unfolds, following a girl's troubled life from birth to womanhood. B1003224
ACMI Forecast CD-R External collection;Experimenta Collection/ACMI Special Collections Matthew EDWARDS B2005706
ACMI Form Connotes Action - Red Agitate, Form Connotes Action - Blue Head Butt + Pop, Yellow, Blurk. Scuplture Star (2 of 7 performances) Optical Disc External collection;Experimenta Collection/ACMI Special Collections Simone SLEE B2005715
ACMI Fragments Purchase 1994 Shelly SILVER Writes Silver, `These tapes can be seen as small sketches, snatches of overheard conversations, or as advertising that doesn't sell anything.' Fragments is an ongoing series of short tapes, each designed to be shown between other videotapes; that is, no two 'fragments' in the series are to be shown one after the other. Fragments appear on the Access Overscan in this order: 0:00 to 0:59 Belong, 1994, 59 sec, color, sound 1:00 to 1:59 - break 2:00 to 2:44 Desire, 1994, 44 sec, color, sound 2:45 to 3:59 - break 4:00 to 4:34 Fly, 1994, 34 sec, color, sound 4:35 to 5:59 - break 6:00 to 6:07 Apple, 1994, 7 sec, color, sound 6:08 to 6:59 - break 7:00 to 7:14 All, 1994, 14 sec, color, sound 7:15 to 7:59 - break 8:00 to 9:10 Jump, 1994, 1:10 min, color, sound 9:11 to 9:21 - break B1000131
ACMI Freeze frame Licence (perpetual); 2005 1983 00:09:38:00 Peter TSCHERKASSKY B2000218
ACMI Front Porch AND Dog Duet 1975 2002 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections William WEGMAN B2004367
ACMI Fugitive II Licence (perpetual) 1996 1997 1996-1997 Simon PENNY Fugitive II is the second iteration of the interactive digital video installation Fugitive (I), developed in 1996-7 at CMU, Pittsburgh USA and ZKM, Karlsruhe, Germany by Simon Penny, with the assistance of Jamie Schulte and Andre Bernhardt. The question 'what is FugitiveII' may be answered from two directions. As a piece of interactive media research, Fugitive (I+II) attempt to move beyond a simplistic state-machine model of interactivity in which raw instantaneous location of the user triggers events. Fugitive responds to the ongoing behaviour of the user. Fugitive (I+II) attempt to remove the levels of abstraction and encoding common to most interactive paradigms. Users interact in Fugitive with no special clothes or headgear, no input devices and no training. Fugitive responds to the natural embodied expression and dynamics of human users. It models a more convivial kind of human-computer interaction. Theoretically, Fugitive has much in common with situated, embodied and phenomenological critiques of conventional Artificial Intelligence approaches. The imagery in Fugitive II speaks to the conflicted nostalgia of the expatriate. The movement of the user undoes the original cinematography: for instance, the moving projected image puts the frames of a pan back on the wall at angles relative to each other that correspond to the original arc of the camera. In so doing, FugitiveII falteringly, fragmentally, reconstructs a virtual recreation of a place, only to be disrupted, deconstructed, or to collapse, due to user movement. FugitiveII speaks to the impossibility and the folly of dwelling in memory. B1000213
ACMI Futurebed CD-R External collection;Experimenta Collection/ACMI Special Collections Barry LAING B2005661
ACMI GAMEOVER project [demo only] 2007 DVD-R External collection;Experimenta Collection/ACMI Special Collections Guillaume REYMOND B2005478
ACMI GAMEOVER project [documentation] Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005479
ACMI Gabriela Fridriksdottir: Versations/Tetralogia Optical Disc External collection;Experimenta Collection/ACMI Special Collections Gabriela FRIDRIKSDOTTIR B2005485
ACMI Gallery 3D 2006 CD-R External collection;Experimenta Collection/ACMI Special Collections Sally ROBINSON B2005551
ACMI Garden of chromatic disturbance 1999 00:11:00:00 Arthur CANTRILL, Corinne CANTRILL B2003699
ACMI Gastropoda Licence (perpetual); 2005 2004 00:04:22:00 Anto SKENE A fascinating look at the common snail through a kaleidoscope of shapes, sounds and color using computer animation. No dialogue. B2000700
ACMI Gather Commission; 2001 2001 Hilary BLACKMAN, Scott MILLWOOD A restrained, observational study of the groupings, gestures, and postures of people who gather to form temporary communities in the city. People are observed gathering for entertainment, for commemoration, for debate and contestation, for celebration. The city is seen as a shifting flux and flex of momentary comminglings. B1001820
ACMI General Images Lib CD-R External collection;Experimenta Collection/ACMI Special Collections B2005692
ACMI Genetic Manipulation Simulator 1994 1996 CD-R External collection;Experimenta Collection/ACMI Special Collections Patricia PICCININI B2005311
ACMI German Song Licence; 2004 1995 00:06:21:00 Sadie BENNING B2000279
ACMI Get ready (Viennale '99 trailer) Licence (perpetual); 2005 1999 00:01:04:00 Peter TSCHERKASSKY B2000221
ACMI Gift Licence (perpetual); 2004 1997 Mike STUBBS Gift was shot in the Wolfen-Bitterfeld region of Germany, formerly part of the GDR. Home to intensive chemical production powered by local open-cut coalmines, Bitterfeld has been referred to as the filthiest city in Europe. Since the reunification of Germany, attempts have been made to redress the environmental damage, but the long-term effects remain evident in both the scarred landscape, and the poor health statistics of the people who live there. Gift is a mesmeric, impressionistic collage of images of industry, mining, pollution and community. Gift is the German word for poison B1002569
ACMI Gina Czarnecki selected works 97-2001 1997 2001 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Gina CZARNECKI B2004365
ACMI Girlpower (Part 1) Licence; 2004 1993 00:13:39:00 Sadie BENNING B2000278
ACMI Girls Boys Machines Read Into Me Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005525
ACMI Global Mind Project: samples and software pres Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005506
ACMI Global groove Purchase; 1999 1973 00:30:00:00 Charlotte MOORMAN, Merrily MOSSMAN, Nam June PAIK `This is a glimpse of the video landscape of tomorrow, when you will be able to switch to any TV station on the earth, and TV Guide will be as fat as the Manhattan telephone book.' So begins Global Groove, a seminal tape in the history of video art. This radical manifesto on global communications in a media-saturated world is rendered as a frenetic electronic collage, a sound and image pastiche that subverts the language of television. With surreal visual wit and an antic neo-Dada sensibility, Paik manipulates an emblematic pastiche of multicultural elements, artworld figures and Pop iconography. Pepsi commercials appropriated from Japanese television are juxtaposed with performances by avant-garde artists John Cage, Merce Cunningham, Allen Ginsberg and the Living Theatre; dancers moving in a synthesized, colorized space to Mitch Ryder's Devil with a Blue Dress On are intercut with traditional Korean dancers. Charlotte Moorman, her image wildly synthesized, plays the TV Cello; Paik and Moorman play the TV Bra for Living Sculpture; Richard Nixon's face is distorted by a magnetically altered television. In an ironic form of interactive television, Paik presents "Participation TV," in which he instructs viewers to open or close their eyes. Paik subjects this transcultural, intertextual content to an exuberant, stream-of-consciousness onslaught of disruptive editing and technological devices, including audio and video synthesis, colorization, ironic juxtapositions, temporal shifts and layering -- a controlled chaos that suggests a hallucinatory romp through the channels of a global TV. With its postmodern content, form and conceptual strategies, Global Groove has had a profound influence on video, television and contemporary art. B1000127
ACMI Glutinsoity Optical Disc External collection;Experimenta Collection/ACMI Special Collections Aernout MIK B2005698
ACMI Godspeed verticals Commission; 2004 2004 Shaun GLADWELL A dual screen digital video installation, godspeed verticals explores BMX bicycle riding and skateboarding and its relations to and functions within the urban environment through the large scale projection of two sequences of actions skewed at 90 degree angles. Recorded in a deliberately anonymous and generic underground carpark and walkway and presented in slow motion, these sequences subtly reference visual cultural practices and spectatorship in an art historical context while engaged in a meditative study of contemporary activities of urban expression. In the first sequence, the camera follows a single BMX bicycle rider as they maneuver towards the darkened exit/entrance of a vast walkway, the bike and rider alike appearing to be pulled up and beyond the frame through the skewed presentation of the image. A loose translation of Caspar David Friedrich's 'Wanderer above the Sea of Fog' (1818), the image stages the sublime position of the loan character in Friedrich's painting in its representation of the BMX bicycle rider's spatial orientation in and interaction with the contemporary urban landscape. Sequence two presents an aerial view of skateboarders falling into a tiled wall, some alone and others grouped together, with subtle reflections in composition on the geometry of Abstract art and the distant framing of imagery and figures in Western religious artworks. A layered soundscape of the sounds derived from the focal environment accompanies the projections to produce a low volume ambience for the on screen movements. B1006116
ACMI Gogzi 1998 CD-R External collection;Experimenta Collection/ACMI Special Collections Moira CORBY B2005240
ACMI Gopher 3000 CD-R External collection;Experimenta Collection/ACMI Special Collections Sonia KRETSCHMAR B2005642
ACMI Graffiti Released 2006 ISO, Optical Disc External collection;Experimenta Collection/ACMI Special Collections Emile ZILE B2005316
ACMI Grant Stevens: selected works DVD 2001 2008 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Grant STEVENS B2005512
ACMI Grass lands Licence (perpetual); 2005 2004 00:05:17:00 Zoe SCOGLIO Surrealistic and dream-like this animated experimental work uses cut-out animation to create some very strange and eerie images. No dialogue. B2000702
ACMI Green Cloud', 'Little Fish' Optical Disc External collection;Experimenta Collection/ACMI Special Collections Marty O'HARE B2005545
ACMI Gretel Taylor - improvising ideas for VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Gretel TAYLOR B2004368
ACMI Guns and poses (remix) Purchase 1995 1997 1995-1997 X-PRZ This single-channel tape is a remix of the video component of the installation NT YT FREE STYLES. X-PRZ constructs a powerful collage of rap music, authorial text, and iconic visuals to confront the politics of race in the context of the American media. Cokes writes,`Slick and easily legible Pop surface: deploying the Black male media projection as central model, heroic figure, and exploited buffoon of fear-mongers in the media. Moving images: clips from Gangsta rap videos, LA Rebellion 1992, the 'Jam' Michael Jackson/Michael Jordon video and other film sources.Sound: Adapted from the 'Murder was the Case' soundtrack with works by Dr. Dre, Ice Cube, and Snoop Doggy Dog.' B1000138
ACMI HOT: E HOT images CD-R External collection;Experimenta Collection/ACMI Special Collections B2005517
ACMI HOT: exhibition images CD-R External collection;Experimenta Collection/ACMI Special Collections B2005515
ACMI HOT: images CD-R External collection;Experimenta Collection/ACMI Special Collections B2005516
ACMI Haiku dada 1993 Felix HUDE One of 6 works selected by AIM director David Atkinson as representing the best interactive work produced by the AIM centre up until 2004. A wickedly humorous but thoughtful work. Very rich in content demonstrating how animation and interactivity can work seamlessly together. ' Explore the culture and contradictions of Japan. View beautiful woodblock prints in motion, select a haiku. Look into the personal profiles of typical Japanese citizens. Make your own haiku! Loads of fun for the culturally wise or just plain curious. Recommended by four sumo wrestlers out of ten. Basic Japanese and English phrases throughout.' B1000218
ACMI Hair Doo Optical Disc External collection;Experimenta Collection/ACMI Special Collections Jesslyn MOSS B2005653
ACMI Hand Made: Multimedia & Digital Arts Graduand DVD 2009 2009 DVD External collection;Experimenta Collection/ACMI Special Collections MONASH UNIVERSITY ARTS & DESIGN B2005575
ACMI Handkerchiefs for sale! 2004 DVD External collection;Experimenta Collection/ACMI Special Collections INDIE FILMS OY B2005481
ACMI Hansu Lee various works 2000 2003 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Hansu LEE B2005458
ACMI Happy-end Licence (perpetual); 2005 1996 00:10:56:00 Peter TSCHERKASSKY B2000210
ACMI Headskin 2005 2005 00:05:55:00 Robert HUTTER, Ingrid MWANGI Layers of identity and expression exposed through the often raw and violent process of intercultural dialogue reveal a universal vulnerability. B2000346
ACMI Heaven Licence (perpetual); 2003 1997 Tracey MOFFATT Surfing, sexuality and masculine bodies beneath the female gaze. A handheld camera closes in on private space of surfers as they disrobe in carparks and attempts to catch them 'out'. Filmed in and around Sydney beaches, Moffatt and female friends have documented a playful but edgey representation of surfer culture as the interaction between the filmmaker and subject moves towards active voyerism. The heavy drum beats and lapping waves of the soundtrack mirror the thrill and excitement of gender mis-representation. How do the males react, or perform, on camera and how do audiences interpret their own voyeuristic desires? What does it suggest about the role of the film maker, of ethics or 'surveillance'? B1001361
ACMI Helen Lane 2009 DVD-R External collection;Experimenta Collection/ACMI Special Collections Stuart RINGHOLT B2005507
ACMI Hikikomori: alienation through technology Licence (perpetual); 2001 2005 00:03:55:00 Gary BUI 'In the year 2004, it was expected that 1 million young adults will withdraw from the Japanese society.' This interpretative performance piece explores Hikikomori through representational images - a sculpture of animation and art. Performers: Yee Wei, Lester King. No dialogue, music soundtrack only. B2000725
ACMI Hill End Cliffhanger: video preview Optical Disc External collection;Experimenta Collection/ACMI Special Collections Sarah SMUTS-KENNEDY B2005540
ACMI History of a day 2005 2005 00:20:00:00 Simon CARROLL, Craig CARTER, Martin FRIEDEL, Uri MIZRAHI The time lapse photography in History of a Day offers an exhilarating view of a 'day' unfolding before our eyes in just four minutes. The five screens of the installation surround the viewer with multiple sunrises, sunsets and lightning storms - a global dance of energy and light not available to us from our usual fixed and single perspective. History of a Day shows us the Earth as a spinning ball of elements, driven by the laws of gravity and physics, producing, in the words of the artists, 'a cosmic special effects theatre in continuous production, simultaneously all over the earth.' Cinematographer Simon Carroll has been photographing time-lapse sequences for twenty years, and has amassed a large archive of material from which History of a Day was constructed. His work has been used in many films, including The Matrix (1999). Composer Martin Friedel has written music for film, theatre, opera and the concert hall, using both traditional and new media forms. He is currently a Creative Fellow at the State Library of Victoria. (FT 30.03.05) B2000110
ACMI Hold Vessel 1 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Lynette WALLWORTH B2005546
ACMI Hold: vessel #1 and vessel #2 Purchase; 2004 2001 Lynette WALLWORTH Hold: Vessel 1 is a magical interactive experience in which visitors to the gallery try to catch a mesmerizing series of projected visions in a delicate glass bowl - echoing the wondrous views of the world made possible with the first microscopes, underwater cameras and astronomical cinematography. Lynette Wallworth began her career in photography, and has also worked in short film, installation and performance. She creates installation spaces that require activation by the participant/viewer. To collect the images used in Hold: Vessel 1 she collaborated with scientific image libraries and specialist cinematographers, as part of her ongoing investigation into imaging technologies that enable us to see the world in ways otherwise inaccessible to the naked human eye. Hold: Vessel 1 consists of video projections with directional sound scape beamed from above into a darkened space. The visitor is invited to take hold of a glass bowl and catch the images within it, finding the point at which the vision is most clear and resolved. A personal portal opens to us as we cradle the bowl in our hands. Imagery in 'Hold' is derived mainly from Australian scientists and specialist cinematographers including: David Hannan, who has adapted medical imaging technology to film extreme macro images of the Great Barrier Reef, Anya Salih, who investigates coral fluorescence and Greg Rouse, Marine Biologist. The work is designed as a vessel to hold a changing pool of imagery. Hold: Vessel 1 will change in time as time changes the environments it reflects. B1001976
ACMI Hollow 2001 00:03:44:00 Tina GONSALVES B2000250
ACMI Homing Licence (perpetual); 2004 1994 Mike STUBBS B1002567
ACMI Homo Faber: Modelling, Identity and the Post Digital CD-R External collection;Experimenta Collection/ACMI Special Collections AUSTRALIAN RESEARCH COUNCIL B2005572
ACMI Host Purchase 1997 Kristin LUCAS Lucas states: In this video, I participate in an on-line therapy session directed by the system operator of a streetside multi-media kiosk. As I indulge in a virtual conversation about a troublesome relationship, the session instantly becomes an amalgamation of daytime television and tabloid, wherein the surveillance camera becomes the eye of the media. B1000120
ACMI House 2010 Optical Disc External collection;Experimenta Collection/ACMI Special Collections John GILLIES B2005597
ACMI House II: The Great Artisian Basin, Pennsylvania USA 2003 CD External collection;Experimenta Collection/ACMI Special Collections Joyce HINTERDING, David HAINES B2005462
ACMI Housing.Temp: A Time for Projection 2003 CD-R External collection;Experimenta Collection/ACMI Special Collections Gregoire ZABE B2005566
ACMI How to make the famous pisco sour 1986 00:16:20:00 Peter CALLAS 'Pisco Sour' represents a shift beyond earlier works in its dense layering of subject-matter and imagery. Initiated in Australia and completed in Japan, the work draws upon the core imagery of a bullock dray, a male figure in silhouette, a Japanese mask and a bottle of Pisco Sour. These appear in varied permutations alongside other seemingly random images to form a series of telescopic views (screens within screens). Verbal narrative and textual statement create a sense of tension whilst suggesting that history and meaning are never fixed. The work presents something of a conundrum, its title a metaphoric recipe for the potential 'souring' of things. Produced with the assistance of the Visual Arts Board of the Australia Council. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001498
ACMI Hurt Commission; 2001 2001 BIG HART, Phillip CRAWFORD 'Hurt' is an extraordinary project in which film and video cameras were put in the hands of 250 under-privileged young people from rural regions of northern New South Wales and Western Victoria. The basic materials derived from this process comprised hundreds of poignant, beautiful, cruel and comforting stories. Filmmakers Phillip Crawford and Matthew Priestly from youth arts organization BIG hART worked with the young people to create an AFI award winning film, 'Hurt' in which fragmented, poetic and haunting stories of isolation and hardship are told through the words and images created by the young artists. In this new ACMI commissioned project filmmakers from BIG hART have turned the material into a multi-screen spatial installation that puts the viewer into the midst of this fragmented world of broken lives, beauty and bravery. B1001818
ACMI Hybrid: sonic objects; sonic architecture 1995 CD ROM External collection;Experimenta Collection/ACMI Special Collections Nigel HELYER B2005328
ACMI Hypnomart Redux Magee/Gentry 3 stills CD-R External collection;Experimenta Collection/ACMI Special Collections B2005670
ACMI I Hung back, held fire, danced and lied Purchase 1995 Tom KALIN In I hung back, held fire, danced and lied, Kalin confronts loss, intimacy and estrangement. This visually arresting piece is constructed of Super-8 fragments that document familiar and foreign spaces, lovers and strangers. Rapidly intercut with these images are brief glimpses of names of individuals who have died from AIDS -- some famous, others not so well known -- that further notions of anonymity and immortality. Kalin's imagery serves as an 'imprint' of the living world, preserving for an unknown viewer personal experiences that have already fled. Kalin concludes with a quote from The Black Boy Looks on the White Boy by James Baldwin: 'I hung back, held fire, dance and lied. I was not going to come crawling out of my ruined house, all bloody, no, baby, sing no sad songs for me. B1000108
ACMI I Look up, I look down Licence (perpetual); 2004 2001 Pernille SPENCE A body falls gracefully through the air, kilometres from the earth, seeming to hover between falling, then rising again in a fluid dance that suspends and evades gravity. This looping video installation playfully dispels any laws of science as the casually dressed skydiver that we see floating through the air never gets closer to the ground. Moving hypnotically around the camera the body disorients all sense of up and down until at one point it seems to float, buffeted by the air, toward a passing plane. B1002573
ACMI I am a singer 1997 Megan HEYWARD This award winning interactive CD-Rom weaves a fragmentary narrative about an amnesiac famed for her singing. Exploring notions of performance, autobiography and memory this is an intriguing and compelling story in which the viewer helps to reconstruct the events of a life lived through song. B1002823
ACMI I don't know you 2001 00:01:56:00 Tina GONSALVES B2000258
ACMI IPIX: giving you the whole picture Optical Disc External collection;Experimenta Collection/ACMI Special Collections INTERACTIVE PICTURES AUSTRALIA P/L B2005473
ACMI Idea >On! 1992 Troy INNOCENT One of 6 works selected by AIM director David Atkinson as representing the best interactive work produced by the AIM centre up until 2004. : Idea-ON>! presents the manifestation of fragments of Troy's own personal reality in what appears to be a living, breathing world. The approach to multimedia rejects traditional flat user interface design, and offers the user many different forms of engagement through four new realities, each prototyping different aesthetic, structural and communication based approaches to virtual space. It is interactivity for interactivity's sake, experimentation with what is possible, experience based as opposed to information based. Things may happen without user interaction, more obscure exploration may be required to find hidden places, or responses given by the objects and beings will vary, often following a surreal kind of logic. A significant early work within the emergence of multimedia as art. Exhibited at Siggraph, BURNING THE INTERFACE: Museum of Contemprary Art, Sydney, Australia, 1996. PERSPECTA: Art Gallery of NSW, Sydney, Australia. ARS 95: Museum of Contemporary Art, Helsinki, Finland. Digital Salon: New York, USA 1995 B1005840
ACMI If Every Girl Had a Diary Licence; 2004 1990 00:09:00:00 Sadie BENNING Sadie Benning's video diaries form a unique record of the development of a young artist. Within the confines of her bedroom, she creates a dense experimental work about a teenagers search for sexual and non-conformist expression. 'If Every Girl Had a Diary' is an intimate insight into suburban malaise and alienation, as well as being a defiantly accomplished piece of video art. B1000246
ACMI If pigs could fly (the media machine) 1987 00:04:19:00 Peter CALLAS Produced for the Bicentennial Travelling Exhibition which circumnavigated Australia during the 'celebration of a nation' in 1988, this work represents a return by Callas to distinctively Australian imagery: the Anzac, a kangaroo playing the fiddle, the swagman, and the surfer. These patriotic and nationalistic icons are intercut with references to contemporary media culture to reflect a process of 'cultural de-territorialisation', brought about by the advancement of communications technologies in the late 20th century. The irony of the national media promoting and perpetuating the notion of a unitary, cohesive Australian identity in a nation made up of multiple racial and ethnic groups and founded on a largely unresolved colonial past, is not lost on Callas. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001503
ACMI Immemory 1997 Chris MARKER Marker charts a haunting journey through memory, cinema, photography, war and literature tracing an itinerary or map of an imaginary country. This voyage takes us from the 'Madeline' at the intersection of Proust and Hitchcock through an archive of image and text that culminates as a self-portrait. (Electonic Arts Intermix) B1003072
ACMI Immersion 1999 Optical Disc, CD-R External collection;Experimenta Collection/ACMI Special Collections Thomas COUZINIER, Cecile LE PRADO, Christian ZANESI B2005470
ACMI In My Gash Linda DEMENT 'She had a bad childhood. For a while they thought her mad. She got sent to jail for nothing. Much. It only made her worse. She turned to drugs and murdered men. Fell again again into the black hole of despair. This is the story of Lying Ugly Mess Bitch. These are the insides of Lying Ugly Mess Bitch. In My Gash takes you into the flesh of a depressed and dangerous girl, drug fucked and damaged. Four wounds are entrances to the nightmare interior where the stories and horrors of bodily memories emerge under the cursor on screen. Each gash leads to the black hole of despair where soundloops and suicide circle endlessly.' B1001954
ACMI Infected Licence (perpetual); 2003 2001 Gina CZARNECKI Infected is a projected video installation about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still a sexual, stark, brutal, organic, pounding bloody system with ripping tendons. It is beautiful and repulsive, indulgent, curious, emotional, un/controlled, breeding, changing. Gina Czarnecki is an artist originating from the UK whose films and installations have been exhibited widely across the UK and around the world. Infected continues her work around the visceral, biological and emotive body and its politics in relation to new technologies. This video is made in collaboration with Iona Kewney, a Glasgow-based dance artist. It features a specially commissioned score by Fennesz, whose computer-manipulations of sounds derived from guitar and other acoustic sources have won him worldwide acclaim as one of the most innovative and important artists working in electronic music. B1005332
ACMI Infinity Fragment 2 DVD-R External collection;Experimenta Collection/ACMI Special Collections Neil Ira NEEDLEMAN B2005647
ACMI Instrument Licence 1987 1997 1987-1997 Jem COHEN Jem Cohen is a New York-based producer working in 16mm and 8mm film and video. His poetic, often ephemeral, work is marked by a blurring of the distinctions between documentary, narrative, and experimental genres. Cohen frequently shoots in hundreds of locations without any additional crew, in the tradition of documentary street photographers such as Robert Frank. His projects include collaborations with poets, writers, and bands such as R.E.M. and Fugazi, creating alternatives to generic and commodified 'music video.' 'Instrument' is a collaboration between Jem Cohen and the Washington DC band Fugazi, the project covers the ten year period from the bands inception in 1987. Far from a traditional documentary, the project is a musical document: a portrait of musicians at work. B1001825
ACMI Interacker CD External collection;Experimenta Collection/ACMI Special Collections B2005609
ACMI Interactive Artwork 2004 2006 CD External collection;Experimenta Collection/ACMI Special Collections George KHUT B2005610
ACMI Internal tantrum Purchase 1975 Charlemagne PALESTINE In Internal Tantrum, Palestine sits before the camera with a severe expression of concentration, his body tense and his fists tightly wound. He begins to slowly chant and sway, evoking a powerful sense of grief and pain. He writes that the tape provides 'a reading, like on the Richter Scale, of a certain kind of emotional internal roller coaster or earthquake. I used only one tone so the deliverance of energy becomes directly articulated in the sound.' This performance is a simple yet intense rendering of pain, and the desire to move that pain outward from the internal. B1000128
ACMI International Compendium- Pris Ars Electronical 2011- CyberArts 2011 2011 DVD External collection;Experimenta Collection/ACMI Special Collections AKAMA, Thomas ANKERSMIT, Bertrand AVRIL, Alessandro BAVARI, Matthieu BERNADAT, Nicolas BERNIER, Nils BOUSSUGE, Anna CEEH, Budhaditya CHATTOPADHYAY, Pierre CHOMARAT, Paolo CIRIO, Florence CIUCCOLI, David DANGIN, Clement DELTOUR, Alexander DOUBRAVA, Adam FOULKES, Joe GERHARDT, Murat GURCU, Lars Lundehave HANSEN, Furkan HATIP, Motoi ISHIBASHI, Ruth JARMAN, Philip JECK, Yan JUN, Floris KAAYK, Serhat KARAKAYALI, Tarek KHALIFA, Panayiotis KOKORAS, Christin LAHR, Stephanie LANSAQUE, Stefan LARSSON, Francois LEROU, Apostolos LOUFOPOULOS, Alessandro LUDOVICO, Nikolai MADERTHONER, Daito MANABE, Thea MATLAND, Sebastian MEISSNER, Martin MESSIER, Till NOWAK, Julian OLIVER, David O'REILLY, Marion PETEGNIEF, Franz POMASSL, Markus POPP, Philip REEDER, Bernhard RIEDL, Alex ROMAN, Tugay SEVIM, Candas SISMAN, Alan SMTIH, SOHRAB, Davide TIDONI, Valerio TRICOLI, Tuur VAN BALEN, Danja VASILIEV, Jana WINDEREN, ART ORIENTE OBJET B2005730
ACMI Interpolation Purchase 1979 Kit FITZGERALD, John SANBORN Divided into ten abstracted 'stories,' this study of sound and image juxtaposition employs rapid cutting as its primary visual strategy. Although such strategies have become standard conventions of music videos and television advertising, the artists broke new ground at the time with fast edits, dissolves, real-time manipulation and altered synchronization of sound and image. In deftly orchestrated interpretations of gesture and movement, simple events are reassembled into compelling compositions - rhythmic, stream-of-consciousness flows of images and sounds that play with illusion and reality. In 'Entropy', the everyday ritual of eating breakfast is fragmented into rapid, staccato images and sounds. A new language of sounds and chants is generated through rapid-fire editing and repetition in 'Aphasia'. Editing and dissolves are used to re-choreograph movement in 'Motive'. B1000099
ACMI Intersection No. 5 2008 DVD+R External collection;Experimenta Collection/ACMI Special Collections Daniel CROOKS B2005221
ACMI Interview of Shiralee Saul 2008 DVD-RW External collection;Experimenta Collection/ACMI Special Collections Sarah ALEXANDER B2005548
ACMI Invisible 2 CD-R External collection;Experimenta Collection/ACMI Special Collections B2005588
ACMI It wasn't love Licence; 2004 1992 00:19:10:00 Sadie BENNING B2000277
ACMI Jackson Rowe DVD-R External collection;Experimenta Collection/ACMI Special Collections B2005616
ACMI Jaki Middelton & David Lawrey: videos of past artwork for DVD CD-R External collection;Experimenta Collection/ACMI Special Collections David LAWREY, Jaki MIDDLETON B2005475
ACMI Jam VHS External collection;Experimenta Collection/ACMI Special Collections Liz HUGHES B2005448
ACMI Jeffu - Press-Images 1. Eqgupah poster 2 Flags CD-R External collection;Experimenta Collection/ACMI Special Collections JEFFU B2005638
ACMI Jess MacNeil preview disc 2006-2009 2006 2009 DVD-R External collection;Experimenta Collection/ACMI Special Collections Jess MACNEIL B2005526
ACMI Jollies Licence; 2004 1990 00:11:19:00 Sadie BENNING An intimate and sardonic work about being an adolescent in mid-American suburbia. From touching the genitals of boys in school to finally getting to kiss the girl she wants, this very funny and accomplished experimental work was filmed while the director was herself a teen. B1003646
ACMI Journeys 2001 CD-R External collection;Experimenta Collection/ACMI Special Collections Greg GIANNIS B2005300
ACMI Jpeg, Images, Text CD-R External collection;Experimenta Collection/ACMI Special Collections Ian HAIG B2005723
ACMI Jumpcut 2001 00:05:37:00 Ian ANDREWS Two pieces of found footage were used to produce 'Jumpcut', a series of frames cut from the head and tails of various takes of a talking head shot for a 1970s industrial film or commercial; and a piece of 1950s/60s home movie footage depicting a jumping child interrupted by the perforation marks at the end of the reel. Both images are processed through the Cox Box. The loop of the jumping boy had developed, over time, a network of miniscule cracks in the emulsion which were further emphasised by the increased contrast of the processing and the slow motion. B1005853
ACMI Junebum Park: preview DVD 2004 DVD-R External collection;Experimenta Collection/ACMI Special Collections Junebum PARK B2005489
ACMI Just hold still. Parts one and two Licence 1989 00:31:38:00 Jem COHEN In his New York City Landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries. `Just Hold Still' is comprised of an interconnected series of short works and collaborations that explore the grey area between documentary, narrative and experimental genres. Part One concerns a personal, poetic approach to narrative while Part Two involves hybridized use of verite footage and the confrontation of documentary concerns with the music video format. The work can be considered as a whole or each piece in the project can be viewed (and rented) as a separate entity. B1000093
ACMI Juvenate CD-R External collection;Experimenta Collection/ACMI Special Collections Andrew HUTCHINSON B2005619
ACMI Juvenate Press CD-R External collection;Experimenta Collection/ACMI Special Collections B2005702
ACMI K-Rad Man Licence (perpetual); 2001 1991 00:11:00:00 Ian HAIG A Mad Scientist creates the ultimate computer virus and locates a suitable test subject: K-Rad Man - to whom he can expose the computer virus and gauge its results. B1001959
ACMI KISSED images CD-R External collection;Experimenta Collection/ACMI Special Collections Philip BROPHY B2005735
ACMI Kaede Optical Disc External collection;Experimenta Collection/ACMI Special Collections Shaun YUE B2005665
ACMI Kaleidoscope 2010 2010 Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005542
ACMI Keely O'Shannessy DVD External collection;Experimenta Collection/ACMI Special Collections Keely O'SHANNESSEY B2005469
ACMI Keith Deverell Support Material DVD DVD-R External collection;Experimenta Collection/ACMI Special Collections Keith DEVERELL B2005679
ACMI Keith Deverell: support material DVD-R External collection;Experimenta Collection/ACMI Special Collections Keith DEVERELL B2005704
ACMI Kelimba Licence (perpetual); 2005 1986 00:10:00:00 Peter TSCHERKASSKY B2000214
ACMI Kick the Fractal.htm & Infinity Box.htm images 2002 CD-R External collection;Experimenta Collection/ACMI Special Collections Olaf MEYER B2005677
ACMI Kinema no yoru / Film Night 1986 00:02:31:00 Peter CALLAS 'Kinema No Yoru' introduces the motif of the menko playing card as a recurrent symbol in this almost entirely 'animated' work. Popular amongst Japanese children, menko's colourful appeal is underscored by a darker ideological bias in the set of cards at Callas' disposal. Disjunctive images of war and territorial conquest (human bombs, brave feats, gas masks) thus convey more about Japan's colonial aspirations that of the game's competitive nature in the simple winning and losing of the iconic cards. The introduction of political and propagandist imagery reflects the artist's profound scepticism toward notions of universal truth and authenticity of experience. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001501
ACMI Kiru umi no yoni / Cutting like the ocean 1986 00:04:11:00 Peter CALLAS One of Callas' most personally confronting works, it is made up of six parts, and utilises the image of a knife slicing horizontally through the pictorial screen as its central and linking motif. Its starting point was an installation by Callas which incorporated a photograph from the 1920s of two severed heads belonging to a male and female of an indigenous tribe in Formosa (Taiwan). At once horrific and enigmatic, this image forms a potent metaphor for Japan's pre-Second World War imperial past. The significance of the work is not confined to Japan alone - it also offers a kind of mirror with which to face atrocities committed in colonial Australia. Produced with the assistance of the Australian Film Commission. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001499
ACMI Kissing Mark 1998 00:00:48:00 Tina GONSALVES B2000248
ACMI Kitchen Horror DVD-R External collection;Experimenta Collection/ACMI Special Collections David SHORT B2005717
ACMI Korea 1 2004 CD-R External collection;Experimenta Collection/ACMI Special Collections B2005559
ACMI Korea 2 2004 CD-R External collection;Experimenta Collection/ACMI Special Collections B2005560
ACMI Korean Artists 2004 Proposal etc 2004 Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005519
ACMI Korean Artists 2004, Proposal etc, ver .2 02 Aug 2004 2004 Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005518
ACMI Kotoe Ishii Showreel Optical Disc External collection;Experimenta Collection/ACMI Special Collections Kotoe ISHII B2005530
ACMI Kung-Fu Kitchen VHS External collection;Experimenta Collection/ACMI Special Collections JEFFU B2005446
ACMI L'île Mystérieruse Purchase 1991 00:15:46:00 Robert CAHEN French videomaker Cahen eloquently captures atmospherics to create a sound and colour scape of Easter Island, The Mysterious Island. He writes, 'Traversed by light and colors, images of the empty landscape seem to be haunted by a gaze, a desire to see, to know.' Children play in the shallows of a small boat harbour. Is this a clue to the mystery? B1000088
ACMI LDTV Purchase 1997 00:20:23:00 Dan ASHER LDTV, refers to the artist's term for 'low definition television'. This work is a collection of television fragments videotaped directly from the TV screen in an array of countries in which Asher has travelled. On the one hand LDTV reflects the nomadic character of Asher's work, but at the same time it reproduces the effect of a satellite fixed in space, giving unlimited access to a homogenised world. With vitality and humor, LDTV traces the speed at which Western culture is transmitted globally. B1000069
ACMI LOOKiNG fOR ALFREd 2005 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Johan GRIMONPREZ B2005593
ACMI La dentista scenes CD-R External collection;Experimenta Collection/ACMI Special Collections B2005635
ACMI Labours Licence (perpetual); 2005 2004 00:06:44:00 Jessie SCOTT Exercise, weight, clothes, makeup - the labours of image. Performed by Hayley Owens. No dialogue. B2000699
ACMI Landscape Purchase; 2002 1998 Anna SZEPESI, Tamas WALICZKY In a small German village, time stops in the middle of a storm. Raindrops glitter frozen in the air, and the only living thing is the roving eye of the camera which moves through this frozen moment of time. Using complex digital animation techniques, Tamas Waliczky invites the viewer to reimagine how time and space are perceived and proposes a new virtual experience of the body's movement through space. B1003532
ACMI Laneway Commissions 06 2007 CD External collection;Experimenta Collection/ACMI Special Collections CITY OF MELBOURNE B2005457
ACMI Larry Emdur’s Suit 2002 ISO, Optical Disc External collection;Experimenta Collection/ACMI Special Collections Emile ZILE B2005321
ACMI Lauren Brincat - various 2004-2007 2004 2007 DVD-R External collection;Experimenta Collection/ACMI Special Collections Lauren BRINCAT B2005528
ACMI Lauren Brincat 2007-2008 Drum Roll #2, Live when I'm alive and sleep when I'm dead 1.35 2007 2008 DVD-R External collection;Experimenta Collection/ACMI Special Collections Lauren BRINCAT B2005529
ACMI Le chat de l'Avenir CD-R External collection;Experimenta Collection/ACMI Special Collections Grayson COOKE, Seth KEEN B2005643
ACMI Lendlease Consultation/Prototype Design Brief 2003 CD-R External collection;Experimenta Collection/ACMI Special Collections B2005467
ACMI Let's go 2003 DVD+R External collection;Experimenta Collection/ACMI Special Collections Wayne GILBERT B2005483
ACMI Letter on the Blind, For the Use of Those Who See Optical Disc External collection;Experimenta Collection/ACMI Special Collections Javier TELLEZ B2005736
ACMI Libidot 2001: sexy flowers v 5.1.5 (backup) 2001 CD-R External collection;Experimenta Collection/ACMI Special Collections LIBIDOT B2005697
ACMI Libidot 5.1.6 CD-R External collection;Experimenta Collection/ACMI Special Collections B2005659
ACMI Liebesfilm = Film of love Licence (perpetual) 1982 00:07:59:00 Peter TSCHERKASSKY B1000575
ACMI Life water Licence (perpetual); 2004 1990 Mike STUBBS B1002565
ACMI Liquid Rhizomatics DVD-R External collection;Experimenta Collection/ACMI Special Collections Sarah HANSEN B2005558
ACMI Little England Licence (perpetual); 2004 1998 Mike STUBBS B1002570
ACMI Living Space Series 2002 2010 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Paul HORN, Harald HUND B2005581
ACMI Living in La La Land, Slipstream, The Land that Grew Puppetheads 1999 2002 CD-R External collection;Experimenta Collection/ACMI Special Collections Chrissie IANSSEN, Keith NETTO B2005577
ACMI Living inside Licence; 2004 1989 00:05:13:00 Sadie BENNING Sadie Benning, at the age of 16, dropped out of high school for three weeks and stayed inside with her camera, TV and a pile of dirty laundry. The result is an introspective work of stop and start edits, grainy images and Benning's reflective commentary invoking a sense of isolation and sadness as she retreats from the outside world. B2000271
ACMI Lost book found Purchase 1996 00:36:41:00 Jem COHEN The result of over five years of Super 8 and 16mm filming on New York City streets, 'Lost Book Found' melds documentary and narrative approaches into a complex meditation on city life. The piece revolves around a mysterious notebook filled with obsessive listings of places, objects, and incidents which serve as the key to a hidden city. It is a city on unconsidered geographies and layered artefacts - the relics of low-level capitalism and the debris of countless forgotten narratives. The project stems from the filmmaker's first job in New York - working as a pushcart vendor on Canal Street. As usual, Cohen shot in hundreds of locations using unobtrusive equipment and generally without any crew. Influenced by the work of Walter Benjamin, Cohen created 'an archive of undirected shots and sounds, then set out to explore the boundary' between genres. During the process Cohen said, 'I found connections between the street vendor, Benjamin's 'flaneur' and my own work as an observer and collector of ephemeral street life'. B1000094
ACMI Lost in Translation 1999 00:05:59:00 Peter CALLAS 'The double movement of displacement and circulation, loss and regeneration, constitutes a means of uncovering the disjunction between history and memory 'in Latin America'.' - Charles Merewether. The cartographer's 'invention' of the world and the role of slavery in the process of the colonisation of South America form an 'anti-historical' reconstruction of 'Brazil'. Produced in association with the Australian Film Commission. Notes reprinted courtesy of d/Lux Media Arts. B2001507
ACMI Lucid Touch - bioreactive scuplture, Lucid Touch - some dream sequence, Krankin, Live veejay mix, Examples of a live veejay mix, Somnolent Fantasies - The Sleeper, …mutant!.., Primal Debug, NEED DVD-R External collection;Experimenta Collection/ACMI Special Collections Lynne SANDERSON B2005716
ACMI Lucy Lee Collection (Gates of Heaven, Waiting) DVD+R External collection;Experimenta Collection/ACMI Special Collections B2005482
ACMI Lustron JPEGs! CD-R External collection;Experimenta Collection/ACMI Special Collections B2005675
ACMI Lycette Bros showreel: Fed Sq Big Screen Advent Calenar Proposal (Sept 2009) 2009? DVD+R, ISO External collection;Experimenta Collection/ACMI Special Collections John LYCETTE, Mark LYCETTE B2005215
ACMI M.R. Petit's The Mutant Gene & Tainted Kool-Aid Sideshow an interactive sound and video labyrinth Macintosh version 1995 CD External collection;Experimenta Collection/ACMI Special Collections M.R PETIT B2005600
ACMI MEART Commission; 2004 2004 08 May 2004 Guy BEN-ARY, Stuart BUNT, Oran CATTS, Ionat ZURR Located at the School of Anatomy and Human Biology, University of Western Australia. The SymbioticA Research Group (Sarg) has collaborated with the Laboratory for Neuroengineering at Georgia Tech in the US for the last 3 years. The collective is: Oran Catts, Research Director; Ionat Zurr, New Media; Guy Ben-Ary, Biological Artist; Phil Gamblin, Artist; Dr Stuart Bunt, Founder & Scientific Director. B1005846
ACMI MIMA National Tour 1991 VHS External collection;Experimenta Collection/ACMI Special Collections B2005430
ACMI MIMA Tape 1 & 2 1987 National Touring Exhib VHS External collection;Experimenta Collection/ACMI Special Collections B2005426
ACMI Magnetic Traces: A Survey of French and Australian Sound Art Optical Disc External collection;Experimenta Collection/ACMI Special Collections Marc BARON, Loic BLAIRON, Anthea CADDY, Jean-Luc GUIONNET, Camilla HANNAN, Marcia JANE, Eric LA CASA, Cedric PEYRONNET, Lezzie POGSON, Geoff ROBINSON, Philip SAMARTZIS, Thembi SODDELL, TARAB, Thomas TILLY B2005731
ACMI Making Chunky Move: C.O.R.R.U.P.T.E.D. 2 1999 CD-R, CD ROM, VHS, SP Betacam, VHS [PAL] External collection;Experimenta Collection/ACMI Special Collections Peter HENNESSEY, Gideon OBARZANEK, Erin BRANNIGAN, PAML, Sarah RANSOME, Luke SMILES, Angharad WYNNE-JONES Making Chunky Move C.O.R.R.U.P.T.E.D. 2. is an exploration of how Chunky Move, one of Australia's most exciting contemporary dance companies created this new dance work. It follows the company from the germ of an idea, to the stage, behind the scenes and beyond, with snapshot interviews with the key players, dancers, creative collaborators and other cultural identities as well as unique virtual 3D segments, sound bites and extensive footage. B1000822
ACMI Maldoror 2 CD-R External collection;Experimenta Collection/ACMI Special Collections Vikki WILSON B2005460
ACMI Man act Licence (perpetual); 2004 1995 Mike STUBBS B1002568
ACMI Maniac de Luxe Commission; 2004 2004 David ROSETZKY A dual screen video installation with thematic furnishing elements including low light household lamps, Maniac de Luxe interrogates the implications of private activities relocated into public space. Through a conceptual focus in the screen images on the interiors of large designer furnishing outlets and the cross cutting of footage on one screen between these public interiors and private dwellings which feature similar furnishings, the realm of private and public is increasing blurred and their boundaries rendered increasingly ambiguous. On a large rear projection screen, a group of characters sit and discuss private thoughts and issues in a designer furniture showroom, a further problematic to the division between private and public space. An ambient soundtrack along with two discrete soundscapes including dialogue from a group of characters and original music, will also inform the atmosphere of the installation, itself furnished as a room in a generic designer home. B1006105
ACMI Manufraktur = Manufracture Licence (perpetual); 2005 1985 00:02:54:00 Peter TSCHERKASSKY B2000215
ACMI Mapping a city of fragments v.2 Licence 1997 00:09:31:00 Chip LORD Using the opening of Godard's film 'Alphaville' as a foundation, Lord constructs a vision of the evolving global city during the last years of the 20th Century. Structured as a series of repetitions, the montage of the changing city is offset by shots of Silicon Valley corporate facades. The result is a dialectical contrast between urban and suburban space, body and mind, chaos and order, and the post-modern and the modern. Shot in Hi-8 video in Tokyo, Fukuoka City, Mexico City, Rome, San Francisco, Naples and Los Angeles. B1000119
ACMI Matrix Purchase 1971 John WHITNEY Another of John Whitney's important investigations into technology and the moving image, this particularly geometric animated abstraction uses industrial computers to render Whitney's light musical forms onto the screen. Computer generated forms evolve, merge and subdivide on a black background, each motion and movement as carefully orchestrated and synthesised as the accompanying music. B1003527
ACMI Mauve Desert Purchase 1997 Adriene JENIK 'As you drive Mauve Desert I hope you keep in mind where you sit and what drives you to understanding.' This a story about Melanie, a fifteen year-old, who steals her mother's car and drives into the desert. How she feels about herself and the process of becoming is echoed by her spoken thoughts on the desert landscape she drives through. Low-resolution graphics and a distinctive design style support the raw, and grungy atmosphere of Melanie's world. The main interface is a map. The map promises adventure and danger, hinted at by the areas of the map lighting up. The offscreen sounds include dogs barking, gunshots and a car engine turning over. The narrative structure of Mauve Desert makes the user get stuck at certain points. We can only sit back and watch. Sometimes an area is available to click on, sometimes that area will not respond, encouraging the user to be opportunistic in future encounters. Different pieces of video will be produced at particular intervals, suggesting that an underlying logic holds the project together. The theme of understanding and interpretation is also reflected in the layers within the project where fact is merged with fiction. There is Maude Laures, the academic, who stumbles upon Melanie's life in a second-hand bookshop. The project is based on the novel Le Desert Mauve by Quebeýoise author Nicole Brossard, `Mauve Desert'. B1000106
ACMI Me and Rubyfruit Licence; 2004 1989 00:05:37:00 Sadie BENNING B2000275
ACMI Measures of distance Licence; 2004 1988 00:15:26:00 Mona HATOUM Reading out loud from letters sent by her mother in Beirut, Hatoum constructs a visual montage that evokes feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement. B1001832
ACMI Mechatronica: Maywa Denki Paris Concert 2004 2004 DVD External collection;Experimenta Collection/ACMI Special Collections B2005490
ACMI Media City Seal - Proposed Works 2 2004 CD-R External collection;Experimenta Collection/ACMI Special Collections B2005557
ACMI Media Ecology ads Purchase 1999 Antonio MUNTADAS Muntadas, since the 1970s, has been preoccupied with the translation of information. In this series of three short films; Fuse, Timer and Slow Down, the artist focuses on the immediacy of the subjects chosen for each film (a burning fuse, an hourglass, a running tap). An exploration of temporality and semiotics. B1000124
ACMI Media wall loops. Tape 1- Keely Licence (perpetual); 2003 2003 Keely O'SHANNESSEY Constructed out of 1950s slides from the dept of education as well as video captured by the artist. B1005395
ACMI Meditation for G8 2008 DVD-R External collection;Experimenta Collection/ACMI Special Collections Wade MARYNOWSKY B2005505
ACMI Meet the People Purchase 1986 00:16:32:00 Shelly SILVER Blurring the line between documentary and fiction, truth and artifice, Meet the People presents fourteen 'characters' who face the camera in talking head close-ups and speak about their lives and dreams. The intimacy and honesty of their fragmented, autobiographical storytelling is illusory; the credits reveal that these people are professional actors, playing fictional roles, reading a script. As Silver writes, this work points to a complicity on the part of the viewer in his desire to believe and identify with the traditions of and characters on TV. The same television that mimics a perfected form of the identity of the 'average person' is also in part responsible for creating this identity; it both researches, uses and manufactures this `average person's' hopes and dreams. And so the question of a `real person' becomes `real' compared to what? B1000130
ACMI Memory Packs Documentation Optical Disc External collection;Experimenta Collection/ACMI Special Collections COVENTRY STUDIOS PHOTOGRAPHY B2005637
ACMI Memory of Moholy-Nagy Licence (perpetual); 2003 1990 Tamas WALICZKY An digitally animated journey through the abstract colors, compositions, and constructions of the Hungarian artist Laszlo Moholy-Nagy. Using 3D animation tools, the artist has created a landscape of the mind of this important 20th century artist. B1004269
ACMI Middlemen Optical Disc External collection;Experimenta Collection/ACMI Special Collections Aernout MIK B2005699
ACMI Mind of Tibet Commission; 2001 2001 02 January 2001-01 November 2001 Geshe Sonam THARGYE In the late 1990s in Tibet a ceremonial Buddhist teaching festival was conducted. A monk was asked to take a VHS handycam through the crowd, documenting the event so that the undeniable existence of these devout people could be 'captured'. The tape was to be an enormous family album for exiled Tibetans around the world. But it was also a witnessing document in case any misfortune befell the pilgrims. It was a subtle, pragmatic act of remembrance. Years later, when Australian artist Sue Ford sat with eminent Buddhist scholar and teacher Geshe Sonam Thargye to view the tapes in Geelong, they felt it was extraordinarily clear that the camera had absorbed something more than a crowd at a festival. They realised that they had the makings of a meditative environment that could bear witness to the compassion that is the subject of so much Buddhist teaching. As they began to assemble the shots, they found that the sequencing of the ceremonies and teachings guided their editing decisions for the installation. The video footage was composed of all-encompassing loops radiating around the viewer as the monk's camera traced circle after circle through the crowd, and as the chants and ceremonies of nourishment enfolded the crowd in a compassionate assembly of learning and witnessing. To complete this concentric aesthetic, the artists suggested the array of eight screens as a way of immersing visitors within the crowd of pilgrims. Sitting within the circumambient mandala, visitors to the installation find themselves in the midst of a consciousness that knows how the past, present and future are all folded into each other, in the endlessly remembering 'Mind of Tibet'. Geshe Sonam Thargye is an eminent Tibetan lama serving with the Tibetan government in-exile based in Dharamsala, India. He also spends a significant portion of his time teaching in Geelong, Australia. Sue Ford is a Victorian filmmaker and one of Australia's leading photographic portrait makers. She also produced one of the classic independent films of the 1970s, 'Faces'. B1001742
ACMI Mined Feel'ds 1997 CD-R External collection;Experimenta Collection/ACMI Special Collections Naomi HERZOG B2005471
ACMI Modern Image Makers Association Compilation (x16) VHS External collection;Experimenta Collection/ACMI Special Collections B2005432
ACMI Modern Image Makers Association Inc - Experimenta National Tour - Video Programmes 1 & 2 / Film Programmes 1 & 2 1991 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Video Programme One: [00:00:46:00] Chris Windmill - The Cuttock-heads [00:07:05:00] Floride Pavlovic - Kilometres [00:14:35:00] Virginia Hilyard - E.G. [00:21:17:00] Marshall White - New Waves [00:28:42:00] Melanie El Mir - The Little Things [00:31:40:00] Mark O'Rourke & Juanita Custance - Supermarket Psychoasis [00:34:02:00] Sonia Leber - Doubtful Invitation Video Programme Two: [00:52:54:00] Declan - Dominating Donna [00:54:03:00] George Ray - ... In a Few Words ... [01:01:51:00] Keely Macarow - Pravda Krapel [01:09:00:00] Elizabeth Watts - Hysteri(a) of Laughter [01:12:49:00] Melissa Smith - Sense of Place [01:19:32:00] Colleen Cruise - Re-Birth B2004383
ACMI Moist VHS External collection;Experimenta Collection/ACMI Special Collections Justine COOPER B2005449
ACMI Monsters of time: I'm your dead father CD-R External collection;Experimenta Collection/ACMI Special Collections Eunjung HWANG B2005649
ACMI Motion picture (La Sortie des Ouvriers de l'Usine Lumiere a Lyon) Licence (perpetual); 2005 1984 00:03:23:00 Peter TSCHERKASSKY B2000216
ACMI Ms & Mr Showreel Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005694
ACMI Murray muse Licence (perpetual); 2006 2004 00:20:20:00 John R. HIPWELL 'Murray muse' is a suite of four digital video paintings titled Earth, Fire, Air and Water. The environmental issues affecting the sustainability of one of Australia's most precious resources, the Murray River and its surrounding ecosystems inform this Digital Video artwork. This emergent video painting process is a vehicle whereby the consideration of other media forms (photography, painting, printmaking, cinema and television) are remediated, blended and transformed. The four films in this Digital Video Painting DVD can be played and viewed randomly and continuously, culminating in a symbiotic relationship between sight and sound, editing and postproduction techniques, allowing the viewer to interact with the digital imagery and ambient audio either actively or passively. B2000355
ACMI My Voice Would Reach You Optical Disc External collection;Experimenta Collection/ACMI Special Collections Meiro KOIZUMI B2005732
ACMI My first film noir DVD-R External collection;Experimenta Collection/ACMI Special Collections Neil Ira NEEDLEMAN B2005648
ACMI NL Optical Disc External collection;Experimenta Collection/ACMI Special Collections Michael HARKIN B2005618
ACMI Nano-cadabra Purchase 1998 00:05:05:00 Phyllis BALDINO, David CHMURA Baldino takes the theory of 'Nano-technology' as her jumping-off point to explore the connections between science, magic and wonder. Nano-Cadabra is composed of forty abstract narratives, each lasting five seconds or less. In these mini-events, an array of ambiguous objects interact, eerily suggesting movement on the molecular level. Nano-Cadabra also exists as a four-channel installation. B1000075
ACMI National Museum talk CD-R External collection;Experimenta Collection/ACMI Special Collections B2005691
ACMI Neo Geo: an American purchase 1989 00:09:16:00 Peter CALLAS 'Neo-Geo' was produced by Callas during an artistic residency at PSI Studio in New York, 1988-89. It exposes the profound contradictions inherent in the twin gods of contemporary American culture – capitalism and democracy – by the intense layering of diverse visual cues and associative references drawn from popular culture, the entertainment industry, religion, warfare and technology. The effect is one of visual and aural overload, culminating with the screaming sound of falling bombs, guns and thunder, accompanied by images of war and death. A postmodern Babylon, America is portrayed here at bursting point. Produced with the assistance of the Australian Film Commission. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001505
ACMI Nest of Tens 1999 Miranda JULY 'Nest of tens' is comprised of four alternating stories which reveal mundane yet personal methods of control. These systems are derived from intuitive sources. Children and a retarded adult operate control panels made out of paper, lists, monsters and their own bodies. 'A young boy, home alone, performing a bizarre ritual with a baby; an uneasy, aborted sexual flirtation between a teenage babysitter and an older man; an airport lounge encounter between a businesswoman (played by July) and a young girl. Linked by a lecturer enumerating phobias in a quasi-academic seminar, these three perverse, unnerving scenarios involving children and adults provide authentic glimpses into the queasy strangeness that lies behind the everyday'. New York Video Festival, 2000. B1001829
ACMI New/Media/Works 2003-2009 2010 DVD External collection;Experimenta Collection/ACMI Special Collections John WALLER B2005596
ACMI Night's High Noon: an anti-terrain 1988 00:07:24:00 Peter CALLAS Created amidst Australia's 1988 Bicentenary celebrations, 'Night's High Noon' proposed a flipside to stereotyped notions of recent Australian history and identity. For Australia's Aboriginal peoples the Bicentenary represented 200 years of dispossession from their land, cultural destruction and racial prejudice. Representations of indigenous cultures allude to the appropriation and objectification of Aboriginal peoples, their artforms and traditions, in white Australian popular culture. Truth and Meaning are similarly problematised. Produced with the assistance of the Australian Film Commission. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001504
ACMI Nine Inch Shoes VHS External collection;Experimenta Collection/ACMI Special Collections MIMA B2005445
ACMI No Frills (Brisbane): exhibition documentation 2010 CD-R External collection;Experimenta Collection/ACMI Special Collections B2005503
ACMI Nomads Purchase 1993 00:04:00:00 Tom KALIN Kalin's short video works, which use literary quotations as starting points, function both as visual poems and as alternative music videos. With their astute conjunctions of image, music and text, these tapes respond to issues of sexuality and human interaction in the 1990s, more than a decade into the AIDS crisis. In Nomads, a brief text by Jane Bowles is the point of departure for a vivid music video that presents an elliptical view of the realities of contemporary urban life. 'I fear nomads. I am afraid of them and afraid for them too.' -- Jane Bowles, Camp Cataract. B1000111
ACMI Notes from the underground Purchase 1996 00:17:57:00 Dan ASHER The displaced eye of an unyielding, handheld camera studies the faces, hands and feet of commuters on the London Underground. The sequence begins as the train is leaving Temple Station, a center for the city's law practises and named for the Order of the Knights Templars, the suppressed Medieval Order from which the Freemasons claim decent. A middle-aged commuter pulls a variety of bored expressions while Asher's camera focuses on the gold signet ring he wears, a symbol of a Freemason. Successive characters show differing reactions, to the presence of the camera which has a pervasive power that admits no concessions to the rhythmic progress of daily routines. B1000070
ACMI Nuclear body Licence (perpetual); 2003 1999 01 March 1999, 01 March 1999-02 March 1999 Davide GRASSI A project by Davide Grassi, Nuclear Body is the result of research into one of the diagnostic techniques used in the field of nuclear medicine: radio-isotopic scanning or schintigraphy. This technique allows the evaluation of a body organ's state by rendering on a computer monitor a digital image of it. An isotope, introduced intravenously into the patient, after reaching the target organ starts to emit gamma rays, which are than detected by a special gamma camera. By following this procedure methodically, the whole artist's body was 'copied' and 'pasted' into a virtual dimension. In Nuclear Body, Grassi utilises schintigraphy not simply as a diagnostic technique, but as a means by which to create a virtual double of a body which could be used in digital environments. The project was realised in partnership with the Oncological Institute of Ljubljana's Clinic Centre, and was supported by the Ministry of Culture of the Republic of Slovenia and the City of Ljubljana's Cultural Department. It was premiered in March 1999 at the Ljubljana's Cultural and Congress Centre Cankarjev dom in the frame of the festival 'the Beauty of Extreme II'. [ text edited from www.cd-cc.si/kultura/grassi/intro.htm ] B1003957
ACMI O Panama Purchase 1985 00:27:19:00 Burt BARR, James BENNING, Cadin CASTELLO, Willem DEFOE, Susan DOWLING O Panama, scripted by Burt Barr and filmed by James Benning, was made for TV. Immigrant (Willem Dafoe) comes to New York from an unidentified Latin American country and appears to fall ill in the middle of winter. He drifts through this illness, confined to his apartment where his imagination is free. The tedious reality of the sickness and the vivid hallucinatory visions of his delirium, are stitched together by the polarities of light and dark, hot and cold, sound and silence, day and night, presence and absence. There is no dialogue and little action as a `mental landscape...rife with heat and color' emerges from the backdrop of a bleak urban winterscape. B1000077
ACMI Of day of night 2001 Megan HEYWARD This experimental interactive CD-ROM explores the intersections of narrative, subjectivity and interactivity. A hybrid of cinematic, textual and interactive elements, it finds resonances between dream experience and the unexpected associations inherent in new media forms. A map of sorts. A handful of objects. A problem with dreaming. Found objects and their imagined traces and histories assist a woman who has a problem with dreaming. B1002824
ACMI Off hook CD-R External collection;Experimenta Collection/ACMI Special Collections Heidi ANGOVE, Sasha GRBICH, Amy MILHINCH B2005652
ACMI Old man: new world Commission; 2001 2001 01 July 2001 Miles BENNETT, Natascha STELLMACH The life of an Old Man is viewed unfolding before us, jumping like memory through time and through everyday spaces with the blinking quickness of an edit. From shot to shot and from screen to screen, a life re-editing itself. Through the 'old' eyes of the central character, we glimpse anew the details of our ordinary world and time. B1001902
ACMI On Perspective and Motion - Part II 2007 DVD External collection;Experimenta Collection/ACMI Special Collections Daniel CROOKS 7 channels, PAL, Stereo. First shown as part of the Anne Landa Award at AGNSW in 2007, curated by Natasha Bullock. B2005454
ACMI On the Road 16mm film External collection;Experimenta Collection/ACMI Special Collections Nicholas HEYDON
ACMI One Million Paradiso Guitar Solos 2009 ISO, Optical Disc External collection;Experimenta Collection/ACMI Special Collections Emile ZILE B2005313
ACMI Orchestra of rust 1998 Chris HENSCHKE 'Orchestra of rust' is an installation based interactive that allows the user to create soundscapes and musical pieces via the medium of an entropic industrial environment. The user can explore a zone of decay within an old factory that contains a selection of obsolete machinery. Operating these machines creates particular sounds and corresponding animated sequences. Complex sound structures can be built up from turning on several machines at once. This provides access to other zones of the factory where remixes of the musical creations exist. Also included is extensive interactive information on the background of the machines and sounds, historical sources and concept rationale/hypothesis. B1003077
ACMI Otherzone CD-R External collection;Experimenta Collection/ACMI Special Collections B2005534
ACMI Our potential allies 1999 00:05:41:00 Peter CALLAS 'Our Potential Allies' is an intuitive and ironic critique of Eurocentric belief-systems founded upon the dichotomy of self (the West) and the Other. Callas appears on the left monitor in black and white facial paint – the so-called 'mask of primitivism' – while compressed news imagery appears upon the right. Facial gestures are enacted by the artist seemingly in response to the voice-over (instructions issued by General Douglas MacArthur to American soldiers fighting in Papua New Guinea during the Second World War) or to imagery on the right monitor. Questions of intent – a constant theme throughout Callas' career – are thus raised in relation to the creation of apparently random meaning. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001497
ACMI Outer space Licence (perpetual); 2003 1999 00:09:58:00 Peter TSCHERKASSKY Prolific Austrian avant-garde filmmaker and theorist, Peter Tscherkassky, reinvents a 1981 Barbara Hershey horror vehicle, leaving the original's crystalline surface intact only to violently shatter its narrative illusion. Sounds of crickets, static and distorted music give way to explosions, screams, and garbled voices. The actress' face multiplies across the screen as the frame is invaded by sprocket holes, an optical soundtrack, and flashes of solarized imagery. B1000564
ACMI Outside the Rolling Stones 2005 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Tina HAVELOCK STEVENS B2004376
ACMI PODLOVE presents I Love Like Blood 2006 DVD External collection;Experimenta Collection/ACMI Special Collections Sarah-Jane WOULAHAN B2005602
ACMI Parallel space: inter-view Licence (perpetual); 2005 1992 00:18:20:00 Peter TSCHERKASSKY B2000211
ACMI Paramodel (Japan) DVD External collection;Experimenta Collection/ACMI Special Collections B2005472
ACMI Paris Syndrome 2007 2008 DVD External collection;Experimenta Collection/ACMI Special Collections Jun YANG B2005585
ACMI Passing through 2001 00:04:11:00 Tina GONSALVES B2000262
ACMI Pataphysical Man 2008 DVD External collection;Experimenta Collection/ACMI Special Collections Shaun GLADWELL B2005583
ACMI Pathways Commission; 2001 1999 2001 08 November 1999-March 2001 video, projections, text, audio, bespoke screens, tiered wooden seating , timber and LED strips Jeff DORING, NGARINYIN ABORIGINAL CORPORATION A collaboration between artist-filmmaker Jeff Doring and the Ngarinyin Aboriginal Corporation. This spatial installation provides access and insight into the art and culture of the Ngarinyin people. The intention is to record and interpret a broad spectrum of Ngarinyin knowledge and law. The work consists of five discrete and interrelated elements: 1. The Introduction zone: a space consisting of a text, audio, visual introduction to the installation. 2. The Water and Wanjina zone: a corridor with apertures that open on the side to reveal visual works. 3. The Man Blood Law zone: a three screen installation with tiered seating that lies at the end of the Water and Wanjina corridor. 4. The Cave zone: an exhibition space which spatially represents a cave with images projected inside it. 5. The Today zone: a space which provides a contemporary perspective on the exhibition via a web installation. B1000096
ACMI Pentimento Commission; 2001 2002 Dennis DEL FAVERO PENTIMENTO is based on real events which took place in the Blue Mountains on the outskirts of Sydney, during 1999, involving the discovery of an unidentified body. It fictionalizes these events to dramatize some of the key elements surrounding the murder and the sexual violence which formed its backdrop. It presents these events in the form of recollections from the point of view of a father, sister, brother and the crime scene itself. B1001878
ACMI Performance Anxiety 2007 ISO, Optical Disc External collection;Experimenta Collection/ACMI Special Collections Emile ZILE B2005318
ACMI Permutations Purchase; 2003 1966 John WHITNEY An early example of computer generated animation; several hundred dots move about the screen according to a set of instructions in a graphics program which were input into a IBM digital computer and coloured by an optical printer. Action sequences, proceeding from order to disorder and back to ordered patterning, suggest a parallel to harmonic phenomena of the musical scale ... The effect is to subtly generate and resolve tension - which is similar to the primary emotional power of music composition' (John Whitney). B1003528
ACMI Persuaders 2001 David CHESWORTH, Sonia LEBER, WAX SOUND MEDIA The installation is composed from 'fragments' of video and audio captured in real time from short bursts of activity to longer passages of action or inaction. Each monitor contains an individual person who has been videotaped while barracking for a particular sport. Each person is presented in close-up, with the eyeline straight to camera, staring directly at the viewer. The sound of each person is also in 'close-up', transmitted through a number of loudspeakers in the space. With apparent proximity, we can hear great detail in the breath and voice. B1002820
ACMI Phantom Licence (perpetual); 2001 2001 00:05:05:00 Matthias MULLER This video work is a mysterious, ghostly geography of cinematic shadows. Silhouettes that never quite take shape shift and glide across the screen, anaemic figures, seen in the negative, forced to wander between narratives restlessly but caught in a loop. These remnants from faint memories of filmic melodrama are a living dead confined to a space they cannot leave. They are the secret that lies between stories. B1003858
ACMI Photo for Australian artists media-city Seoul 2004 2004 CD-R External collection;Experimenta Collection/ACMI Special Collections B2005514
ACMI Pick up your feet: the double dutch show Purchase 1981 00:28:25:00 Skip BLUMBERG, Carol BRANDENBURG, Joel GOLD, Bill MARPET A powerful examination of the determined spirits who compete in the Double Dutch rope-jumping championships in New York City. In this raw work, both the camera and the microphone have the incidental presence of a trusted insider. Moving between the training and the competition, Blumberg manages to capture the excitement of the crowd, as young athletes drive themselves and their partners to the edge of the possible. The rhythmic beat of the ropes, the chants, and the strain of concentration, taps into an unexpected well of emotion through which we seem to be almost participants in the event itself. B1000084
ACMI Pixel Pirate II: Attack of the Astro Elvis Video Clone - First Edition 2006 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Sam SMITH, SODA_JERK B2005220
ACMI Platform 1 Commission; 2001 2000 2002 01 October 2000-30 March 2002 Emily WEIL As a visitor descends the stairway into the Screen Gallery, her path will leave a trace through which imagery will emerge from the past -- people ascending from a train platform in Australia one hundred years ago. The artwork is a live interplay between the present and the past. As ACMI visitors descend the stairs to encounter the future of screen arts, they pass through the lingering and ever-present influence of cinematic history. A wondrous, benign space of haunting, the staircase initiates Screen Gallery visitors into the ever-present power of cinematic history. B1002023
ACMI Play With Me 2002 VHS External collection;Experimenta Collection/ACMI Special Collections Van SOWERWINE B2005450
ACMI Play with me (image for Media city, Seoul) EMPTY CASE External collection;Experimenta Collection/ACMI Special Collections Van SOWERWINE B2005535
ACMI Pornographic Apathetic VHS External collection;Experimenta Collection/ACMI Special Collections B2005438
ACMI Portfolio Package 2009 DVD-R External collection;Experimenta Collection/ACMI Special Collections Lisa BORIN B2005714
ACMI Portraits: New England Fishermen Purchase 1985 Joan LOGUE Presented with a straightforward charm, Logue's abbreviated portraits of fishermen in Gloucester, Massachusetts are more than mere 'fish stories'. Seen on their boats in the open sea, the fishermen speak directly to the camera, relating anecdotes and observations that are alternately comic or poignant. Logue documents the fishermen's individual characters and evokes a sense of their rituals and traditions. With humor and pride, the fishermen chronicle their close ties to family, the ocean, and their community. Logue applies elegant video effects that heighten the resonance of these brief vignettes. B1000118
ACMI Post-It Kino *Excerpt* 2008 ISO, Optical Disc External collection;Experimenta Collection/ACMI Special Collections Emile ZILE B2005315
ACMI Postcard from Tunis - Carte Postale de Tunis 1997 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Sally PRYOR B2005330
ACMI Postcards study #1 DVD-R External collection;Experimenta Collection/ACMI Special Collections Jo LAN B2005509
ACMI Prayers of a mother Licence (perpetual); 2001 2001 Kate MURPHY A video installation that centres around a mother's prayers for her children. Her hopes and concern for her family are expressed through edited sequences of her children's faces contrasted by a single image of her hands holding a prayer book and rosary. B1003524
ACMI Preview Copies 2008 DVD-R External collection;Experimenta Collection/ACMI Special Collections Derek HART B2005550
ACMI Prism of purpose Licence (perpetual); 2002 2002 00:03:00:00 Alexandra LYALL Gabo Island - Artist Alexandra Lyall's paintings of the Gabo Island lighthouse provide haunting visuals to her moving account of the role the lighthouse played in a tragic family history.This work uses digital technology cleverly to allow you to experience Alexandra's paintings in a new way. B1005712
ACMI Privacy Artist DVD-R External collection;Experimenta Collection/ACMI Special Collections Julia BURNS B2005734
ACMI Project Documentation 2005 2010 DVD-R External collection;Experimenta Collection/ACMI Special Collections Geoff ROBINSON B2005586
ACMI Project Documentation DVD External collection;Experimenta Collection/ACMI Special Collections Geoff ROBINSON B2005727
ACMI Prosthetic Head Licence; 2003 1975 STELARC Prosthetic Head, is a computer-generated head that has real-time lip synching, speech synthesis, and facial expressions. Through a vision or sensor system, the Prosthetic Head will be able to acknowledge the presence and position of any physical body that approaches it and speak to the person who interrogates it. B1005386
ACMI Prototype CGI's Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005628
ACMI Psycho samba Licence (perpetual); 2001 1999 00:03:22:00 Ian HAIG 'Suddenly a bolt of electricity sprang forth from the screen and hit me in the head, scorching my forehead with uncanny resemblance of a burn that looked like a human eye. I could hear a buzzing in my ears, my newly formed third eye then began to secrete a special metallic-tasting liquid, as I saw visions of atomic bomb mushroom clouds.' - Ian Haig (Chicago Underground Film Fest) B1001960
ACMI Pulse Commission; 2001 2001 01 July 2001-01 December 2001 Emma SLEATH A series of silent epiphanies of night-time Melbourne. Young Melbourne filmmaker, Emma Sleath, has proposed a poignant and haunting series of tableaus for the 'public imaging' zones of the ground floor of ACMI. B1001822
ACMI Quantum Field Space Demo 2002 CD ROM External collection;Experimenta Collection/ACMI Special Collections Chris HENSCHKE B2004970
ACMI Rachel Feery & Lisa Stewart: support material - examples of recent works DVD-R External collection;Experimenta Collection/ACMI Special Collections Rachel FEERY, Lisa STEWART B2005541
ACMI Rainy season Purchase 1987 00:28:00:00 George KUCHAR The latest `chapter' of the remarkable Weather Diary series finds Kuchar observing his personal, social and natural environment with wry humor and introspection. Writes Kuchar: `Set in central Oklahoma during May, I spend 3 weeks in a motel and get talked at by a small weather-radio that seems to rule my life. I, myself, get to talk at the lady who runs the motel and who runs a cosmetic empire downtown. The viewer gets to see her equipment and her corner of the world as storms lurk somewhere off-camera, waiting to enter stage left and bring down the house. This is one of the more social instalments of the weather diary series.' B1000117
ACMI Random cuts Licence (perpetual) 1997 Christoph GIRARDET At first glance, 'Random cuts' is a violent, rapidly shifting assemblage of images of violence, flight and impact from manga cinema, samurai films and a brutal cock-fight. On closer inspection, the apparent randomness of the images is revealed to be constrained by a mathematical formula. 12 images, each 1.6 seconds in length add and divide, repeating 12 times, increasing by the duration of the accumulating time units. The forceful incisions of the images and cuts find a taut restraint within this order, each element unresolved amid the visual violence. B1001935
ACMI Rapture (Silent Anthem) 2009 DVD+R External collection;Experimenta Collection/ACMI Special Collections Angelica MESITI B2005219
ACMI Recent Collaborative and Solo Installations 2003 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Craig WALSH B2004377
ACMI Reflect VHS External collection;Experimenta Collection/ACMI Special Collections Sally BLENHEIM B2005444
ACMI Reflections CD-R External collection;Experimenta Collection/ACMI Special Collections Alexandra GILLESPIE Interactive installation Soundtrack with Liz Elliott and Paulie Bromley B2005162
ACMI Resistor Licence (perpetual); 2004 2000 Mike STUBBS B1002572
ACMI Resonate 2001 02:13:00:00 Tina GONSALVES B2000257
ACMI Return to Point Optical Disc External collection;Experimenta Collection/ACMI Special Collections Arlo MOUNTFORD B2005707
ACMI Rev Licence (perpetual); 2005 1997 00:11:30:00 Seoungho CHO This painterly observation of pedestrian traffic through a revolving door finds a counterpoint in the flickering of a candle flame. As separate lives are blurred with the energy of constant movement, individuals merge into an abstracted urban sound and light space. B1000090
ACMI Revolution CD-RW External collection;Experimenta Collection/ACMI Special Collections Jess MACNEIL B2005729
ACMI Road Apple Test CD-R External collection;Experimenta Collection/ACMI Special Collections Brooke A KNIGHT, Owen F SMITH B2005626
ACMI Road Apple Test 1999 1999 CD-R External collection;Experimenta Collection/ACMI Special Collections Brooke A KNIGHT, Owen F SMITH B2005693
ACMI Rowan McNaught Optical Disc External collection;Experimenta Collection/ACMI Special Collections Rowan MCNAUGHT B2005510
ACMI Rumos Musicais 99 : ao vivo 1/3 External collection;Experimenta Collection/ACMI Special Collections COLEÇÃO ITAÚ CULTURAL B2005563
ACMI Rumos Musicais 99 : ao vivo 2/3 External collection;Experimenta Collection/ACMI Special Collections COLEÇÃO ITAÚ CULTURAL B2005564
ACMI Rumos Musicais 99 : ao vivo 3/3 External collection;Experimenta Collection/ACMI Special Collections COLEÇÃO ITAÚ CULTURAL B2005565
ACMI Salo 93 2007 ISO, Optical Disc External collection;Experimenta Collection/ACMI Special Collections Emile ZILE B2005319
ACMI Salt Creek Purchase 1998 Seoungho CHO With 'Salt Creek', Seoungho Cho turns his hypnotic camera eye on the harsh terrain of Death Valley. Through a series of delicate formal manipulations, he folds representations of a coldly beautiful landscape into images of seething video static, water sluicing out of a tap, and a surveillance view from one office tower into another. Stephen Vitiello's score echoes the image track in describing a gradual arc of inhospitable elegance, rhythmic grace, and decay. B1000091
ACMI Sample of work by dimple… Copy for Experimenta 2009 2010 Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005549
ACMI Santina Amato: Images Optical Disc External collection;Experimenta Collection/ACMI Special Collections Santina AMATO B2005531
ACMI Santina Amato: Video Documentation Optical Disc External collection;Experimenta Collection/ACMI Special Collections Santina AMATO B2005532
ACMI Science Fiction (excerpt) 2001 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Daniel VON STURMER B2005668
ACMI Screen Documentation - Contagion 2005 CD External collection;Experimenta Collection/ACMI Special Collections Gina CZARNECKI B2005501
ACMI Seasick on Dry Land 1989 16mm film External collection;Experimenta Collection/ACMI Special Collections Ilana SHULMAN
ACMI Secret6 DVD-R External collection;Experimenta Collection/ACMI Special Collections ASTROLABE CULTURAL CENTER, Dora STANCZEL B2005524
ACMI Selected Video Works 2001-2004 DVD-R External collection;Experimenta Collection/ACMI Special Collections Daniel VON STURMER B2005589
ACMI Selected Works 1997 2008 CD External collection;Experimenta Collection/ACMI Special Collections Angelo VERMEULEN B2005604
ACMI Sept Visions Fugitives Purchase 1995 00:26:55:00 Robert CAHEN Sept Visions Fugitives was produced in China. Cahen creates impressionistic transformations of landscape and people. He writes: 'The looking and listening audiences are confronted -- in addition to the pure impressions -- with basic questions about work (the boy using a traditional device to shake the feathers from the mattress) about freedom, about life in China ... and ultimately about life and death: the burial, the bird, the man with a sheaf of straw on his back symbolizing the passage, the beyond ..... I had to struggle to make what I know are stereotyped images my own. The pure impressions and raw filmic material are completely reworked, going much further than the original takes.' Source: Electronic Arts Intermix [www.eai.org] B1000089
ACMI Sequinz: a survey of electronic art from Australia CD External collection;Experimenta Collection/ACMI Special Collections ARTLINK AUSTRALIA B2005495
ACMI Shadow Monsters Purchase; 2009 2005 Philip WORTHINGTON Phillip Worthington's 'Shadow Monsters' evokes childhood memories of the telling of ghost stories in the dark in this playful real-time interactive that casts creatures on a screen, formed from your silhouette. It is a playful real-time interactive that recreates, in digital form, the traditional shadow puppet show. Participants move in front of a large-scale light box as a camera captures their shadow, inputs it into a computer, and projects it - transformed and augmented - onto a screen. As an interactive work, 'Shadow Monsters' very successfully incorporates ideas of play and adventure - it is immediate, fun, accessible to a wide audience, and self explanatory. On another level, by actively engaging with the artwork, 'Shadow Monsters' turns the viewer into a performer and explorer. The exhibit is completed only with the interaction of people actually observing or participating in the work. In this way 'Shadow Monsters' injects spirit and humanity into our increasingly technologically driven society. B2002761
ACMI Shanghaied text Purchase 1996 00:20:00:00 Pierre BONGIOVANNI, Ken KOBLAND, Isabelle TRUCHOT In this first part of a projected series on the notion of landscape as 'artefact,' images of landscape and industrial history are interwoven and juxtaposed. Notions of 'civilization' and 'progress' are set against an apparently indifferent nature which continues calm and unchanged in the face of struggle, suffering and wars for dominance. In a radical visual gesture that endows the physical terrain with symbolic content, the land is animated as the theater upon which political struggles have been staged throughout history. Onto austere, seemingly benign landscapes, Kobland superimposes archival footage of peasants in China, revolutionary heroes from early Soviet cinema and footage of Paris during the May '68 student riots. Images of the female body from pornography are also projected onto the landscape, eroticizing the land and suggesting both the symbolic colonization of the female body and the notions of the 'mother country.' Note: Video Data Bank description: A self-described `collage piece' of `stolen images' Shanghaied Text starts with quiet Montana landscapes, among which are views of a powerful dam. When the dam breaks loose, you find yourself `shanghaied' to places unknown, where Kobland confronts you with a provocative mix of historical, lyrical, sexual and political references. Using quotes and pieces from movies by Vertov, Dovjenko and Buñuel, along with archival images of social protests from the liberation of Paris, the piece builds to an operatic culmination with Turandot's final choir. Shanghaied Text is a remarkable dense and gripping work that leaves the viewer pondering our political and cultural heritage as well as the role of technology in our future. B1000115
ACMI Shock in the Ear 1998 CD External collection;Experimenta Collection/ACMI Special Collections Norie NEUMARK B2005599
ACMI Shock in the Ear - Version 1.0 1998 CD External collection;Experimenta Collection/ACMI Special Collections Norie NEUMARK B2005598
ACMI Shot/Countershot Licence (perpetual); 2005 1987 00:00:22:00 Peter TSCHERKASSKY B2000213
ACMI Silent Dialogue 2010 DVD External collection;Experimenta Collection/ACMI Special Collections DIMPLE …, Jessica Emily PRICE B2005508
ACMI Singing Stone 1980 00:04:22:00 Peter CALLAS A hand clutches an oval stone which is drawn back and forth in tight circular motions, grinding pigment. Produced with a black and white half inch reel-to-reel portapak video recorder (manufactured c1975). 'Singing Stone' demonstrates Callas' early experimentation with colouriser painting techniques. The effect is one of visual distortion in which pictorial surface and depth oscillate, creating a sense of dislocation and hallucination. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001496
ACMI Sink or Swim 2009 DVD-R External collection;Experimenta Collection/ACMI Special Collections Penelope CAIN B2005552
ACMI Six feet over 2004 DVD-R External collection;Experimenta Collection/ACMI Special Collections Julia LORSCH B2005674
ACMI Sleeper archive 1 CD-R External collection;Experimenta Collection/ACMI Special Collections B2005644
ACMI Slow Service Licence (perpetual); 2004 2003 00:06:29:00 Marcus LYALL 'Slow Service' is a series of portraits shot using a high speed video camera. This camera, which is normally used for filming mine detonations, science experiments and military tests, captures 1000 frames a second. The footage, when played back at 25 frames per second, has been slowed down so that a second of real time takes forty seconds on the screen. 'I asked the subjects to pose as if for a passport photograph. We see the transition between this artificial pose and their natural instinctive reaction to the bucket of food that is being thrown at them, and then the impact of the food itself. I liked the idea of capturing a wasteful, slapstick, human gesture using a medium that is normally reserved for 'serious' scientists and bomb designers'. (Marcus Lyall, 2004) B1005943
ACMI Sodaconstructor Purchase; 2003 1998 Ed BURTON Sodaconstructor is a web based work which enables users to construct two-dimesional models from lines and dots, and then add and manipulate gravity and muscle/spring tension. The resulting models move, walk, sprawl or collapse according to the laws of physics. This site has featured heavily on 'best of the web' lists, and often receives 200,000 hits per day. B1005385
ACMI Sodium vapor (including Constellation and Oracle) Purchase 1979 Bill VIOLA Writes Viola: `Sodium Vapor was recorded over a period of several weeks in the hours between one and five in the morning on the streets of an industrial area in lower Manhattan. The title derives from an interest in the particular qualities of sodium vapor street lighting -- its characteristic color temperature, the shadows it casts, and the eerie quality it seems to impart to the objects it illuminates. The essence of the work is the spell which the hour has over the physical spaces of the streets in the early morning. There is always the unseen presence of the large number of people surrounding you, most of them sleeping; the camera is awake in their dreamtime. The recording of these locations in the middle of the night rather than in daylight represents a transformation -- like figure/ground reversal -- of these physical spaces from the familiar thoughts and activities of the day to the night time shadows of emptiness and obscurity.' B1000135
ACMI Souls of desire CD-R, CD-R External collection;Experimenta Collection/ACMI Special Collections Brook ANDREW B2005632
ACMI Sound Art Optical Disc External collection;Experimenta Collection/ACMI Special Collections Iain MOTT B2005625
ACMI Sound Design-Production-Composition for Screen, Performing Arts, New Media, Installations CD-R External collection;Experimenta Collection/ACMI Special Collections THE AMBER THEATRE B2005719
ACMI Space Invaders VHS External collection;Experimenta Collection/ACMI Special Collections B2005440
ACMI Space splice 1994 Van MCELWEE B1003223
ACMI Spatial Emergence Transphysical City 1998 CD External collection;Experimenta Collection/ACMI Special Collections Paul THOMAS B2005608
ACMI Spielberg on Kubrick (Father-figure DVD bonus extra) 2010 ISO, Optical Disc External collection;Experimenta Collection/ACMI Special Collections Emile ZILE B2005320
ACMI Spin Licence 1992 00:57:00:00 Brian SPRINGER Pirated satellite feeds revealing U.S. media personalities' contemptuous plans for their viewers come full circle in Spin. TV out-takes appropriated from network satellite feeds unravel the tightly spun fabric of television, a system which silences public debates and furthers the intolerance of anyone outside the pack of journalists, politicians, spin doctors, and televangelists who manufacture the news. Spin moves through the L.A. rebellion and the 1992 floating TV talk-show called the U.S. Presidential election. B1000133
ACMI Spitfire 123 Licence (perpetual); 2003 1996 Lyndal JONES The third in an ongoing six-part series collectively titled 'From the Darwin Translations'. This series, like Jones' previous projects, shifts between installation, video, and performance, in an exploration of human (sexual) attraction. The installation spans two rooms, one with a large screen and another with three video monitors. The monitor room shows a more meditative, transitional space, 'poppy fields'; a repeating image series of swaying poppies, accompanied by the rustle of wind, bird song and insect noises and interrupted now and then by the roar of airplanes flying overhead. The large screen in the other room presents, 'Spitfire', showing shots from the cockpit of the legendary World War II fighter plane, accompanied by engine-sounds, dramatic computerized noises and oscillating-music, as well as whispering voices. Sky and land spiral, falter, and blur as intimate fantasies are imparted. Thus the result is fragmented and disorientating. The position of the audience shifts between that of voyeur and that of participant. She threatens to undo you with the romance of memory, aeroplanes and youth; you have to look, listen and feel. B1003854
ACMI Springer Audience 2006 ISO, Optical Disc External collection;Experimenta Collection/ACMI Special Collections Emile ZILE B2005317
ACMI Starsprite (stills TIFF format) Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005639
ACMI State circle (International video in Canberra) DVD-R External collection;Experimenta Collection/ACMI Special Collections B2005685
ACMI Static No. 9 2005 DVD+R, ISO External collection;Experimenta Collection/ACMI Special Collections Daniel CROOKS B2005212
ACMI Still life 2002 CD-R External collection;Experimenta Collection/ACMI Special Collections Julie-C FORTIER B2005678
ACMI Storm and stress Purchase 1986 Doug HALL A line of satellite dishes stretches to the horizon as storm clouds loom overhead. A tornado funnels across a plains landscape at high speed. Through remarkable imagery of majestic natural phenomena, Storm and Stress evokes the beauty, terror and power of the tension between the forces of nature and technology. Hall's sequences are based on natural elements -- air, fire, water -- and the industrial counterparts that echo them -- wind tunnels, Tesla coils, hydroelectric plants. Hall's allusions to Sturm und Drang, the 19th-century Romantic aesthetic of the apocalyptic sublime, and the notion of the Pathetic Fallacy, in which natural upheaval reflects the individual's inner turmoil, are expressed through powerful visual metaphors. B1000105
ACMI Strange Attractor - Master Telecini VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections UNKNOWN B2004358
ACMI Strange cities Mark LYCETTE, Tatiana PENTES 'Strange cities' is an experimental interactive multimedia work that tells of the survival of the Russian and Chinese Communist Revolutions by two Russian exiles. It draws upon the legacy of the Shanghai milieu, the Chinese gangster film, a musical cabaret genre, orientalist erotic literature, intrigue novels, and the films of Josef von Sternberg to explore memory, transience and the urban imagination. It is an experimental interactive multimedia work authored for CD-Rom release and exhibition. Through the disclosure of evidence, Sasha dreams, discovers, remembers the exilic identity of her grandparents Xenia and Sergei Ermolaeff (a composer and orchestra leader) in fragments and traces of their music, memories, personal effects and photographs, in their struggle to survive the Russian and Chinese Communist Revolutions. The inspiration for the work is a tune of the same name - a musical illustration, an imaginary vision of old Shanghai, Chinese metropolis, and International Settlement, conjuring mythic, filmic, musical and personal images of the city port. The 'Strange cities' musical score1 written by Alexander Vertinsky, Serge Ermoll and Ira Bloch, was first performed by a jazz orchestra of White Russian emigres in the cabarets of the International Settlement of Shanghai, China in the 1930's and 40's. 'Strange cities' draws upon the legacy of the Shanghai milieu, the Chinese gangster film, a musical cabaret genre, orientalist erotic literature, intrigue novels, and the films of Josef von Sternberg. Coined capital of the international underworld, the city of Shanghai became a seductively strange locale symbolized in the Western imagination, in reality the city was most often the final port of call for political refugees. B1001957
ACMI Street XRays 2004 Ross GIBSON Drawing on the NSW Police Department's photographic archive, Street X-Rays interprets approximately sixty crime scenes from the 1950s, to evoke the power of the continuing life of the past in our ordinary, everyday places. The police images are placed beside contemporary footage recorded in the same location, from the same camera position. Each screen holds two moments in time, two disparate attempts to interrogate a location. Texts from police records and the artist's enigmatic narrative prompts punctuate this essentially visual dialogue. The effects of time linger in each scene and across the entire imaginative space of this half-historical/half-mythical city that is evoked in the installation space. I've tried to conjure a place that's haunted by persistent little pulses of history. I hope viewers feel as if they've wandered into a vaguely familiar 'otherworld' that's being buffeted by a kind of 'spirit weather' - Ross Gibson. Taken from PROOF exhibition 2004 B1006595
ACMI Submission Prototype EXPERIMENTA 2002 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Agricola DE COLOGNE B2005567
ACMI Subtitle Kino 2009 ISO, Optical Disc External collection;Experimenta Collection/ACMI Special Collections Emile ZILE B2005314
ACMI Suggested photo spots 1997 00:10:00:00 Melinda STONE, Igor VAMOS Strap on your seat belts and get comfortable for a 7,000 mile drive. This documentary invites you to travel along with the Center for Land Use Interpretation as they find Suggested Photo Spots across North America. Journey from coast to coast stopping long enough to take snap shots of unusual or exemplary land use sites across North America. You will even get to take a picture of Kodak's own waste water treatment plant in Rochester, New York. B1000147
ACMI Suicide box Purchase 1996 BUREAU OF INVERSE TECHNOLOGY (B.I.T.) A documentary video tape about the 'Suicide Box' - a motion triggered camera developed by the Bureau of Inverse Technology (a private information agency) and installed in range of the Golden Gate Bridge, San Fransisco. This vertical-motion triggered device is designed to capture a video record of anything that falls from the bridge in order to provide an accurate measure of the suicide rate at the bridge. Accuracy of measurement is often compromised by the presence of seagulls and brought into question by ironic observations about the contradictory roles played by technology within contemporary culture. B1000082
ACMI Summer, or grief Purchase 1998 Mary LUCIER In this single-channel videotape, a sequence of personal, light-filled images alternates with single words and short phrases in a stark white font against black background. The imagery consists of stills, pans, tracking shots, and long pulls-to-focus of everyday subjects photographed in and around the artist's summer home in Upstate New York over the course of several summers. The text, an excerpt from `The Conversation' by poet Allen Grossman, is an eloquent but dark meditation on loss and the passage of time. The tape is about appearance and interiority, surface and undercurrent, and the coexistence of the dark in the light, apprehension and beauty in common experience. B1000121
ACMI Sums & differences Purchase 1977 00:08:23:00 Gary HILL B1002875
ACMI Suspension 2002 1997 00:08:33:00 Anthony DISCENZA A meditation on the narcissistic nature of the consumption of advertising images, 'Suspension' consists of footage of hundreds of models' head shots taken from magazines that Discenza has repeatedly re-taped and re-scanned into an endlessly mutating image of cut-and-paste beauty. This hypnotic video artwork literally suspends the viewer in a cycle of visual engagement, an energetic interchange from eye to eye, viewer to model, consumer to consumed. B1001833
ACMI Sweatlodge Licence (perpetual); 2004 1991 Mike STUBBS B1002566
ACMI Swell; The Breathing Room; Truck Babies; Plasticology - NTTICC; Plasticology - Melbourne VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Patricia PICCININI B2004378
ACMI Sydney: a guide to recent architecture 2000 2006 Optical Disc, DVD External collection;Experimenta Collection/ACMI Special Collections Shaun GLADWELL B2005538
ACMI TTS: recruit: an interactive DVD artwork Optical Disc External collection;Experimenta Collection/ACMI Special Collections ARTRAGE, PVI COLLECTIVE B2005650
ACMI Tabula rasa Licence (perpetual); 2005 1987 1989 1987-1989 00:17:02:00 Peter TSCHERKASSKY B2000212
ACMI Tall Tales and True VHS External collection;Experimenta Collection/ACMI Special Collections B2005442
ACMI Tania Doropoulos: images/ animation excerpt CD-R External collection;Experimenta Collection/ACMI Special Collections Tania DOROPOULOS B2005455
ACMI Techno Dumb Show 1991 John GILLIES B1002339
ACMI Telepath & Seesaw (2 works) DVD-R External collection;Experimenta Collection/ACMI Special Collections David MCDOWELL B2005712
ACMI The Amateur Developer's Handbook 2002 SP Betacam, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Antonia FREDMAN B2004362
ACMI The Arisotelian Machine Optical Disc External collection;Experimenta Collection/ACMI Special Collections Holly DURANT, Rob STEWART B2005682
ACMI The Blinds and the shutters Purchase; 2002 2001 Joyce HINTERDING, David HAINES Created in 2001, this work shows a modernist house in a rural setting gradually losing its domestic contents in a turbulent flow across four screens. Tables, chairs, cutlery, clothing and bedding are propelled into outerspace and taken on a journey through NASA space. The work is an ironic comment on experiments with Artificial Life, and has a surreal atmosphere that is underpinned by the ambient sound track. B1001970
ACMI The Body Malleable Commission; 2004 2003 Philip BROPHY The Body Malleable is an intimate interactive work where a custom built 'gromit' is physically engaged with by the viewer to create a display combining digital animation and synchronised audio in the installation space. The custom interface, placed on a desk for one viewer to interact with at a time, is internally configured with a 100 key keyboard broken up and reassembled within the spherical space. Darkness within the pod, the viewer is asked to insert their finger into a small opening to probe the key board lining. The keys pressed act as switches to key events programmed into Director and thus set off a series of audio-visual responses via surround sound and a single circular screen projection to create an intimate experiential space determined by the audiences interaction. B1006115
ACMI The Bridge 2003 00:08:00:00 John R. HIPWELL 'The Bridge' is a celebration of a childhood sense of place and belonging to the filmmakers' birthplace, Warrandyte by video artist John Hipwell. Created to celebrate the artists' early nexus with the neighbourhood, landscape and ambience of Warrandyte and its surrounds. 'The Bridge' over the Yarra River also symbolises the journey from childhood to manhood. The Visaural (video painting with sound scape) is made up of 8 x 30 sec. short films each representing an important particular place central to the artists' maturation. When played conitnuously and randomly 'The Bridge' becomes a metaphor for the filmmakers' early journey of adventure, discovery and development. The titles are: 1. Home, Presbyterian Church and The Bridge 2. Gold mines, Petrol Station and The Bridge 3. Research Look Out, Monsalvat and The Bridge 4. Primary School, Folk Art and The Bridge 5. Creek, Yarra River and The Bridge 6. Moonlight Cottage, Potters Cottage and The Bridge 7. War Memorial, Car wrecks and The Bridge 8. Bush fire, North Warrandyte Fire Brigade and The Bridge Music composed by John B. Hipwell (John Hipwell's father) and cinematography and editing by Adis Hondo. B1006776
ACMI The Coast DVD+RW, DVD-RW External collection;Experimenta Collection/ACMI Special Collections Marty O'HARE B2005544
ACMI The Cute Machine 1997 CD ROM External collection;Experimenta Collection/ACMI Special Collections Martine COROMPT The Cute machine' is an exploration into the morphology of cute characterisation and iconography and its relationship to the biological world, seeking to analyse this 'Cute ideal' by correlating it with the Zoological process known as Neoteny. [Contents of the CDs to be determined, as stated above: existing Description copied from B1001948 is:] The CD contains two sections that had already been exhibited as installations (Sorry! and Activity Station) but were then adapted to a screen version. The remaining sections elaborate on the themes of cute iconography and its analysis. The Cute Machine proposes an environment where cute iconography and user friendliness have rampantly accelerated, and reduced computer interface design to the look and sophistication of an infant toy, while also taking the premise, Cute = young to the extreme, where the 'Cutest', becomes an abstracted mutation of the original sentiment. B2005420
ACMI The Cute machine 1997 Martine COROMPT 'The Cute machine' is an exploration into the morphology of cute characterisation and iconography and its relationship to the biological world, seeking to analyse this 'Cute ideal' by correlating it with the Zoological process known as Neoteny The CD contains two sections that had already been exhibited as installations (Sorry! and Activity Station) but were then adapted to a screen version. The remaining sections elaborate on the themes of cute iconography and its analysis. The Cute Machine proposes an environment where cute iconography and user friendliness have rampantly accelerated, and reduced computer interface design to the look and sophistication of an infant toy, while also taking the premise, Cute = young to the extreme, where the 'Cutest', becomes an abstracted mutation of the original sentiment. B1001948
ACMI The Day Before I Went Away Licence (perpetual); 2004 2004 00:00:30:00 Guo JIAN Guo Jian's saucy and sinister reappropriation of Chinese propaganda painting techniques is heightened by this animation of his allegorical work 'The Day Before I Went Away'. B1006500
ACMI The Esthetics of Disappearance 1986 00:06:05:00 Peter CALLAS This work, which takes its title from Paul Virilio's publication of the same name, explores notions of the cinematic in relation to recent global history, with particular focus on the role of the media in conveying information and events into the home via the medium of the television. Virilio's thesis upon cinema and temporal experience proposed that 'with the cinematic accelerator...the measure of the world becomes that of the vector of movement, of the means of locomotion that desynchronize time'. Notions of heightened speed and the distortion of perception are conveyed visually in the work by the rapidity of images and their intense colouration. Notes by Rachel Kent, reprinted courtesy of the author and d/Lux Media Arts. B2001502
ACMI The Fang Licence (perpetual) 1999 00:06:13:00 Alastair MACINNES The Fang is an animation that uses the animated contributions of past AIM students. Produced and directed by Al MacInnes with the song performed by his band Dan and Al, the Fang celebrates and displays the vast animation techniques and styles used by Al's peers. The Fang himself is a character around town who wonders what the fang is and discovers that he is the fang, a very much sort after man. B1001809
ACMI The Fog is Rising / Let Us Go In 2006 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Yuen CHEE WAI, George CHUA, Alwyn LIM B2005491
ACMI The Fridge 1997 SP Betacam, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections UNKNOWN B2004364
ACMI The Games: Olympic Variations Purchase 1984 Michel AUDER Auder's alternative vision of the 1984 Olympic Games in Los Angeles is composed entirely of re-scanned and re-edited footage shot directly from a television set. The athletes' exertions, fragmented and abstracted by Auder into an incessant flow of crotch shots and body parts, take on a highly sexual, often sadomasochistic edge. Auder exploits the subliminal, raising the violent and sexual subtext of TV sports coverage to the surface. His seamlessly re-edited images and discordant sound pull the viewer into an enigmatic narrative of physicality that is intensely subjective, almost obsessive, in its focus. The underlying principle behind appropriation and 'scratch' video of this kind is an inclination to subvert, artistically, the political ideology reflected in the industrial source of the material and TV entertainment (Bob Riley). B1000072
ACMI The Golden Dark Age of Reason 1987 1988 1987-1988 00:22:30:00 Jem COHEN An exploration of the beauty of New York's classically inspired architecture; the Chrysler Building, a blimp passing over the Brooklyn Bridge, a young boy performing backflips on a street corner. B1002650
ACMI The Good Cook A Memory Monologue CD External collection;Experimenta Collection/ACMI Special Collections Michael BUCKLEY, Gary BRENNAN B2005612
ACMI The Hundred Videos. No. 01. Excuse of the real 1997 Steve REINKE B1002404
ACMI The Hundred Videos. No. 02. Family tree 1997 Steve REINKE B1003184
ACMI The Hundred Videos. No. 03. Watermelon box 1997 Steve REINKE B1003185
ACMI The Hundred Videos. No. 05. Eleven dreams 1997 Steve REINKE B1003186
ACMI The Hundred Videos. No. 06. Emergence of democratic memory 1997 Steve REINKE B1003187
ACMI The Hundred Videos. No. 07. Speculative anthropology 1997 Steve REINKE B1003188
ACMI The Hundred Videos. No. 08. Why I stopped going to foreign films 1997 Steve REINKE B1003189
ACMI The Hundred Videos. No. 09. Falling 1997 Steve REINKE B1003222
ACMI The Hundred Videos. No. 10. Barely human 1997 Steve REINKE B1003190
ACMI The Hundred Videos. No. 11. Room 1997 Steve REINKE B1003191
ACMI The Hundred Videos. No. 15. Walking the dog 1997 Steve REINKE B1003192
ACMI The Hundred Videos. No. 17. Language of rats 1997 Steve REINKE B1003193
ACMI The Hundred Videos. No. 18. Language of flowers 1997 Steve REINKE B1003194
ACMI The Hundred Videos. No. 21. Squeezing sorrow from an ashtray 1997 Steve REINKE B1003195
ACMI The Hundred Videos. No. 22. In the realm of perpetual embarrassment 1997 Steve REINKE B1003196
ACMI The Hundred Videos. No. 23. 80 prominent dermatologists 1997 Steve REINKE B1003197
ACMI The Hundred Videos. No. 24. Visual elf 1997 Steve REINKE B1003198
ACMI The Hundred Videos. No. 27. Disturbed sleep 1997 Steve REINKE B1003199
ACMI The Hundred Videos. No. 28. Testimonials 1997 Steve REINKE B1003200
ACMI The Hundred Videos. No. 30. Long train ride 1997 Steve REINKE B1003201
ACMI The Hundred Videos. No. 32. I love you, too 1997 Steve REINKE B1003202
ACMI The Hundred Videos. No. 34. Ice cream 1997 Steve REINKE B1003203
ACMI The Hundred Videos. No. 36. Request 1997 Steve REINKE B1003204
ACMI The Hundred Videos. No. 37. Jason 1997 Steve REINKE B1003205
ACMI The Hundred Videos. No. 42. My personal virus 1997 Steve REINKE B1003206
ACMI The Hundred Videos. No. 48. Artifact 1997 Steve REINKE B1003207
ACMI The Hundred Videos. No. 49. Monologue (with provocation) 1997 Steve REINKE B1003208
ACMI The Hundred Videos. No. 52. Love letter to Doug 1997 Steve REINKE B1003209
ACMI The Hundred Videos. No. 57. Ghost production 1997 Steve REINKE B1003210
ACMI The Hundred Videos. No. 61. Sparky 1997 Steve REINKE B1003211
ACMI The Hundred Videos. No. 71. Corey 1997 Steve REINKE B1003212
ACMI The Hundred Videos. No. 75. How to build an igloo 1997 Steve REINKE B1003213
ACMI The Hundred Videos. No. 78. Treehouse 1997 Steve REINKE B1003214
ACMI The Hundred Videos. No. 79. The Boxers 1997 Steve REINKE B1003215
ACMI The Hundred Videos. No. 80. Talk show 1997 Steve REINKE B1003216
ACMI The Hundred Videos. No. 82. I have already 1997 Steve REINKE B1003217
ACMI The Hundred Videos. No. 86. Seventeen descriptions 1997 Steve REINKE B1003218
ACMI The Hundred Videos. No. 87. Children's Video Collective 1997 Steve REINKE B1003219
ACMI The Hundred Videos. No. 90. Video for intellectuals 1997 Steve REINKE B1003220
ACMI The Hundred Videos. No. 94. Ants and bees 1997 Steve REINKE B1003221
ACMI The Hundred Videos. No. ??. How photographs are stored in the brain 1998 Steve REINKE B1002403
ACMI The Inside of Houses 1998 CD External collection;Experimenta Collection/ACMI Special Collections Bronwyn COUPE B2005613
ACMI The Judy spots Licence; 2004 1995 00:12:53:00 Sadie BENNING The Judy spots' consists of five short videos featuring a papier-mache puppet called Judy. Clever, witty and extremely dark, each of the vignettes is a social commentary about human emotions and behavior. The vignettes are: 'Judy feels sad', 'Judy hates her job', 'Judy has a nightmare', 'Judy goes to the mall' and 'Judy gets mad'. B2000273
ACMI The Last game 2000 00:01:27:00 Andri SURNANDER An interactive CD-ROM following a 'pick-a-path' approach to a soccer player's last match. A range of outcomes are generated in reaction to key elememts of a typical football game - penalty kick, injury, extra time. The CD-ROM attempts to describe the possible emotions of the player as he experiences the last game of his career. B1005676
ACMI The Mutant Genome Project 1994 3.5 inch floppy disc External collection;Experimenta Collection/ACMI Special Collections Patricia PICCININI B2004344
ACMI The Passing Purchase 1991 00:54:19:00 Bill VIOLA Engaged in projects all over the world, Bill Viola has become one of the most celebrated artists working with the moving image. His installations are admired for the lightness with which they address weighty themes: birth, death, the nature of time and impermanence, the mania of individuality contending with the benefits and responsibilities of the human, communal condition. Time and again, Viola organises his installations around dramatic 'moments of distinction', like the breath coming in and out of a body distinguishing vitality from mortality, or the blinking eye distinguishing the energy in light from the absence that is darkness. In The Passing viewers watch a man - the artist - sleep, and they also witness visions that emerge from his unconscious. As they are bathed in the glow of the dreamer's imaginary, as they sway to the pulsing of the engulfing soundtrack and feel the dimensions of their own body altering in response to the shifts of scale and variations of weightlessness, they sense a slow but profound shift in their consciousness. Time passes in an unaccustomed manner, basic emotions like fear and attraction seem to offer themselves for fresh consideration. There is no pre-defined, 'right' duration for an encounter with this work. Visitors tend to stay for as long as it takes to feel an alteration; this can be ten seconds, or it can be hours. The Passing might have a beginning, middle and end mapped into its 52-minute linear duration, but the installation is best regarded as an endless loop that circulates like an enormous conceptual mantra, always available for engagement and orientation. No matter where in the timeline a viewer first submerges into The Passing, they will almost instantly find themselves attuned to rhythms and glimmers that can guide them along their own passage through memory and self-examination to enlightenment. B1000136
ACMI The Rational Life Film 1-5 1989 16mm film External collection;Experimenta Collection/ACMI Special Collections Debbie LEE
ACMI The Reflecting pool: collected work 1977-80 Purchase 1977 1980 1977-1980 00:07:00:00 Bill VIOLA Viola describes The Reflecting Pool as 'a collection of five independent works which, taken as a whole, describe the stages of a personal journey using images of transition -- from day to night, motion to stillness, time to timelessness, etc. Each work explores specific video techniques and technologies, in combination with the spatial potentials of stereo sound.' In the title work, all movement and change in an otherwise still scene is confined to the reflections on the surface of a pool in the woods. Suspended in time, a man hovers in a frozen, midair leap over the water, as subtle techniques of still-framing and multiple keying join disparate layers of time into a single coherent image. Viola writes that 'the piece concerns the emergence of the individual into the natural world -- a kind of baptism.' He describes Moonblood as `an expression of the feminine principle, a work in three parts relating to a personal concept of woman and mother. Day and night converge within the silhouette of a woman at a window -- a rushing waterfall in winter, and the serene interplay of changing dawn light unfolds within a glass of water at dawn in the desert.' Silent Life' records the first hours and days of life through a series of portraits of newborn babies in a hospital nursery. The alienating hospital environment, and the vulnerability of the babies' pre-lingual gestures and expressions, suggests a primal linking of birth and death. Ancient of Days is a remarkable series of `canons and fugues for video' that comprises Viola's most sophisticated structural and metaphorical explorations of time. Mathematical notations of precise time-code editing were applied to construct illustrations of temporal symmetry, duality and transposition -- time-based equivalents of musical compositional principles such as counterpoint and serialism. Astonishing temporal interventions -- a 180-degree pan gazing downward on a New York City street that progresses from day to night, an image of Mount Rainier in which the foreground and background unfold in different time planes -- unfold as symbolic transformations of natural and urban landscapes. The title of Vegetable Memory derives from the writings of Jalaludin Rumi, 13th-century Persian poet. Evolving as what he terms a 'kind of temporal magnifying glass,' the tape explores the perceptual phenomenon of repetitive, cyclic viewing. A loop of images recorded at the Tsukiji fish market in Tokyo is extended in progressively slower cycles, changing the form, feeling and ultimately the meaning of the original images as they move further into the subjective and pictorial. B1000134
ACMI The Rumour of true things Licence 1996 00:26:00:00 Paul BUSH Most of the moving images produced for science, industry, commerce and medicine are seen only by specialised audiences and are then discarded soon after they are made. `The Rumour of True Things' is constructed entirely from such moving images ephemera, including computer games, weapons testing, production lines, monitoring and marriage agency tapes. `The Rumour of True Things' is a remarkable anthropological portrait of a technologically-based society obsessed with imaging itself. Taken from PROOF exhibition November 2004 B1000086
ACMI The Shadowers Commission; 2004 2004 Monika TICHACEK This three screen video installation creates a series of disquieting tableaus that present visions of three characters engaged in a game like narrative and whose roles and identities shift and blur between attacker and victim and all that could be the same in between. In an articulation of a 'schizophrenic understanding of the self' Tichacek presents an image of oscillating inner world's where physical and mental experience fluctuate and escape simple definition in the parameters of physical and emotional manipulations and violence (Exhibition proposal). In a thematic echo of and engagement with technological advancements in bodily modification, the victim, played by the artist, is submitted to a range of intrusive and physical molding actions at the hands of the other characters, set in lush outdoor settings as well as in a dark and clinical interior. Suspended in a triangular fashion and surrounding a sculptural object, the viewer can move between and behind the synchronised screens, the physical and psychological shifts of identity featured in the video mirrored in the viewer's own fluctuating experience of the work as they become variously immersed in or distanced from the disturbingly beautiful and new but fragile 'prosthetic' space the game narrative articulates. Static and inarticulate frequencies, or white noise, layer the visuals in place of the characters' speech and screams and create an aural sense of distortion and displacement for the viewer in the use of surround sound. B1006117
ACMI The Shy Picture DVD-R External collection;Experimenta Collection/ACMI Special Collections David MACLEOD, Narinda REEDERS B2005733
ACMI The Tonight Show 2002 George LAZARIDES The 'Tonight Show' is an interactive 'late night' show set in the year 2040 on Coode Island. The robotic host 'Cyborg' is the host of the show, asking each user to make their selection from a menu of 'items' to compile the show. The content for each section (listed in a menu) offers musical interludes, comedy segments and interviews in traditional late night format which the user can mix and match to create their own late night program. This interactive cleverly and subtlely comments on environmental issues and the formulaic nature of late night television. Kids will love the robotic host and guest stars (NOTE there are 2 versions of this work - G rated for general exhibition and the original version featuring mild drug references and swearing) B1006540
ACMI The Unknown series (excerpts) Purchase 1994 1996 1994-1996 00:23:58:00 Phyllis BALDINO In the 'Unknown Series', practical hands work with a sense of urgency to construct curious objects out of everyday things. This is a woman at work - not play. She is alone, assuming different persona, constructing objects that might appear to have no function but somehow reflect a state of mind and heart. Baldino has written, 'Americans will sell you anything, even if they do not know what it is. So, I bought used 'things.' This series uses 30 of these objects in separate scenarios. I film a process that takes place in less than 60 seconds. This brief footage is an excerpt, which is actually the completed work. What happens before and after is unknown. Each piece is shot with different personas, and filmed in the first and final take'. B1000076
ACMI The Water catalogue Purchase; 2002 1984 00:27:08:00 Bill SEAMAN 'The Water Catalogue' explores a set of moods or psychological states as reflected in water. The work is a poetic musing, observing water in various physical states. The soundtrack is non-sync industrial/ambient music that augments the visual images. Specific light conditions and atmospheres punctuate this painterly presentation. The speed of images have been manipulated to present a choreographed approach to objects and landscape. We are bodies of water... B1001852
ACMI The Way things go 2004 1986 1987 1986-1987 Peter FISCHLI, David WEISS Inside a warehouse, artists Peter Fischli and David Weiss build an enormous, precarious structure 100 feet long made out of common household items - tea kettles, tires, old shoes, balloons, wooden ramps, etc. Then, with fire, water, gravity, and chemistry, they create a spectacular chain reaction, a self destructing performance of physical interactions, chemical reactions, and precisely-crafted chaos worthy of Rube Goldberg or Alfred Hitchcock. B1001850
ACMI The all new adventures of Ling Change CD-R External collection;Experimenta Collection/ACMI Special Collections Keith ARMSTRONG B2005459
ACMI The amateurist Licence 1998 00:14:00:00 Miranda JULY A short, captivating video about surveillance, identity, watching and being watched. 'The Amateurist' slides along the edges of horror and satire to create an unsettling portrait of a woman on the brink of a technologically-driven madness. B1001828
ACMI The contextual villians: support material DVD-R External collection;Experimenta Collection/ACMI Special Collections B2005686
ACMI The electric canvas: showcase sampler 2008 Optical Disc External collection;Experimenta Collection/ACMI Special Collections ENTECH B2005474
ACMI The inside of houses v 1.2 CD External collection;Experimenta Collection/ACMI Special Collections Bronwyn COUPE B2005640
ACMI The ministers are coming 2008 DVD External collection;Experimenta Collection/ACMI Special Collections Wade MARYNOWSKY B2005533
ACMI The neighbour's house Optical Disc External collection;Experimenta Collection/ACMI Special Collections Bronwyn COUPE B2005641
ACMI The pretty dumb hall of Fame CD-R External collection;Experimenta Collection/ACMI Special Collections DJ NOMC, NECK BONE PRODUCTIONS B2005711
ACMI The promised land: stills CD-R External collection;Experimenta Collection/ACMI Special Collections Peter DE LORENZO B2005484
ACMI Therapeutic Space Optical Disc External collection;Experimenta Collection/ACMI Special Collections Natalie ZIMMERMAN B2005662
ACMI Three Mile Creek 1996 Alyssa ROTHWELL One of 6 works selected by AIM director David Atkinson as representing the best interactive work produced by the AIM centre up until 2004. Three Mile Creek is a collection of anecdotal accounts inspired by an experience of growing up in rural northern NSW. The aim is to transport the participant into what is a distinctively Australian time and place, with the child who lives on the farm as their guide. A contemplative approach is the key to appreciating the stories. Music, dialogue and soundscape evoke the richness of the environment and create the sense of being there B1005923
ACMI Three studies for a portrait. No. 1. Yesterday 2001 00:02:41:00 Tina GONSALVES B2000253
ACMI Three studies for a portrait. No. 2. Today 2001 00:02:34:00 Tina GONSALVES B2000254
ACMI Three studies for a portrait. No. 3. Tomorrow 2001 00:02:38:00 Tina GONSALVES B2000256
ACMI Time lapse antenna 1999 CD-R External collection;Experimenta Collection/ACMI Special Collections Joyce HINTERDING 1. 266 mhz VLF recording and remix of Pentium II 266 mhz computer with Sony multisync monitor 1999 6.46min 2. 400 mhz VLF recording and remixing of Pentium II 400mhz comouter with Diamin view monitor 1999 5.31 min 3. Sola burst VLF recording and remix of solar flare activity and related radio bursts The Cape Bruny Light Station Tasmania 1999 Walter De Maria's Lightning Field New Mexico USA 1991 9.59min 4. Refract Test VLF recording and remix of Melbourne Tram lines with doppler sound effects unit 1999 6.58 min 5. NYC VLF recording of Radio Beacon NYC 1991 1.00min B2005208
ACMI Tokyo Gallery: solo exhibition DVD-R External collection;Experimenta Collection/ACMI Special Collections Joo MOON B2005703
ACMI Tourette's Tics 1993 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Janet MEREWETHER B2004361
ACMI Tower 2009 DVD-R External collection;Experimenta Collection/ACMI Special Collections Teppei KANEUJI B2005576
ACMI Toydeath pokey as shake 2001 CD External collection;Experimenta Collection/ACMI Special Collections B2005601
ACMI Traffic: Video Stills CD External collection;Experimenta Collection/ACMI Special Collections R. BUCHANAN B2005590
ACMI Train Fixation 1977 16mm film External collection;Experimenta Collection/ACMI Special Collections John DUNKLEY-SMITH
ACMI Transfinite loops 1996 Van MCELWEE B1003225
ACMI Trepang 00:18:15:00 Andrish SAINT-CLARE Every wet season between the early 1600s and 1906, when the Australian government outlawed the practice, Macassan sailors from Indonesia would sail to Arnhem Land to collect and harvest the sea slug or 'trepang'. The sailors would pay local Yolngu people in return for permission to harvest the trepang and a culture of interchange and trade was born between these two communities. In 1994, Darwin artist Andrish Saint-Clare began working with the Yolngu people from Elcho Island and with Macassan performers from Sulawesi to embark on a memory-retrieval process which could lead to the staging of stories of this important period in history. The final work, 'Trepang', evolved into a cross-cultural, indigenous opera that was performed on Elcho Island and Sulawesi and then again for a wider audience in Darwin. At the Australian centre for the Moving Image, the video artwork Trepang has its genesis both in this early period of cultural contact and collision, and in these recent theatrical performances. In consultation with Saint-Clare, ACMI has created a small screen-and-mirror assemblage in which a storm of images - echoes of knowledge, trouble and memory - and reflections all buffet together as if the past is rumbling in from just over the horizon. A sequence of six images plays in random patterns across the screen, occasionally bursting forth as one flash of unified meaning, and at other times flickering in different, staggered combinations. The visual fragments appear like the debris of history washed up on the shore and the participation of the viewer creates a sense that these fragments - part history, part song, part dance, part dream - are like navigation markers that help the people from the present calculate their orientation with reference to the past. Andrish Saint-Clare has worked extensively in indigenous and intercultural performance. He worked for many years as a tutor and composer with the National Aboriginal and Islander Dance Association, and recently staged a new theatrical work 'Fire Fire Burning Bright' as part of the Melbourne Festival in 2002. B1001086
ACMI Trick or treat Licence (perpetual); 2006 1998 Ian HAIG Ghouls, mutants, zombies, bloodsuckers, ghosts, freaks, vampires and demons are brought back from the dead and reanimated into ectoplasmic goop. B1001958
ACMI Turbulence 2 (Revised version commissioned by ACMI) Licence (perpetual); 2007 1995 Jon MCCORMACK Turbulence is an interactive museum of un-natural history where a menagerie of synthesised forms, 'evolved' within the computer using a process of artificial selection. It is one of the most awarded and recognised works of Australian multimedia art. The work consists of a touch-screen interface, used to access a virtual museum of evolved electronic creatures. Over 3 years in production, Turbulence is a collection of abstract thoughts, simulations, ideas, information and poetry. A multiplex of links into an interactive web of computer synthesised imagery relating to the philosophical impact of evolution on contemporary thought. B1000123
ACMI Turbulence [excerpts] 1994 00:09:26:00 Jon MCCORMACK B2000270
ACMI U.S. Sweat Purchase 1982 Shalom GOREWITZ Gorewitz describes U.S. Sweat as a 'cathartic reaction to social and personal upheavals', he transforms images of the familiar American landscape into a nightmarish, ghostly vision. Recording throughout the South and in New York, he amassed footage that reflects the American experience. Country roads, gravestones and small-town main streets seen from a car window gradually give way to an ominous vision -- saturated by Gorewitz's signature image-processing techniques and lurid, fluorescent colors -- of an America dominated by industry and the military. Called a tour-de-force by The New York Times, this is a propulsive, kinetic work of rich visual and aural textures. B1000104
ACMI Uncle Bill Commission; 2003 2000 Debra PETROVITCH Set against the industrial backdrop of a post-World War II Australian steel manufacturing town, multimedia artist Debra Petrovitch's semi-autobiographical work Uncle Bill is a dark and disturbing narrative that explores a young girl's memories of growing up in a harsh and at times violent environment. A cross-platform interactive CD-ROM, Uncle Bill takes the viewer on a journey that investigates memory, catharsis and child abuse through the interface of interactive, non-linear technology.Raw and unrelenting, Uncle Bill is an unsettling work that investigates the ways in which interactive technology can be used to explore complex, emotional and highly charged subject material. B1002367
ACMI Undertow 1999 2000 Joyce HINTERDING, David HAINES, Scott HORSCROFT Since David Haines and Joyce Hinterding began working collaboratively in the late 1990s they have created striking installations, drawing on their shared interest in recurrent residues and latent environmental energies. Their two major works preceding the completion of Undertow 1999 were The Levitation Grounds (1999) and The Blinds and The Shutters (2001). These works presented ominous yet thrilling scenarios where some unspecified prior events have caused the laws of physics to mutate slightly, allowing occult tendencies to gain precedence. Trees floated in strangely coloured atmospheres; a house launched all of its furnishings into deep-space orbit. Both works showed the exultation and the possible price associated with transgressing the limits that seem to hold a stable physical universe together. Now with Undertow 1999, Haines and Hinterding have teamed up with sound artist Scott Horscroft to produce a visceral fable about sudden, violently upwelling energies that have been previously repressed, half-remembered or semiconscious. Horscroft brings to the project expertise in the sonic patterns of air turbulence and the special 'ambience' that characterises every particular space like a sonic fingerprint. Commissioned by the Federation Square Public Arts Program (with financial assistance from ACMI), the artists were asked to create a work that specifically responded to the labyrinth (the built-in passive air-conditioning system) underneath Federation Square. The resulting work, Undertow 1999, is a four-screen installation depicting a slow and weightless navigation through the interior of the Square's functionary maze.Through the use of Steadicam technology and archival footage sourced from ACMI's film collection, viewers move weightlessly through the space as though peering through their own viewfinder. Accompanied by an enveloping and complex soundscape, we encounter strange and abstract apparitions, levitating objects, mysterious air turbulence and other unstable phenomena, which appear to seep, rupture and bounce throughout this subterranean world. B1000452
ACMI Unguarded moments Purchase 1996 Shalom GOREWITZ Based on travel to Italy, Holland, and around the United States, Unguarded Moments records a series of visual phenomena created physically when nature and technology collide. Repetitive images of the Lubavitcher rebbe, trains, swans, and human gestures combine as a series of sound and movement experiments, as well as social observations, using low-end video and computer processing systems. B1000103
ACMI Urlaubsfilm = Holiday movie Licence (perpetual); 2005 1983 00:09:15:00 Peter TSCHERKASSKY B2000217
ACMI Van Sowerwine: previous works 1998-2007 1998 2007 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Van SOWERWINE B2005522
ACMI Versations/Tetralogia East 2005 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Gabriela FRIDRIKSDOTTIR B2005476
ACMI Versations/Tetralogia South 2005 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Gabriela FRIDRIKSDOTTIR B2005477
ACMI Versifier Licence; 2001 1998 Gina CZARNECKI ina Czarnecki's 'Versifier' places the viewer alone in a room with nine naked figures. Varying in age, race and gender, 'Versifier's' pale figures are without identity or voice, like spectres of people with a hidden past that has occurred long before our arrival. Rearprojected onto a vast screen stretched like skin across the space, these human forms suggest early nineteenth-century museum exhibits: human specimens stripped of protective layers and preserved eternally in a captive vessel. Currently heading the Electronic Imaging Department at the University of Dundee, Gina Czarnecki works at the intersection of film, video and computer-generated imagery. In describing 'Versifier' she explains, 'I have always loved the cinematic experience and came to realise that I wanted this in an installation environment. There is something about being in the dark in a public space that focuses your eyes and attention onto small details, sounds, people in the space with you or your inner thoughts and solitude'. Once enclosed within Czarnecki's installation, the viewer focuses on the exposed inhabitants. With its confronting interface, Versifier challenges notions of modesty, candour, embarrassment, fascination. Experiences that we tend to take for granted are offered up for creepily clinical re-examination. Czarnecki has used digital technology to manipulate the figures into disquieting hybrid forms: skin tones are unusually monochromatic, limbs appear disproportionate and distended. The body itself - the medium through which we all experience the world - takes on disturbing new definitions inside the specimen room that is Versifier. Czarnecki's mutant characters gesture forward to contemporary anxieties about the looming new frontier of genetic modification, manipulation and experimentation. But they also point backward to personal memories of vulnerability or exposure, and to communal memories of the Holocaust and genocide in which bodies were lined up and exposed in ways that were an affront to all accepted definitions of humanity. In fact, Czarnecki's disturbing yet beautiful parade calls into question everything - past, present and future - that makes us human in the most basic, naked way. B1001994
ACMI Vibrators from the House of Brodsky 1998 CD External collection;Experimenta Collection/ACMI Special Collections Suzanne TREISTER B2005611
ACMI Video 50 Purchase 1978 00:50:00:00 Robert WILSON Video 50 is an extraordinary video sketchbook, a highly original, visually dramatic and frequently humorous collection of one hundred abbreviated 'episodes' produced for television. Unfolding as a series of thirty-second vignettes, this enigmatic essay in style is characterized by a deadpan theatricality, symbolist imagery, surrealist juxtapositions and repetition of key visual motifs. Indelible images, precisely composed -- a man teetering above a waterfall, a floating chair, a winking eye, a parrot against the New York skyline -- are accompanied by an 'architectural' sound score that includes spoken 'phonetic patterns' rather than words. Fusing his surprising visual logic and rhythms with unexpected temporal manipulations, Wilson creates a work of startling wit and poetry. B1000137
ACMI Video Editions for Experimenta Media Art 2010 DVD-R External collection;Experimenta Collection/ACMI Special Collections Yukihiro TAGUCHI B2005587
ACMI Videonale 11: Festival für zeitgenössische Videokunst 2007 DVD External collection;Experimenta Collection/ACMI Special Collections ANTENNA, Ulu BRAUN, Christine DE LA GARENNE, Geoffery GARRISON, Beate GEISSLER, Patricija GILYTE, Nick JORDAN, Halina KLIEM, Naoto KOBAYASHI, Mischa KUBALL, Guangyun LIU, Martin LORENZ, Matthias MEYER, Jean-Gabriel PERIOT, Nico ROICKE, Gustavo ROMANO, Oliver SANN, Matthias SCHOLTEN, Siri Harr STEINVIK, Alexej TCHERNYI, Tina WILLGREN, Mai YAMASHITA, Joseph ZEHRER B2005569
ACMI Virtual Sanctuary 2002 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Mayumi KIMURA B2004363
ACMI Virtualites, MIMA digital catalogue 1995 3.5 inch floppy disc External collection;Experimenta Collection/ACMI Special Collections B2004345
ACMI Voyage to the center of the phone lines Purchase 1993 Michel AUDER In this chilling work, Auder taps into phone lines and uncovers dark narratives of ordinary lives. While Auder's camera dispassionately observes nature from a window, we eavesdrop on a series of surreptitiously recorded phone conversations -- conversations we wish we hadn't overheard but can't stop listening to. A divorced couple argues about their daughter's boyfriend, two women compare their dates, a man makes plans with his mistress, teenage lovers bicker. The disembodied, anonymous voices come to us through the static of the lines as if from a bad dream. These purloined conversations are as banal, sinister, and ultimately fascinating as anything in contemporary fiction, except that Auder's 'characters' are real. B1000073
ACMI Voyageur CD-R External collection;Experimenta Collection/ACMI Special Collections Diana JANICKI How to play This is not a competition. You cannot win, and you will not die. So settle back relax, and use this as a meditative piece When you can be passive, do so. There is plenty of opportunity to engage too. A hand appears when there's secret knowledge to uncover. This is when you scratch the surface. Uncover all the knowledge in all 3 color worlds and transform the wanderers black and white vision into color. For more details, see the help screen in the game. B2005303
ACMI We should call it a living room 1975 Digital Betacam, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Aleks DANKO, David LOURIE, David STEWART, Joan GROUNDS B2004369
ACMI Weather diary #5 Purchase 1989 George KUCHAR The latest `chapter' of the remarkable Weather Diary series finds Kuchar observing his personal, social and natural environment with wry humor and introspection. Writes Kuchar: `Set in central Oklahoma during May, I spend 3 weeks in a motel and get talked at by a small weather-radio that seems to rule my life. I, myself, get to talk at the lady who runs the motel and who runs a cosmetic empire downtown. The viewer gets to see her equipment and her corner of the world as storms lurk somewhere off-camera, waiting to enter stage left and bring down the house. This is one of the more social installments of the weather diary series'. B1000116
ACMI Where where there there where Purchase 1998 Zoe BELOFF Being lost at a sideshow without color might feel like 'Where Where There There Where'. Mini-spectacles unfold but not for my benefit. But I am not sure about this. This interactive CD-ROM project was inspired by the Wooster Group's play House/Lights, which is itself related to Gertrude Stein's play Doctor Faustus Lights the Lights. Stein's work is the starting point for Beloff's playful philosophical investigation of how theories of perception, logic and language developed in relation to technology, from 19th-century industrial mechanics to 20th-century computer architecture. On entry to the project we are greeted with a site map that is a circuit diagram. Locations are clearly labeled, such as 'Bringer of Light', and 'The Wild Woods'. This map isn't seen again, but somewhat remembered. Later on in the project, upon seeing an example of sadomasochism. I figured I must be at 'Marquis De Switch'. After the site map, we enter into the next layer of the project, the interface becomes a QuickTime Virtual Reality Panorama. We can explore a snowy industrial environment with a bridge and an old building with tall glass windows. Characters are in this space who are in the vignettes that unfold from this space. Clicking on spots within the panorama produces intriguing little vignettes that the user cannot control. The small size of the widow, and the flicker of scratched film draws the user to the action to make sense what is happening. Objects close to the screen also obscure our view of what is happening in the background. What is going on in these peep shows? A rhetorical style voice-over makes the head ache and relief is felt when we are returned to the Panorama. There seems to be no end. B1000078
ACMI White 1996 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Francesca DA RIMINI, Josephine STARRS B2004375
ACMI White Cube Optical Disc External collection;Experimenta Collection/ACMI Special Collections Mario GARCIA TORRES B2005511
ACMI Why are you crying, Antonio? Purchase 1988 Alexander KLUGE Chamberlain, Mussolini and their aides attend a 1938 performance of Macbeth in Rome. This audience is itself made into the raw material of opera. The site of the negotiations between Chamberlain and Hitler, which resulted in the invasion of Czechoslovakia, is diagrammed, and Chamberlain and his aides are charged with lack of fantasy, a fatal flaw. Meanwhile, in September 1939 a Nazi officer's happy love story is interrupted only to be resumed (we are told) in 1953, as he comes back from Soviet captivity. A film clip of two bodies in the midst of war devastation asks, "Why are you crying, Antonio? Are you afraid to die?" The theme of 'a new beginning' is the fantasy outcome here, as a 'film' in computer graphics shows a parade of French soldiers in 1918 celebrating the end of war in disbelief and hunger for freedom. B1000114
ACMI Wintergarden Purchase 1984 00:11:11:00 Mary LUCIER This two-channel, six-monitor installation, merges lucid imagery with sculptural form, in an exploration of pastoral and urban landscapes, nature and culture. Originally produced for New York's Chase Manhattan Plaza, this work contrasts serene natural images from a highly cultivated Japanese garden with the hard-edged architectural landscape of Manhattan. Lucier finds formal parallels to the sensual flowers and calm pools in the cool, silvery reflections of the steel and glass skyscrapers. The dichotomy between natural and urban landscape is mirrored in Earl Howard's haunting score, which shifts from the ringing of wind chimes to the magnified ambient sounds of the city street. B1000122
ACMI Wire 1 hi-res images Optical Disc External collection;Experimenta Collection/ACMI Special Collections Wu CHI-TSUNG B2005680
ACMI World of Tomorrow CD-R External collection;Experimenta Collection/ACMI Special Collections B2005627
ACMI Wounded 1999 00:03:18:00 Tina GONSALVES B2000245
ACMI XY2: Ozco App 05 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Leslie EASTMAN, Natasha JOHNS MESSENGER B2005705
ACMI Xmas 4 Sale: A Truly Consuming Christmas Collection for 2004 2004 CD-R External collection;Experimenta Collection/ACMI Special Collections Leigh KAMOLINS, Alexander TAYLOR B2005562
ACMI Y-Mart CD-R External collection;Experimenta Collection/ACMI Special Collections Warren FITHIE B2005709
ACMI Yandell Walton Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005615
ACMI Yoon Hye Young: video installation recording image disk CD External collection;Experimenta Collection/ACMI Special Collections Yoon HYE YOUNG B2005486
ACMI Yoon Miyon DVD-R External collection;Experimenta Collection/ACMI Special Collections Yoon MIYON B2005463
ACMI You and I, Horizontal II Purchase; 2008 2006 00:33:00:00 Anthony MCCALL Step into a dark haze-filled room to interact with the power of projected light. Transforming a beam of light into a three-dimensional sculpture, Anthony McCall's 'You and I, Horizontal II' (2006) is an Australian premiere. The pioneering work of British-born artist Anthony McCall occupies a space between sculpture, cinema, performance and drawing. McCall was one of the first visual artists to experiment with spatial film and temporal sculpture, emerging in the mid 1970s with the 'Solid Light' film series - works that used a 16mm projector to project cones of light through smoke or haze filled rooms. His work attracted renewed attention in the 1990s, when spatial installations once again became a popular and critical tendency in contemporary art. He now uses digital projection and complex graphic software systems to capture the most basic sensory element of the moving image: the projection of light. B2001833
ACMI Youth action Licence (perpetual); 2004 1999 Mike STUBBS B1002571
ACMI Zipper: great moments in art and fashion Submission; 2006 1998 00:05:48:00 Antoinette STARKIEWICZ Live action, choreography, animation and painting combine in a breathless trip through 20th century images in art and fashion - as you may not have seen them before. Voiceover presented by Arthur Dignam. B1006921
ACMI [Andrew MacArthur] CD-R External collection;Experimenta Collection/ACMI Special Collections Andrew MACARTHUR B2005654
ACMI [Artwork 1992-2000 A selection] CD-R, CD-R External collection;Experimenta Collection/ACMI Special Collections Nelia JUSTO B2005631
ACMI [Daniel Von Sturmer] CD-R External collection;Experimenta Collection/ACMI Special Collections Daniel VON STURMER B2005591
ACMI [Gary Hill: selected works] Purchase 1977 1980 1977-1980 00:20:00:00 Gary HILL B1002342
ACMI [Honours Project] DVD-R External collection;Experimenta Collection/ACMI Special Collections David WOLF B2005664
ACMI [In the present] Purchase 1996 00:12:00:00 Al ARTHUR, Phyllis BALDINO Originally part of a two-channel installation, this work presents a series of elusive narrative moments culled from snippets of ordinary life and oddly extraordinary objects. These moments gain their meaning on the periphery of perception. Writes Baldino: According to William James, the 'present' is about 3 to 12 seconds long; everything else is constructed memory. Each segment of In the Present is within this time frame. What you see or don't see depends on what you remember. Your memory becomes part of the picture and distorts the idea of 'present' time. B1000074
ACMI [Installation views - pdfs] CD-R External collection;Experimenta Collection/ACMI Special Collections Aernout MIK B2005633
ACMI [Japan tapes] Purchase 1997 00:17:57:00 Dan ASHER A collection of brief videotaped encounters on one of Asher's travels to Japan. More poetic than ethnographic, the works playfully read the surfaces of Japanese modern life as it reacts to its American visitor. B1000068
ACMI [Jessica Tyrrell supporting material] Optical Disc External collection;Experimenta Collection/ACMI Special Collections Jessica TYRRELL B2005466
ACMI [Musical Four Letters, Roll Film, That Stage] 16mm film External collection;Experimenta Collection/ACMI Special Collections
ACMI [Olaf Meyer 2002 folio] CD-R External collection;Experimenta Collection/ACMI Special Collections Olaf MEYER B2005657
ACMI [Stelarc: 'Structure / Substance' Ballarat 1990] Donation; 2018 1994 STELARC Unedited tape (from high band master'); event- 'Structure/ Substance'; Ballaarat[sp?] Fine Arts Gallery; 21 October, 1990; Camera person: Ivon Perrin; Education Media Unit Ballarat University College B2003923
ACMI [Stelarc: ACREQ performance Montreal 1994] Donation; 2018 1985 STELARC ACREQ Performance; Montreal November 5, 1994; Cam View; Stelarc; Pal Dub of NTSC original; ACREQ; Montreal; 5/11/1994/ Stelarc; Pal Dub of NTSC Original B2003924
ACMI [Stelarc: ARS Electronica; Test Run Thru] Donation; 2018 1985 STELARC ARS Electronica; Test Run Thru; (& initial insertion of endoscope- some good stomach images'); No 7. MII Tape; approx: 60 minutes [fmm 22/05/2019: wikipedia: 'The Ars Electronica Center is a center for electronic arts run by Ars Electronica situated in Linz, Austria'] B2004042
ACMI [Stelarc: Amplified Body / Enhanced Image Japan 1985] Donation; 2018 1985 STELARC 28 Minutes; NTSC; Mono; Master Tape; 'Amplified Body/ Enhanced Image'- Stelarc.; Sony Jumbotron, Tsukuba Science Expo '85, Japan.; Lighting Installation: T. Osaka; Sound Coordinator: K. Tazaki; Video Recording: K. Oki-Size Inc.; Sponsored by the Australian Pavilion Expo '85 and World Expo '88 Brisbane.; Video documentation made possible by funding from The Australia- Japan Foundation, Tokyo; Expo Event '85; Tsukuba; Stelarc; Video Recording: K. Oki- Size Inc.; 'Amplified Body/ Enhanced Image'; Sony Jumbotron, Tsukuba Science Expo '85, Japan; Master B2003894
ACMI [Stelarc: Amplified Body / Enhanced Image Tsukuba Japan; and City Suspension Copenhagen 1985] Donation; 2018 1990 STELARC 1. 'Amplified Body/ Enhanced Image'; Sony Jumbotron- Expo '85; Tsukuba, Japan- Stelarc.; 2. 'City Suspension'; Above the Royal Theatre- 1985; Copenhagen, Denmark- Stelarc. (copies'); 1. 'Amplified Body/ Enhanced Image'- Stelarc.; 2. 'City Suspension'- Stelarc. (copies) B2004038
ACMI [Stelarc: Amplified Body Event: Glass Video Pavilion Groningen 1990] Donation; 2018 1990 1993 STELARC Amplified Body Event; Glass Video Pavilion; Groningen- 10/11/1990; Stelarc; Documentation: Fokke van der Veer.; Copy from Video 8 original (unedited) Pal; Glass Video Pavilion Event; Groningen- 10/11/1990; Stelarc (Pal Copy) B2003898
ACMI [Stelarc: Amplified Body, Involuntary Arm and Third Hand Zurich 1993] Donation; 2018 1993 © Stelarc STELARC 'Amplified Body, Involuntary Arm and Third Hand.'; X-Tra, Zurich 13 April 1993; PAL (High Band)- Original; Stelarc; Zurich; 13 April '93; PAL-HB; Original B2003934
ACMI [Stelarc: Amplified Body: Laser Space/ Laser Eyes Tokyo 1986] Donation; 2018 1986 STELARC 'Amplified Body: Laser Space/ Laser Eyes'; 23-24 August 1986- Tokyo; High technology and art exhibition; Lighting installation- T. Osaka; Sound Coordinator- K. Tazaki; Video Documentation- K. Oki: Size Inc.; Stelarc B2004037
ACMI [Stelarc: Amplified Body: Laser Space/ Laser Eyes Tokyo 1986] Donation; 2018 1986 STELARC 'Amplified Body: Laser Space/ Laser Eyes'; Stelarc (High Technology & Art Exhibition'); 23-24 August 1986 Tokyo; Lighting installation- T. Osaka; Sound Coordinator- K. Tazaki; Video Production- K. Oki-Size; Time-; 'Amplified Body: Laser Space/ Laser Eyes.'; Tokyo, 1986; Stelarc B2004061
ACMI [Stelarc: Anal/colon probe 1974] Donation; 2018 1974 STELARC Anal/Colon Probe; Stelarc/ Dr. Kitagawa 1974; Anal/Colon Probe; Stelarc/ Dr. Kitagawa 1974 [fmm 22/05/2019: other titles with assistance from Dr Kitagawa took place in Tokyo] B2004045
ACMI [Stelarc: Art Space spin suspension Nishinomiya 1985] Donation; 2018 1986 STELARC Original/ unedited tape; Nishinomiya 'Art Space' February 1985; Stelarc; Suspension Art Space 1985- Stelarc; Original unedited tape B2004030
ACMI [Stelarc: Beyond the Body: Event for Laser Eyes, Amplified Body and Third Hand Tokyo 1986] Donation; 2018 1986 STELARC 'Beyond the Body: Event for Laser Eyes, Amplified Body and Third Hand.'; 2 March, 1986- Maki Gallery, Tokyo.; Installation: K. Sakairi; Lighting System: T. Osaka; Sound Coordinator: K. Tazaki; Video Documentation: K. Oki- Size; Stelarc; 'Beyond the Body'; 2 March, 1986- Maki Gallery; Tokyo- Stelarc. (Master) B2003897
ACMI [Stelarc: Beyond the Body: Event for Laser Eyes, Amplified Body and Third Hand Tokyo 1986] Donation; 2018 1986 STELARC 'Beyond the Body: Event for Laser Eyes, Amplified Body and Third Hand'- Stelarc.; Installation: H. Sakairi; Lighting: T. Osaka; Sound Coordinator: K. Tazaki; Video Production: K. Oki- Size.; 2 March, 1986- Maki Gallery, Tokyo.; NTSC Copy. B2004056
ACMI [Stelarc: Body / Building Melbourne & Ballarat 1989/1990] Donation; 2018 1982 STELARC Selected Sections: 1. 'Body/Building'- West Melbourne, 1989.; 2. Melbourne Festival Event, 1990.; 3. Ballarat Fine Art Gallery, 1990.; Video Documentation: Garry Shepherd; 30/10/90; Dupe Master; Mono; Pal B2003943
ACMI [Stelarc: Canberra 1982] Donation; 2018 1982 1988 STELARC Stelarc Canberra, Aust; Sunday 10 Oct. 1982 3:00 P.M.; Stelarc- Oct 1982; Canberra, Aust.; by Daniel Conrad; Dear Stelarc,; The sprocket holes in the first couple minutes were mangled in the last showing. This is original film. Some is silent and some is sound (magnetic). The photography is ok. There are close shots of the hook insertion process. All I ask is that if you ever get a video copy, I would love to have one; Dan Conrad Conrad Studio, Md.; D. Conrad; Stelarc- Canberra, Aust. 1982 B2004067
ACMI [Stelarc: Caulfield event 1988] Donation; 2018 1985 1988 STELARC Stelarc- Event for BVU- 2nd Version; Aug 88; 7'.06; DUB Stelarc-Caulfield event 1988; High Band; BVU; 2nd Version; 7'06 B2004034
ACMI [Stelarc: City suspension Copenhagen 1985] Donation; 2018 1985 STELARC 'City suspension'- Copenhagen/Above the Royal Theatre: 28 June, 1985; Documented & Edited by Tim Groot & Svend Thomsen; NTSC Master- 14 minutes; Stelarc; Copenhagen Suspension 28 June 1985; Trekanten NTSC Master B2003979
ACMI [Stelarc: Colon probe Tokyo 1974] Donation; 2018 1993 STELARC Colon Probe; rectum/colon; Yaesu Cancer Research Centre; Tokyo, Japan/ 1974; assistance: Dr Kitagawa B2004036
ACMI [Stelarc: Endoscope 2nd attempt 1993] Donation; 2018 1993 STELARC Stelarc 2nd Attempt; Endoscope 16/11/93 B2004071
ACMI [Stelarc: Event (Cybertronics Series) The Kitchen, New York 1993] Donation; 2018 1988 1993 © Stelarc STELARC Event; The Kitchen, New York; 12th & 14th March 1993; Screen Mix NTSC Original; Screen Mix; The Kitchen, NY; 14th March 1993; ; NTSC Original Event (Cybertronics Series'); The Kitchen, New York; 12th & 14th March, 1993; NTSC Original (Unedited'); Stelarc- The Kitchen, NY; March 1993- NTSC Original B2003940
ACMI [Stelarc: Event Mini Version 1] Donation; 2018 1990 STELARC Stelarc- Event 7'06; BVU; Master Version 1 Stelarc- Mini Version 1; Master; BVU; 7.'06 B2003889
ACMI [Stelarc: Event for Amplified Body and Third Hand Caulfield 1988] Donation; 2018 1985 1988 STELARC Stelarc- 'Event for Aplified Body & Third Hand' 1988; BVU Master Do not Erase; High Band; High Band Master; Stelarc; 'Event for Amplified Body'; 30 min; Caulfied City Arts Complex; 19th Aug 1988; Ch 1- Camera Audio (out 18:30 in 19:07'); Ch 2- Line Audio; Master; High Band; Stelarc B2003937
ACMI [Stelarc: Event for Amplified Body, Laser Eyes and Third Hand Japan 1985 Incomplete Master] Donation; 2018 1985 STELARC Master; 'Event for Amplified Body, Laser Eyes and Third Hand.'; Sony Jumbotron Screen Recording; 16 August, 1985. (NB- Incomplete'); Light Installation: T. Osaka; Sound Coordinator: K. Tazaki; Stelarc.; Expo '85 Event; Sony Jumbotron Recording; Stelarc. Master (incomplete) [fmm 22/05/2019 - other Sony Jumbotron Screen titles state location as Expo 1985, Tsukuba Japan] B2003939
ACMI [Stelarc: Event for Amplified Body, Laser Eyes and Third Hand Japan 1985 Master] Donation; 2018 1985 STELARC Master; NTSC; 'Event for Amplified Body, Laser Eyes and Third Hand.'; Expo Plaza Screen Recording; 14 August, 1985.; Light Installation: T. Osaka.; Sound Coordinator: K. Tazaki.; Camera: K. Oki; Stelarc.; Expo '85 Event; Expo Plaza Screen Recording; 14 August, 1985 Master [fmm 22/05/2019 - Expo 1985 was in Tsukuba Japan - other titles have this info] B2003946
ACMI [Stelarc: Event for Amplified Body, Laser Eyes and Third Hand Japan 1985] Donation; 2018 1979 1985 STELARC Master; (Japanese characters'); 8/15; 'Event for Amplified Body, Laser Eyes & Third Hand.'; Sony Jumbotron screen recording Master; Stelarc, 15 August 1985; Expo '85 event; Sony Jumbotron; 15 August; Stelarc; (Master) [fmm 22/05/2019: Expo 1985 was held in Tsukuba Japan] B2003976
ACMI [Stelarc: Event for Amplified Tension Tokyo 1979] Donation; 2018 1979 STELARC Event for Amplified Tension; Tenjo Sajiki, Tokyo- 6 August '79; Edited Original NTSC B2004066
ACMI [Stelarc: Event for Amplified Tension Tokyo 1979] Donation; 2018 1979 1985 STELARC Event for Amplified Tension; Tenjo Sajiko; Tokyo; 6 August, 1979; Stelarc NTSC B2004081
ACMI [Stelarc: Event for Anti-Copernicus Robot Tokyo 1985] Donation; 2018 1985 STELARC 'Event for Anti-Copernicus Robot'; Newz Gallery, Tokyo; 6 April, 1985- Stelarc.; Sound Coordinator: H. Tsukagi; Video Documentation: K. Oki- Size; Master B2003922
ACMI [Stelarc: Event for Anti-Copernicus Robot: Amplified Body, Laser Eyes and Third Hand Tokyo 1985] Donation; 2018 1984 STELARC NTSC; 'Event for Anti-Copernicus Robot: Amplified Body, Laser Eyes and Third Hand.'; Newz Gallery, Tokyo- 6 April, 1985; Sound Technician: H. Tsukagi; Installation: K. Oki; Videotape Recording: K. Oki; Stelarc; Stelarc B2003895
ACMI [Stelarc: Event for Body Sounds, Laser Eyes and Third Hand Shibuya Tokyo 1984] Donation; 2018 1976 1984 STELARC Edited Master; 'Event for Body Sounds, Laser Eyes and Third Hand.'; Shibuya Parco event '84- Stelarc [fmm 24/05/19: Title frame of tape says 'REDESIGNING THE BODY'] B2004026
ACMI [Stelarc: Event for Stretched Skin- No.3 Tokyo 1977] Donation; 2018 1977 1988 STELARC Colour; Stelarc; Event for Stretched Skin- No.3; Tamura Gallery, Tokyo- 3 April, 1977; J. Ridout, P. Margonelli B2004041
ACMI [Stelarc: Event for Video Shadow, Automatic Arm and Third Hand Caulfield 1988] Donation; 2018 1988 STELARC Event for Video Shadow, Automatic Arm and Third Hand- Stelarc.; Caulfield Arts Complex; 9th August, 1988; Sound Coordination: Rainer Linz; Video Production: Neil Howe; Lighting Installation: Nathan Thompson; Pal/Mono/30 m. Stelarc; Event for Amplified Body, Third Hand; Caulfield City Arts Complex; 9th August, 1988; 30min PAL B2003935
ACMI [Stelarc: Event for Video Shadow] Donation; 2018 STELARC Stelarc- Event for Video Shadow; Dr Neil Howe; MGH Productions; Return to: 1 Stewart St Murrumbeena, 3163 Vic, Australia; Duration 7' 09; lowband; PAL B2003891
ACMI [Stelarc: Event for modified man 1976] Donation; 2018 1976 1977 STELARC Event for Modified man/Stelarc/1976 B2004064
ACMI [Stelarc: Event for stretched skin Munich 1977] Donation; 2018 1977 STELARC Stelarc- Event for stretched skin; Aug 8 1977; Art Acadamey[sp?], Munich Stretched skin No 4; Stelarc; Munich 1977 B2004035
ACMI [Stelarc: Event for stretched skin/third hand (the last suspension) Yokohama 1988] Donation; 2018 1988 STELARC 'Event for stretched skin/third hand (the last suspension)'; Ofuna Monorail Station- 29 May, 1988: Stelarc.; Sponsor: Yokohama Art Gallery; Video production: Steve Black/ Video Grow; Time: 8m 30s edited; Mono/ Colour; N.T.S.C. B2004051
ACMI [Stelarc: Events for Amplified Body, Automatic Arm, Laser Eyes, Third Hand and Video Shadow 1990] Donation; 2018 1990 STELARC CLR Black; Remote/ Stelarc- 1990; Events for Amplified Body, Automatic Arm, Laser Eyes, Third Hand & Video Shadow; 1. 14/12/89 The Greater Western- Melbourne.; 2. 15,16/6/90 Extensions (Image '90)- Melbourne.; 3. 13-29/9/90 Melbourne International Festival.; 4. 21/10/90 Ballarat Fine Art Gallery.; 5. 10/11/90 Video Glass Pavilion- Groningen.; 6. 2/12/90 Experimenta (M.I.M.A.) Melbourne; Master: Pal; Master; Pal; Mono; Remote/ Stelarc- 1990; Events for Amplified Body, Automatic Arm, Laster Eyes, Third Hand & Video Shadow. Master B2003899
ACMI [Stelarc: Ewing event] Donation; 2018 1988 STELARC Stellarc- at the Ewing Gallery Edited Copy; Ewing Gall. Event B2004078
ACMI [Stelarc: Exoskeleton Hamburg 1988] Donation; 2018 1984 © Stelarc STELARC Exoskeleton; Kampnagel, Hamburg; November 1998; F18/ Tom Deakin/ Jan Cummerow; Documentation by Thomas Brodbeck; (with steady cam'); Betacam SP Dub B2004057
ACMI [Stelarc: High performance New York 1984] Donation; 2018 1984 STELARC, Johanna DEMETRAKAS High Performance- 9/10/84; 31 Min. Sample Reel; Demetrakas/ Frank; High Performance 31 minutes B2003938_ao01 00:00:00:00 to 00:01:26:00 Text (presented as slides) HIGH PERFORMANCE (WORKING TITLE) A film by Johanna Demetrakas HIGH PERFORMANCE will be the first feature documentary about the most provocative and influential avant-garde art form of modern culture. We will film the work of 10 artists performing today, from the shocking physical art of Stelarc to the refined musical aesthetics of Laurie Anderson. The film will show how each artist redefines the parameters and range of the arts to reach new forms of expression. Artists from past decades will narrate short historical segments which will be intrspersed throughout the film. The history starts in the 1800's with the dandies and follows through the Dadaists to the Happenings of the 1950's to the present. Following are three roughly edited separate segments of the film. This is a sample reel. 00:01:27:00 TEHCHING HSIEH (TH) LINDA M B2003938
ACMI [Stelarc: Hindu suspension Sri Lanka] Donation; 2018 1992 STELARC Sri Lanka (Hindu Suspension Experiment & Fire Walking'); Sri Lanka (Hindu Suspension Experiment & Fire Walking) Stelarc B2004062
ACMI [Stelarc: Hollow Body / Video Probe Linz 1992] Donation; 2018 1992 STELARC 'Hollow Body/ Video Probe'; ARS Electronica; Linz, Austria- 1992; Unedited dub from: MII No. 5 original; U-Matic High Band Dub; Stelarc; Master 5; ARS Electronica; Linz, Austria-1992; High Band Dub; (from MII original'); master 5; U-Matic High Band Master 5 B2003967
ACMI [Stelarc: Illuminations TV; Pandamonium] Donation; 2018 1979 STELARC Illuminations TV; Pandamonium: Stelarc Performance; 1. Digi Beta Cam; 2. Robot mini cam; 3. SGI/Alias; Pandamonium: Stelarc Clips; Dub B2004070
ACMI [Stelarc: Inclined Suspension Yokohama; Event for Inclined Suspension Tokyo 1979] Donation; 2018 1979 1993 STELARC Stelarc; 'Inclined Suspension'; 241 I-Chome Honmoko; Naka-Ku, Yokohama; T 231; Tel: (045)622-4217; Event for Inclined Suspension; Tamura Gallery, Tokyo- 7 January, 1979; Stelarc Stelarc; NTSC; Event for Inclined Suspension; Tamura Gallery, Tokyo- 7 January, 1979; Y. Suga B2004047
ACMI [Stelarc: Interview 1993] Donation; 2018 1988 1993 STELARC Stelarc Dub Interview- 02; 15/12/93; SDI-02; Stereo B2004069
ACMI [Stelarc: Interview Caulfield 1988 Tape 2] Donation; 2018 1987 1988 STELARC Stelarc Interview tape 2 1988: Caulfield Stelarc Tape 3 Interview part 2; FN 3634 B2004052
ACMI [Stelarc: Laser Eyes, Eternal Ears Toronto 1987; Amplified Body, Laser Eyes and Third Hand Tokyo 1987] Donation; 2018 1987 1992 STELARC Master; NTSC; 'Laser Eyes, Eternal Ears' Program; New Music Concerts- Toronto 1987; Amplified Body, Laser Eyes and Third Hand- Stelarc; Lighting Installation: Takuro Osaka; Sound Coordinator: Kazutaka Tazaki; Video Documentation: Stuart Beecroft; Video Studio- Scanning Pool, Tokyo; N.M.C. Toronto 1987 B2003945
ACMI [Stelarc: Linz 1992] Donation; 2018 1993 STELARC Stelarc Linz 1992; Dubbed from (M2) Original; 5-1-94; Tape One; Dub B2004055
ACMI [Stelarc: Loop / Hand 1993] Donation; 2018 1975 1993 STELARC Stelarc; Loop/Hand; Dec 4 1993; PAL (45 mins) Stelarc loop hand ; Edit facility v2 organisation; Editor/ cam Barney Haynes ; Oct 4 1993; PAL (45 min) B2004032
ACMI [Stelarc: Lung Probe 1975] Donation; 2018 1975 STELARC Lung Probe; Stelarc/ Dr. Kitagawa 1975 B2003888
ACMI [Stelarc: Lung Probe; left and right bronchii/vocal chords Tokyo 1975] Donation; 2018 STELARC Lung Probe; left and right bronchii/ vocal chords; Hamamatsu Hospital/ 1975; assistance: Dr. Kitagawa/ Dr. Takahira B2004048
ACMI [Stelarc: MOCA event Remote Controlled Suspension Brisbane 1987] Donation; 2018 1984 STELARC MOCA Event; Remote Controlled Suspension; 1987 [fmm 22/05/2019 - previous title B2003941 = Remote Controlled Suspension, location MOCA Brisbane Aug 1987] B2003942
ACMI [Stelarc: Maki event copy 1 Tokyo] Donation; 2018 STELARC Copy No. 1; Maki Gall. Event B2004076
ACMI [Stelarc: Maki event copy 2 Tokyo] Donation; 2018 STELARC Maki; Copy No. 2; Maki Gall. Event B2004075
ACMI [Stelarc: Maki event copy 3 Tokyo] Donation; 2018 STELARC Maki #3; Copy No. 3; Maki Gall. Event B2004077
ACMI [Stelarc: Maki event copy 4 Tokyo] Donation; 2018 1987 STELARC Copy No. 4; Maki Gall. Event [fmm 22/05/2019: Maki Gallery is in Tokyo] B2004074
ACMI [Stelarc: Mix desk to projector 1988] Donation; 2018 1988 1990 STELARC Stelarc Source Tape Mix 2. ; (7 News job title list on back of tape) BVU; Stelarc; 150 Master tape 2.; From Mix Desk to projector; 1988 B2004027
ACMI [Stelarc: My hand is not under my control Tokyo 1984] Donation; 2018 1984 STELARC 'My hand is not under my control'; 29th January, 1984- Komai Gallery; Taped by: Michael & Koko; 'My hand is not under my control' Komai, 1984 Stelarc [fmm 22/05/2019: Komai Gallery was active in the 1970s and 1980s in Tokyo, Japan] B2004031
ACMI [Stelarc: New Music America performance] Donation; 2018 1987 STELARC Stelarc; New Music America performance; first 30 minutes- rehearsal (unedited'); last 30 minutes minutes- performance (unedited) B2003932
ACMI [Stelarc: Performance KCAI Kansas City 1993 C screen mix] Donation; 2018 1993 1995 © Stelarc STELARC Event 2.- KCAI: 30 min; 4th March, 1993 © screen mix; NTSC Master C. Kansas City; NTSC; Stelarc- KCAI; Performance II; March 4, 1993; Event 2- KCAI: 30 min; *screen mix; unedited; Stelarc Mar 4 93 KCAI; Performance II [fmm 22/05/2019: KCAI = Kansas City Art Institute] B2003977
ACMI [Stelarc: Performance KCAI Kansas City 1993 Single camera B] Donation; 2018 1993 © Stelarc STELARC Event 1.- KCAI: 30 min.; 4th March, 1993 B. single camera; NTSC Master B.; NTSC; Roll 3 30 mins; MHR 4.93 camera stations; Event 1.- single back camera (Body & Robot & Screen'); Event 1.- KCAI: 30 min; *Single back camera; unedited [fmm 22/05/2019: KCAI = Kansas City Art Institute] B2003969
ACMI [Stelarc: Performance KCAI Kansas City 1993 Single camera D] Donation; 2018 1993 © Stelarc STELARC Event 2.-KCAI: 30 min; 4th March, 1993 D. single camera; NTSC Master D. Kansas City; Roll 4; Mar 4. 93- 30 mins; camera station; Event 2.- single back camera (Body & Robot & Screen'); Event 2.- KCAI: 30 min; *single back camera; unedited [fmm 22/05/2019: KCAI = Kansas City Art Institute] B2003975
ACMI [Stelarc: Performance KCAI Kansas City 1993 Top, front and side cameras; A screen mix] Donation; 2018 1993 © Stelarc STELARC A. NTSC; Stelarc Performance; Mar 4 1993 I; Event 1- Screen Mix; (Top, Front & Side Cameras'); Event 1- KCAI: 30 min; NTSC Master; *Screen Mix Unedited; Stelarc Performance; Mar 4 1993 I, 30 mins fmm 22/05/2019: KCAI = Kansas City Art Institute, Kansas City USA] B2003944
ACMI [Stelarc: Performance September 1995] Donation; 2018 1998 STELARC Sept 26 1995; Stellarc Performance; Documentation B2003893
ACMI [Stelarc: Performance at MOCA Brisbane 1987; Events for Amplified Body, Laser Eyes & Third Arm 1986] Donation; 2018 1987 1993 STELARC Stelarc Performance at MOCA Brisbane 1987; 4 Music- Laser Events at Tokyo 1985-1986; Return to Neil Howe; Rear 1418 Malvern Rd; Glen Iris ph 205194; Stelarc Events Colour; Pal; Stelarc; 1. Remote Controlled Suspension MOCA Aug 1987 20 min; 2. Events for Amplified Body, Laser Eyes & Third Arm. 1986 25 min; low band; Return to Neil Howe 26 [?] rd Heidelberg[?]; Stelarc B2003941
ACMI [Stelarc: Ping Body Scandicci 1998] Donation; 2018 1996 STELARC Ping Body; Scandicci; Stelarc; 22/5/98; Original; Ping Body; Scandicci; Stelarc; 22/5/98 Ping Body; Scandicci; Stelarc; 23[diff. date]/5/98 [fmm 22/05/2019: Scandicci is a comune of c. 50,000 inhabitants in the Metropolitan City of Florence in the Italian region Tuscany] B2004053
ACMI [Stelarc: Ping Body Sydney 1996] Donation; 2018 1996 2001 STELARC Ping Body; Stelarc; Artspace 10/4/96; dub [fmm 22/05/2019: this 1996 performance was at Artspace in Sydney - ref. Susanne Hildegard van Zyl, 2008 Masters thesis available online (see Doc refs): 'Stelarc, Ping Body an Internet Actuated Performance (1996). Digital Aesthetics, Artspace, Sydney.' B2004050
ACMI [Stelarc: Pittsburgh 2001] Donation; 2018 1981 STELARC Stellarc; Pittsburgh 6/6/01; Dub; Stellarc B2004054
ACMI [Stelarc: Project Stelarc 1981] Donation; 2018 1981 1988 STELARC Title Project Stelarc; Duration 19'04'; Recording Date June, 1981 Project Stelarc; C3465 B2004046
ACMI [Stelarc: Projector mix tape 1988] Donation; 2018 1998 STELARC Stelarc Source Tape Mix 1. BVU; 150 Master; Stelarc 1988; projector mix tape 1.; N Howe B2004028
ACMI [Stelarc: Psycho / Cyber multiple sensors 1998] Donation; 2018 1998 © Stelarc STELARC 1.;Psycho/Cyber; Stelarc; Amplified Body/ Third Hand; Amplified Body; 1. EEG (Brainwaves'); 2. Position Sensor (Tilting Head'); 3. Nasal Thermistor; 4. ECG (Heartbeat'); 5. EMG (Flexor Muscle'); 6. Contact Microphone (Hand Motors'); 7. Plethysmogram (Finger Pulse'); 8. Kineto-Angle Transducer (Bending Leg'); 9. Position Sensor (Bending Leg'); 10. EMG (Vastus Medialis Muscle'); 11. Ultrasound Transducer (Radial Artery Bloodflow'); 12. Position Sensor (Lifting Arm'); 13. Muscle Stimulation (Flexor Muscles'); 14. Muscle Stimulatation (Biceps B. Muscles'); Third Hand; A. Grasp/Pinch (Close'); B. Release (Open'); C. Wrist Rotation (C.W.'); D. Wrist Rotation (C.C.W.'); E. Tactile Feedback; Photgrapher: Tony Figallo Extra ear web page & giff; 8/5/98; 5; 6. B2004060
ACMI [Stelarc: Psycho / Cyber: Event for Laser Eyes, Scanning Robot and Third Hand Helsinki 1993] Donation; 2018 1993 © Stelarc STELARC B; Psycho/Cyber: Event for Laser Eyes, Scanning Robot and Third Hand; Muumedia- Helsinki 1993; The Cable Factory 6/5/93; Original. Pal U-Matic SP B2004049
ACMI [Stelarc: Psycho / Cyber: Event for Muscle and Machine Motion 1993] Donation; 2018 1987 1993 STELARC V2 'Body in Ruin' Program; Unedited original screen mix; 'Psycho/ Cyber: Event for Muscle and Machine Motion'; 8th October, 1993- Den Bosch; Stelarc (low band- PAL'); Unedited original- PAL- low band; 8th October 1993- Den Bosch; Stelarc B2003974
ACMI [Stelarc: Remote Gestures / Obsolete Desires; Event for Scanning Robot, Involuntary Arm and Third Hand London 1992] Donation; 2018 1992 STELARC Remote Gestures/ Obsolete Desires; Event for Scanning Robot, Involuntary Arm & Third Hand; Edge Biennale, London 1992; Stelarc; Copy (used for the La Mama event'); Event for the Edge Biennale; London 1992; Stelarc (copy) B2003936
ACMI [Stelarc: Remote control suspension Brisbane 1987] Donation; 2018 1987 1992 © Stelarc STELARC Remote control suspension; MOCA- Brisbane, 1987; Pal dub (16min) Title & end title frames added: REMOTE-CONTROLLED SUSPENSION STELARC M.O.C.A. MUSEUM OF CONTEMPORARY ART BRISBANE SUNDAY 9 AUGUST, 1987 Cameraman: Ralph Marshall Video Production: Jumbuck Australia B2004029
ACMI [Stelarc: Robotics and Remote Existence Vienna 1992] Donation; 2018 1985 STELARC Robotics & Remote Existance; Austria/ Vienna 92; Akademie Der Bildenden Kunste (stereo'); Stelarc B2003892
ACMI [Stelarc: Sapporo 1985] Donation; 2018 1985 STELARC Stelarc ; Sapporo; '85; 3.3 B2004082
ACMI [Stelarc: Scanning at the speed of signs] Donation; 2018 STELARC Scanning at the Speed of Signs; Director: Michael Gruchi; Copy; Stereo; Pal B2004039
ACMI [Stelarc: Sci Mus event copy 2] Donation; 2018 1986 STELARC Copy No. 2; Sci. Mus. Event B2004073
ACMI [Stelarc: Seaside Suspension unedited] Donation; 2018 1995 STELARC Seaside Suspension; Stelarc-; Original Unedited B2004058
ACMI [Stelarc: Seaside and city suspensions Japan & Denmark 1981/1985/1986] Donation; 2018 1981 1986 STELARC 1. Seaside Suspension- Jogashima, 1981; 2. City Suspension- Copenhagen, 1985; 3. The Last Suspension- Ofuna, 1988; 4. Amplified Body/ Enhanced Image- Tsukuba '85; 5. Beyond the Body- Tokyo, 1986; 6. High Technology Event- Tokyo 1986; Suspension and Amplified Body Events 1981-1986 Dub; Selected Sections; Stelarc. Pal Master- Pal U-Matic B2003949
ACMI [Stelarc: Split Body / Scanning Robot Graz October 1995] Donation; 2018 1995 © Stelarc STELARC 'Split Body/ Scanning Robot'; (Performance in Graz) 11th October 1995; original unedited performance mix B2003921
ACMI [Stelarc: Split Body / Scanning Robot: Voltage-In / Voltage-Out Lyon Biennale 1995] Donation; 2018 1973 © Stelarc STELARC Performance- Lyon Biennale; 'Split Body/ Scanning Robot: Voltage-In/ Voltage-Out'; Museum of Contemporary Art; 22 December 1995; Unedited Original; Lyon Biennale 22/12/95; B2003933
ACMI [Stelarc: Stomach probe Tokyo 1973] Donation; 2018 1973 STELARC Stomach Probe; Stelarc/ Dr. Kitagawa 1973; Stomach Probe; Stelarc/ Dr. Kitagawa 1973 B2004044
ACMI [Stelarc: Stomach probe, oesophagus/stomach Tokyo 1973] Donation; 2018 1984 STELARC Stomach Probe; oesophagus/ stomach; Yaesu Cancer Research Centre; Tokyo, Japan/ 1973; assistance: Dr Kitagawa B2004043
ACMI [Stelarc: Street suspension New York 1984] Donation; 2018 1977 STELARC 'Street Suspension' 1984; Video: P. Margonelli; Unedited copy; East Village, N.Y. 1984 B2004059
ACMI [Stelarc: Stretched Skin No.4 Munich 1977] Donation; 2018 1976 1977 STELARC Stretched Skin No.4; Stelarc/ Munich 1977 Stelarc; Event for Stretched Skin No. 4; August 8, 1977; Art Academy Munich; Taped by P. Defilla- Pal. B2004079
ACMI [Stelarc: Stretched skin Tokyo 1976] Donation; 2018 1976 1984 STELARC Stretched Skin; Stelarc/ Tokyo 1976 B2004072
ACMI [Stelarc: Telechiric Transmission Tokyo 1984] Donation; 2018 1988 STELARC 'Telechiric Transmission.'; 29th January, 1984; Komai Gallery- Tokyo.; Taped by Kimura; Original/ Unedited Tape B2004080
ACMI [Stelarc: The Last Suspension Ofuna Japan 1988] Donation; 2018 1988 STELARC Stelarc: The Last Suspension; Ofuna May 29, 1988; Master; NTSC; Mono; Time Code; Total 08'29'O/H[?]; Stelarc: The Last Suspension; Master B2004068
ACMI [Stelarc: The Last Suspension] Donation; 2018 1981 STELARC Stelarc: The Last Suspension; Stelarc upside down original B2004083
ACMI [Stelarc: The Third Hand Tokyo 1981] Donation; 2018 1981 STELARC The Third Hand 1981; Stelarc; Tamura Gallery- Tokyo 1981; Stelarc NTSC; J. Morioka- A. Kato (Copy from Master Reel) B2003948
ACMI [Stelarc: The third hand edited master Tokyo 1981] Donation; 2018 1981 STELARC Master edited tape; 'The Third Hand'- Stelarc; Tamura Gallery, Tokyo 1981; J. Morioka/ A. Kato; N.T.S.C. B2004065
ACMI [Stelarc: Turbulence] Donation; 2018 1992 STELARC Turbulence; 34 mins 15 sec [fmm 24/05/19: relative dating info from end titles - 'Footage from NASA and the 1984 Olympics in Los Angeles; Slide Suspension by Stelarc recorded April 19, 1984; at the Ibaraki Kenmin Bunka Centre by Motohiko Sasaki; audio work by Brian Eno from 'Appollo'; the voice of Stelarc recorded especially for Turbulence Radio; written material on on [sic] Yves Klein by Tom Elling; other assistance from William David and Nancy Monteith; camera Paul Siess Jake Jacobik; director Paul Siess; a video type by Tony McAulay; made with the assistance of Cable 13, London' B2004033
ACMI [Stelarc: Video Shadow Tokyo 1991, Scanning Robot Edge Biennale London and Virtual Arm Melbourne 1992] Donation; 2018 1990 1992 STELARC 1. Video Shadow- Tokyo 1991; 2. Edge Biennale- London 1992; 3. Virtual Arm- Melbourne 1992; Stelarc; Sub-Master/ Pal approx: 24 min; Tokyo 1991; London 1992; (Video Shadow, Scanning Robot & Virtual Arm'); Stelarc B2003947
ACMI [Stelarc: Video Shadow, Automatic Arm and Third Hand Experimenta Melbourne 1990] Donation; 2018 1990 1991 STELARC Video Shadow, Automatic Arm and Third Hand- Stelarc.; Experimenta- M.I.M.A. (Malthouse) 1990; Unedited Master Dub; (U-Matic- U-matic Pal'); Video Shadow Automatic Arm and Third Hand- Stelarc; Experiementa- M.I.M.A. (malthouse 1990'); Unedited Master Dub- Pal [fmm 22/05/2019: MIMA = Modern Image Makers’ Association. Experimenta held at Malthouse Theatre in Melbourne, December 1990] B2003968
ACMI [Stelarc: Video Shadow, Automatic Arm and Third Hand Tokyo 1991 Final section] Donation; 2018 1991 STELARC 1. Video Shadow, Automatic Arm & Third Hand; Tokyo Metropolitan Museum of Photography 1991; (Final section- approx. 10 min NTSC- PAL DUB) B2003890
ACMI [Stelarc: Video Shadow, Automatic Arm and Third Hand Tokyo 1991] Donation; 2018 1993 STELARC 5 Cam; '91 9/1 NTSC; Video Shadow, Automatic Arm & Third Hand; '91 9/1; 5. Cam; Animated Imagination; Tokyo Metropolitan Museum of Photography B2003896
ACMI [Stelarc: Video Shadow, Automatic Arm and Third Hand Tokyo 1991] Donation; 2018 1991 STELARC 'Video Shadow, Automatic Arm and Third Hand'- Stelarc; Tokyo Metropolitan Museum of Photography; 31st August, 1991 (Events 29th, 30th, 31st, 1st'); 1.2.3.&4. cam DVE (total screen mix'); NTSC approx 35m (master dub'); Video Shadow, Automatic Arm & Third Hand; '91 8/31 1.2.3.&4. cam DVE B2003978
ACMI [Stelarc: Virtual Arm event Melbourne 1992] Donation; 2018 1992 1993 STELARC Virtual Arm 2; Virtual Arm Event- Melbourne 1992; (4th event- 15 minutes)- Stelarc Master; Master B2003966
ACMI [Stelarc: Virtual body, involuntary arm and the third hand - obscure Quebec 1993] Donation; 2018 1991 © Stelarc STELARC NTSC dub from betacam original; Quebec Event 1993; Virtual body, involuntary arm and the third hand- obscure/ Quebec unedited screen mix approx. 36 min B2004040
ACMI [Stelarc: X-ray scan edited 1975] Donation; 2018 1975 1988 STELARC Edited Copy No. 1; Vertical X-ray Body Scan/ Stelarc 1975 B2004063
ACMI [Untitled] 2002 VHS, MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections James CECIL, Geoff ROBINSON B2004359
ACMI [Untitled] CD-R External collection;Experimenta Collection/ACMI Special Collections Justine COOPER B2005636
ACMI [Virtualities: Planet of Noise Hybrid Umbrella Gun] Zip Disk External collection;Experimenta Collection/ACMI Special Collections B2004346
ACMI [Virtualities: interactive of artists speaking about their work] 1997 CD-R External collection;Experimenta Collection/ACMI Special Collections EXPERIMENTA CR-ROM with clips of the artists speaking about their work in Virtualities and about their practices. Content includes: 01 Introduction 1 Don't Shoot the Messenger: Movie 02 New Me 2 (Curator introduction) 2 Felix Hude: Movie 3 Final Guy Movie 4 Ian Haig: Movie 5 Martine Corompt: Movie 6 Moira Corby: Movie 7 Patricia Piccinini: Movie 8 Peter Hennessy: Movie 9 John Colette: Movie B2005337
ACMI [Virtualities: selection of artists speaking about their work] U-Matic (low band), MOV file ProRes4444, MPEG-4 Digital File External collection;Experimenta Collection/ACMI Special Collections Peter Morse - Virtualities 'Artist video dub'. Virtualities artists talking about their works in the following order: Peter Hennessey, Patricia Piccinini, Ian Haig, Martine Corompt, Don't Shoot the Messenger, Felix Hude, Barry Brown and Moira Corby B2004354
ACMI [Young Hae titles] Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005666
ACMI [showreel/folio work] CD-R External collection;Experimenta Collection/ACMI Special Collections Naomi HERZOG B2005634
ACMI [soleye] CD External collection;Experimenta Collection/ACMI Special Collections Carl PRIESTLY B2005623
ACMI acmipark Commission; 2003 2003 SELECTPARKS acmipark is multiplayer virtual world. Created by selectparks (artists Julian Oliver, Chad Chatterton, and Andrea Blundell), it was designed to extend the physical spaces of the Australian Centre for the Moving Image (ACMI) at Melbourne’s Federation Square into the realms of virtual space. It was produced using a game engine as its base, and worked up from the real architectural designs produced for Federation Square by Lab Architecture Studio. Designed as a soundpark, it is a musical instrument which can be played collectively, and, like Federation Square itself, it was envisaged as a kind of public space waiting for a community to define its meaning. It was conceived as an experiment in the design of a virtual public space. It is an embodiment of the idea that we are moving our public space into the realm of the virtual. By using a model of a real world public space combined with the collaborative possibilities of the soundpark and the kinaesthetic pleasures of moving through a beautiful virtual place, selectparks hoped to build upon traditional concepts of ‘public’ places. [Source: Helen Stuckey, 2006 https://firstmonday.org/ojs/index.php/fm/article/view/1561/1476 last accessed 20/10/2020] B1004596
ACMI beam-me-back & time capsule 1999 CD-R External collection;Experimenta Collection/ACMI Special Collections Chris KNOWLES B2005461
ACMI cicada Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005689
ACMI deCollage Licence (perpetual) 1995 00:01:39:00 John SHARPE This abstract computer animation combines images created from different media including collage, painting and photographs with an evocative jazz soundtrack B1001524
ACMI i-dropper Optical Disc External collection;Experimenta Collection/ACMI Special Collections Eric LESDEMA B2005629
ACMI lifeSigns: eco-system of signs and symbols Commission; 2003 2003 2004 30 January 2004, 2003 Troy INNOCENT An interactive digital networked work where participants play selected emotions as game identities in any manner they choose, the results seen in a fluid projection onto a mounted floor screen between the game terminals in the form of a dynamic and fluctuating virtual realm. Through playing the game, then, the participant contributes to building an ecosystem of sentiments at play and in conflict with one another. The 'life signs' chosen by participants are generated as three dimensional icons that construct an evolving virtual language of symbols, sounds and behaviours in interaction with the audiences' collective participation. The floor projection represents the fluctuating results of the networked game, while an immersive soundscape simultaneously responds to the ever-changing game narrative.The more participants, the greater the intensity of image and sound. The process of the audiences use of and play with sentiments and emotions thus becomes the foundation in constant flux for the visual and aural world that the audience engages with in the installation. B1006114
ACMI liquid architecture 5: out of the bedroom CD 2004 Optical Disc External collection;Experimenta Collection/ACMI Special Collections VARIOUS ARTISTS B2005494
ACMI man's search for happiness CD-R External collection;Experimenta Collection/ACMI Special Collections Caz MCINTEE B2005690
ACMI maquettes 12-13 2002 CD-R External collection;Experimenta Collection/ACMI Special Collections Joseph FLEMING, Oliver WEARNE B2005487
ACMI mesh pics CD-R External collection;Experimenta Collection/ACMI Special Collections Melinda RACHMAN B2005624
ACMI portfolio of images, powerpoint CD-R External collection;Experimenta Collection/ACMI Special Collections Sarah CROWEST B2005688
ACMI reform 2006 Optical Disc External collection;Experimenta Collection/ACMI Special Collections PVI COLLECTIVE B2005651
ACMI retarded eye CD-R External collection;Experimenta Collection/ACMI Special Collections Vikki WILSON B2005456
ACMI signs of life 1999 CD, Optical Disc External collection;Experimenta Collection/ACMI Special Collections CITY OF MELBOURNE B2005492
ACMI spacejunk CD-R External collection;Experimenta Collection/ACMI Special Collections Ruth FLEISHMAN B2005304
ACMI the heart library project Optical Disc External collection;Experimenta Collection/ACMI Special Collections George KHUT B2005536
ACMI the joy of beauty DVD-R External collection;Experimenta Collection/ACMI Special Collections Sarah CROWEST B2005687
ACMI the narcisse collar: interactive internet art project 2001 2002 Optical Disc External collection;Experimenta Collection/ACMI Special Collections Lisa CIANCI B2005306
ACMI the sharp end: a multimedia showcase of ten Victoria performing arts companies Optical Disc External collection;Experimenta Collection/ACMI Special Collections ARTS VICTORIA B2005488
ACMI track arterial: art in the public interest Optical Disc External collection;Experimenta Collection/ACMI Special Collections B2005468
ACMI vertigoeswest CD-R External collection;Experimenta Collection/ACMI Special Collections Jeremy CONLON, Martin THOMPSON B2005496
ACMI www.yandellwalton.com Optical Disc External collection;Experimenta Collection/ACMI Special Collections Yandell WALTON B2005673
ACMI Σ 2011 DIGIARK - 2011 Digital Art Promotion Project Yearbook 2011 Optical Disc External collection;Experimenta Collection/ACMI Special Collections NATIONAL TAIWAN MUSEUM OF FINE ARTS B2005725
Art Gallery of New South Wales 'Do they know ...' Purchase/Collection 2017 treated pine, corrugated iron, single channel video, colour, sound dimensions variable © Salote Tawale Salote TAWALE 'Burebasaga Maramas' is a celebration of the resilience of Salote Tawale's matrilineal line. 'Burebasaga' refers to the confederacy Tawale's family belongs to in the Fiji Islands and 'Marama' is the Fijian word for women or ladies. The discrete elements of the work explore different cultural mythologies, contemporary realities and future prospects for Fijian women, given the enduring traumas wrought by colonisation - including loss of culture and low life expectancy. The wall painting refers to the traditional weaving practice of the artist's grandmother; the diorama figure is a representation of her aunt on a fishing expedition; one of the videos shows the artist herself, draped in Salu Salu (decorative lei); and the other, filmed on Fiji, records the social aspect of food preparation. Tawale often makes use of materials such as calico, tarpaulin and corrugated iron, which act as contemporary substitutes for traditional Fijian materials – such as masi (bark cloth) and palm leaves. For the artist, these materials embody cultural continuities and signal her place in the Pacific diaspora. 246.2018.4.a-c
Art Gallery of New South Wales 'Silent stars' 'Their restless eyes search in the mysterious direction of things unseen' Purchase/Collection 1987 103 plaster heads, 5 sculpture aluminium arrows, 1 microphone, 1 reel to reel tape recorder © Ken Unsworth Ken UNSWORTH 357.1988.a-fffff
Art Gallery of New South Wales 'we should call it a living room....' Purchase/Collection 1975 00:09:00 16mm film transferred to digital tape (betacam) shown as single channel digital video, colour, sound aspect ratio: 4:3 © Aleks Danko Aleks DANKO, David LOURIE, David STEWART, Joan GROUNDS 123.1976
Art Gallery of New South Wales 3 men hula Gift/Collection 1999 00:01:36 min continuous single channel digital video, colour © Sigalit Landau Sigalit LANDAU Sigalit Landau's single-channel video piece Three men hula was filmed in Chisenhale Gallery in 1999 and features three actors, men who have known each other since childhood, standing in an empty room. Positioned with their backs to eachother, arms entwined, they move in unison as they attempt to revolve a large hula hoop, three metres in diameter, in a counter clockwise direction around their bodies. Landau describes the work as:'Three young men trying to act as one, a corporation, a corps made of three, trapped in motion. In a centripetal pull, they dance inside a closed world, centralized but shifting, a centre with dynamic gravities, a playful, sensual, quasi-achievable task.' 50.2021
Art Gallery of New South Wales 3000 famous men Purchase/Collection 1980 00:09:20 min analog tape (u-matic) shown as single channel digital video, colour, sound Richard GRAYSON 65.1986.1
Art Gallery of New South Wales A Māori dragon story Purchase/Collection 1995 00:15:00 min 16mm animation transferred to single channel digital video, colour, sound aspect ratio: 4:3 © Lisa Reihana Lisa REIHANA Made in the early years of Lisa Reihana's career, A Māori dragon story is marked by a decidedly homespun, low-fi, experimental quality. Riffing off the work of Czech filmmaker and puppeteer Jan Švankmajer as well as animators Brothers Quay, her stop-motion animation, complete with carved wooden puppets and handmade props, is a dark cinematic reimagining of a form usually reserved for children's entertainment. The work is void of dialogue, with Reihana communicating the dramatic and emotional inflections of her storytelling through imagery and sound alone. The work reflects how Reihana has long drawn upon Māori knowledge, histories and customs and sought to re-present these through video, installation and photography within a contemporary context – placing them in our digital world. During the 1990s and early 2000s, Reihana was part of a series of seminal exhibitions in New Zealand that carved out a space in the visual arts for an expanded representation of Māori identity and expression. Ever since, she has claimed digital technologies and virtual space as one where innovation meets tradition. As Reihana remarks, “I seized upon twenty-first century technologies because they sit outside traditional rules, the photographic process came from there, it replaces the wood and I use the computer as my carving tool.” More linear in its narrative than many of Reihana's works, A Māori dragon story traverses themes of love, jealousy, revenge and death. As described by curator Jose da Silva in his essay for Cinemania: “In A Māori dragon story, Te Ake of Akaroa and his beautiful daughter Hine Ao encounter Chief Tūrakipō of Ōpawāho, whose shell eyes spin with desire for her. When Hine Ao rejects his advances, an angered Tūrakipō calls on his powers as a tohunga (priestly expert) to cast a curse access the blue cellophane waves, causing Hine Ao to perish at sea. While mourners gather, Te Ake learns the art of makutu (black magic) to avenge her death. He casts his karakia (incantation) and awakens a giant taniwha with Hine Ao's head, guiding it through the seas toward the Ōpawāho fishermen. Tūrakipō's people flock to eat the captured taniwha, and in a break from the narrative structure and animation style, we witness human hands cleaning and gutting fish and mouths gorging at their raw flesh.” The film ends with Tūrakipō waking to find that all of his people have died. 16.202
Art Gallery of New South Wales A digital rhizome 1993 1994 CD-ROM Burning the Interface Brad MILLER Collaborators: Bill Seaman, Lloyd Sharp, Julia Miller Produced in Australia na
Art Gallery of New South Wales A disposable monument Purchase/Collection 1976 00:09:30 min analog tape (u-matic) shown as single channel digital video, colour, sound © les Levine Les LEVINE 3.1977
Art Gallery of New South Wales A portrait of Nancy-Bird Walton Gift/Collection 2015 water 35:56 mins single channel digital video, colour, silent aspect ratio 16:9 © Shaun Gladwell Shaun GLADWELL The pioneering Australian aviatrix, Nancy-Bird Walton, was the inspiration behind Shaun Gladwell's ambitious installation, The lacrima chair 2015, which imaginatively explored the miracle (and dangers) of flight. Indeed, curator Felicity Fenner has commented, 'Themes of flight, dance and other feats of gravity-defiance have inhabited Gladwell's multifaceted practice for two decades'. A portrait of Nancy-Bird Walton was originally projected onto a large screen in front of a customised airplane chair that audiences could sit in. Above the chair was a sprinkler that dowsed the viewer in water as they watched the fictionalised Walton, played by Kathryn Puie, perform in the air, sea and on land. 27.2021
Art Gallery of New South Wales AIDS' dark terrain: twelve stations from a Yankee pilgrim Gift/Collection 1996 00:31:43 analog tape (VHS) shown as single channel digital video, colour, sound aspect ratio 4:3 Robin TICHANE 30.1998.14
Art Gallery of New South Wales AMERIKA, performance for as long as possible, 9-12 May 2006 Gift/Collection 2006 74:00:00 hr single channel digital video, colour, silent aspect ratio: 4:3 © Mike Parr Mike PARR Starting at dawn on 9th May 2006 and lasting for 74 hours, Mike Parr performed 'AMERIKA, performance for as long as possible, 9-12 May 2006' near the Henry Moore sculpture outside the gallery. Fasting and meditating for 24 hours a day, this vigil was a symbolic act of restitution offered to the Joseph Beuys tree. This fig tree was planted in 1984 on behalf of the great German artist Joseph Beuys as part of a project initiated in 'Documenta' 1979 to plant a thousand trees. Each of these trees was marked by a basalt column. In this case the column was accidentally removed thereby severing the tree from the Beuys project. In this performance Parr offered the gilded stump of his missing arm as an act of healing. Parr dressed as a bride for this action acknowledged the suppressed feminine within every male while drawing on the alchemical ideas of Marcel Duchamp. His gilded stump provided another gesture towards Beuys who famously lectured a dead hare with his head covered in honey and gold leaf. In the photograph 'Best Man' Parr's bride holds the artist's dead male head in her hand while the stump of his/her arm sticks out like a reminder of the phallus further complicating this narrative of fragmented identity. In 'Primitive Gifts' Parr's bride holds a rockmelon with his features superimposed. 'AMERIKA, performance for as long as possible, 9-12 May 2006' was produced and presented by Performance Space in collaboration with the Art Gallery of New South Wales. http://www.performancespace.com.au/amerika/ Project Managers: Caitlin Newton-Broad and Sofie Gibson It Design: Snow and Jasper Streit 'AMERIKA' Site Design: Estee Wah Production Manager: Neil Simpson Technical Manager: Richard Manner Production Assistants: Jane Grimley and Dan Pardey Publicity: Rosie Dennis Make-up: Chizuko Saito Assistant: Felizitas Parr Initiating Curators: Tony Bond and Blair French Art Gallery of New South Wales: Network Operations Manager - Theo Papalimperis IT Systems Support Officer - Adam Dunn Audio Visual Services Manager - Laurence Hall Audio Visual Services Coordinator - Brian Blackwell Project Assistants: Fran Barrett, Kate Blackmore, Hugh Boyd, James Carr, Faustina Delany, Naomi Derrick, Liam Garstang, Daniel Green, James Harney, Astra Howard, Anna Kalloudis, Daniel Kojta, Talia Linz, Rebecca Oh, Amanda Robins, Kim Robson, Kate Smith, Diana Smith, Elke Wohlfahrt Performers: Maurice Giacche and Michael Turski Thank you: Simon Wise, Zina Kaye, Blair French, University of Sydney, Russell Emerson, Paul Green, University of New South Wales, Mark Mitchell, Alex White 347.2007.2
Art Gallery of New South Wales AR15 field strip Gift/Collection 2015 Samsung mobile phone and VR headgear display dimensions variable © Shaun Gladwell Shaun GLADWELL Recent developments in virtual reality technology, such as the manufacture of equipment and software for personal use, have inspired some artists to experiment with this new medium in their practice. Shaun Gladwell, who collaborates with the Australian virtual reality collective BADFAITH, is one of a handful of contemporary artists experimenting with it in Australia today. Academic Kit Messham-Muir has described AR 15 field strip 2016, the second virtual reality work created by Gladwell, in detail: 'It is a 360-degree video in which we, the audience, are brought into a suburban garage in Los Angeles, facing a bearded man depicted kneeling on a concrete floor as he blindfolds himself and then, over the course of several minutes, dissembles and reassembles an AR 15 assault rifle. He completes the process by testing the firing pin, then lays the weapon back in front of him. He removes the blindfold and gets to his feet. He then walks past “us”, and we can turn around to see him engaged in the process of manufacturing soap'. 25.2021.a-c
Art Gallery of New South Wales Aluminium from the mouth Gift/Collection 2001 5 aluminium sculptures each on 2 bases, each with shelf, cd and cd player overall display dimensions variable 1. 165.0 x 500.0 x 48.0cm 2. 170.0 x 300.0 x 45.0cm 3. 160.0 x 480.0 x 35.0cm 4. 170.0 x 420.0 x 40.0cm 5. 167.0 x 500.0 x 49.0 cm © Mike Parr Mike PARR This installation is a variation on a set of heads on poles that originally stood out from the wall in a row. Here they are seen in a more condensed form and they are accompanied by a sound track. This is in keeping with a series of sculptural works that include performance and sound. The recordings are of Evangelical Congregations around Sydney, Pacific Island groups and others. 409.2011.a-dd
Art Gallery of New South Wales Animal portraits Gift/Collection 1980 00:17:40 min analog tape (u-matic) shown as single channel digital video, colour, sound aspect ratio: 4:3 Ray WOOLARD Video of a performance at Preston Institute of Technology, Melbourne, 9 June 1980 175.1982
Art Gallery of New South Wales Anti-ROM 1994 1995 CD-ROM Burning the Interface Andy POLAINE, Andy CAMERON, Joe STEPHENSON, Luke PENDRELL, Sophie PENDRELL, Rob LE QUESNE, Tomas ROOPE, SASS Produced in Great Britain na
Art Gallery of New South Wales Ashob (Unrest) Gift/Collection 2015 00:01:29 min continuous single channel video, colour, dual channel sound aspect ratio: 16:9 © Nasim Nasr Nasim NASR Nasim Nasr is an Iranian born Australian artist who explores identity and intercultural concerns in her works. These themes are explored in 'Ashob (Unrest)', which sees Nasir and other people read from Persian writer Sadegh Hedayat's book, The blind owl 1937, in different languages. Although Hedayat's words speak to 'identity in flux', the message is ironically lost in the various translations. 38.2021
Art Gallery of New South Wales Aussie, Aussie, Aussie, Oi, Oi, Oi [Democratic Torture] Gift/Collection 2003 00:32:05 min continuous 16mm film shown as single channel digital video, colour, sound aspect ratio: 16:9 © Mike Parr Mike PARR 'Aussie Aussie, Aussie, oi, oi, oi [Democratic torture]' is a video work documenting a brutal, politically inspired performance by Mike Parr at Artspace, Sydney on 2-3 May 2003. It entailed Parr's wife, Felizitas, sewing his face together with a needle and thread in protest at the Australian Government's participation in the invasion of Iraq in 2003 and the blinkered coverage by right wing-press in Australia. Following the suture, Parr sat in a chair for 30 hours, his face contorted and clothes stained with blood, with a miniature Australian flag tucked under his arm stump. Projected on the wall behind him was text partly sourced from news headlines. The performance was streamed online in real-time and during the last 6 hours people watching on their computers could induce further pain by sadistically shocking Parr with the click of a button. Parr wryly christened the ordeal'Aussie Aussie, Aussie, oi,oi,oi, ' a patriotic catch-cry commonly chanted by crowds at sporting events in Australia. By publicly and passively subjecting himself to this abject and violent act, Parr gestured to the atrocities of war and the prevalence of conservative politics and collective macho nationalism, which had reached a crescendo in Australian society in the early to mid-2000s. 212.2019
Art Gallery of New South Wales BLAM! 1995 CD-ROM Burning the Interface NECRO ENEMA AMALGAMATED, Eric SWENSON, Keith SEWARD Collaborators: Rita Ackermann, Richard Kern, Victoria Lynne Gales Produced in USA na
Art Gallery of New South Wales Bad reasons Purchase/Collection 1982 00:19:55 min analog tape (u-matic) shown as single channel digital video, colour, sound © Steve Hawley Steve HAWLEY Bad Reasos includes: 'The undistributed middle and other fallacies in the home' 'We have fun drawing conclusions' 'Divers, divers, can I have your attention please' 40.1985
Art Gallery of New South Wales Bar-min-ski: consumer product 1993 1995 CD-ROM Burning the Interface DE-LUX'O, Bill BARMINSKI, Jerry HESKETH, Webster LEWIN Produced in USA na
Art Gallery of New South Wales Beijing Opera Purchase/Collection 2000 4 channel sound: 00:32:59 min channel 1 00:08:12 min channel 3 00:12:18 min channel 4 four digital prints on silk canvas, fifteen stools/folding chairs, four channel sound © Yin Xiuzhen, courtesy of Prüss & Ochs, Berlin and Anna Schwartz Gallery, Melbourne Yin XIUZHEN 142.2002.a-w
Art Gallery of New South Wales Between the lines Purchase/Collection 1983 00:25:15 min analog tape (u-matic) shown as single channel digital video, colour, sound © Rose Garrard Rose GARRARD 38.1985
Art Gallery of New South Wales Big city big hat Purchase/Collection 2011 5 channel HD DVD, colour, sound; 12 CRT televisions, 7 painted wood pallets 116.0 x 370.0 x 250.0 cm installed © Justene Williams Justene WILLIAMS In recent years Justene Williams has developed an exceptional performance practice that combines personal content, the common language of images familiar from screen and media culture, and direct references to early 20th century avant-garde performance particularly associated with Dada and the Cabaret Voltaire. As in this work, her performances are usually filmed in private in especially constructed sets within her studio. 'Big City Big Hat' 2011 shows the artist in costume, wearing a hat with bright fluoro-coloured buildings perched on it and a mask with her eyes and mouth replaced with densely-folded sheets of paper that from a flutter of triangles. The hat design refers to Picasso's 1917 costumes for the ballet 'Parade' which essentially animated the dancers even before they began to move on stage. The set includes a silver tube connecting through a wall to a large trumpet-like form, inspired by a photograph of Jean Cocteau reciting 'A wedding' at the Eiffel Tower into a type of loudspeaker. Williams herself recites during her performance, but what she is reading out are newspaper reports about Julian Assange and WikiLeaks. As she finishes reading the sheets of paper she screws them up and puts them in the tube, as well as other paper balls made of screwed up media photos and pages, which roll out on the other side of the wall. Williams also tap dances and moves frenetically through the video. Her repetitive actions may tangentially recall 1960s and 70s performance practices, but the highly constructed artifice of her costume and set is much more akin to the Dada cabarets which entertained, bamboozled and outraged their audiences after the first world war. Williams's performance deliberately emphasises misinformation and a lack of clarity as a reflection of how Julian Assange has been dealt with through a highly politicised judicial system. Her presentation of the work on disused TV monitors and pallets adds to the sense of time passing and layers of information broadcast and received, of content and technology present and then quickly superseded. 306.2011.a-x
Art Gallery of New South Wales Biographies Purchase/Collection 2002 analog tape (miniDV) shown as five channel digital video projection, colour, sound, five metal drain grills, five MDF mounts installation dimensions variable aspect ratio: 4:3 © Óscar Muñoz Óscar MUÑOZ Óscar Muñoz is something of a gentle magician. His 'disappearing' drawings are poignant and beautiful, combining consummate skill with conceptual subtlety and rigour. Although Muñoz is not assertively political in his work which is more about mortality than specific acts of violence it is impossible not to look at it in the context of Colombian life. The situation in Colombia is still very difficult; in a recent visit to three cities in Colombia I met dozens of extraordinary artists of all generations from members of young collectives to senior artists like Doris Salcedo and Óscar Muñoz. Almost every conversation included a reference to the war. Technically there is no war however the effect on people's lives is tantamount to warfare. Drug barons have corrupted the guerrillas who ostensibly used to fight for better conditions for the marginalised rural communities including surviving Carib villages and communities of African Americans who descended from escaped slaves in earlier centuries. Now the guerrillas are just as likely to destroy the villages to make way for crops of cocaine and increasingly for opium poppies. The government once encouraged and supported the growth of paramilitary forces that could fight the guerrillas in the difficult jungles and mountain territory that divides Colombia into several isolated worlds beyond the reach of the government troops. Unfortunately the paramilitary were also then corrupted and turned against the rural communities also in the pay of the drug industry. To all intents and purposes the only difference between guerrillas and paramilitary is their dress code. Today the paramilitary have been outlawed by the government but dozens of wealthy Colombians including members of parliament have derived fortunes from their support of and involvement in the paramilitary. Some of these are now being charged and jailed which indicates a real desire to make changes. I met many artists who bravely made art with the communities to “out” the corrupt politicians and drug barons; the mood of the people is overwhelmingly for peace. When villages loose their land in this way or when it suits the barons to silence a community for any reason a common technique for social control has become the disappearing of people. Charles Merewether has called this technique the dialectics of violence. This is the subject matter of much of the art I saw in Colombia notably Doris Salcedo's monstrous memorials to the disappeared. Óscar Muñoz is different, more poetic and reflective and yet behind his achingly beautiful videos the theme of disappearance can not be ignored. Muñoz combines traditional drawing skills with video in a completely original and surprising way. The first work I became aware of 'Project for a memorial' suggested a form of meditation but it also reminded me of the image of someone trying to empty the sea with a teaspoon or moving a beach grain by grain while the wind and sea roll fresh sand into place. The image on the screen was of a flat stone onto which Muñoz brushed water to create a beautiful likeness of various personalities. The hot stone evaporates the water image as fast as the artist's hand could create it but he keeps remaking it always leaving us enough of an image for us to want to see it completed. Although it is a very rough technique Muñoz manages to create hauntingly lifelike portraits that keep being reconstituted and fading before our eyes. I think of this action as a kind of mantra or a ritual of remembering, even as the world erases our efforts to fix an understanding of it. It might also suggest the hopelessness of Sisyphean efforts to contain the senseless violence that makes day to day life so dangerous for ordinary citizens. Another magical series'Aliento' consists of polished metal plates in which we see ourselves reflected, but if we breathe on the plate misting it over and erasing our own image we discover a secret portrait beneath. It is invisible on the surface as it is drawn in a clear greasy material that only appears when the surface fogs up. This bringing into being by breath resonates with imagery from ancient thought where God breathes the world into existence whether it is in the Rig Vedas or in cabalistic thinking. It is an image that makes sense to us at a visceral level and it has connotations of resuscitation and first aid. We also hold a mirror up to the lips of an unconscious person to see if there is still life in their body. 'Mirror image' does not involve drawing but it is a work of profoundly mythic conception. The video camera focuses on the palm of the artist's hand. There is a small pool of water in the palm and as we gaze into the water we see the face of the artist reflected in it. Slowly as the water drains out between the fingers the face shrinks and distorts as the pool escapes taking the image with it. Here the association between life and water is extremely poignant. The sadness of Narcissus also haunts the image as he gazes uncomprehendingly at the loved object that can never be possessed. 'Biografías' shares many of these associations. It too is a watery image. Muñoz has made silk screen portraits of people but instead of forcing ink through the screen onto paper he has dusted fine coal dust through the screen onto a flat basin of water. The portrait in coal is then transferred to float on the surface of the water. After a while the water starts to drain out of a plug hole in the basin causing the image to begin to distort. Eventually the image is compressed to unrecognisability and finally disappears down the plughole. Five such portraits are shown in 'Biografías' by projecting video of the performed drawings onto screens on the floor complete with plug holes beneath which you hear the sound of water running down the drain. In this case all the watery associations with life hold good but we also have the less positive association of people being flushed down the drain. (Anthony Bond) 75.2010.a-o
Art Gallery of New South Wales Black box Gift/Collection 2010 single channel video projection, colour, sound, tinted resin projection box mounted on steel armature 152.5 x 15.0 x 46.0 cm (irreg.) © Tony Oursler Tony OURSLER Tony Oursler's Black box was created for a 2010 exhibition at Lehman Maupin Gallery, New York titled Peak, in which the artist explored the impact of technology on the human psyche through a series of works that investigated obsession, escapism, isolation and fetish. Black box comprises a rough textured, black resin cube mounted on a metal armature opposite a micro projector. The looped video features a nude figure who appears to climb out of a hole cut into the side of the cube, crouching and exclaiming 'Oh, look, it's… hurt' before climbing back inside. Following this, another figure emerges, throwing an object out of the hole and climbing out after it. Retrieving the object and cradling it in their arms, the figure looks around before re-entering the cube. 52.2021.a-c
Art Gallery of New South Wales BlindRom ™ v.0.9 1993 CD-ROM Burning the Interface Gerald VAN DER KAAP Role: Music Anemaet Produced in The Netherlands na
Art Gallery of New South Wales Blue land Gift/Collection 2018 single channel digital video, colour © Miichal Rovner Michal ROVNER 48.2021.a-b
Art Gallery of New South Wales Body double Purchase/Collection 2007 00:11:38 min digital tape (betacam) shown as single channel digital video, colour, silent, two silicon rubber sculptures, motion sensor aspect ratio: 16:9, display dimensions variable © Julie Rrap. Courtesy Roslyn Oxley9 Gallery Julie RRAP In the darkened exhibition space of 'Body double' two figures lie on the floor, silicon rubber casts of the artist's own body, one face down and the other face up. The casts are deliberately rough with the seams from the moulding process showing and do not try to emulate the perfection we associate with classical representations of the nude. Projected on to one cast at a time is the figure of a man or a woman, seeming to give life to the forms but one which can be at odds with the gender of the cast. From time to time the projected images leave the body which they are inhabiting and roll across the floor to the other body, bringing the cast to life but sometimes also blurring its gender identity. 'In one instance, a female lies face-up on the face –down sculpture, so that the bottom is transformed into a pregnant form. In another moment, a male body lies within the female form, transforming the union of image and sculpture into a hermaphroditic figure. Identities are blurred as the projected forms seamlessly transform from female to male, engaged in a process of perpetual arrival and departure.' (Lynn, pg. 91) The change in gender in the video image occurs as the figure rolls, and the body casts perpetually become one gender or the other while retaining a female form. The speed of movement is triggered through sensors activated by the viewer's presence. A soundtrack in the space of breathing adds to the sense of an entire space animated by the physicality and image of the human body. It is impossible for the viewer not to become caught up in this dance of gender and physicality, of the representation of form and the form our own bodies take, of the embodiment of a sense of self within the materiality of the human body. Inevitably the traditional idea of a human soul leaving the body is also suggested, as is the transience of life and human physicality. The passage of time then becomes the other key to understanding the poetics of this work. 365.2007.a-d
Art Gallery of New South Wales Bon voyage Purchase/Collection 1986 00:04:35 analog tape (u-matic) shown as single channel digital video, colour, sound aspect ratio: 4:3 © Peter Callas Peter CALLAS 511.1988
Art Gallery of New South Wales Buddha game Purchase/Collection 1991 television set, pages from a printed book, 2 gold leaf wooden Buddhas, neon, antenna, 5 television monitors © Nam June Paik Estate Nam June PAIK Nam June Paik came to the attention of international audiences when he began working with Fluxus and in particular his musical collaborations with Joseph Beuys in the 1960s. He was first shown in Sydney in 1976 as part of a John Kaldor project with Charlotte Moorman with whom he also regularly performed. He has combined performative and musical aspects in his work while increasingly bringing in applications of new technology. He has been an international pioneer of video installation and is represented by such works in many of the world's most important museums. This work is a compact example that includes many of his consistent themes. The box that houses the work is a television cabinet within which he has miniature videos operating watched by two bronze Buddhas. Confronting the spiritual dimension of Buddhism with new technologies is a continuing aspect of the work. The space of the screen where so many people 'meditate' every day is provocatively juxtaposed with the sublime attention of Buddhist meditation. The cabinet is covered with pages from an old Korean book making the modern exterior of the appliance seem strangely antique. This use of collage and found objects accords well with the Fluxus movement with which Paik is associated. The feel of this particular box suggests the work of Wolf Vostel for example. 10.2002.a-c
Art Gallery of New South Wales By the sea Gift/Collection 2004 00:01:12 min continuous 16mm transferred to single channel digital video, colour, silent aspect ratio 3:4 © Todd McMillan Todd MCMILLAN The name of the work is 'By the sea'. I made it in 2004. It's a 72 second video that's, in a way, been condensed from a 12-hour performance. Well, the work is based upon a Caspar David Friedrich painting, 'Monk by the sea', which was made in, I think was, 1809, and so I used that for the basis for the work where I then stood in for the figure in the painting. I stood upon the cliff for 12 hours from 6 pm to 6 am. The first time I did it, I was actually hospitalised, so I actually, sort of, suffered exposure and had to be resuscitated. There was a lot of fear that I wouldn't be able to do it and that sense of it being in the work and being, you know, sort of a, knowing that I had to stand there for 12 hours for there to be a work and sort of think 'am I going to be able to do this?' was something that I had to, sort of, keep thinking about but I had to, sort of, also push to the back of my mind because when the doubts came in I did start to feel terrible. I mean, there's a certain point in the film where you'll see that there are actually cracks of lightning and it starts to pour down raining and, you know, was freezing, you know, and crying, and it was like, you know, truly horrific.' 'Todd McMillan on his MCA collection work 'By the sea', Youtube, uploaded by MCA, 16 Apr 2013, https://www.youtube.com/watch?v=9hSS4KX-PTI 39.2021
Art Gallery of New South Wales By your side Purchase/Collection 2019 00:03:38 min three channel digital video, colour, sound aspect ration: 16:9 © Claudia Nicholson MISS H, MISS J, MISS L, MISS M, Claudia NICHOLSON, MISS V, MISS T By your side 2019 was co-created by artist Claudia Nicholson and six young people whose families are currently seeking asylum in Australia. Nicholson often collaborates with community groups, such as choirs and dancers, to create performances that celebrate their shared experiences. In the work, the young people perform a dance that they choreographed with each other. They dance in pairs, with their sister or cousin, and are dressed in their own clothes with lo-fi disguises. Matching sweatshirts and sequinned dresses meet plastic superhero masks and bright green face paint. These costumes mix play and make-believe with an everyday reality – many people seeking asylum do not have their faces documented in public due to the risks they, their friends and their families may face here or back home. By your side is a powerful expression of who these young people are, their connection to each other, and their imaginative independence. It explores the sense of belonging that comes from a connection felt between people – a deep bond that is carried across time and geography – as well as acknowledges the complexities that arise from the very concept of 'belonging'. Videography: Akil Ahamat and EO Gill Editing: Akil Ahamat Dramaturge: Sarah Rodigari Music: Chun Yin Rainbow Chan 114.202
Art Gallery of New South Wales Collected works, 1975-1986 I. A performance anthology 1975-1980 II. Modius vivendi 1979-1986 III. Continental videoseries 1983-1986 Purchase/Collection 1975 1986 08:58:00 hr seven videos on analog tape (VHS) shown as single channel digital video, black and white and colour, sound © Marina Abromovic & Ulay/Bild-Kunst. Copyright Agency Marina ABRAMOVIC, ULAY A compilation of videos documenting performance works that explore points of intense physical connection between the two protagonists: breathing each other's breath, slapping one another on the face or standing as counter weights between a bow and arrow. Often their work seeks to meld male and female energies. Both artists have been influenced by Eastern thought and religion and pursue a form of Body Art that verges on ritualised self-mortification. 345.2001
Art Gallery of New South Wales Colonial Grab Gift/Collection 2015 00:07:38min single channel digital animation, colour, sound aspect ratio: 16:9 © Joan Ross Joan ROSS This video animation references a painting in the AGNSW collection, John Glover's Natives on the Ouse River, Van Diemen's Land (1838). In this work Joan Ross utilises the device of a poker machine - the Colonial Grab - to access various scenarios, including a central Australian landscape buzzed by a dystopian surveillance-camera/insect, and an antique table upon which a lady in hi-vis coloured Regency costume arranges ikebana using John Glover's Tasmanian trees. This she eventually places in a denuded Glover landscape, oblivious to the Indigenous people and mid-century suburban house to the side, as the vases shatter and her carefully arranged trees fall to the ground. Fusing the historical and contemporary, Ross locates the symbols and desires of Australia's colonial history firmly in the present in order to remind us of colonialism's ongoing presence and effects. I have a love/hate relationship with Glover. Some people say he can't paint trees but I love them. I based my video Colonial grab on this work. In the video a colonial woman takes his trees and makes ikebana out of them. Aboriginal people are still in the trees, so it's an act of total disrespect and disregard, which is how I see the impact of colonialism. One of the reasons that I make the work that I do is that I'm very aware, and I don't think you can be anywhere in Australia and not be aware, that we're on Indigenous land. And I'm constantly aware of the colonial influence, and the disjunction between that and nature” - Joan Ross 'The Art that made me' Look, March – April 2018 p.22 213.2019
Art Gallery of New South Wales Cyberflesh girlmonster 1994 1995 CD-ROM Burning the Interface Linda DEMENT Produced in Australia na
Art Gallery of New South Wales Darling Darling Purchase/Collection 2020 two channel HD video, colour, stereo sound, guilded SD card display dimensions variable © Gabriella Hirst Gabriella HIRST Gabriella Hirst's Darling Darling 2021 is a gentle, contemplative video that traces two parallel histories. On one side of this dual-channel work, we encounter various sites on Barkindji Country, filmed cinematically from dawn to dusk under the close guidance of Barkindji Elder Uncle Badger Bates. The landscape here, around the area now known as Bourke, is critically drought-affected. The waterways of the Baarka (Darling River) are near-empty. On the other side, we encounter a different world altogether. The second channel reveals the regimes of care undertaken by the Art Gallery of New South Wales' painting conservators to restore WC Piguenit's The flood in the Darling 1890 1895. The flood in the Darling 1890 is a major work in the Gallery's Australian art collection. The care and attention directed towards this painting stands in stark contrast to the neglect and exploitation of the Baarka. With sound from each location bleeding across the two channels, Hirst converges the two narratives to question why a painting is provided with more care than an ancient, sentient waterway. 129.2021
Art Gallery of New South Wales Deconstructing Piero Purchase/Collection 2005 computer with inbuilt monitor, software program featuring vector drawings, colour, silent monitor: 36.0 x 46.8 x 15.0 cm overall aspect ratio: 4:3 © Michael Craig-Martin Sir Michael CRAIG-MARTIN Michael Craig-Martin's sculptures and installations focus on ordinary, mass-produced functional objects. One of his most infamous works, 'An oak tree' 1973, consists of a tumbler of water on a glass shelf.1 A text hangs next to the shelf explaining the nature of the conceptual denotation of this object as an oak tree. In this simple way Craig-Martin demonstrates the technique invented by Marcel Duchamp of nominating objects as art while presenting us with an insoluble conundrum: if an artist can assert that a found object is a sculpture, then he, or she, can assert that a glass of water is a tree. The text which is part of the work makes it clear that this is not like a tree or in some way associated with the growth of a tree; it simply is a tree. During the 1970s Craig-Martin developed a unique style of drawing from life. Building up a repertoire of hundreds of common objects such as shoes, knives and forks, light bulbs, buckets and safety pins, he drew these in a simplified graphic form which he then painted using highly mechanical processes. For example, he produced a simple outline using tape as a mask, which was removed once the work was complete to reveal a line of the very first colour layer. He then painted more layers of saturated colour in flat, even paint with each layer defining one of the objects or fields. His intention has been to make the painting conceptual rather than personal or expressive, and yet he acknowledges that in the end the paintings are beautiful and they do reflect his own very precise aesthetic. In these compositions, everyday objects are placed next to one another, or layered one on top of the other, creating spatial ambiguities as each object is given an equal scale, for example a pin is the same size as a bucket or chair. Since 2001 Craig-Martin has been making digital works assisted by the London-based design group AVCO, which developed the software for a computer-generated artwork based on Craig-Martin's line drawing technique.'Deconstructing Piero' runs a randomised program to create a time-based visual mapping of Piero della Francesca's'The flagellation' c1455 in which the composition and colour are constantly but slowly altering. The eight figures independently fade, disappear and eventually re-emerge. At the same time each of the six areas forming the landscape slowly changes through a range of 21 colours. The figures may all appear at once, or none may be visible for a considerable length of time. The program allows for unpredictable combinations which may never be repeated. 1. This work is in the collection of the National Gallery of Australia, Canberra © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 351.2005
Art Gallery of New South Wales Die Veteranen 1993 1994 CD-ROM Burning the Interface DIE VETERANEN, Stephen EICHHORN, Tjark IHMELS, KP Ludwig JOHN, Michael TOUMA Produced in Germany na
Art Gallery of New South Wales Double balancing act Purchase/Collection 2009 2010 00:07:32 min channel 1, 00:04:04 min channel 2 dual channel digital video, colour, silent aspect ratio: 16:9 © Shaun Gladwell Shaun GLADWELL 'Double balancing act' 2009-10 is one of two videos that Gladwell has made subsequent to his sojourn as an official war artist in Afghanistan. Based at Tarin Kout in Oruzgan province, Gladwell was embedded with Australian troops for 3 weeks in October 2009. Living with soldiers at the military base, Gladwell accompanied patrols, visited local communities and the field hospital and participated in the daily routines of the Reconstruction Taskforce. Apart from experiencing the reality of daily life for the soldiers participating in 'Operation Slipper', Gladwell was overwhelmed by the local landscape which he has described in interviews as unexpectedly 'vast and enormous and grand'. The experience of war for the majority of Australians is through global media: 24 hour news broadcast into our lounges, streamed online footage and news photographs of defining moments. In previous works Gladwell has deliberately worked against the fast jump edits and image montages that he has referred to as 'MTV logic' through deliberately slowing footage, concentrating on a singular subject and having an open ended narrative if at all. He continues these methodologies in his Afghanistan works, but also avoids the conclusive moment, battle scenes and human interest stories of war reportage. 'Double balancing act' presents two performers, each on their own screen. One is a soldier who repeatedly balances his gun on his open palm while standing on the sand dunes of the Afghani desert. The other performer is a man on the urban graffitied streets of New York who attempts a range of balancing acts on his crutches. The soldier in camouflage uniform in the desert is in a sense disarmed as his gun becomes a prop to balance rather than a weapon of war; it also suggests something of the futility and boredom between operations in Afghanistan, of life suspended so far away from home. Inevitably viewing the man on crutches in the urban camouflage of New York suggests life after war and the reality of physical injury that can occur in combat zones and the fact that Australian troops have experienced their greatest loss of life since Vietnam while stationed in Afghanistan. While this balancing act requires some skill, there is also a sense of futility to it. 144.2011.a-c
Art Gallery of New South Wales Double time Purchase/Collection 1985 00:04:00 min analog tape (u-matic) shown as single channel digital video, colour, sound aspect ratio: 4:3 © Jill Scott Jill SCOTT Producer: Jill Scott Actors: Bonita Ely, Hilarie Mais Camera assistant: Leonie Seebohm Technical assistant: Peter Butterworth Production assistant: Sue Maslin 37.1986
Art Gallery of New South Wales Eating grass Purchase/Collection 2003 00:22:56 min 16mm film transferred to digital tape (betacam) shown as single channel digital video, colour, sound © Alia Syed, Courtesy Talwar Gallery, New York and New Delhi Alia SYED 269.2005
Art Gallery of New South Wales Elevator no. 4 Gift/Collection 2003 00:06:45 min single channel digital video, colour, sound aspect ratio 4:3 © Daniel Crooks Daniel CROOKS Daniel Crooks plays with space and time in his moving image works using the 'time slice' method invented by Tim McMillan and popularized by the special effects in the science fiction film The Matrix 1999. Crooks dissects a moment recorded with his camera and digitally stitches the scene back together in a way that warps the linearity of the sequence. These works render reality abstract and redefine our perception of time and space in unexpected and mesmerizing ways. 30.2021
Art Gallery of New South Wales Escape carnival Gift/Collection 2008 00:02:36 min digital tape (miniDVCAM) shown as single channel digital video, colour, sound aspect ratio: 4:3 © TV Moore, courtesy Roslyn Oxley9 Gallery TV MOORE 199.2011
Art Gallery of New South Wales Family under water Gift/Collection 1978 00:30:00 min digital tape (betacam) shown as single channel digital video, black and white, sound aspect ratio: 4:3 © Mike Parr Mike PARR 97.2001
Art Gallery of New South Wales From Political to Poetical Economy Purchase/Collection 1977 1979 various see notes video, colour and black and white, sound © Estate Robert Filliou Robert FILLIOU Porta Filliou, 00:44:00 min; Telepathic music no.7, 00:16:00 min; And so on, end so soon, done 3 times, 00:30:00 min; Teaching and learning as performing arts part II, parts A to E, 00:30:00 min; Teaching and learning as performing arts part II, Travelling light, It's a dance really, 00:15:00 min; Video breakfasting together, If you wish, 00:37:00 min 618.1994
Art Gallery of New South Wales From the inside Purchase/Collection 2003 12:00:00 min single channel digital video, colour, sound © Maria Elvira Escallón Maria Elvira ESCALLÓN [For] two and a half years I was associated with the El Nogal Club, as Cultural Director. A few days after the [terrorist] attempt of 7 February 2003, as I was in charge of the artistic patrimony of the institution, I had to go into the premises to verify the state of the patrimony. What I saw and felt as I walked by will forever remain in my memory. As I carried out the task, I knew that I had to record and keep a memory of what I kept seeing around me. Up to that moment the building had been isolated by the authorities. Everything was as had been left after the impact, as if time had stopped. There was total darkness - because of the collapse of electricity - and a veil of soot - caused by the fire - covered the walls and objects. This work, 'From the inside', is born from that experience. It intends to in a different way approach what happened. Using a record of prints found on the surfaces and daily objects - doors, walls, the stairs - it intends to capture the atmosphere of what was lived there during those hours. Most of the photographs were taken a few days after 7 February 2003. Others were taken later when the rubble was being removed. The video was also made at that moment. Maria Elvira Escallón, http://mariaelviraescallon.org/ 44.2008.8
Art Gallery of New South Wales Futurist Europe Purchase/Collection 1973 16mm film, black and white, silent © Pier Farri Pier FARRI 2.1974
Art Gallery of New South Wales Girlsplaining Museum Ludwig Purchase/Collection 2016 0.00293981481481481 single channel digital video, colour, sound © Guerrilla Girls, courtesy of guerrillagirls.com Guerrilla GIRLS 22.2019.12
Art Gallery of New South Wales Global groove Purchase/Collection 1973 00:28:30 min digital tape (betacam) shown as single channel digital video, colour, sound © Nam June Paik Estate Nam June PAIK In collaboration with John Godfrey. Director: Merrily Mossman. Narrator: Russell Connor. Film Footage: Jud Yalkut, Robert Breer. Produced by the TV Lab at WNET/Thirteen 'This is a glimpse of the video landscape of tomorrow, when you will be able to switch to any TV station on the earth, and TV Guide will be as fat as the Manhattan telephone book.' So begins 'Global Groove', a seminal tape in the history of video art. This radical manifesto on global communications in a media-saturated world is rendered as a frenetic electronic collage, a sound and image pastiche that subverts the language of television. With surreal visual wit and an antic neo-Dada sensibility, Paik manipulates an emblematic pastiche of multicultural elements, artworld figures and Pop iconography. Pepsi commercials appropriated from Japanese television are juxtaposed with performances by avant-garde artists John Cage, Merce Cunningham, Allen Ginsberg and the Living Theatre; dancers moving in a synthesized, colorized space to Mitch Ryder's 'Devil with a Blue Dress On' are intercut with traditional Korean dancers. Charlotte Moorman, her image wildly synthesized, plays the 'TV Cello'; Paik and Moorman play the 'TV Bra for Living Sculpture'; Richard Nixon's face is distorted by a magnetically altered television. In an ironic form of interactive television, Paik presents 'Participation TV', in which he instructs viewers to open or close their eyes. Paik subjects this transcultural, intertextual content to an exuberant, stream-of-consciousness onslaught of disruptive editing and technological devices, including audio and video synthesis, colorization, ironic juxtapositions, temporal shifts and layering - a controlled chaos that suggests a hallucinatory romp through the channels of a global TV. With its postmodern content, form and conceptual strategies, 'Global Groove' has had a profound influence on video, television and contemporary art. (Electronic Arts Intermix website, http://www.eai.org access 7/9/11) 10.2004
Art Gallery of New South Wales Glory Purchase/Collection 1983 00:23:00 min digital tape (betacam) shown as single channel digital video, colour, sound © Estate of Rose Finn-Kelcey Rose FINN-KELCEY The raw material for this tape originated in a performance where I acted as both animator and controller of 100 surrogate performers who were locked in a kind of Blitzkreig on a large table in a small room. The cut-out images were drawn from past and present historical moments, famous politicians, heroes and heroines. Rose Finn-Kelcey http://lux.org.uk/collection/artists/rose-finn-kelcey accessed 24 Oct 2011 66.1986
Art Gallery of New South Wales Guerrilla Girls guide to behaving badly Purchase/Collection 2016 0.00332175925925926 single channel digital video, colour, sound © Guerrilla Girls, courtesy of guerrillagirls.com Guerrilla GIRLS 22.2019.14
Art Gallery of New South Wales Guide to recent architecture: Fountains (excerpt) Gift/Collection 2000 2007 00:04:00 min single channel digital video, colour TBC, sound. USB flashdrive embedded into a skateboard wheel in Pelican case aspect ratio 4:3 © Shaun Gladwell Shaun GLADWELL Before he became an internationally acclaimed contemporary artist, Shaun Gladwell was a talented skateboarder. Gladwell pursued a career in art instead of skateboarding but later incorporated both interests in compelling video works, such as Storm sequence 2000 and Guide to recent architecture: fountains 2000-2007, which explore the body in motion within urban space and the built environment. Gladwell's traversing of these spaces encodes alternate uses to the functional purpose and sanctioned design of public architecture. 26.2021
Art Gallery of New South Wales Guided Tour of a Spill (CAPS Interlude) Purchase/Collection 2021 00:15:49 min single channel digital video, colour, sound aspect ratio: 4:3 © Meriem Bennani Meriem BENNANI When we think of teleportation, we tend to indulge in sci-fi fantasies of absolute freedom of movement. Matter or energy decomposes at one point and ressembles at another. Beam me up! Bodies flit across the planet in a zap, overcoming all of the quotidian hassles of travel: boredom, discomfort, jetlag. But what if the political obstacles to border crossings remained? Meriam Bennani's 'CAPS' video series conjures a techno-futurist world where teleportation meets the ongoing realities of mass statelessness and militarised border regimes. Responding to Donald Trump's 2017 travel ban and her own experiences of visa precarity living as a Morrocan-born artist in New York, Bennani invents an offshore prison called CAPS (short for capsule). First introduced in 'Party on the CAPS' (2018), this is a fictional island where American troopers detain illegal teleporters trying to reach their shores. The CAPS is no ordinary detention centre: on this mid-Atlantic metropolis, Arabic techno throbs and the security cameras sing along to Alicia Keys. Refugees have been stuck for so long in this limbo that they've developed their own hybrid cultures, makeshift infrastructure and fugitive identities. In 'Guided tour of a spill (CAPS interlude)', our narrator is Fiona, a slime-green talking crocodile reminiscent of the Lacoste logo. Fiona takes us to a Moroccan neighbourhood on CAPS where a group of freedom fighters train to resist the border police. In one scene, live-action footage shows the men preparing for battle. In the next shot, an animated stethoscope crawls out of the frame and takes the heartbeat of a young rebel. Bennani delights in merging documentary aesthetics with the hyperlinked weirdness of the internet. Humorous, inventive and madcap, Bennani's work celebrates the ungovernable: data leaks and viral videos; the circulation of bootlegged media amongst diasporic communities; the urge to party in even the most oppressive environments. 'Guided tour of a spill (CAPS interlude)' is a new kind of teleportation fantasy – not a dream of easy travel – but a pop tribute to outlaw practices which transcend even the most hostile spaces of confinement. 90.2021
Art Gallery of New South Wales Hibiscus Rosa Sinensis Purchase/Collection 2010 0:01:31 mins single channel digital video, colour, silent aspect ratio 16:9 © Angela Tiatia Angela TIATIA 'Hibiscus Rosa Sinensis' explores the artist's Pacific heritage. In the video, a long tracking shot shows Tiatia emerging from tropical foliage with a hibiscus flower in her mouth, briefly embodying a stereotype of female passivity and natural abundance. Fixing her gaze forcefully on the camera, she then proceeds to ingest the flower, progressively revealing her face as a subject to be reckoned with beyond exoticising tropes. The work takes its cue from a 1911 sonnet by Enrique González Martinez, which called for South American writers to reject the idealising impulses of European modernism. Tiatia applies its logic to a Pacific context, in which Polynesia continues to figure in the Western imaginary as a site of lush fecundity. She filmed the work in the Cook Islands within a failed resort development led by a multinational company, where the consequences of such misplaced desires on the local community are plainly manifest. 53.2019
Art Gallery of New South Wales Hikaru: fast food sequence Gift/Collection 2001 00:05:20 min single channel digital video, colour, silent aspect ratio: 4:3 © Shaun Gladwell Shaun GLADWELL This video embodies Gladwell's core practice: slowed recordings of urban subcultural practitioners occupying public space in unexpected ways. Young people balance their bodies with extreme skill to undertake physically complex interactions with the zones in which they are situated – metro stations, shopping malls, retail outlets. 'Hikaru: Fast Food Sequences' is an important early Gladwell from the same period as his famous 'Storm Sequence' (2000) and 'Tangara' (2003). In it a 'freestyler' bike rider tip-toes his bike into a fast food outlet and then out again, barely noticed by the consumers intent on ordering their burgers and fries. The work skilfully contrasts slickly marketed junk food with an alternate momentary intervention into the spaces designed for its sale and consumption. 213.2011
Art Gallery of New South Wales House of cards Gift/Collection 2004 00:29:40 min continuous 16mm film shown as single channel digital video, black and white, sound aspect ratio: 16:9 © Mike Parr Mike PARR 'House of cards' was an intensely psychological performance carried out by Mike Parr in private at Artspace, Sydney on 2 May 2004. With his print work '(ALPHABET/HAEMORRHAGE) Black Box of 100 Self Portrait Etchings', Parr sat on the gallery floor and clumsily constructed a house of cards, a game he recalls playing with his siblings as a child. Parr's regressive enactment 'transcends the self-portrait image' by seemingly channelling the repressed Id, buried deep within his unconscious. 'House of card's is a black and white video, digitised from Mark Bliss's 16mm film recording of the performance. An edition of '(ALPHABET/HAEMORRHAGE)' is held within the collection of the Art Gallery of New South Wales. 216.2019
Art Gallery of New South Wales I don't wanna be a bludger Purchase/Collection 1999 00:30:00 min digital tape (DVCAM) shown as single channel digital video, colour, sound aspect ratio: 4:3 © Destiny Deacon and Michael Riley Foundation. Copyright Agency Destiny DEACON, Michael RILEY This collaborative work was commissioned for Perspecta 1999 and features the exploits of Delores (played by Destiny Deacon) seeking gainful employment in a variety of occupations. Michael Riley makes a cameo appearance in the film as Uncle Harold, Delores' cousin. The cast also includes members of Deacon's extended family, including the late Lisa Bellear, distinguished writer, radio broadcaster and political activist. 52.2008
Art Gallery of New South Wales I give you a mountain Gift/Collection 2018 00:06:30min single channel digital animation, colour, sound aspect ratio: 16:9 © Joan Ross Joan ROSS I give you a mountain references a watercolour painted in 1786 by British natural history painter Sarah Stone (active 1777-1820). It was commissioned by Sir Ashton Lever to immortalise his soon-to-be auctioned collection of exotic birds, antiquities and ethnographic objects, including those sourced from the Pacific via his friend Captain James Cook. The original picture was exhibited at the Royal Academy, London in 1786, with later copies made of it by anonymous artists (including one in the British Museum dated 1835). A large group of watercolours by Stone of the specimens and objects in the Leverian collection were offered to Sir Joseph Banks (but he is thought not to have purchased them), and several were published in her lifetime. In the 1780s, the Leverian Museum was situated in a former Royal palace, Leicester House, the adjoining rooms of which are visible in Sarah Stone's watercolour as a progression of gradually receding chambers revealing themselves through a series of archways. Joan Ross has used this perspectival conceit to good use in her animation, drawing the viewer through a series of rooms similarly bedecked with specimens. At first the space is pulsating with insect and plant life in a sort of prelapsarian paradise. As viewers pass through, they encounter headless birds encased in glass jars and domes, while the original words of 19th century diarists on the subject of indigenous Australian birdlife are spoken. As the video approaches its conclusion via room wallpapered with scenes from early Colonial Sydney and a banal contemporary television ad promising 'Dog happiness' in a pill, it ends in a bleak, lunar landscape of graffiti-covered rocks and a mountain. As the geological features begin to disintegrate, two 18th century European men occupying the space also begin to turn to dust, finally leaving nothing but their lopped heads. The voracious capture and classification of wildlife specimens by scholars, explorers, soldiers and genteel amateurs in the age of the Enlightenment is jarring, with its careless conflation of human/ethnographic and natural material in collections that divorced these objects from their rightful place in nature and culture. The anxieties of empire and thoughtlessness about the living objects they collected, and in preserving were in fact destroying, are palpable in this work and not relegated to the past. Rather, they persist into the present moment of capitalist consumerism and environmental crisis. 217.2019
Art Gallery of New South Wales I was running and running ... Gift/Collection 2004 00:05:30 mins single channel digital video animation, colour, sound aspect ratio 4:3 © James Lynch James LYNCH James Lynch is renowned for rendering his friend's dreams in surreal video works that combine hand-drawn animation with live-action film. Lynch's, I was running and running …, is based his friend Lisa's dream. In it, a girl (presumably Lisa) runs through the streets of Melbourne with a moka coffee pot, stopping when she meets Lynch and a group of people holding empty mugs. Lynch often appears in his dream works; in this regard, they are uncanny and collaborative self-portraits stemming from his friend's unconscious. Lynch explains: 'In some ways these are narratives based on an example of the unconscious process and how connected we are [1]'. Lynch reputedly spent 6 months animating this work, hand-drawing each frame with textas and pencils. 1. James Lynch quoted in Ashely Crawford, Art & Australia, vol 43, no 4, winter 2006, p 640 133.2019
Art Gallery of New South Wales Idea demonstrations Purchase/Collection 1972 00:40:00 min 16mm film transferred to digital tape (betacam) shown as single channel digital video, colour, black and white, sound aspect ratio 4:3 © Mike Parr © Peter Kennedy/Copyright Agency Peter KENNEDY, Mike PARR Mike Parr and Peter Kennedy were among the founding members of 'Inhibodress', a pioneering artist-run initiative that operated in Sydney in the early 1970s. 'Inhibodress' was an important centre for the radical, conceptual practices that were emerging at that time and which focussed on the expression of ideas rather than the production of aesthetic objects. Artists were beginning to experiment with a broad range of mediums and approaches, from installation and performance to photography, film, video, sound and text. Parr and Kennedy's collaborative performances from this period were investigations into the meaning of certain actions in social and psychological terms. Documented on film under the collective title 'Idea demonstrations', often these early works explicitly addressed the role of the camera in mediating between the performer and audience. 13.1974
Art Gallery of New South Wales In our hands, Greenham Purchase/Collection 1984 00:36:45 min analog tape (u-matic) shown as single channel digital video, colour, sound © Tina Keane Tina KEANE 41.1985
Art Gallery of New South Wales In search of Leichhardt Purchase/Collection 1973 16mm film, black and white, optical sound © Peter Kingston Peter KINGSTON 3.1974
Art Gallery of New South Wales Incidents Purchase/Collection 1996 1997 00:14:56 min single channel digital video, colour, sound © Svetlana and Igor Kopystiansky Igor KOPYSTIANSKY, Svetlana KOPYSTIANSKY Igor and Svetlana Kopystiansky have recently collaborated on a number of projects but they each have established individual careers. Since 1988 they have lived and worked primarily in New York, where their work came to the attention of an international audience. In the early 1990's they began showing in major survey exhibitions and biennales. They both exhibited at the Biennale of Sydney, 'The boundary rider', in 1992 and at that time the AGNSW acquired Svetlana's 'The trainer', a construction in the form of a library with interspersed pieces of gymnasium equipment. Their studio in Manhattan's Lower East Side, in what used to be the'meat district' of Chelsea, is close to the Hudson River and subject to the cold winds that lash the grey streets. When they first moved in it was very affordable but, as usual, the galleries followed the artists and gentrification took hold. Much of the area is now home to the most prestigious New York galleries but at street level it is still rather desolate. The detritus of consumer life lies everywhere, as it does all over New York. Although they maintain their own practices and resist being seen as a double act, the Kopystianskys have collaborated on certain kinds of works, including conceptual photography that explores time and chance. The film 'Incidents' is not about dirty streets so much as a celebration of chance encounters. Many hours of footage carefully collected on windy days of detritus blowing down the streets have been meticulously edited to capture these magical moments. It is remarkable how quickly we start to read characters into these discarded objects. The particular formal properties of each of the objects determine the very individualistic movement each acquires through the animating breath of the wind. At times the characterisation becomes so strong that audiences spontaneously burst out laughing. When an empty hamburger box moves forward in a series of jerky steps with its lid flapping up and down, it becomes a vividly anthropomorphic image and zanily Muppet-like. There are also moments of great elegance, particularly when pieces of fabric or a plastic bag twist and twirl along the gutter or fly up into the air defying gravity then shudder and spin back to earth. There is a long and interesting history of discarded objects in contemporary art but this work brings to the genre to a new level of aesthetic pleasure. Projects such as 'Incidents' took many months, even years, to complete. The Kopystianskys also work on parallel projects: for example while this film was being compiled they were taking twin photos of the same street scene just a few feet apart and with a slight time delay. The resulting images capture chance moves and conjunctions, figures move out of frame from one shot to the other, or figures come together or pass each other on the street – a strategy which fed into the procedural logic of 'Incidents'. © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 277.2002
Art Gallery of New South Wales Interceptor deluge sequence Gift/Collection 2015 00:24:42 min single channel digital video, colour, silent aspect ratio 16:9 © Shaun Gladwell Shaun GLADWELL Shaun Gladwell's Maddest Maximus narrative takes an unexpected turn in this work, Interceptor deluge sequence 2015. Here, the leather clad figure subjects himself and his vehicle, a 1:1 replica of the souped-up Interceptor from the Mad Max films, to an ablution in a car wash. This work was originally shown in a monitor in the back of an airplane chair, like a surreal form of inflight entertainment, in Gladwell's The lacrima chair installation at Sherman Contemporary Art Foundation. 28.2021
Art Gallery of New South Wales Jam on his face Purchase/Collection 1970 00:50:00 min 16mm film, colour, optical sound © Wendy Whiteley/Copyright Agency and Peter Kingston John ALLEN, Peter KINGSTON, Brett WHITELEY 63.1972
Art Gallery of New South Wales Joseph Beuys' public dialogue Purchase/Collection 1974 02:00:15 hr digital tape (betacam) shown as single channel digital video, black and white, sound Joseph BEUYS, William SHARP Producer: Willoughby Sharp. Camera: Andy Mann. Shot at the New School for Social Research, New York, 11 January 1974 In this dialogue between the audience and Beuys, recorded at the New School for Social Research in New York, the artist presents his theories of art and social sculpture, filling three huge blackboards with drawings, only to wipe them out again in the end. Audience members include Claes Oldenburg and Al Hansen. The evident tension in the audience gives some indication of the sharply divided response to Beuys' project at the time. The dialogue was Beuys' first ever public event in the United States. (Electronic Arts Intermix, http://www.eai.org accessed 7/9/11) 310.2007
Art Gallery of New South Wales KINDNESS IS SO GANGSTER Purchase/Collection 2018 22 glass sculptures, two dual channel performance documentation digital videos, wall drawing display dimensions variable © Mike Parr Mike PARR Mike Parr is an internationally recognised conceptual and performance artist, with a career spanning five decades, who also works in drawing, printmaking, photography, painting, sculpture and installation. KINDNESS IS SO GANGSTER is part of Parr's ongoing 'self-portrait project' series (1982-present) in which he interrogates ideas such as representation over likeness in self-portraiture. The installation is regarded as a continuous performance of 'blind negative modelling' in which Parr's sight is replaced by his other senses, partly as a way of not relying on his 'educated' response as a visual artist. To produce the glass sculptures, Parr was blindfolded and carved the shapes of his face out of 22 individual boxes of clay. Relying on his sense of touch as well as his memory, Parr carved 22 self-portraits out of the clay in the negative. 'It was a very physical task, requiring great concentration,' Parr said. 'It was very much like the energy I bring to the performances. I didn't really stop to wonder about what I'd produced. I just took the feeling of modelling, dragging the clay out and creating this sort of vortex … sort of poking forward and feeling like I'd located the features of the face, but never feeling like that was conclusive; so I'd immediately go on to the next one, hauling the clay out again.' 1. The impressions were filled in with plaster to create positive casts and then glass sculptures were made from the casts. Showing incredible detail, these were produced by Richard Whiteley and the glass workshop at the Australian National University School of Art and Design, and Parr handed the entire process over, not wanting to see any of the work taking place until it was completed. Having created them with his hands yet not knowing what they would look like, the glass sculptures came as a surprise to Parr. A site-specific work, the wall drawing was also produced while blindfolded, with Parr attempting to draw a net of 22 circular shapes, echoing the 22 sculptures. The artist, or a nominated person, would redraw this element in each subsequent iteration of this work. The video component of the work shows a blindfolded Parr directing the placement of the glass sculptures around the gallery space and it is envisioned that in subsequent iterations new videos would be produced recording the placement of the works. 1. Quoted in Andrew Stephens,'A shifting of the senses' in The Age, 5 October 2018 24.2019.1-25
Art Gallery of New South Wales Karkador Purchase/Collection 1986 00:02:55 analog tape (u-matic) shown as single channel digital video, colour, sound aspect ratio: 4:3 © Peter Callas Peter CALLAS 510.1988
Art Gallery of New South Wales Kasodo Gift/Collection 2007 00:13:55 min single channel digital video, colour, sound © Susan Norrie Susan NORRIE Susan Norrie, David Mackenzie and Justin Hale travelled to Indonesia for the KASODO Festival in September 2007. Incorporating aspects from Hinduism, Buddhism, Animism and Islam, the Tenggerese festival dates back to the 15th century: it lasts about a month and takes place in the cindered, smoking crater that encloses the active volcano at the top of Gunung Bromo (Mount Bromo). Susan Norrie– Concept/Edit David Mackenzie–camera, editing, location sound Justin Hale–second camera, cultural advisor and translator Robert Hindley–sound mix Acknowledgements: Wowok (Hadi Ernowo)– Driver and guide Seni Jarak Campur Sari Priana Budaya Sedaeng– Reog Dance Troupe Amanda Love. 215.2011
Art Gallery of New South Wales Kensington gore Purchase/Collection 1982 00:13:02 min analog tape (u-matic) shown as single channel digital video, colour, sound Catherine ELWES Participants: Judith Goddard, Keith Frake, Catherine Elwes 37.1985
Art Gallery of New South Wales Kidung/Lament Purchase/Collection 2019 00.10:58 min three channel HD video, colour, stereo sound © Leyla Stevens Leyla STEVENS Leyla Stevens is an Australian–Balinese artist who works with photography and moving image in a research-based practice responding to histories of place. In her works, Stevens uncovers alternative histories, principally in connection to Bali's colonial and diasporic past. Inspired by material and visual cultures, and with particular attentiveness to the affective forces of gesture and ritual, she reanimates past events to tell stories that have often been forgotten or deliberately repressed. Kidung/Lament is a major three-channel video installation that focuses on the spectral trace of Bali's histories of political violence. The powerful and intimate video is framed around a banyan tree that marks an unacknowledged mass grave site from Indonesia's 1965-66 anti-communist massacres. The banyan tree is sacred in Indonesia where it is seen to represent the eternal cycle of death and rebirth and protect the spirits after death. A chant that laments the missing and the dead forms the installation's soundtrack. This haunting work responds to sensitive and repressed political histories of place. Stevens' utilises landscape imagery and the banyan tree to stand in for past events that have no visual marker and have been shrouded by political amnesia. In this video, Stevens concieves of the banyan tree as the central character, acting as a witness to past events. Two of the channels project portraits of the tree in panning close-ups while in the third, a Balinese woman chants a lament to the dead, becoming an emotive anchor point and a mournful allegory. 133.2021.a-c
Art Gallery of New South Wales Kiru umi no yoni / Cutting like the ocean Purchase/Collection 1986 00:11:16 analog tape (u-matic) shown as single channel digital video, colour, sound aspect ratio: 4:3 © Peter Callas Peter CALLAS In six parts: Retina; Reflex; Killing Time; Pattern Practice; The installation; Filling Time 508.1988
Art Gallery of New South Wales Labour of Love Purchase/Collection 2016 00.01.06 min continuous single channel HD video, colour, sound © Abdullah M I Syed Abdullah M I SYED Abdullah M I Syed characterises his interdisciplinary art practice as a form of manzoom muzahamat, or poetic resistance, a form of activism that seeks to combat socio-political conflicts, apathy and disillusionment through ideas of shared vulnerability, love, care and storytelling. Utilizing a variety of mediums and techniques, he examines economic structures and the theatrics of power and masculinity in their myriad forms. 122.2021
Art Gallery of New South Wales Life in the balance Purchase/Collection 1993 bamboo, sand, shells, string, globe, rope and video cassette 260.0 x 170.0 x 170.0 cm overall © Estate of Ellen José Ellen JOSÉ 207.1994.a-j
Art Gallery of New South Wales Light and belief: Sketches of life from the Vietnam War Gift/Collection 2012 00:35:00 min single channel digital video, colour, sound © Dinh Q Le Dinh Q. LÊ Light and belief: Sketches of life from the Vietnam War is a film by Dinh Q. Lê featuring interviews with 11 artists commissioned to document Vietnam's war of resistance against the US in the 1960s and 70s. The artists are: Le Lam, Phan Oanh, Nguyen Thu, Truong Hieu, Durong Ahn, Nguyen Toan Thi, Kim Tien, Vu Giang Huong, Quach Phong, Huynh Phuong Dong and Minh Phuong. Their drawings and paintings record moments of rest and daily life as well as battle. Many of the images are tender, showing people faced with trauma and death as they wished to be remembered. In her own words, artist Minh Phuong recollects, '… the reality was, people there, even with the war and everything happening they still liked us to draw peaceful scenes. They didn't like to see guns and death.' From time to time throughout Light and belief the artists, their surroundings and pictures are animated, adding an additional layer of visual intrigue to this complex and emotionally raw work. As Le Lam says, 'the value of these war sketches aren't in the lines on the paper … the value rests in the artist, who has made those lines on that paper. Who has drawn those things and remembered those times.' Dinh Q. Lê and his mother sought refuge from war in 1978 and settled in the United States. The artist, who specialises in video, photography and installation returned to live in Vietnam in 1996. 45.2021
Art Gallery of New South Wales Lip sync Purchase/Collection 1969 00:57:00 min digital tape (betacam) shown as single channel digital video, black and white, sound Bruce NAUMAN With the camera mounted upside down, framing only his mouth and neck, Nauman repeats the phrase 'lip sync' over and over in loud whisper. Sound and image are intentionally unsynchronized, while the upside-down view of his lips and tongue in action provides a further disorienting quality to the work. (Electronic Arts Intermix, http://www.eai.org accessed 7/9/11) 309.2007
Art Gallery of New South Wales Lips (Study #3) Purchase/Collection 2016 00:01:28 min single channel video installation, colour, sound © Mika Rottenberg Mika ROTTENBERG Through a small hole in the wall of a gallery, a pair of fleshy lips protrude. Moving closer and leaning in, one sees light flickering between them. A puff of what looks like smoke emerges from the lips – as if some bodily or industrial activity is taking place behind the wall. Peering into the cavity, the source of this steaminess reveals itself – a mirror box that holds a hilarious view of bodies working, labouring, performing. Through lurid stippled walls protrude bodily bits and pieces: ponytails, mouths, tongues, and fleshy buttocks. They jiggle and spurt as if in a peepshow that's both exhibitionist and absurdist. And the longer one looks, the more one is conscious of behaving voyeuristically in public. Mika Rottenberg is an artist who often invites us to peer behind the scenes, into cramped, strange, backstage spaces where bizarre forms of labour play out. The strange acts of production that her performers take part in are comedic, first and foremost, but they also prompt reflection on the larger absurdity of the processes that make our (first) world go round: the way the hidden labour of people very far from us keeps us fed, clothed, supported. This work by Rottenberg continues this exploration and connects it directly with the 'work' of art, by puncturing the skin of the revered'white cube' and revealing something weird behind the scenes. Making art and generating pleasure for its viewers, Rottenberg suggests, is not a lofty or pure endeavour. It is sticky, impure and often absurd work, which makes willing voyeurs of us all. 218.2019
Art Gallery of New South Wales Manifesto Purchase/Collection 2017 0.0655092592592593 single channel digital video, colour, sound Julian ROSEFELDT 235.2013.3
Art Gallery of New South Wales Martin is asleep Gift/Collection 1999 single channel digital video, colour, sound, projector, dollhouse bed display dimensions variable © Kutluğ Ataman Kutluğ ATAMAN 150.2019.a-b
Art Gallery of New South Wales Meat joy Purchase/Collection 1964 00:06:00 min 16mm film transferred to digital tape (betacam) shown as single channel digital video, colour, black and white, sound © Carolee Schneemann / Artists Rights Society (ARS), New York. Copyright Agency Carolee SCHNEEMANN Filmed by Pierre Dominik Gaisseau, Editor: Bob Giorgio. Writes Schneemann: 'Meat Joy' is an erotic rite - excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic - shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic'. This video was converted from original film footage of three 1964 performances of 'Meat Joy' at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City. (Electronic Arts Intermix website, http://www.eai.org) 311.2007
Art Gallery of New South Wales Mike Parr performances Gift/Collection 1972 1975 00:39:30 min digital tape (betacam) shown as single channel digital video, black and white and colour, sound aspect ratio: 4:3 © Mike Parr Mike PARR 96.2001
Art Gallery of New South Wales Mnemonic notation V 1992 1996 CD-ROM Burning the Interface Phillip GEORGE, Ralph WAYMENT Produced in Australia na
Art Gallery of New South Wales Motormouth Purchase/Collection 2002 polystyrene, wood, synthetic polymer paint, impact resistant polyurethane, acrylic, sound © Callum Morton, courtesy RoslynOxley9 Gallery Callum MORTON Callum Morton's sculptures combine incisive social observation, ideas about urban design and contemporary living, and an interest in the legacy of minimal sculpture.'Motormouth' continues his consideration of the intersections between public and private space and in particular the'non-spaces' of urban design such as freeways, shopping centres, service stations, cinemas and convenience stores. These are the generic buildings and sites that are designed as transit zones between destinations or as backdrops to their intended function. We don't usually notice their architecture except as an indicator of this function. Morton's sculptural versions reintroduce narratives that are at odds with the social design of these places and yet are somehow entirely appropriate for the setting. 'Motormouth' is a sculpture of two freeways, scaled 1:10 and perfect in detail down to the dirty realism of their distressed, water-stained concrete marked with graffiti. It appears to be a realistic model but is in fact an elaborate representation of what a generic freeway should look like rather than being a copy of an existing structure. The freeways are raised on pylons above eye height, frustrating our desire to see what is on the superstructure, though logically it should only be scaled-down cars. Freeways are designed to move people efficiently and rapidly between city centres and satellite suburbs, from home to work, from boardroom to bedroom, or at the very least to get you across town in time for your meeting. They are the key people conduits of modern urban design and, as with other mid 20th-century projects, they had a progressive utopian agenda to make life more time efficient and productive. And on a good day they still do this. On others they are a battleground where the tensions between the private and public functions of cars and freeways erupt. In'Motormouth' you can hear the sound of a traffic jam on the lower freeway. Inevitably in the frustration at being kept waiting, anger boils over and conflict ensues. Cars are a private, personal zone in which we move through a public arena, one in which we feel empowered and in control. Despite the social contract that keeps us on the correct side of the road and heading in the same direction, in our car our rules count as we adjust the seats, the climate, the music, to create a pod between us and the world. However road rage is a rapidly growing social issue and while studies have come up with several interlocking reasons for this phenomenon, it seems to hinge on the tension between the collective rules we need to regulate cars, roads and driving and our rampant individualism. There is no doubt that contemporary city life is faster: we have more to do, so we don't expect to be kept waiting. As the title puns, we are the inevitable product of our own social and technological designs. © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 305.2002.a-u
Art Gallery of New South Wales Mysteries of the MIA Purchase/Collection 2016 0.00288194444444444 single channel digital video, colour, sound © Guerrilla Girls, courtesy of guerrillagirls.com Guerrilla GIRLS 22.2019.21
Art Gallery of New South Wales Nothing Gift/Collection 2003 single channel digital video, black and white, silent aspect ratio: 4:3 © Kutlug Ataman Kutluğ ATAMAN Kutluğ Ataman's Nothing is a single-channel video work in which white calligraphic text set against a black background rotates around an axis. At certain points in the cycle of the animation the words briefly coalesce into recognisable images before revolving back into text. Nothing is part of a 2003 series of six video works titled Animated words in which Ataman 'addresses the separate semiotic premises of word and image, which he shows merging, separating, and merging again. An image pregnant with meaning hides words; words become moving images, as if aspiring to visual status.' (Daftari, Fereshteh, Islamic or not, from 'Without boundary: Seventeen ways of looking', exhibition catalogue, Museum of Modern Art, New York, 2006. p.12). 51.2021
Art Gallery of New South Wales November eleven Purchase/Collection 1979 00:18:00 min analog tape (VHS) shown as single channel digital video, colour, sound © Peter Kennedy and John Hughes. Copyright Agency Peter KENNEDY, John HUGHES 'November eleven' 1979 U-matic video, 18 minutes John Hughes, Andrew Scollo with Peter Kennedy Sound: John Scott, Robert Moore Video colorizing Robert Randall, Frank Bendinelli 'November eleven' is the moving image component of an installation work designed by Peter Kennedy for the Biennale of Sydney in 1979. Featuring the two combined elements of painted banner ('November eleven', oil on canvas, 274 x 305 cm) 1978-79 1, and video ('November eleven', U-matic video), this installation was produced in the aftermath of Australia's 'constitutional coup' when Prime Minister Gough Whitlam's Labor government was dismissed by the Governor General, Sir John Kerr, on November 11, 1975. While the banner references trade union banners of the 1890s – the period when Australia's constitution was written – the video deploys found material (dada-like) from radio and television coverage of the events of 1975 in a form later known as 'scratch video', to evoke an oppositional polemic using the ephemera of broadcasting. 1. Art Gallery of NSW (1979), 'European dialogue', Bienniale of Sydney (exhibition catalogue) 352.1988
Art Gallery of New South Wales November eleven: work in progress Purchase/Collection 1981 00:19:00 min analog tape (VHS) shown as single channel digital video, colour, sound © Peter Kennedy and John Hughes. Copyright Agency Peter KENNEDY, John HUGHES 'November eleven: work in progress' 1981 1 inch video, 19 minutes John Hughes with Peter Kennedy Cast: Carolyn Howard, Paul Davies 'November eleven: work in progress' is the moving image component of an installation work designed by Peter Kennedy1, (installation two in a series of three) using a format identical with the earlier installation and again featuring a painted banner ('November eleven – An Australian history', oil on canvas 274 x 305 cm, 1980-1) referencing the tradition of trade union banners, their street performance, and presented here in the service of a critical 'history painting'. The video develops themes and strategies from the earlier video, 'November eleven' (1979), deploying advertising, newsreel footage, children's books as modes of found 'performance' in an ironic ('blue screen') play of 'history' and myth working around the dual constellations: 1890/1975 and 1968/1981. 1. Art Gallery of NSW (1981), 'Australian Perspecta: a biennial survey of contemporary Australian art' (exhibition catalogue) 353.1988
Art Gallery of New South Wales ON DEMAND Purchase/Collection 2019 00:14:00 min, four channel video work, bicycles, carpet, Arduino, computer, steel frame, monitors, speakers display dimensions variable © Eugenia Lim Eugenia LIM Eugenia Lim's work often draws on her cultural heritage. As a second-generation Australian, her parents migrated here from Singapore during the White Australia Policy. Lim grew up between two cultures and the associated feeling of in-betweenness fuels her work. In her series Yellow Peril, from which New Australians (welcome stranger 1969/2015) derives, Lim examines her own parents' migration to Australia through the lens of the first wave of Chinese migrants seeking to make their fortunes in the Australian gold fields during the gold rush of 1851–93. For this body of work, Lim appears in character as 'the Ambassador', a fictive persona, dressed in a gold lamé Mao suit. The Ambassador playfully navigates the Sovereign Hill theme park, an open air museum that reimagines Ballarat in the 1850s and in exploring the park uncovers the Australian-Asian narrative of the gold rush, drilling down into racial politics. Lim has transformed herself into the Ambassador across three separate bodies of work. Each time, the character traverses time and culture to explore national identities and stereotypes in our globalised world. ON DEMAND is a pedal powered video installation that interrogates the gig economy. Viewers are invited to take a seat on a bicycle and work up a sweat in order to participate in and activate the work. The video presents a poetic consideration of the performance of labour. A persistent thread in Lim's practice is the analysis of work, labour, ethics, technology, and the tension between art and economics in neoliberal capitalism. In creating ON DEMAND, Lim placed a call out for workers from the gig economy to collaborate with her as worker-performers. The five who responded are 'independent contractors' who work in the gig economy as drivers, riders and service industry workers for companies including Uber, Airtasker and Foodora. The worker–performers appearing in ON DEMAND were each interviewed by the artist to reflect on their experiences while working and their responses form a spoken word voice over that recounts the reality of their world with abrupt detail. These personal accounts of broken limbs and other perils are layered over footage of the workers performing choreographed movement alongside the artist intercut with other scenes. Lim paid each worker/performer the Australian Miscellaneous Award 2010 rate plus a provision for superannuation for their time – a gesture towards fair work conditions not generally guaranteed for gig workers or independent artists. This video work is the result of their collective negotiation; of their stories, and movement. When we consider this work in the context of the Covid-19 pandemic, its message only echoes louder. During lockdown, workers in the gig economy were providing essential services such as food delivery for people in quarantine or isolation with no job security or adequate support. The conditions of the pandemic highlighted the fact that many essential services and frontline workers operate in unstable conditions. Often underpaid, they are were disproportionately women, migrants, people of colour and people from lower socio-economic communities. Though considered 'essential', their work was not valued economically or structurally. ON DEMAND restages the precarity of twenty-first century capitalism and exposes its ethical potholes in a moving and elegaic response to the contemporary moment. 75.2021
Art Gallery of New South Wales Old love in song: in death Gift/Collection 2004 08:19:15 mins single channel digital video, colour, sound aspect ratio 4:3 © TV Moore, courtesy Roslyn Oxley9 Gallery TV MOORE In his arresting work, Old love in song: in death 2004, TV Moore appears against a black, smoky background like an apparition, singing a mash-up of the Latin requiem Pie Jesu and Almeda Riddle's folk song, 'I love my little rooster'. Dressed in military style clothing and ghoulish make-up, Moore's character has been likened by several commentators to the ghost of a communard or a sailor. The critic Andrew Frost has written eloquently of Moore's haunting video self-portrait, stating:'With the soft hum of traffic outside the studio on the soundtrack, Old love song in song: in death achieved a remarkable distillation of the contemporary and the archaic, evoking the ageless concerns of life and mortality while acknowledging the artifice of its own creation' [1]. 1. Andrew Frost,'TV Moore', http://scanlines.net/person/tv-moore accessed 5 Jul 2019, http://scanlines.net/person/tv-moore accessed 08 July 2019 57.2019
Art Gallery of New South Wales On Sacred Land Purchase/Collection 1983 1984 00:18:00 min analog tape (VHS) shown as single channel digital video, colour, sound © Peter Kennedy and John Hughes. Copyright Agency Peter KENNEDY, John HUGHES 'On Sacred Land' 1983-84 1 inch video, 18 minutes John Hughes with Peter Kennedy Animation: John Hansen Warning to Aboriginal and Torres Strait Islander viewers: this film may contain images of deceased persons. 'On Sacred Land' is the moving image component of an installation work designed by Peter Kennedy1 and featuring a large 'history painting' ('On Sacred Land', 1983-86, oil on canvas, 270 x 840 cm, 1983-86). Drawing on 'On Sacred Ground' (Howes, 1980), a film on the Yungngora people's blockade of mining at Noonkanbah, Western Australia, 'Ship of Dreams' documentation of a school performance in Broome (1981), still photographs of tableaus directed by Peter Kennedy, that reference figures deployed in Kennedy's painting, 19th century archival studio photographs depicting Aboriginal people, redeployment of images referencing drawings from 19th century indigenous artist Tommy McCrae and other material, this work critically engages representations of 'Aboriginality' in a context alert to the 1980s contestation of land rights and indigenous self-determination. 1. University of Tasmania, (1986) 'Istoria: Peter Kennedy with John Hughes – Selected Works 1978-1986' (exhibition catalogue) 354.1988
Art Gallery of New South Wales On perspective and motion - part 1 Gift/Collection 2004 00:23:45 min single channel digital video, colour, silent aspect ratio 16:9 © Daniel Crooks Daniel CROOKS Daniel Crooks plays with space and time in his moving image works using the 'time slice' method invented by Tim McMillan and popularized by the special effects in the science fiction film The Matrix 1999. Crooks dissects a moment recorded with his camera and digitally stitches the scene back together in a way that warps the linearity of the sequence. These works render reality abstract and redefine our perception of time and space in unexpected and mesmerizing ways. 31.2021
Art Gallery of New South Wales Organised confusion Gift/Collection 2014 8-channel HD video installation, sound, wax dye on handmade wood mask dimensions variable © Khaled Sabsabi Khaled SABSABI 'Organised confusion' explores heightened states of consciousness and fanaticism. Two of the video channels show supporters of the Western Sydney Wanderers football team, known as the Red and Black Bloc, gathered en masse to engage in the spectacle of sportsmanship. Together, this diverse crowd shares a communal experience that is by turns highly charged and uneventful. In dialogue with these immersive projections, Sabsabi presents a sequence of black and white videos that show the Javanese dancer Agung Gunawan performing a slow and introspective dance, evoking a state of spiritual transcendence. As the scholar Chari Larsson has noted, the work revolves around 'a series of strong dichotomies: public and private, collective and individual, secular and religious'[1], which reveal the disparate ways in which ritual and belief find expression across cultures. 1. Chari Larson, 'Multitude, solitude: Khaled Sabsabi's 'crowds' in Di'van| A journal of accounts, Issue 1, Dec 2016, December 2016, p122 78.2019.a-i
Art Gallery of New South Wales Other Purchase/Collection 2009 00:7:00 min continuous digital tape (betacam) shown as single channel digital video, colour, sound aspect ratio: 4:3 © Tracey Moffatt. Courtesy of Roslyn Oxley9 Gallery, Sydney Tracey MOFFATT Tracey Moffatt's fast paced montage videos compile scenes from film and television programs selected in response to a particular theme or coding. This is the final work in a suite of 7 videos made over the last decade; the previous works include 'Lip' 1999, 'Artist' 2000, 'Love' 2003, 'Doomed' 2007, 'Revolution' 2008 and 'Mother' 2009. 'Other' is one of the most mesmerising of the series as it edits together scenes of interracial encounters. It opens with first contact sequences, films in which the beach and the shallow waters are a zone of encounter between ships and canoes, between Europeans and non-Europeans. It then moves to images of looking, of two different peoples meeting for the first time and appraising each other visually. As imagined by Hollywood and TV directors, this is a moment of both curiosity and desire, where glances become lingering and erotically charged. The next sequence moves from first encounters to quite literally first contact, when brown and white touch. Again curiosity is mingled with desire and an erotic tension crackles through these images. From touch we shift back to the eyes, but now vision is highly eroticised, looking has become a physical conduit to arousal and the gaze is embedded into a bodily response. Intercut are scenes of Westerners losing their sense of propriety and themselves when encountering an'other', a moment when their own social structures erode. A kitsch frenzied depiction of the other as threatening, feverish, abandoned and erotic informs the next selection of scenes in which running and dancing, from faux-tribal gatherings to frenzied hysterical choreographed sequences move closer and closer to orgiastic sexual abandonment. In the final sequences desire is consummated in wild encounters which transgress race and gender. Humorously intercut with these are images of men hugging each other, an implied repressed homosexual subtext which is still unable to be depicted in mainstream cinema while we see frenzied hetereosexual couples and women making love to each other with abandonment. The video culminates in some literally explosive moments in which revel in the clichés of cinematic sexual orgasm: fires burn, volcanoes erupt and finally planets explode. Moffatt utilises the clichés of cinematic representation of the'other' to trace a pop culture history of how the west has represented its encounters with countries and peoples that are not itself. These mainstream representations somewhat hilariously reveal more about the cultures that made and consumed these films than the countries, peoples and histories they purport to depict. The'other' here is a people and a place where the transgression of race, gender, and cultural norms can be imagined but which has little to do with any anthropological reality. As the clichés pile up this work is hugely entertaining, fast paced and sexy as it rolls through 60 years of moving image history. It also reiterates how desire, looking, power and the cinematic experience are so closely intertwined. 143.2011
Art Gallery of New South Wales Painter Purchase/Collection 1995 00:50:01 min digital tape (betacam) shown as single channel digital video, colour, sound © Paul McCarthy. Courtesy of the artist and Hauser & Wirth. Paul MCCARTHY Performers/Participants: Paul McCarthy, Brian Butler, Sabine Hornig, Fredrik Nilsen and Barbara Smith Originally trained as a painter, Paul McCarthy currently uses video and sculpture as his primary mediums. Coming from the context of 1960s American 'happenings' and performance art, McCarthy's work seeks to destroy boundaries of taste, tradition and public morality. In'Painter' the mythology of the artist as hero is attacked in a grotesquely parodic performance that unambiguously points to the abstract expressionists. McCarthy said in a 1993 interview that his work came out of kids' television in Los Angeles. Performing as the painter, McCarthy undermines pre-packaged ideas about the creative process by turning it into an absurdist soap-opera. 288.2006
Art Gallery of New South Wales Palomar, le voyeur captif 1994 CD-ROM Burning the Interface NEUROM-X, Joseph LEFÈVRE, Èric MATTSON, Alain MONGEAU Produced in Montreal, Quebec na
Art Gallery of New South Wales Pan no. 2 (One step forward, one frame backwards) Gift/Collection 2007 00:04:50 min single channel digital video, colour, sound aspect ratio 16:9 © Daniel Crooks Daniel CROOKS Daniel Crooks plays with space and time in his moving image works using the 'time slice' method invented by Tim McMillan and popularized by the special effects in the science fiction film The Matrix 1999. Crooks dissects a moment recorded with his camera and digitally stitches the scene back together in a way that warps the linearity of the sequence. These works render reality abstract and redefine our perception of time and space in unexpected and mesmerizing ways. 36.2021
Art Gallery of New South Wales Pan no. 3 (Rotation isn't movement) Gift/Collection 2007 00:06:42 min single channel digital video, colour, sound aspect ratio 16:9 © Daniel Crooks Daniel CROOKS Daniel Crooks plays with space and time in his moving image works using the 'time slice' method invented by Tim McMillan and popularized by the special effects in the science fiction film The Matrix 1999. Crooks dissects a moment recorded with his camera and digitally stitches the scene back together in a way that warps the linearity of the sequence. These works render reality abstract and redefine our perception of time and space in unexpected and mesmerizing ways. 33.2021
Art Gallery of New South Wales Passagen 1993 1995 CD-ROM Burning the Interface Graham ELLARD, Stephen JOHNSTONE Produced in London na
Art Gallery of New South Wales Patiwangi (The death of fragrance) Gift/Collection 2020 2021 two channel HD video, colour, stereo sound © Leyla Stevens Leyla STEVENS Leyla Stevens is an Australian–Balinese artist who works with photography and moving image in a research-based practice responding to histories of place. In her works, Stevens uncovers alternative histories, principally in connection to Bali's colonial and diasporic past. Inspired by material and visual cultures, and with particular attentiveness to the affective forces of gesture and ritual, she reanimates past events to tell stories that have often been forgotten or deliberately repressed. In this two-channel video work, two seemingly disparate scenes are counterpointed. In one, the camera pans over a museum collection store and then passively looks on while artworks and artefacts are carefully unwrapped. In the other, Javanese-Australian dancers Ade Suharto and Melanie Lane perform. In the tension between these two images we find a careful meditation on the relationship between stillness and action, object and subject. Both sequences focus on the representation of women, whether through the cultural objects or the performative presence of the dancers. As we watch, we track between the transcription of movement as it appears in paintings and sculptures and the way it manifests within the body itself. One folds into the other yet as become witnesses to the past as it exists in the present. Yet there are also manifest complications and nuances to this narrative. And although we think we might have found a connection between person and place – between the dancers and a landscape – the context has been collapsed into a mid-century industrial site that camouflages any clues to specificity. As the two dancers shadow and mimic each other, oscillating between teacher and student, their movements ghost the histories of Balinese female muses that have been a leitmotif of modernist art in Indonesia. In revealing the slippage between art and life, and the politics of representation, Stevens opens a space for woman artists to write new histories. 138.2021.a-b
Art Gallery of New South Wales Picturing the old people Gift/Collection 2005 00:12:55 min five channel digital video, colour, sound © Genevieve Grieves Genevieve GRIEVES 245.2009.a-f
Art Gallery of New South Wales Pieces: 1. Steve Hawley and Tony Steyger Drawing conclusions: the science mix 1982 2. Peter Savage In an unguarded moment 3. Steve Littman I really 1983 4. Neil Armstrong Clone video 5. Zoe Redman Passion ration 1984 6. Nigel Rolfe Dance slap for Africa 1983 7. Richard Layzell So this is how you spend your time? 1982 8. Jon Bewley Definitions 9. Jeremy Welsh The jugo beat 1983 10. Val Timmis Around Enfield 11. Mike Stubbs Ra ads 1979 Purchase/Collection 1979 1984 00:55:00 min [1. Drawing conclusions: The science mix 00:07:00 min; 2. In an unguarded moment 00:05:00 min; 3. I really 00:07:00 min; 4. Clone video; 5. Passion ration 00:07:00 min; 6. Dance slap for Africa; 7. So this is how you spend your time: 00:08:00 min; 8. Definitions; 9. The jugo beat: 00:07:00 min; 10. Around Enfield; 11. Ra ads 00:03:00 min] 11 videos on analog tapes (u-matic) shown as single channel digital video, colour, sound Mike STUBBS, Neil ARMSTRONG, Jon BEWLEY, Steve HAWLEY, Richard LAYZELL, Steve LITTMAN, Zoe REDMAN, Nigel ROLFE, Peter SAVAGE, Tony STEYGER, Val TIMMIS, Jeremy WELSH Pieces includes: 1. Steve Hawley and Tony Steyger - 'Drawing Conclusions: The science mix' 1982 [7 mins] 2. Peter Savage - 'In an unguarded moment' 1982 [5 mins] 3. Steve Littman - 'I Really' 1983 [7 mins] 4. Neil Armstrong - 'Clone Video' 5. Zoe Redman - 'Passion Ration' 1984 [7 mins] 6. Nigel Rolfe - 'Dance Slap for Africa' 1983 7. Richard Layzell - 'So this is how you spend your time?' 1982 [8 mins] 8. Jon Bewley - 'Definitions' 9. Jeremy Welsh - 'The Jugo Beat' 1983 [7 mins] 10. Val Timmis - 'Around Enfield' 11. Mike Stubbs - 'Ra ads' 1979 [3 mins] 429.1985
Art Gallery of New South Wales Porous bodies: ice shoes Gift/Collection 1999 01:02:23 min digital tape (miniDV) shown as single channel digital video, colour, silent aspect ratio 4:3 © Julie Rrap. Courtesy Roslyn Oxley9 Gallery Julie RRAP 192.2011
Art Gallery of New South Wales Pre-retroscope (marine) Gift/Collection 2003 00:13:53 min, single channel digital video, colour, stereo sound, mixed media including wood, rope, anchor, instruments, motor, projector © Conrad Shawcross, courtesy Victoria Miro Gallery London Conrad SHAWCROSS After graduating from art school in 2001, Conrad Shawcross quickly became known for his fantastical apparatus or kinetic sculptures that somehow blend antiquated technology with art. At the time of writing he is one of the youngest of the Young British Artists (YBAs, as they have come to be known) to come to the fore in England. Like many of the previous generation (Damien Hirst and Tracey Emin for example) he explores the boundaries of art and life and his work tends towards the extravagant gesture. Yet unlike many, his objects are beautifully handcrafted sculptures that actually function rather than simply look like something that might. They are not assemblages of found objects, although they may incorporate them; neither are they fabricated by a workshop. This making and functioning with old-fashioned materials – mostly wood – is subtly subverting aesthetic delectation by conceptual displacements. Alongside the sculpture, in fact underlying its raison d'être, is a strong performative element and often an elaborate narrative or fiction. In his first year out of college, Shawcross was to be found driving around London on behalf of the 'fictive' organisation IBLS (Investigative Bureau into the Location of the Soul) – a cunning historical/ philosophical spoof. The plot starts just after World War II when his fictive hero, Bruce Springshaw, realised that the age-old project of measuring or capturing souls could be achieved in the air rather than by trying to separate the souls from living bodies. His 12 Soulcatchers, Ford Capris equipped with fishing rods and kites, set out across Europe in search of souls but all go missing.1 The Capris were modified with handmade wooden elements in much the same way as Shawcross has modified the boat in'Pre-retroscope (marine)', a piece based on a small, wooden working boat. Mounted on its top is a large circular track which slowly rotates. Originally this track was designed to take a revolving video camera that filmed 360-degree panoramas of the canal and industrial landscape as Shawcross rowed out onto a canal in East London. Back in the gallery the camera was replaced by a projector and a screen onto which the original footage of the voyage is projected. Alternatively the screen was removed and the projection focused onto the gallery walls, like a lighthouse beam in a darkened space. Using the screen, however, adds a dimension of difficulty as we can never keep up with the panorama without pacing around the boat as the screen rotates, an action made difficult by the oars that stick out from the rowlocks and the anchor that trails behind. As the projector rotates on its track at the same speed as the original camera, the centre of gravity shifts and the boat very slightly sways, simulating the creaking of a boat at sea. Within the boat are emergency rations and flares: it is in effect a working boat that could readily be returned to the water just as it is and yet it also represents a metaphor of temporal and spatial displacement. 1. Shawcross claims to have recently discovered Springshaw's own soulcatcher in a Russian field and meticulously renovated it, or so the story goes. The resulting Heath Robinson-like device mechanically operates and Shawcross has been seen trawling (unsuccessfully as far as we know) for souls in London's Hackney © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 38.2003
Art Gallery of New South Wales Projections for Eliza III Purchase/Collection 1999 00:30:00 min analog tape (u-matic) shown as single channel digital video, colour, sound aspect ratio: 4:3 © Judith Wright Judith WRIGHT 145.1999
Art Gallery of New South Wales Prosthetic head Gift/Collection 2003 2005 single channel interactive software program, projection, colour, sound display dimensions variable © Stelarc STELARC The Prosthetic Head is a conversational system – a 3D computer- generated head that somewhat resembles the artist and responds to the person who interrogates it. You might say it's only as intelligent as the person who speaks to it [laughs]. It's not supposed to illustrate some kind of disembodied intelligence. Rather, it exposes the problems associated with notions of awareness, intelligence, agency, and embodiment. Of course, thee Prosthetic head is massively embodied with all the technology that is required to present and operate it effectively. With the assistance of three programmers in San Francisco (Karen Marcello, Sam Trychin, and Barrett Fox), we stitched together software that included a text-to-speech engine, the source code for facial animation, and a customised Alice chatbot. Over the next few years, the Head will become more informed and less predictable in its responses. In fact, the artist will not be able to take full responsibility for what his head says [laughs]. And imagine if this Head has biorhythm mapped to its expressions. So it might be grumpy answering questions in the morning, happy to talk to you at midday, but getting tired in the late afternoon. And we are thinking to give the Head information of the user through vision system. So the Head might comment on the colour of your sweater or query why you are looking so glum. It would be more seductive interface with that kind of knowledge. The Head is not illustrating a Cartesian split between mind and body, but rather it exposes the problematics of this kind of discourse. In fact, what's important now is not the problem of split mind and brain but rather of splitting the body itself and of the body-species split that will result in new post-evolutionary phylums' Stelarc quoted in Stelarc: the monograph, MIT Press, Cambridge, Massachusetts, 2005, pp 230-32 37.2021
Art Gallery of New South Wales Public fitting Purchase/Collection 1972 00:10:53 min 16mm film transferred to single channel digital tape (betacam), colour, silent © Tim Johnson Tim JOHNSON 11.1974
Art Gallery of New South Wales Pulse Mk2 Purchase/Collection 1994 4 incubators and mixed media © Maria Kozic. Courtesy of Anna Schwartz Gallery, Melbourne Maria KOZIC In the 1980s artists frequently took ready made, recognisable images then subtracted, added, multiplied and divided them, allowing photography’s power of appropriation to find a place for them in the art world. Maria Kozic, like Robyn Stacey and Juan Davila, drew on the imagery and industrial techniques of pop culture, quoted them and gave them back with an ironic twist. Kozic’s ‘Masterpieces’ 1986, for instance, cribbed famous works (such as Picasso’s, Mondrian’s or Warhol’s) and shattered them into fragments. Mostly, however, Kozic has been drawn to what high art might see as being ‘in bad taste’: 1950s pulp romances, comic westerns, video ‘monster movies’, kitsch film posters. She also has had fun with kids’ toys, like those loose metal chains on boards that allow children to make changeable profiles (‘Magnetic heads’ 1985) or merchandising paraphernalia, such as The Patty Duke Game, or the creepy side of popular culture where terror, violence and humour are packaged along the same visual continuum – the rubbery members of the Gross Out Gang, for example. Partly this comes from Kozic’s love of the cinematic and the mechanical effects that are mobilised in fairground ghost trains, but also from her interest in movement. In ‘The Brady bunch’ 1985 the faces on the lenticular screens change as you walk past them. In the installation ‘Nine carnivorous cats’ 1980, the cats change species from one side to another. These transformations imply an element of duplicity, like the granny and the wolf in Perrault’s ‘Little Red Riding Hood’. Additionally they’re about plugging into archetypal phobias these animals might evoke as they track back into the neurotic adult psyche. Kozic’s ‘Wolf pack (the lair)’, for example, confronted viewers at the 1991 Australian Perspecta exhibition from behind a wall. After hearing a snarling, bloodcurdling soundtrack, you peered down to see 13 papier-mâché wolves with reflector lights for eyes staring back at you. Kozic’s ‘Pulse Mk2’ is an installation of four incubators in a row which Melbourne artist and 'Age' art critic Robert Rooney described in 1994 as ‘an exercise in minimalist Grand Guignol’ (Le Theatre du Grand Guignol was the original shock theatre of horror that took place in an abandoned chapel in Montmartre, Paris, in the 1890s). Though it appears motionless at first, the object in each unit (a gun, a bottle, a hand and a hammer) is seen to move – first it’s the bottle rolling from side to side, then the fingers of the severed hand start to have a life of their own, while the gun and hammer pulse and breathe. All the inanimate objects are fleshy (like the hand) and embossed with veins. Here a simple idea becomes a gripping piece of spooky theatre. © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 504.1995.a-d
Art Gallery of New South Wales Pushing a camera over a hill Gift/Collection 1971 00:30:00 min 16mm film transferred to digital tape (betacam), black and white, sound © Mike Parr Mike PARR 104.2001
Art Gallery of New South Wales Quegli ultimi momenti Purchase/Collection 1984 Installation: painted furnishings, 12 panels of gelatin silver photographs, U-matic tape, slides © Dennis Del Favero Dennis DEL FAVERO, FILEF (ITALIAN FEDERATION OF MIGRANT WORKERS AND THEIR FAMILIES) 425.1985
Art Gallery of New South Wales Raft Purchase/Collection 1995 stenciled hexaglot text in pencil graphite on chalk gesso ground inscribed on rafters with underframes (28 sets, each 120 cm square), silk drapes and audio soundtrack (duration: 42min) dimensions variable © Ruark Lewis and Paul Carter Paul CARTER, Ruark LEWIS The idea of a raft is of something lashed together, an inventive solution to a problem, of making do from available materials, of creating something which may be lifesaving. A raft also suggests travelling, and specifically travelling over water. This particular raft however is associated with the desert through the text laboriously stenciled onto its surface. It is a raft therefore which could never have the opportunity to float. The text begins in one corner of the structure and unfolds continuously in 24,948 characters which comprise several thousand words in six different languages. It can not be read in an unbroken sequence however as whole lines are obscured by the structure of the raft itself, by the object created to float these ideas expressed in words. The text itself “… inscribed on the three surfaces of the timbers commemorates the life of the Lutheran missionary, Carl Strehlow – a scholar versed in New Testament Greek, in Vulgate Latin, not to mention the dialects of the Lutheran and King James Bibles, and who undertook to translate the same into both Dieri and Aranda. The passages from Acts 27 and 28 narrate St Paul's voyage from Caesaerea to Rome, his wreckage in Malta where a 'barbarous people shewed us no little kindness.' Repeated six times in the six languages of Carl's life, they also allude to Strehlow's last journey when, in urgent need of medical help, he set out from Hermannsburg Mission on an improvised 'van' or 'raft' to travel overland to the Adelaide-Alice Springs railroad – a distance of some 400 miles. He never made it, dying shipwrecked at an isolated cattle station further down the Finke River…” (Paul Carter, 'On rifts', 'Raft', University of Melbourne, 1996). Strehlow was both missionary and anthropologist, paternalist and yet deeply interested in the culture of the Aranda and Loritja people of Central Australia. His seven volume study of the spiritual beliefs, material culture and customs of the Aranda and Loritja was published in Germany between 1907 and 1920. The complex interweaving of experience and belief in Strehlow's own life, the legacy of colonisation, the teaching of Christian values to the local Aboriginal population and yet the desire to understand their culture are suggested in the interwoven text in 'Raft' which forms a lattice of words and references. A raft can not float in an art gallery any more than it can in a desert, but this particular raft is a poetic response to a particular place and time and the histories and experiences that came together there. The ambiguous nature of that interaction has expression in this ambiguous structure which can not be what it sets out to be and yet floats ideas and meanings into the viewer's space. 75.2008
Art Gallery of New South Wales Remain Purchase/Collection 2018 left channel 00:23:33 , right channel 00:23:33 dual channel digital video, colour, sound aspect ratio 16:9 installation dimensions variable © Hoda Afshar Hoda AFSHAR Hoda Afshar's 2018 body of work Remain is an unflinchingly political commentary on Australia's border protection policy and serves as testimony to its assault of human rights. Encompassing a film and a suite of photographic portraits, Remain speaks the stories of a group of stateless men who remained on Manus Island, Papua New Guinea, after the immigration detention centre closed in October 2017. In the film, their experiences are recounted as episodic fragments shot through with violence in voice overs that are by turns lyrical and brutal. Some recite poetry, some sing, some remember the riots and the suicides. As their stories unfold, the camera pans over a picturesque landscape – lush foliage and crystal-clear water. A 'green hell' as one man describes it. It is the abrupt collision of these two registers, the haunting narrative and the idyllic imagery, that carries the emotional force of the work. It is beautiful and horrifying at the same time. The accompanying photographic portraits of the same protagonists are insistent and powerful. They stand before us, in the foreground of the image, against a dark backdrop. In these photographs, there is nothing to distract us from the figures themselves. Nothing to detract from the simple fact of their presence. They each assert their right to be seen. The bluntness of this gesture is itself a political act. For that is what detention does; it makes individuals invisible. In these portraits, Afshar acknowledges the plight of these men metaphorically. They are beset by the elements, by fire, water and earth. But at no point is their humanity questioned. 161.2020.a-b
Art Gallery of New South Wales Revolving upside down Purchase/Collection 1969 0:61:00 min digital tape (betacam) shown as single channel digital video, black and white, sound Bruce NAUMAN A stationary camera set upside down and framing a long shot of the studio records Nauman, with his hands clasped behind his back, repeating a series of steps similar to those of 'Slow Angle Walk (Beckett Walk)'. The curious exercise combines pirouettes, goose steps, and crabbed, angled arabesques. The inverted image further disorients our sense of the manoeuvres, which appear to be taking place on the ceiling. (Electronic Arts Intermix, http://www.eai.org accessed 7/9/11) 308.2007
Art Gallery of New South Wales Rules and displacement activities, part I Purchase/Collection 1974 00:38:00 min 16mm film transferred to single channel digital tape (betacam), colour, black and white, sound aspect ratio 4:3 © Mike Parr Mike PARR 29.1984
Art Gallery of New South Wales Rules and displacement activities, part II Purchase/Collection 1975 1976 00:56:00 min 16mm film transferred to single channel digital tape (betacam), colour, black and white, sound © Mike Parr Mike PARR 237.1977
Art Gallery of New South Wales Rules and displacement activities, part III Purchase/Collection 1983 00:75:00 min 16mm film transferred to single channel digital tape (betacam), colour, black and white, sound © Mike Parr Mike PARR 30.1984
Art Gallery of New South Wales Screen test Purchase/Collection 2004 4 screen video installation: 1 dual channel video, 3 single channel videos, custom made MDF screens, colour, silent Screen test, sequence 1: 10:30 min Screen test, sequence 2: 12:02 min Screen test, sequence 3: 10:25 min Screen test, sequence 4: 07:59 min installation dimensions variable © Daniel von Sturmer. Courtesy Anna Schwartz Gallery, Melbourne/Sydney Daniel VON STURMER Daniel von Sturmer… uses video, sculpture and installation in combination to explore spatial relationships. … 'Screen Test' 2004, comprises four different sized screens positioned on the floor at different angles. Each screen or object is situated in specific relation to the gallery space and emphasizes the viewing experience – this dynamic was an aspect of minimalism, and suggests some of the art-historical ideas informing von Sturmer's practice. In each projected image objects come to life, seemingly of their own accord: a balloon inflates and deflates; a light turns on and off; paper streamers unravel; and a sponge falls from one screen to another. In contrast to the blacked out-environment of most video installations, von Sturmer's work is presented in gallery light, and with projectors on view. His furtive activities consider perceptual quandaries of space and time: the weightless pictorial space within the video, the real space within each screen and the larger space of the gallery. And so when a sponge falls from one frame to the next without a hand in sight, we wonder how it defies the laws of gravity. These are theoretical questions played out by the most humble of means. If events are inextricably linked, then the playful visual conundrums von Sturmer describes wander through both real and virtual dimensions. Natasha Bullock, 'Times of our lives', Anne Landa Award for video and new media arts, Art Gallery of New South Wales, Sydney, 2006, p.8 19.2007.a-i
Art Gallery of New South Wales ScruTiny in the Great Round 1993 1995 CD-ROM Burning the Interface SCRUTINY ASSOCIATES, Tennessee Rice DIXON, Jim GASPERINI, Charlie MORROW Produced in USA | France na
Art Gallery of New South Wales Seasons of Passion/ A Requiem: Mishima Purchase/Collection 2006 Single channel video, colour, sound, 07:47 min; Lambda print inside wooden (paulownia) box 38.0 x 31.0 x 4.5 cm © Yasumasa Morimura Morimura YASUMASA In his recent series, 'Seasons of Passion/A Requiem: Chapter 1', Yasumasa Morimura recreates memorable postwar incidents as reported through press photography. As is typical of his work, he plays all the roles in each restaged event. The series overall includes incidents which were widely published in the east and west including: the 1960 assassination of Japan Socialist Party chairman Inejiro Asanuma by Otoya Yamaguchi; the 1963 shooting of John F Kennedy assassin Lee Harvey Oswald by Jack Ruby; the 1968 execution of a Vietcong suspect by General Loan; and the final public speech by Yukio Mishima at the Tokyo Self Defence Force headquarters in 1970. Morimura has made black & white large-scale photographs of each event (except that of Mishima's speech) and unlike much of his previous work the characters are men. Morimura has determined that the 20th century was a century of action, conflict and destruction, a world of blood, sweat and collisions of the flesh unlike today's virtual realties. In the DVD 'Seasons of Passion/A Requiem: Mishima' 2006, Morimura/Mishima delivers an impassioned speech, one based on the writer's pre-suicide diatribe from 1970. Instead of confronting Japanese society as the author did, Morimura attacks the art world, protesting that art today is 'dancing to the tune of the mass media… drunk on global strategies and commercialism and selling itself out…' He comments that in Japanese society there is a general feeling that if you're making money, then that's good enough. Standing on the balcony of the Osaka Self Defense Force headquarters (Mishima died in Tokyo and for Morimura access to the Tokyo site proved too difficult to arrange) Morimura harangues a non-existent audience. Dressed in a recreation of Mishima's elaborate costume, with a banner fluttering behind him, the image periodically freezes so that the viewer can examine the aggressive appearance of the artist more closely. For all of Mishima's passion no one listened, just as here, no one listens to Morimura. The work is both humorous and thought provoking, not least because Morimura is cheeky enough to equate the artist's struggle against globalism and capitalism with that of a nationalist writer rebelling against Japan's pacificist constitution. Morimura reminds us that while history is public memory, his recollections and re-creations are personal. This interconnection equates with his idea of beauty - the clash of two things. It is the stirring of a commotion within that stimulates expression. 'Season of Passion/A Requiem: Chapter 1' 2006 is the first in a planned series of three bodies of work. After focusing on memorable incidents from the 1960s, Morimura intends to revisit and re-enact significant moments from the earlier period, the end of World War II and the Occupation of Japan. 21.2007
Art Gallery of New South Wales Sensible shoes Purchase/Collection 1983 00:11:16 analog tape (u-matic) shown as single channel digital video, colour, sound aspect ratio: 4:3 © John Adams John ADAMS Film camera: Ken Slater Narrator: Veronica Latham Script/Direction: John Adams 36.1985
Art Gallery of New South Wales Short cuts to sharp looks Purchase/Collection 1979 00:31:00 min analog tape (u-matic) shown as single channel digital video, colour, sound © Roberta Graham Roberta GRAHAM 39.1985
Art Gallery of New South Wales Simple film I Purchase/Collection 1973 00:10:00 min 16mm film, colour, magnetic sound Victor K 12.1974
Art Gallery of New South Wales Sonix Gift/Collection (circa 1969) light and sound sculpture © Estate of Stanislaus Ostoja-Kotkowski Józef Stanisław OSTOJA-KOTKOWSKI 'Sonix' was commissioned from the artist by the Peter Stuyvesant Trust in 1968. It was intended as an addition to the successful 'Art of the Space Age' exhibition which ran at the Art Gallery of South Australia at the end of 1968 and, following completion, was shown at state and regional galleries across the country in 1971 and 1972. The 'chromasonic unit' is activated by music, the computerised notes of which create a series of flashing lights. The softer the note the softer the glow; the stronger the note the more violent the flash of light. © Australian Art Department, Art Gallery of New South Wales, 2005 55.1972.a-d
Art Gallery of New South Wales Static no. 10 (Falling as a means of rising) Gift/Collection 2007 00:03:54 min single channel digital video, colour, sound aspect ratio 16:9 © Daniel Crooks Daniel CROOKS Daniel Crooks plays with space and time in his moving image works using the 'time slice' method invented by Tim McMillan and popularized by the special effects in the science fiction film The Matrix 1999. Crooks dissects a moment recorded with his camera and digitally stitches the scene back together in a way that warps the linearity of the sequence. These works render reality abstract and redefine our perception of time and space in unexpected and mesmerizing ways. 34.2021
Art Gallery of New South Wales Station Rose - Icons, morphs and samples 1994 1995 CD-ROM Burning the Interface STATION ROSE, Gary DANNER, Elisa ROSE Produced in Germany na
Art Gallery of New South Wales Study for drowning man Gift/Collection 2005 00:04:38 min continuous single channel digital video, colour, silent aspect ratio 3:4 © Todd McMillan Andrew LIVERSIDGE, Todd MCMILLAN Todd McMillan's video work, 'Study for a drowning man', likely references Hippolyte Bayard's hoax photograph 'Self-portrait as a drowned man' 1840, which Bayard created in protest at his peers who overlooked his pioneering direct positive prints in France during the late 1830s. Here, McMillian wryly re-enacts Bayard's so-called drowning within a sublime seascape. McMillian explores this pathos further in another Bayard inspired work in the collection, 'Self portrait (Bayard study i)' 2013. 40.2021
Art Gallery of New South Wales Swell Purchase/Collection 2000 00:04:00 min three channel digital video, colour, sound aspect ratio: 16:9, display dimensions variable © Patricia Piccinini. Courtesy Roslyn Oxley9 Gallery, Sydney Patricia PICCININI Patricia Piccinini has divided her body of work, which includes sculpture, digital video installations and digital prints, into three zones: atmosphere, autosphere and biosphere.'Swell' belongs to the first category, atmosphere, and is part of a sequence of works entitled 'Wilderness'. This sequence considers how our experience of nature and what is considered natural is changing as the world is reshaped by digital and technological developments. In the three-screen projection 'Swell', the viewer is enticed by the sound of the ocean but on entering the exhibition space is surrounded by images of a rolling sea that eclipses the horizon. The image becomes nauseating as the ocean surges and heaves, and threatening as we question our ability to survive in these rough seas where we cannot locate ourselves because we have no view beyond the immediate waves. In 'Swell' the immersive visual experience elicits a strong physical and psychological response, making it hard to keep a balanced view of this potentially anxiety causing, frontierless new world. The ocean is convincing and yet has the unsettling hyperreal quality of an entirely digitally created nature. In the past the 'horizon' has been a metaphor for the limit of our experience and knowledge, as well as denoting the physical boundary of our visible world. It has also suggested the possibility of transcendence and change, of finding out what is beyond our horizons. This cultural metaphor has lost its force as the world is increasingly defined through information flows and movements rather than geographical, political or even spatial divisions. The sea, which was symbolic of separation and of the time and distance involved in traversing the globe, is here an evocative backdrop to the very different space/time zones of digital media, where rapidity and immediacy are valued and tech-nological developments constantly strive to replace our horizons with a seemingly endless and yet immediate cyberspace. As Piccinini has written of the sea in 'Swell''… as a “media space” it most truly represents electronic and communication technology's increasing consequence in defining the structure and materiality of the contemporary world'. 1 The slick sheen of the language of advertising, glossy magazines and marketing feeds Piccinini's astute manipulation of our responses to her hybrid evolving digital creatures and their environments. In the category biosphere, Piccinini has created her own very plausible artificial lifeforms, the stumbling imperfect offspring of the first attempts by science to breed its own creatures. More recently she has created artificially aged children, which echo the rapid ageing processes of the first cloned creature, Dolly the sheep, and hybrid beasts seemingly part meerkat and part human. Piccinini's art does not enter into ethical judgments on her subject matter; instead it shows us where our future may lie if everything we desire from science, medicine and technology becomes true. 1. www.patriciapiccinini.net © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 266.2005.a-c
Art Gallery of New South Wales TV Buddha Gift/Collection 1976 television monitor, video camera, painted wooden Buddha, tripod, plinth © Nam June Paik Estate Nam June PAIK Nam June Paik was a pioneer of video installation in the early 1960s. Associated with the international conceptual movement Fluxus, Paik regularly collaborated with other Fluxus artists such as Joseph Beuys and George Maciunas. In 1976 John Kaldor invited Paik and his collaborator, the cellist Charlotte Moorman to create a Kaldor Public Art Project in Australia. As part of the project Moorman played the'TV cello'. Made from three televisions removed from their sets so that their inner workings can be seen, with an attached cello bridge, tailpiece and strings forming a cello-like instrument. 'TV Buddha' was also made in Sydney in 1976 using an old wooden Maitreya (Buddha of the future) from the Kaldor collection. 'Kaldor candle' was made in 1996 for John Kaldor, who remained friends with Paik until the artist's death in 2006. Both 'TV Buddha' and 'Kaldor candle' employ a conceptual use of video – first developed by Paik – in which a camera and a monitor loop in real time, blurring the object–subject distinction. This feedback idea was used by leading conceptual artists in the 1970s, including Bill Viola, Dan Graham and Mike Parr. 342.2011.a-f
Art Gallery of New South Wales TV cello Gift/Collection 1976 1:47:59 hr acrylic, wood, bass guitar strings, three CRT monitors, analogue tape (VHS) shown as single channel digital video, black and white, silent 170.0 x 92.0 x 95.0 cm overall © Nam June Paik Estate Nam June PAIK Nam June Paik was a pioneer of video installation in the early 1960s. Associated with the international conceptual movement Fluxus, Paik regularly collaborated with other Fluxus artists such as Joseph Beuys and George Maciunas. In 1976 John Kaldor invited Paik and his collaborator, the cellist Charlotte Moorman to create a Kaldor Public Art Project in Australia. As part of the project Moorman played the 'TV cello'. Made from three televisions removed from their sets so that their inner workings can be seen, with an attached cello bridge, tailpiece and strings forming a cello-like instrument. 'TV Buddha' was also made in Sydney in 1976 using an old wooden Maitreya (Buddha of the future) from the Kaldor collection. 'Kaldor candle' was made in 1996 for John Kaldor, who remained friends with Paik until the artist's death in 2006. Both 'TV Buddha' and'Kaldor candle' employ a conceptual use of video – first developed by Paik – in which a camera and a monitor loop in real time, blurring the object–subject distinction. This feedback idea was used by leading conceptual artists in the 1970s, including Bill Viola, Dan Graham and Mike Parr. 343.2011.a-c
Art Gallery of New South Wales The Toybox 1994 1995 CD-ROM Burning the Interface Troy INNOCENT, TOYBOX, Justin BENNETT, Charlotte CORKE, Alison CRAIGHEAD, Jon THOMSON, Jeremy DIGGLE, John DOVEY, F(UK), Christopher HALES, Rory HAMILTON, Peter MALONEY, Robert METTLER, Julie MYERS, Steve PARTRIDGE, Janni PERTON, Nina POPE, Roy STRINGER, Simon SCHOFIELD, Simon TURNER, Jane WOOD Producer: Clive Gillman Produced in Great Britain na
Art Gallery of New South Wales The aesthetics of disappearance Purchase/Collection 1986 00:05:55 analog tape (u-matic) shown as single channel digital video, colour, sound aspect ratio: 4:3 © Peter Callas Peter CALLAS 509.1988
Art Gallery of New South Wales The outlands Purchase/Collection 2011 interactive software program, projected, colour, sound, customised joysticks with twigs, table dimensions variable © David Haines and Joyce Hinterding Joyce HINTERDING, David HAINES Haines and Hinterding's visually stunning 'The outlands' invites visitors to take control and conduct their own voyage through an immersive digital world of forests, islands, and futuristic interior architecture. Clasping the tree branches that sit atop a console table, the viewer navigates through each zone, encountering portals into the other worlds configured within the work. While appearing to be a video game, what are startlingly absent are weapons, bodies and aggression. The logic of killing and winning that structures gaming no longer exists, and is replaced with the process of moving through each digital environment and at times suddenly being transported into an adjacent world. Exploratory voyaging becomes the subject of 'The outlands' and a close attention to the digital environments portrayed within it. With an interest in the natural landscape and cyber environments Haines and Hinterding converge the two in their impressive projects. Rather than the reactive and violent zones of video games 'The outlands' is a virtual journey which rewards unstructured movement and adapts to audience interaction. As the work uses an open world model to generate the environment, the landscape or architecture is often unpredictable as it changes from one navigation to the next. The colour in the work is unnatural, signaling the constructed nature of what we are seeing. The forest scenario for example is an intense saturated blue that is beautiful and immersive and, like an Yves Klein ultramarine, somewhat other worldly. It enhances the dream like feel of the work, of the sublime nature of this environment. In contrast the prismatic architecture of the built world is sharply artificial and futuristic, but equally fictional in appearance. The perfection of digital environments is expressed in this 'The outlands' which, with the removal of the death logic of gaming, becomes almost Utopian in feeling. 307.2011.a-f
Art Gallery of New South Wales The reflecting pool: collected works, 1977-80. The reflecting pool 1977-79; Moonblood 1977-79; Silent life 1979; Ancient of days 1979-81; Vegetable memory 1978-80 Purchase/Collection 1977 1980 01:02:00 hr total [The reflecting pool 00:07:00 min, Moonblood 00:12:48 min, Silent life 00:13:14 min, Ancient of days 00:12:21 min, Vegetable memory 00:05:13 min] digital tape (betacam) shown as single channel digital video, colour, sound © Bill Viola Bill VIOLA Production Assistant/Still Photographer: Kira Perov. Technical Assistants: Bobby Bielecki, Yasuo Shinohara. Supervising Producers: Carvin Eison, Carol Brandenburg. Supervising Engineers: John J. Godfrey, Gordon Metz. Editors: Mike Ballenger, Bruce Hutter. Produced in association with the TV Lab at WNET/Thirteen, New York, and the Artists' Television Workshop at WXXI-TV, Rochester. The collection of five works in 'The reflecting pool - collected work' 1977-80, describe the stages of a personal journey using images of transition...from day to night, motion to stillness, time to timelessness. In the title work, 'The reflecting pool' 1977-79, all movement and change in an otherwise still scene is confined to the reflections on the surface of a pool. A man is suspended in time, hovering above the pool in the midst of a leap. Viola describes it as concerning the emergence of the individual into the natural world in a kind of baptism. He describes 'Moonblood' 1977-79 as an expression of the feminine principle, a work in three parts relating to a personal concept of woman and mother, with day and night converging on the silhouette of a woman by a window. 'A rushing waterfall in winter and the serene interplay of changing dawn light unfolds within a glass of water in the desert.' 1 Other works in this collection include 'Silent life' 1979, recording the first hours of a human life and the vulnerability of pre-lingual gestures and expressions; 'Ancient of days' 1979-81 is a remarkable series of 'canons and fugues for video' that comprises Viola's most sophisticated structural and metaphorical explorations of time unfolding with symbolic transformations of natural and urban landscapes. The final work, 'Vegetable memory' 1978-80 derived from the writings of 13th century Persian poet, Jalaludin Rumi evolves in a 'temporal magnifying glass'. The loop of images recorded at the Tsukji fish market in Tokyo explores the perceptual phenomenon of repetitive, cyclic viewing. 1. Electronic Arts Intermix website, http://www.eai.org access 7/9/11 271.2003
Art Gallery of New South Wales The shadowers Purchase/Collection 2004 00:33:15 min digital tape (miniDVCAM) shown as three channel digital video, colour, sound aspect ratio: 4:3, display dimensions variable © Monika Tichacek. Courtesy of Karen Woodbury Gallery. Monika TICHACEK In 'The shadowers' a sado-masochistic relationship of force and submission unfolds between three protagonists, or shadowers (one of whom is the artist). The interplay between these forces is presented in an episodic fashion: intrusive acts of physical force take place on the body alongside beguiling moments of intimacy. The participants are connected in emotional and physical ways: their skin is pierced and string is used to unite them, they dance the tango in glittering dresses, and one feeds from the other's bejewelled and bloody face. These acts are dramatic and seductive and it is in their ritualised choreography that desire is represented with aggressive and scintillating dimension. Horror, surrealism and of course feminist performance art are all points of reference. Monika Tichacek's body is the prime visual and visceral loci of her performances; however, unlike the live performance art of the 60s, Tichacek generally performs, films and edits her own work. Yet her performances are similarly explicit and graphic, wherein she sutures her skin and pierces her tongue, acts which complicate the stereotypes of femininity and sexuality. Here, in a shadowy psychosomatic space, desire, sex, violence and beauty both coalesce and rupture before our eyes. 219.2007.a-c
Art Gallery of New South Wales The sunlight school Gift/Collection 2015 00:07:32 min single channel digital video, colour, silent aspect ratio 16:9 © Shaun Gladwell Shaun GLADWELL In The Sunlight school, Shaun Gladwell's mysterious Maddest Maximus character inhabits a coastal landscape with an owl, a symbol of flight and wisdom. This work was projected onto a mist curtain at the entrance of the gallery when it was first shown in Gladwell's The lacrima chair installation at the Sherman Art foundation in 2015. 29.2021
Art Gallery of New South Wales The swear club 1994 CD-ROM Burning the Interface Michael BUCKLEY Collaborator: Jeremy Parker Produced in Australia na
Art Gallery of New South Wales The tower Purchase/Collection 1984 00:18:00 min 16mm film transferred to analog tape (u-matic) shown as single channel digital video, colour, sound © Anthony Howell Anthony HOWELL 280.1984
Art Gallery of New South Wales The way we are Purchase/Collection 1980 00:13:50 min analog tape (u-matic) shown as single channel digital video, colour, sound Belinda WILLIAMS 42.1985
Art Gallery of New South Wales This is my remix baby Gift/Collection 2000 00:03:34 min single channel digital video, colour, sound The KINGPINS 197.2011
Art Gallery of New South Wales This is... Purchase/Collection 1985 VHS video,colour, sound, 21:30 min; stool, 16 white boxes, coffee table, 12 floor tiles, electric toaster, coffee cup and saucer, pot plants, wooden platter, television set, VCR and video guide © Carol Rudyard Carol RUDYARD Arriving in Perth in 1970, Carol Rudyard immersed herself in the visual arts. Her earliest works were meticulous and elegant hard-edged paintings but by 1980 when she enrolled in a fine arts degree, she was exploring new media, first in slides and sound and later in video with installation. In these works she rigorously analysed the structural nature of the medium in keeping with the best conceptual art traditions while bringing a rich poetic and often erotic content to their form. Rudyard's interest in the writings of Marcel Proust and Stéphane Mallarmé underpins the key concerns of her new explorations, and has continued to influence her artistic vision: in Proust she found a beautiful evocation of the nature of memory and the way it clings to and slides off objects in our everyday lives, while Mallarmé shows how the abstraction of memory attaches to cultural associations.'This is ...' was one of her first video installations and makes this nexus very clear. Its form consists of a simplified reconstruction of her kitchen made in the studio: a stack of glossy white cubes replicates the work bench, the floor is made of plain black and white tiles, a stool stands by the bench, while a bit further away armchairs are placed in front of a television, potted palms are arranged in the space and a highly polished toaster sits on the bench, along with a coffee cup and a plate. The television is playing a video in which the eye of the camera slowly, meticulously, glides across the surfaces of the objects, as if caressing them in every detail. As the lens reaches the reflective surface of the toaster, it picks up the reflection of the stool's legs on the black floor tiles but we gradually become aware that something has changed, that these are the legs of another stool on another tiled floor. As the camera pulls back, we discover the image is now Vermeer's'An artist in his studio' of c1655. The transition is seamless. A soundtrack weaves around the visual image: Rudyard's voice describes the scene and crosses to passages from Proust while the music of Steve Reich's 'Violin phase' 1967 comes in and out of phase. Rudyard's voice is mesmerising, closely caressing its subjects in perfect parallel with the sensuality of her visual exploration. Like most of Rudyard's subsequent works, her everyday and domestic world is transformed into a rich tapestry of minutely observed qualities which then unfold and connect her solitary life to the world outside her window. Through a complex network of cultural connections, she takes us on a journey from the intimate and ordinary to visions of connectivity and association. © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 95.1986.a-dd
Art Gallery of New South Wales This woman is not a car Purchase/Collection 1982 00:23:00 min 16mm film, colour, black and white, optical sound © Margaret Dodd Margaret DODD A mother, isolated in an outer Adelaide suburb drives a station wagon full of children to a distant beach. Imagination and reality fuse. Her sense of herself is assaulted by car-fetishists in a rural service station. Memory, fear and fantasy are interwoven as the film takes Woman's assigned role in the 'Australian Dream' to its absurd conclusion. Script/Direction: Margaret Dodd Actors: Pauline Sedgewick (as the Mother) and Phil Colson (as the Mechanic) Cinematography: John Foster and David Foreman Editing: Tim Burns, Margaret Dodd and Sarah Gibson Post production: Sara Bennett Ceramic models: Margaret Dodd Music: Throbbing Gristle, Brian Eno, Pelaco Bros. and Fabulous Nudes 36.1986
Art Gallery of New South Wales Tide table Purchase/Collection 2003 00:08:53 min 35mm film transferred to digital tape (betacam) shown as single channel digital video, black and white, sound © William Kentridge William KENTRIDGE William Kentridge's artistic practice offers a distinctive vision of the complex history of South Africa, the legacy of apartheid and more broadly, the nature of human emotions and memory. Through his drawings, films, installations and sculpture, he reflects on the psychological landscape of a country which has experienced great upheaval, violence, racial and social injustice, the effects of colonialism and the politics of apartheid, and more recently, the confronting acceptance of responsibility and truth. 'I am interested in a political art, that is to say an art of ambiguity, contradiction, uncompleted gestures and uncertain endings. An art (and a politics) in which optimism is kept in check and nihilism at bay.' 1 Kentridge does not preach about apartheid from a distant or moral high ground but speaks from the position of implication. Like many South African Jews, he was vehemently against the abuse of human rights involved in apartheid but lived in a society privileged as a result. His work not only explores the political through personal experience (as does the work of Mike Parr and Doris Salcedo) but his process of making films is highly manual and reveals a strongly expressive gesture that encourages an empathy between viewer and artist: he does not use traditional single-cell animation (where hundreds or thousands of individual images are drawn) but changes his drawings using charcoal and an eraser. Nor does he systematically plan the drawings; rather they seem to evolve with the process of drawing. Each modification is filmed on a 35mm camera to create a sense of movement. In some ways the subject of the film then becomes the process of drawing almost as much as the narrative it describes. Kentridge's films generally focus on individual characters: Soho Eckstein is a ruthless Johannesburg industrialist in pinstripes. Felix Teitelbaum is a sensitive poet and artist, possibly two sides of the South African persona or aspects of Kentridge himself. In 'Tide table', Soho Eckstein contemplates for the first time the devastating impact of HIV and AIDS on South Africa. The film begins with a seascape of cliffs and sand and a calm sea, then gradually bungalows, beach chairs and breaking waves come into view. Soho appears, on a hotel balcony, while on a floor below three generals look outwards through binoculars. Soho is next seen on the beach reading his morning paper. As he falls asleep, the surroundings take on the quality of a dream. A black woman soothes the sleeping Soho; a beach chair begins to move about in a strange dance; cattle appear. Some of the cattle drown, or are slaughtered and hung on meat racks while the carcasses of others are washed ashore. And so on, as other characters come and go throughout this unfolding dream. 1. William Kentridge quoted by Carolyn Christov-Bakargiev, 'William Kentridge', Palais des Beaux-Arts de Bruxelles, Brussels 1998 © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 134.2005
Art Gallery of New South Wales Touch cinema Purchase/Collection 1969 00:01:08 min digital tape (betacam) shown as single channel digital video, black and white, sound © Valie Export. Courtesy Electronic Arts Intermix (EAI), New York. Valie EXPORT 'Touch cinema' is a document of Valie Export's famous street performance, in which the public was invited to touch her inside a curtained box attached to the artist's upper torso. The work is a witty and confrontational comment on the objectification of women's bodies. (Electronic Arts Intermix website http://www.eai.org access 7/9/11) 312.2007
Art Gallery of New South Wales Train no. 9 (Shinkansen) Gift/Collection 2007 00:05:00 min continuous single channel digital video, colour, sound aspect ratio 16:9 © Daniel Crooks Daniel CROOKS Daniel Crooks plays with space and time in his moving image works using the 'time slice' method invented by Tim McMillan and popularized by the special effects in the science fiction film The Matrix 1999. Crooks dissects a moment recorded with his camera and digitally stitches the scene back together in a way that warps the linearity of the sequence. These works render reality abstract and redefine our perception of time and space in unexpected and mesmerizing ways. 35.2021
Art Gallery of New South Wales Train no.1 Purchase/Collection 2002 2005 00:04:00 min three channel digital video, colour, sound aspect ratio: 16:9 © Daniel Crooks Daniel CROOKS 'Train No.1' is part of Daniel Crooks''TimeSlice' research project, which he has been developing since the late 1990s. Using timelapse and precision motion control rather than the single perspective that cameras and video usually presume, Crooks creates multiple simultaneous viewpoints. Time and space are distorted in the process, creating flattened images which unfold and ripple in segmented parts across the three screens of this projection. The objects and people filmed, in this case an inner-city train in Melbourne and its passengers, flicker in and out of the image as it moves; when the train stops and passengers alight, there is an intriguing after-effect across the screens as time is suspended but not quite simultaneously. This delay seems to fragment the world itself as it becomes crystalline particles, multiple moments which each seem to have their own time logic rather than the seamless continuum we usually experience. While this rippling image/time is the result of Crooks' temporal and spatial distortions, it also recalls late 19th-century experiments in visual perception and in analysing movement in space, such as the famous 'Animal locomotion' photographic series by Eadweard Muybridge and early moving image experiments by étienne-Jules Marey. They also inevitably recall paintings that referred to these early photographic and film developments, such as Marcel Duchamp's 'Nude descending a staircase' 1912 in which the human figure appears mechanical, multiple and fragmented. The recording of movement through space and of time passing is integral to the video and film mediums. While many artists have experimented with these inherent qualities in moving image media, Crooks has developed his own insights and technological solutions to express them. Contemporary life is frequently characterised as having sped up due at least in part to developments in digital technology. Yet Crooks deliberately cuts into time, stretches it and slows it in some frames and speeds it up in others to create the mesmerising snake-like movement through which we seem able to see time itself as both stuttering and liquid – unfolding before our eyes. © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 342.2005.a-c
Art Gallery of New South Wales Turns in Arabba Purchase/Collection 2005 clay, wax, wick, pewter, plaster, polyurethane, wood, formply, silicone, peppercorns, ceramic, drums, speaker, sound 240.0 x 200.0 x 60.0 cm approx. © Hany Armanious Hany ARMANIOUS This work is the final configuration of a project spanning the last two years. Initially I began by transposing Abba music to Arabic instrumentation. Considering this conflation as a sculptural key I began replicating objects that were reminiscent of both Middle-Eastern forms and modernist Scandinavian design. This process was not linear, but circuitous with unexpected and complex associations. In trying to cast the cavity of the bell I realised that its clapper would interfere with the casting. This reminded me of the problem of trying to fill a pepper mill with peppercorns and having the shaft of the mill get in the way. Increasingly, the task was to try and articulate this central axis, so that the shape of things turned or spun on a central point became a feature of the work. Another feature is the relationship between the function of an object and its manufacture. Each of these objects is a type of machine that acts on matter in a specific way, be it grinding filling or melting, but they are also a by-product of another physical process. Within this exchange paradoxes arise as seen in the making of a candle, whereby a wick placed centrally within the cast wax is part of its own undoing. It is this undermining of the nature of the article that led me to simulate lathed wood in clay, electric lamps as candles, and sand Arabic bongo drums as the outer case of a mould. Overall, the piece presents an interrogation of form that, once initiated, snowballs into an ensemble of objects that speak not only of their origin but also of their poetic potential. Hany Armanious, 'National Sculpture Prize and Exhibition 2005', National Gallery of Australia, Canberra, 2005, p.14 8.2006.a-xxx
Art Gallery of New South Wales Undertow Purchase/Collection 2002 Six channel digital video, colour, sound, projection boxes © Susan Norrie Susan NORRIE Since the 1980s Susan Norrie has been interested in the practice of painting, the language used to describe the medium, and the way it is understood by the viewer. It was not surprising when Norrie began working with video during the late 1990s. The sensual textures she achieved with her investigations into painting are aptly transformed into the moving image, a medium capable of affective nuances in light and tonal density. 'Undertow' is one of her most ambitious video installations and the culmination of several years of experimentation. Through projected and screen images, sound and sculptural objects, it portrays the world in a state of both beauty and corruption, shuddering with natural and unnatural events that verge on the catastrophic. The viewer is immersed in images of ominous tempests, delicate spring blossoms, boiling mud pools, swirling clouds of dust and scientific experiments which in the face of these phenomena seem futile and inadequate. The range and scale of imagery have a vertiginous and unsettling effect, immediately powerful but with a lingering afterlife. In 'Undertow', a large projection of changing images dominates the exhibition space. A tumultuous ocean surges and boils. A forest wreathed in haze recalls the sublime grandeur of paintings by German romantics such as Caspar David Friedrich but the haze is from chemical fires which envelop the trees. In another sequence the earth itself seems to smoke and burn. One of the most resonant images shows the massive dust storm that swept over Melbourne in 1983. Clouds of eroded soil rear up over the city and roll in, blocking out the sun and engulfing such familiar buildings as Flinders Street station. As traffic crawls through the haze and people use flashlights mid afternoon to find their way, the resulting darkened and eerie city feels post-apocalyptic. Another projection in the exhibition space of scientists clad in protective clothing releasing a fragile balloon to measure ozone-destroying gases in the atmosphere seems to suggest how science has furthered understanding but has also failed to find a balance between modernity's progress and environmental degradation. Norrie's sense of the futility of individual human endeavour in the face of bureaucracy is suggested in the endlessly repeating loop of a scene from Orson Welles' film version of Franz Kafka's 'The trial'. And yet on another screen, encountered just before leaving the room, a child carried on a man's shoulders reaches for cherry blossom, a cloud of pink flowers above her head. Utterly fragile and beautiful, it is an image of the promise and enduring beauty of nature renewed each season. Despite the potential horror of some of the imagery, a dark and compelling beauty animates 'Undertow'. Its gothic painterly quality is underscored by an insistent and hypnotic soundtrack by Robert Hindley. Welles' voiceover at the beginning of 'The trial' is prescient: 'It has been said that the logic of this story is the logic of a dream, of a nightmare'. 266.2003.a-i
Art Gallery of New South Wales Underwood Gift/Collection 1998 papier-mâché, wire, synthetic polymer paint, 5 channel DVD, colour, silent, 05:59 min loop dimensions variable Stephen BIRCH In common with many of Birch's other sculptural works, 'Underwood' trades on an appearance of realism or illusionism: it sets out to represent but at the same time deliberately never appears quite real. Birch's considerable artisanal skills are turned to creating objects that are careful enough to simulate, but not careful enough to replicate, their source material. Birch's realism is life-like in the manner of a well-crafted but nonetheless not quite convincing stage or film set. It also seems paradoxically more real for being reproduced. The effect is not of a Duchampian ready-made, or an arte-povera of found materials and objects, as the transformative power of the artist, rather than the academy, is not discounted. Birch does not just play out sculptural and spatial possibilities or rehearse questions about realism and illusionism, as his art also has a social conscience. This is always approached in an oblique manner, implied in certain combinations of materials or placement of forms, or by the associations these forms carry. Birch has made a point of representing the psychological games we play with nature. The addition of shoes to trees, tying tree trunks into knots, casually nesting video monitors in tree branches, or huddling monitors at their bases, creates quietly surreal objects which seem as improbably natural as ascribing human values, desires, emotions and fears to the natural world. Birch's version of realism is also poetic, as he uses a type of displacement, or visual metaphor and metonymy, to work away at the chinks between what we see and how we represent it to ourselves. These trees have video monitors nesting in their branches in which obscure narratives seem to unfold with a somewhat Hitchcockian bent: birds hover ominously for instance in one while other natural scenes never quite arrive at a denouement. Birch always keeps us guessing while providing clues to possible outcomes. 262.2008.a-j
Art Gallery of New South Wales Untitled Purchase/Collection 1982 00:10:00 min 16mm film, colour, optical sound Christine KOENIGS 317.1982
Art Gallery of New South Wales Untouchable Purchase/Collection 2003 00:18:38 min three channel digital video, colour, sound, custom screens aspect ratio: 4:3, display dimensions variable © David Rosetzky, courtesy Sutton Gallery, Melbourne David ROSETZKY David Rosetzky's single-channel videos and video installations consider how we represent our lives to ourselves and how our experience of self is affected by relationships with others. In 'Untouchable' we look into three rooms whose inhabitants speak about an emotionally charged experience that is preoccupying them. Each speaker narrates, in voice-overs and out loud, thoughts that seem at least initially to refer to the other person in the room. However the relationship between the protagonists becomes increasingly ambiguous as speakers on different screens start to say each other's lines. Each monologue seems to tell us as much about the person speaking as it does about the person being discussed. Yet the familiarity of the emotions and situations and the swapping of narratives suggest that these experiences are not unique and contribute to a sense of communality between the speakers and ourselves. As anthropologist Marc Augé has observed, 'any representation of the individual is also a representation of the social link consubstantial with him'. 1 At the same time the narrative interchange is disconcerting, recalling the over-familiar way in which personal events are discussed publicly on daytime TV, where the same experiences seem to appear again and again on different talk shows. 'Untouchable' also recalls the genre of the self-revelatory pop song as it traverses a similar territory of confidence, anxiety and optimism. This comparison is reinforced by the sudden change of the ambient soundtrack into up tempo beats and the narrators' simultaneous shift into a choreographed dance sequence. At this point the dancers are looking directly to the camera/audience, seemingly to address us. However it is also the moment when we may feel most distanced from what we are seeing as the video shifts from the visual cues of a stylised realism into a more deliberately artificial sequence. Yet anyone who has grown up with MTV knows that choreography can embed you further, not leave you outside, as sound and image combine with a highly contrived movement to achieve an almost physical identification with what is on the screen. The title'Untouchable' suggests that we remain distanced despite any empathy we may have for the protagonists, echoing the protagonists' own inability to connect with each other. This distance reflects the uncertain relationship between our contemporary drive to individualism and our desire for communality, for a sense of meaning achieved through belonging and interrelationships. While the title'Untouchable' situates itself between unapproachable desirability and undesirable isolation, the work traces out the nuances between these meanings. It seems to suggest that the performative nature of our own lives and the anxious self-fashioning that we undertake can leave us caught in a similar hiatus between distance and connection. This is perhaps the inevitable correlative of a tendency to construct a sense of self through narratives in which we are the chief protagonist, which can leave us on the outside looking in at our own lives as they unfold. 1. Marc Augé, 'Non-places: introduction to an anthropology of supermodernity', Verso, London 1995, p 19 © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 5.2005.a-y
Art Gallery of New South Wales Versus Gift/Collection 2002 00:05:15 min single channel digital video, colour, sound © Angelica Mesiti The KINGPINS 198.2011
Art Gallery of New South Wales WYE Gift/Collection 00:48:30 min three channel film, colour, sound © Mikhael Subotzky Mikhael SUBOTZKY Mikhail Subotzky's complex three channel video installation WYE was commissioned by the Sherman Contemporary Art Foundation in 2016. The work examines the human impact of colonisation and the historical links between Britain, South Africa and Australia through a narrative spanning time and space, told from the perspectives of three fictional characters: Craig Hare, a present-day light-house keeper, James T. Lethbridge, a colonial settler in 1820, and Feio, an Australian psycho-anthropologist from the future. Three short films, titled Feio, Hare and Lethbridge, were shown simultaneously on separate screens in a purpose-built sound space. The floor was covered with sand, contributing to an immersive environment that echoes the coastal location featured in each of the films. 49.2021
Art Gallery of New South Wales Waterfall Gift/Collection 2001 Installation with full length mirror, old picture frame, sandblasted glass, water and projection © Mat Collishaw Mat COLLISHAW Mat Collishaw came to prominence after participating in the exhibition 'Freeze' in 1988, which recognised many of the now famous Young British Artists including Tracey Emin, Damien Hirst and Gary Hume. For that exhibition Collishaw presented a series of 15 lightboxes which in their entirety showed in close detail a bullet hole to the head. The design looked like an advertising billboard, its slick format almost belying the graphic content of the overall image. In a more recent series of photographs he positioned young fairies amid drunken debris. Such staging of confronting material – copulation, suicide, homelessness and disabled children – in unexpected arrangements is typical of Collishaw's approach. In other works the subject matter may be less perceptibly menacing or difficult, although it still wrestles with the relationship between illusion and reality. As he has said: '… [there] is always going to be a kind of fiction about the way we all see things'.1 Issues of representation are central to Collishaw's work, which includes photography, installation, sculpture and film. By making transparent the means of construction or contrasting unlikely material, his work succeeds at attracting and then distancing the viewer, subtly involving them in a mode of deception.'Waterfall' demonstrates these ideas. The work includes a video image of a picturesque waterfall projected onto an antique cheval mirror, which in turn reflects downward to an old gilt-framed mirror resting on the floor and filled with rippling water. In the projected image, the movement of the falling water is barely discernable. Synthetic cascades of water descend metaphorically into real water, emphasising the chasm between what we believe and what we know to be there. The effect is meant to be inscrutable; a barrier to looking which influences perception and understanding, establishing a space between impression and actuality. A similar dialectic is achieved by combining recent technology and old-fashioned furniture. The cheval mirror and gilt frame reference a past era, while the video image is a contemporary element that situates the work in a present timeframe. This engenders an abstract exchange between past and present accentuating the work's pretence. Combining pre-existing and artificial elements, 'Waterfall' deals with a recurring theme in Collishaw's work: the rapport between nature and culture. In elucidating how nature is framed by cultural constructs, 'Waterfall' represents Collishaw's inquiry into processes of looking, revealing his ability to surreptitiously invent slippages in comprehension. 1. Mat Collishaw & Gianna Romano (eds), 'Mat Collishaw', Galerie Analix, B & L Polla, Geneva 1993, p 39 © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 34.2003.a-k
Art Gallery of New South Wales Waxweb 2.0 1991 1996 CD-ROM Burning the Interface David BLAIR Anna Youseffi Digitising stills and video, Melynda Barnhart Digitising stills and video, Suzanne Hader User interface and graphics Produced in United States of America na
Art Gallery of New South Wales What's left behind Purchase/Collection 2018 mixed media installation display dimensions variable © Brook Andrew. Courtesy the artist and Tolarno Galleries, Melbourne Brook ANDREW Brook Andrew's work calls into question dominant accounts of history, often by using found images and museum-like display structures. The sculptural vitrines in 'What's left behind' each represent an element – water, air, fire, earth and metal – conjuring environmental forces. The archives they house, by contrast, suggest an approach to knowing and ordering the world that revolves around objects and documents. Many of the materials that Andrew has assembled refer to global narratives of colonisation. The relations between them are deliberately unfixed. By dispensing with historical conventions like classification and chronology, the work points to the different meanings that can attach to objects as they move between contexts and are subject to shifting agendas. The inflatable forms are covered in Andrew's signature black-and-white graphic patterning, adapted from Wiradjuri shield designs and dendroglyphs. Like giant globes, they seem to propose a new world order. 442.2018.1-167
Art Gallery of New South Wales Whitney action Purchase/Collection 2015 0.0194444444444444 single channel digital video, colour, sound © Guerrilla Girls, courtesy of guerrillagirls.com Guerrilla GIRLS 22.2019.25
Art Gallery of New South Wales Woolloomooloo night Purchase/Collection 2004 00:25:40 min single channel digital video, colour, sound aspect ratio: 16:9 © Shaun Gladwell Shaun GLADWELL Shaun Gladwell's videos focus on how his subjects move; breakdancers, skateboarders, roller-bladers, BMX bike riders are filmed on the streets and in urban public spaces such as parks, train stations and malls. Gladwell is himself a skateboarder and he creates a mesmerising dialogue between performance and street culture. 'Woolloomooloo (night)' was filmed in a service station near the AGNSW. Emma Magenta, a capoeira dancer, spins, twists and lunges in slow motion on the forecourt near the petrol pumps. Both a dance and a martial art, capoeira is thought to have been developed by African slaves in Brazil as a means of disguising self-defensive skills and fighting techniques. Combining strength, flexibility, balletic grace and razor-sharp timing, the dancing, spinning kicks and head lunges change rapidly from defensive to aggressive, with trickiness being particularly prized. The capoeirista in Gladwell's video negotiates the space of the service station, using it as stage rather than backdrop. The video has been slowed down, enabling the detail of her movements to be clearly seen, both demystifying the often rapid action of capoeira but also increasing our respect for the skill involved. The video moves from close-ups of Magenta to wide shots of the empty space around her, and her isolated figure seems to both embrace and react against this solitude. The slow speed and Kazumichi Grimes' atmospheric soundtrack contribute to an elegiac mood, drawing attention to the haunting imagery of the lone figure moving through the empty forecourt. Gladwell has slowed time in many of his videos, deliberately working against the real-time recording inherent in video documentation. In 'Storm sequence' 2000 the skateboarder gracefully executing kicks and flips in front of an approaching storm was reduced to a balletic pace. In 'Godspeed verticals' 2004, a breakdancer slowly ascends an escalator, dances and then descends back into a train station. Time slowed in films usually implies that the particular scene needs scrutiny beyond narrative speed: the slowness can be poetic, emphasising certain images, objects or human relations, and it is often tragic, allowing the full import of an event to unfold. Perhaps most importantly the warping of time adds another dimension to what we are witnessing, particularly as it frees visual narrative from realist demands. Against the accelerated time and speed so often associated with contemporary urban life, Gladwell pauses, slows and presents another version of time as he films creative temporary interventions into the functional rationalism of generic public spaces. 129.2005
Art Gallery of New South Wales Writing in the rain Gift/Collection 2011 single-channel video, sound, 3 wooden desks with 24 inch TV monitors, 3 chairs display dimensions variable © FX Harsono FX HARSONO A name is a very personal form of identity. FX Harsono was given a Chinese name, Oh Hung Bun, in Hokkien dialect (Hu Feng Wen in Mandarin) by his parents who were Chinese Indonesians. He used it until the age of 18 years old when it was taken away in 1967. That year an Indonesian government regulation was established determining that 'authentic' Indonesian names were to be used, rather than 'unnationalistic' Chinese names which had negative connotations associated with them. Hence Franciscus became his baptised Catholic name provided by his mother and he found the Harsono surname for himself. In this installation work, Harsono remembers the erasure of his name, which he repeatedly writes in Chinese characters using black ink, and which are constantly washed away by the rain. 46.2021.a-f
Art Gallery of New South Wales Yokohama Untitled Gift/Collection 2005 00:19:20 min single channel digital video, colour, sound aspect ratio: 16:9 © Shaun Gladwell Shaun GLADWELL This video embodies Gladwell's core practice: slowed recordings of urban subcultural practitioners occupying public space in unexpected ways. Young people balance their bodies with extreme skill to undertake physically complex interactions with the zones in which they are situated – metro stations, shopping malls, retail outlets. In 'Yokohama Untitled' four Japanese break dancers are filmed in urban public spaces – performing in turn in a metro carriage, a shopping arcade, a metro platform and a department store. As Blair French has written, 'Dressed in uber-chic streetwear they lope along in languid rhythms, trailed by the camera, every so often breaking into a set of spellbinding moves that lay claim to space, asserting presence and identity within otherwise everyday, almost homogenous environments' [Blair French (ed.), 'Shaun Gladwell: videowork', Artspace, Sydney 2007, pg. 9]. It can be added that the dancers do this with extreme grace and physical prowess. 214.2011.1
Art Gallery of New South Wales datum Purchase/Collection 2019 computer generated software program, sound, colour dimensions variable © Norimichi Hirakawa Norimichi HIRAKAWA This work, 'datum' was a creative outcome of a collaboration between Hirakawa and the Kavli Institute for the Physics and Mathematics of the Universe (Kavli IPMU). The collaboration was part of an Artist-in-Residency program (AIR) and represented an interdisciplinary effort to bring together artists and scientists in unique ways. The art-science binary is a recurring theme in Hirakawa's work and manifests as a collision between the imagination and real-time processed computer programming. 'datum' is an immersive audio-visual experience in which automated computer coding orchestrates pixelated moving patterns. The imagery forms waves, morphing into alien topographies before momentarily taking on the likeness of landscape or a geometric shape, before dissipating again into the swarm of ever-changing pixels. 140.2019
Art Gallery of New South Wales re-ma(r)king Gift/Collection 2010 00:05:15 min dual channel digital video, colour, sound aspect ratio 16:9, display dimensions variable © Eugenia Raskopoulos Eugenia RASKOPOULOS Drawing on her experience of growing up in the Greek diaspora, Eugenia Raskopoulos' work 're-ma(r)king' reflects on how cultural knowledge is transferred across contexts and between generations through objects, rituals and stories. 're-ma(r)king' is focused on two items that belonged to the artist's grandmother, which she animates through performance. On one screen, we see Raskopoulos unraveling a woven doily then winding this into a ball of thread, restoring the crafted object to its material origins. In the other, we see her dripping olive oil from her mouth, then spreading this across the floor with a rolling pin as though preparing pastry. These actions invoke the power of mnemonic triggers, such as taste and touch. A portrait of the artist can be glimpsed in the reflective surface of the oil, partial and provisional, like memory itself. 19.2019.a-b
Art Gallery of New South Wales tracing transcendence Purchase/Collection 2018 2021 03:51:00 min continuous hand pierced copper, single channel sound file display dimensions variable, © Shireen Taweel Shireen TAWEEL Working almost exclusively with copper and using traditional coppersmithing techniques, Sydney-based artist Shireen Taweel pursues a materially driven inquiry into cultural heritage and identity. Commonly used in Islamic art, copper is a material that carries distinct symbolic weight. Hand-cutting intricate geometric Islamic decorative motifs into sheets of copper that are later shaped into three-dimensional sculptural forms, Taweel creates art historical echoes that draw from her own Lebanese heritage. Her works cite history through pattern and sensitively consider how the physical spaces of her community reflect a complex cultural landscape. tracing transcendence 2018–21, charts the history of mosques in Australia. The installation comprises three large suspended copper rings that have been meticulously hand-cut and pierced. This formidable sculptural trio is accompanied by a soundscape. The work speaks to the lineage of Islamic presence in Australia, the evocation of remote Australian landscapes and the nuances of Islamic decorative arts. Each ring in the trio derives from a different source. The designs etched into the smallest ring were inspired by the Mosque built by Afghan Cameleers in Broken Hill, NSW in 1887. Broken Hill's 'Ghantown' mosque is the only one of its kind that has survived since Afghan Cameleers, otherwise known as 'Ghans', traversed and traded supplies in the Australian outback during the 1860s. The patterns etched into the copper ring quote the decorative sheets of pressed tin that line the interior walls of the mosque. The second, medium sized ring was inspired by the first mosque to be constructed in Australia in the remote South Australian town of Marree. While the site of this mosque is now reduced to a few eroded stumps in the South Australian desert, Taweel took inspiration from a Cameleer's Coat held in the collection of the Migration Museum in Adelaide to inspire the design cut into this band. Both sites in NSW and SA are resonant and critical landmarks of Australian Islamic history. The third and largest copper ring speaks to an as yet unfixed site – a future Australian mosque. Sitting alongside tributes to historical contexts, this third ring is an response to the ongoing importance of the mosque as a cultural space within Australia and the strength and significance of the communities that it fosters. The patterns depicted in this ring have evolved from Taweel's drawings rather than specific atchitectural features. The soundscape that accompanies tracing transcendence is reminiscent of the adhan, the Islamic call to prayer, and is a compilation of field recordings made by the artist on location in Marree and Broken Hill. This sonic inclusion amplifies the ambient nature of the installation. For this is an experiential work; the intricacy of the patterns emerge as the visitor navigates the suspended forms. Though static, the work evokes movement. Shadows and the shock of light spill through the cut-outs. Here, history is animated and the past placed in dialogue with the present. 67.2021.a-d
Art Gallery of New South Wales un Purchase/Collection 1999 wood shelf, modelling clay, glass, Perspex, plasticine, audio tape, fabric, glue, synthetic polymer paint © Mikala Dwyer. Courtesy Roslyn Oxley9 Gallery. Mikala DWYER Many of Mikala Dwyer's seemingly abstract sculptural forms and her more directly representational sculptures originate in her interest in shelter, the home and urban structures. This interest often focuses on such primary manifestations of the desire for habitation as a child's urge to construct cubby houses, small domains in which children exert control over their environment and the meanings of things. Dwyer's work is characterised by a playful and excessive accumulation of elements, and she has created installations out of fabric, play dough, stockings, felt, vinyl, plastic, organza and nail varnish. Her choice of materials has been identified as feminine and by extension as a subtle feminist critique of recent art history. However her teasing references to modernist abstraction, the more organic forms of minimalism and to pop art (such as the saggy Kenneth Noland-like target forms and Oldenburg-esque baggy vinyl shapes in'Hanging eyes') are an acknowledgment of antecedents rather than necessarily having a critical agenda. The room installation'iffytown' is comprised of four components –'un','Hanging eyes','IOU' and'iffytown' – which can also be exhibited individually. The installation was conceived as a schematic urban environment, but one that embodies imaginary and psychological responses to the idea of a city rather than to any town planning reality.'un' is a wall piece in which a roughly modelled town has its own inverted double hanging underneath, a doppelganger which echoes the scene we see on top and seems to literalise the idea of a city having a hidden other life just beneath the surface. A cluster of colourful PVC plumbing pipes entitled'iffytown' rises up from the gallery floor and hangs down from the ceiling. Dwyer's awareness of the contingent and even inadequate nature of her urban enterprise is suggested in the title; however the assemblage of colourful tubes engages in a form of childlike substitution in which the shapes and their arrangement stand in as schematic forms for dwellings, skyscrapers and public spaces. 'Hanging eyes' is a disembodied form which oversees this enterprise, a combination of body bag and vaguely erotic anthropomorphic object. The soft sculpture eyes sag from the wall in an abject manner, seemingly undertaking a surveillance of the rest of the installation. The cubby house shelter'IOU' has a mirrored lid propped up against it. Spilling out from the cubby are three-dimensional letters with openings, add-ons and furniture inside. The phrase'IOU' has appeared in a number of Dwyer's works and if, as American artist Vito Acconci has said,'public space is leaving home',1 the IOU acknowledges much more than a debt to the recent history of sculptural art. Dwyer's simple abbreviation enters into a humble exchange with the audience, suggesting the importance of bringing private associative imaginary realms into public institutions. 1. Quoted by Anthony Vidler,'Warped space: art, architecture and anxiety in modern culture', MIT Press, Mass 2000, p 135 © Art Gallery of New South Wales Contemporary Collection Handbook, 2006 100.2002
City of Melbourne Art and Heritage Collection 20 000 c2005 video monitor, mixed media H: 850mm W: 600mm Dominic REDFERN Audiovisual artwork, video of person under water, framed by round port hole and section of plywood panelling with jagged splintered edges 1092520
City of Melbourne Art and Heritage Collection Elevator 3 2002 3:52 single channel digital video, colour, silent aspect ratio: 4:3, edition 4/5 Daniel CROOKS New Zealand-born, Melbourne-based Daniel Crooks is best known for his remarkable digital-video works. These captivating, dreamlike visual streams stretch and manipulate space and time, drawing the viewer into a radically different experience of the world. Each projection dares the viewer to understand the intense plasticity unfolding across the screen, as the work loops back on itself to replay. The subject matter on which the artist trains his lens is often quotidian - an elevator, a commuter train, a tai chi practitioner, city laneways. But Crooks' skill in slicing, dicing and recalibrating time infuses these everyday subjects with a poetics that invites metaphysical deliberation. Purchased for the collection in 2008, 'Elevator 3' is a single-channel, 4:3 ratio work of 3:52 minutes. It records the rhythm and pathos of a motif of 20th-century urban existence, the elevator. Crooks' Index was commissioned by the City of Melbourne in 2016 as a work that specifically engages with the urban milieu of Melbourne. The network of brass footpath discs that mark the Golden Mile heritage trail drew Crooks across the central city's surface. This three-channel work of 6:23 minutes, which is played on three portrait-oriented screens, also interpolates images from the collection's engineering photo-file book. Both works are silent. 1285516
City of Melbourne Art and Heritage Collection Fountain 1998 0:48 looped duration Super 8 transferred to video Laresa KOSLOFF Laresa Kosloff has a keen interest in performance, the human body and the body's capacity for agency, particularly as an intervention into social spaces and activities. Super 8 film and video are two favoured media through which she considers the various representational strategies for figuring the body.The three Super 8 works held in the Art and Heritage Collection - 'St Kilda Road', 'Stock Exchange' and 'Fountain' - record social interactions in public places, documenting very specific human activities against the built fabric of the city. Super 8 works against the familiar spatial and temporal anchoring of the moving image, its flat, grainy, monochromatic character encouraging us to consider the imagery more conceptually as exercises in thought and analysis than as narrative representations. The distanciation the medium creates also, perhaps, prompts us to reflect on our own role and processes in the act of looking. 'St Kilda Road', a silent 1:56-minute looped work, is shot in the grassy space between the Victorian Art Centre and National Gallery of Victoria on St Kilda Road. A group of young adult participants is engaged in low-impact exercises, mainly performed while sitting, moving in some semblance of synchronicity. A few young men appear to be instructing them, though this is no sure thing. They walk among the group, wearing either a black tee-shirt or white, with 'reach' emblazoned on the front of each tee-shirt and 'escape' on the back. Inscribing this cultural precinct as a public exercise space, the performing bodies seem to mimic the obedience of mass tai chi or calisthenics. Yet the camera, which restlessly pans, rests and moves once more, just as our spectorial gaze would, is captivated by a child playing on an outdoor sculpture. The camera is distracted by this disruption of bodily order, and the child's play works against the corporeal geometry of the mass performance. 1726901
City of Melbourne Art and Heritage Collection From Melbourne With Love 2010 10:05 film Malcolm MCKINNON The film 'From Melbourne with Love' 2010 was made for the 'Lord Mayor's City Gifts' Exhibition at City Gallery. 1769541
City of Melbourne Art and Heritage Collection Grey Ghosts 2007 16:01 film Malcolm MCKINNON This film titled 'Grey Ghosts' was made by Malcolm McKinnon in 2007 for the 'Walk and Talk' Exhibition at City Gallery. 1769540
City of Melbourne Art and Heritage Collection Li Ji: Warrior Girl 2000 14:35 colour video transferred to digital betacam, sound Kate BEYNON In 21st-century urban Melbourne, Li Ji experiences flashback scenes from her past life as a warrior girl in ancient China. In a story, originally by Gan Bao of the Eastern Jin Dynasty (AD 317-420), Li Ji lived in a village on Yongling Mountain that was menaced by a giant python residing in a cave. Each year the python ritually ate a young girl from the village, and it had killed many who had tried to destroy it. Pretending to sacrifice herself as the next victim, Li Ji took with her a sword and a snake-hunting dog and slayed the beast, saving the town and becoming a queen. In the present day, Li Ji takes a trip to the centre of the city, heading towards Chinatown. After getting off the tram, Li Ji walks past various scenes of contemporary city life: the Unity Arcade shops, a construction site with spray-painted graffiti, an ornamental arch in Chinatown, the Happy Dragon Chinese Restaurant, the Hong Kong-style BBQ shop. The city scenes trigger flashbacks and alternate with visions of her journey on the mountain with her dog, from an ancient Chinese village to her eventual battle with the python in her past life. Contemplating issues of ethnicity, immigration, racism, Indigenous Australian rights and reconciliation, Li Ji questions her own mixed identity - both Asian and Australian. Gradually, she begins to understand that she has intrinsic strength to combine elements of her background with the present to create a unified existence. 'Li Ji: Warrior Girl' is about asserting a positive mindset for living in a multicultural society, recognising and respecting that issues of race and identity, including a sense of belonging, are everyday internal concerns for many people living in Australia. 1558973
City of Melbourne Art and Heritage Collection St Kilda Rd 2010 1:56 looped duration Super 8 transferred to video Laresa KOSLOFF Laresa Kosloff has a keen interest in performance, the human body and the body's capacity for agency, particularly as an intervention into social spaces and activities. Super 8 film and video are two favoured media through which she considers the various representational strategies for figuring the body.The three Super 8 works held in the Art and Heritage Collection - 'St Kilda Road', 'Stock Exchange' and 'Fountain' - record social interactions in public places, documenting very specific human activities against the built fabric of the city. Super 8 works against the familiar spatial and temporal anchoring of the moving image, its flat, grainy, monochromatic character encouraging us to consider the imagery more conceptually as exercises in thought and analysis than as narrative representations. The distanciation the medium creates also, perhaps, prompts us to reflect on our own role and processes in the act of looking. 'St Kilda Road', a silent 1:56-minute looped work, is shot in the grassy space between the Victorian Art Centre and National Gallery of Victoria on St Kilda Road. A group of young adult participants is engaged in low-impact exercises, mainly performed while sitting, moving in some semblance of synchronicity. A few young men appear to be instructing them, though this is no sure thing. They walk among the group, wearing either a black tee-shirt or white, with 'reach' emblazoned on the front of each tee-shirt and 'escape' on the back. Inscribing this cultural precinct as a public exercise space, the performing bodies seem to mimic the obedience of mass tai chi or calisthenics. Yet the camera, which restlessly pans, rests and moves once more, just as our spectorial gaze would, is captivated by a child playing on an outdoor sculpture. The camera is distracted by this disruption of bodily order, and the child's play works against the corporeal geometry of the mass performance. 1636658
City of Melbourne Art and Heritage Collection Stock Exchange 1998 2:22 looped duration Super 8 transferred to video Laresa KOSLOFF Laresa Kosloff has a keen interest in performance, the human body and the body's capacity for agency, particularly as an intervention into social spaces and activities. Super 8 film and video are two favoured media through which she considers the various representational strategies for figuring the body.The three Super 8 works held in the Art and Heritage Collection - 'St Kilda Road', 'Stock Exchange' and 'Fountain' - record social interactions in public places, documenting very specific human activities against the built fabric of the city. Super 8 works against the familiar spatial and temporal anchoring of the moving image, its flat, grainy, monochromatic character encouraging us to consider the imagery more conceptually as exercises in thought and analysis than as narrative representations. The distanciation the medium creates also, perhaps, prompts us to reflect on our own role and processes in the act of looking. 'St Kilda Road', a silent 1:56-minute looped work, is shot in the grassy space between the Victorian Art Centre and National Gallery of Victoria on St Kilda Road. A group of young adult participants is engaged in low-impact exercises, mainly performed while sitting, moving in some semblance of synchronicity. A few young men appear to be instructing them, though this is no sure thing. They walk among the group, wearing either a black tee-shirt or white, with 'reach' emblazoned on the front of each tee-shirt and 'escape' on the back. Inscribing this cultural precinct as a public exercise space, the performing bodies seem to mimic the obedience of mass tai chi or calisthenics. Yet the camera, which restlessly pans, rests and moves once more, just as our spectorial gaze would, is captivated by a child playing on an outdoor sculpture. The camera is distracted by this disruption of bodily order, and the child's play works against the corporeal geometry of the mass performance. 1726902
Curtin University Art Collection 20.08.2010 2010 4:35 digital video, digital image mounted on plywood Kiana JONES 05917740
Curtin University Art Collection Apocryphal tales 1994 13:10 video projection, gilt frame Carol RUDYARD 03503300
Curtin University Art Collection Art student 2014 16:41 digital video Shaun PRIOR 05941160
Curtin University Art Collection Artist 1999 10:00 PAL BetaCam video Tracey MOFFATT 05387600
Curtin University Art Collection Australian Film Studies (Nicole Kidman [BMX Bandits, To Die For, The Others]) 2006 14:47 video, monitors, found objects Tom FREEMAN 05899300
Curtin University Art Collection Bedevil 1993 90:00 digital BetaCam Tracey MOFFATT 04204100
Curtin University Art Collection Bin in (PM) 2009 N/A digital video Alistair ROWE 05912110
Curtin University Art Collection Body language #3 1996 1997 11:35 SP BetaCam Carol RUDYARD 04663600
Curtin University Art Collection Clutch, clasp, grip, hold, hug, embrace, press, squash, squeeze... 2010 5:58 digital video Markela PANEGYRES 05918980
Curtin University Art Collection Colonial hide 1995 5:00 SP BetaCam Carol RUDYARD 04663900
Curtin University Art Collection Conversations 2012 4:58 digital video, duration 4:58 minutes Dylan HEWSON 05923800
Curtin University Art Collection Cross Currents 1998 N/A CD-Rom, booklet Dennis DEL FAVERO 04711000
Curtin University Art Collection Doomed 2007 10:00 DVD Tracey MOFFATT 05904680
Curtin University Art Collection Experiments in convergence: Divergence 2007 20:18 digital video projection on cloth Elise HARMSEN, Jurgen KERKOVIUS 05905170
Curtin University Art Collection Experiments in convergence: Kinesis 2007 9:58 digital video projection on cloth Elise HARMSEN, Jurgen KERKOVIUS 05905180
Curtin University Art Collection Experiments in convergence: Pressure/Compression 2007 7:47 digital video projection on cloth Elise HARMSEN, Jurgen KERKOVIUS 05905190
Curtin University Art Collection Fairbridge trees 2008 2:05 digital video Annette NYKIEL 05909300
Curtin University Art Collection Fungi 2008 4:35 digital video Annette NYKIEL 05909320
Curtin University Art Collection Heaven 1997 29:51 SP BetaCam Tracey MOFFATT 05912970
Curtin University Art Collection Larngerner (The Colour of Country) 2018 21:11 2 channel 4k video, sound Julie GOUGH 05965460
Curtin University Art Collection Led, Guided, Followed 2010 7:26 single channel HD digital video Jason HANSMA 05917730
Curtin University Art Collection Leibniz Cool Ridge 2011 1:37 digital video David ATTWOOD 05919940
Curtin University Art Collection Lets put our heads together 2010 7:25 digital video Markela PANEGYRES 05917710
Curtin University Art Collection Li Ji: Warrior Girl 2000 10:00 SP BetaCam Kate BEYNON 04819100
Curtin University Art Collection Lip 1999 10:00 PAL BetaCam video Tracey MOFFATT 05387500
Curtin University Art Collection Method as outcome 2006 N/A DVD, monitors, chair and photo collages on kraft paper Mark PARFITT 05899260
Curtin University Art Collection Moodeitj Yorgas (Solid women) 1988 22:00 digital BetaCam Tracey MOFFATT 04204200
Curtin University Art Collection Natural screens 2008 4:10 digital video Annette NYKIEL 05909310
Curtin University Art Collection Nice Coloured Girls 1987 16:00 digital BetaCam Tracey MOFFATT 04204300
Curtin University Art Collection Night Cries 1990 17:00 digital BetaCam Tracey MOFFATT 04204000
Curtin University Art Collection Pinch 2010 1:44 digital video Markela PANEGYRES 05917670
Curtin University Art Collection Poke 2010 3:39 digital video Markela PANEGYRES 05917680
Curtin University Art Collection Portrait 1995 4:16 SP BetaCam Carol RUDYARD 04663700
Curtin University Art Collection Random Samples 2001 N/A microfiche reader, microfiche, audio component, shelving Anthony KELLY 04958900
Curtin University Art Collection Skinned: Part I Mouth, Part II Elephant 1999 20:00 (each) Digital video Michele THEUNISSEN 04652400
Curtin University Art Collection Still life with taps 1981 N/A slide projection, sound work, bathroom fixtures Carol RUDYARD 04514600
Curtin University Art Collection Surrogate 2010 3:41 digital video Markela PANEGYRES 05919000
Curtin University Art Collection The beautiful foolishness of things 2010 6:10 N/A Jenna DOWNING 05917620
Curtin University Art Collection The presence in the absence 2011 8:04 digital video stop motion animation Michelle WILLIAMSON 05919930
Curtin University Art Collection Unfinished Part I & II 2005 N/A video installation Mark PARFITT 05868750
Curtin University Art Collection Untitled 2010 0:40 digital video Markela PANEGYRES 05918990
Curtin University Art Collection Visions of Xes 1991 12:45 BetaCam Carol RUDYARD 04663800
Federation University Australia 100 pathways to creativity 2007 03:07:00 videorecording 2 videodiscs (DVD) (187 min.) : sd., col. ; 4 3/4 in. J.a.d. PORTER DVC; Contemporary Arts Media 701.15 O58 2007
Federation University Australia 19th Century Australian painting 1976 slide 17 slides : colour ; 5 x 5 cm. + in folder (19 x 19 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 759.994 N6223c 1976
Federation University Australia 21 Ada Street : sustainable house documentary 2009 00:36:00 videorecording 1 videodisc (DVD) (ca. 36 min.) : sd., col. ; 4 3/4 in. 728.047 T971 2009
Federation University Australia A Level product design : teacher's CD-ROM 2004 electronic resource 1 CD-ROM : sd., col. ; 4 3/4 in. + 1 installation instructions ([3] p.) Brian EVANS, Will POTTS 745.2 Ev15a
Federation University Australia A genealogy of graphic design in Victoria 2005 electronic resource 1 computer disc (vii, 247 leaves ; 30 cm.);"text rdacontent";"computer rdamedia";"computer disc rdacarrier" Alan S. YOUNG 741.609945 Y841g 2005
Federation University Australia A journey of imagination 1995 00:28:00 videorecording 1 videocassette (VHS) (28 min.) : sd., col. with b&w sequences ; 1/2 in. 759.0663 JOU
Federation University Australia A matter of identity : four Aboriginal artists : Bronwyn Bancroft, Kev Carmody, Matthew Doyle, Tracey Moffatt 1994 00:34:00 1 videocassette ((VHS) (34 min.) : sd., col.), 1 v. (39 p. : ill. (some col.)) 700.92 M435 1993
Federation University Australia A shimmer in the city 1995 00:55:00 videorecording 1 videocassette (VHS PAL) (ca. 55 min.) : sd., col. ; 1/2 in. Amanda HICKEY 709.94 S556 1995
Federation University Australia Aboriginal art : yesterday and today 1996 00:27:00 videorecording 1 videodisc (DVD) (27 min.) : sd., col. ; 4 3/4 in. 704.039915 A154 1996
Federation University Australia Aboriginal artists in Arnhem Land 1997 00:17:00 videorecording 1 videocassette (VHS) (17 min.) : sd., col. ; 1/2 in. 709.94 A791 1997
Federation University Australia Aboriginal arts 2006 00:30:00 videorecording 1 videodisc (30 minutes) : sound, colour with black and white sequences ; 4 3/4 inches 700.71 Ar796a
Federation University Australia Aboriginal women artists 1992 00:50:00 videorecording 1 videocassette (VHS) (50 min.) : sd., col. ; 1/2 in. 709.94 A154 1992
Federation University Australia Action movie essentials 2007 electronic resource 1 DVD-ROM : col., sd. ; 4 3/4 in. Andrew KRAMER 778.5345 K89A 2007
Federation University Australia Adium : thirty South Australian artists 2004 02:58:00 videorecording 2 videodiscs (178 minutes) : sound, colour ; 4 3/4 inches + support notes. 759.99423 Ad48iu
Federation University Australia Advanced broadcast camera techniques Vols. 1 & 2 2003 videorecording 2 DVDs : sd., col. ; 4 3/4 in. + 2 information sheets. John COOKSEY 778.5 A244 2003
Federation University Australia Ai Weiwei : never sorry 2012 01:25:00 videorecording 1 videodisc (DVD) (85 min.) : sd., col. ; 4 3/4 in. 709.051 A288 2012
Federation University Australia Albert Tucker 1986 01:38:00 videorecording 1 videocassette (VHS) (98 min.) : sd., col. ; 1/2 in. 759.994 A333 1986
Federation University Australia Alex Schweder La : space time performance 2010 01:01:00 videorecording 1 videodisc (61 min.) : sd., col. ; 4 3/4 in. 730.92 Sch97a
Federation University Australia Alexander Calder 2004 01:00:00 videorecording 1 videodisc (DVD) (60 minutes) : sound, colour with black and white sequences ; 4 3/4 inches Thirteen; WNET; Florentine Films; Sherman Pictures 730.92 C127a
Federation University Australia Alfred Stieglitz : the eloquent eye 2001 01:30:00 videorecording 1 videodisc (DVD) (90 min.) : sd., col. with b&w sequences ; 4 3/4 in. Perry Miller ADATO Thirteen/WNET 779.092 S855 ALF 2001
Federation University Australia Alison Watt : phantom 2008 00:54:00 videorecording 1 videodisc (54 minutes) : sound, colour ; 4 3/4 inches Colin WIGGINS 759.2911 W34w
Federation University Australia Alvar Aalto: 1898 - 1976 1989 videorecording 1 videodisc (DVD-ROM) : sd., col. ; 4 3/4 in. 724.910924 Av86aa
Federation University Australia Alvar Sunõl : his vision and his art 00:42:00 videorecording 1 videodisc (42 minutes) : sound, colour, black and white sequences ; 4 3/4 inches Alan STECKER, Betty Jean CRAIGE ASV Communications; University of Georgia 759.6 Av86sh
Federation University Australia American photography : a century of images 2004 02:40:00 videorecording 1 videodisc (DVD) (160 min.) sd., col. ; 4 3/4 in. KTCA St. Paul/Minneapolis; Middlemarch Films, Inc. 770.973 A512 2004
Federation University Australia Ancient Greek art and architecture 2000 00:21:00 videorecording 1 videodisc (DVD) (21 minutes) : sound, colour ; 4 3/4 inches + study guide questions and answers (3 pages) 709.38 An22ga
Federation University Australia Andre Kerteśz 2006 00:30:00 videorecording 1 videodisc (DVD) (30 min.) : sd., col. ; 4 3/4 in. 779.092 K41 AND 2006
Federation University Australia Animated identities : Isobel Knowles, Van Sowerwine, Jemima Wyman 2010 00:30:00 videorecording 1 videodisc (30 mins) : sd., col. ; 4 3/4 in. 709.05 K643oa
Federation University Australia Animation ambiences : live and installed 2011 01:15:00 videorecording 2 DVD-videos (75 min.) : sd., col. ; 4 3/4 in. + 1 CD-ROM (4 3/4 in.) Paul FLETCHER 778.5347 F636a
Federation University Australia Animation in schools : applications and inspiration 2010 00:23:00 videorecording 1 videodisc (DVD) (23 min.) : sd., col. ; 4 3/4 in. 778.5347 An54is
Federation University Australia Annette Bezor 2008 00:59:00 videorecording 1 videodisc (DVD) (59 min.) : sd., col. ; 4 3/4 in. 759.994 B469a
Federation University Australia Annie Leibovitz : life through a lens 2008 01:23:00 videorecording 1 videodisc (DVD) (ca. 83 min.) : sd., col. with b&w sequences ; 4 3/4 in. Barbara LEIBOVITZ 779.092 L525 ANN 2008
Federation University Australia Annie Leibovitz : life through a lens 2006 02:27:00 videorecording 1 videodisc (147 minutes) : sound, colour with black and white sequences ; 4 3/4 inches Barbara LEIBOVITZ 779.2092 An74t
Federation University Australia Antarctic oasis : a haunting journey 2009 00:28:00 videorecording 1 videodisc (DVD) (28 min.) : sd., col. ; 4 3/4 in. 704.94369712 An86oh
Federation University Australia Antoni Tàpies 1979 00:30:00 videorecording 1 videocassette (VHS) (30 min.) : sd., col. ; 1/2 in. 759.6 T162 Z/A
Federation University Australia Antonio Gaudi 2008 01:12:00 videorecording 2 videodiscs (DVD) (72 min.) : sd., col. ; 4 3/4 in. + 1 booklet (34 p.) Noriko NOMURA, Hiroshi TESHIGAHARA Toho Co., Ltd.; Sogetsu Foundation 720.946 G267 ANT 2008
Federation University Australia Antonio Gaudí 2008 01:12:00 videorecording 2 videodiscs (72 minutes) : sound, colour ; 4 3/4 inches + 1 booklet (36 pages) Janus Films; Teshigahara Production 720.92 G233a
Federation University Australia Après l'impressionisme : Vuillard, Seurat, Toulouse-Lautrec 2003 01:30:00 videorecording 1 videodisc (90 minutes) : sound, colour ; 4 3/4 inches 759.056 Ap68i
Federation University Australia Architectural and interior design 2005 00:28:00 videorecording 1 videodisc (DVD) (28 minutes) : sound, colour ; 4 3/4 inches + teacher's notes (2 pages) CLASSROOM VIDEO 729 Ar25id
Federation University Australia Architectures 1 2001 02:43:00 videorecording 1 videodisc (163 minutes) : sound, colour with black and white sequences ; 4 3/4 inches Richard COPANS, Stan NEUMANN 720.9 Ar25ch
Federation University Australia Architectures 2 2003 02:16:00 videorecording 1 videodisc (DVD) (136 minutes) : sound, colour with black and white sequences ; 4 3/4 inches Richard COPANS, Stan NEUMANN 720.9 Ar25ch
Federation University Australia Architectures 3 2003 02:40:00 videorecording 1 videodisc (160 minutes) : sound, colour, NTSC ; 4 3/4 inches 720.9 Ar25ch
Federation University Australia Architectures 4 2005 02:40:00 videorecording 1 videodisc (160 minutes) : sound, colour ; 4 3/4 inches Richard COPANS, Stan NEUMANN 720.9 Ar25ch
Federation University Australia Architectures 5 2007 02:40:00 videorecording 1 videodisc (160 minutes) : sound, colour ; 4 3/4 inches Richard COPANS, Stan NEUMANN 720.9 Ar25ch
Federation University Australia Art + soul 200- 00:55:00 videorecording 3 videodiscs (DVD) (ca. 55 min. each) : sd., col. ; 4 3/4 in. 759.994 Ar756s
Federation University Australia Art + soul: A personal journey into the world of Aboriginal art 02:46:00 2 videodiscs (166 minutes) : sound., colour ; 12 cm + 1 booklet.;"performed music prm rdacontent";"audio s rdamedia";"audio disc sd rdacarrier" 704.039915 A784.3 2010
Federation University Australia Art 21 : art in the twenty-first century . Series one 2004 03:34:00 videorecording 4 videodiscs (ca. 214 min.) : sd., col. ; 4 3/4 in. Susan DOWLING, Susan SOLLINS, Catherine TATGE, Deborah SHAFFER Art 21, Inc. 709.7309051 A784 2004
Federation University Australia Art 21 : art in the twenty-first century. Season 3. 2007 03:36:00 videorecording 4 videodiscs (DVD) (ca. 216 min.) : sd., col. ; 4 3/4 in. 709.7309051 A784 2007
Federation University Australia Art 21 : art in the twenty-first century. Season five 2009 04:00:00 videorecording 1 videodisc (DVD) (ca. 240 min.) : sd., col. ; 4 3/4 in. Susan DOWLING, Susan SOLLINS Art 21, Inc. 709.7309051 A784/5 2009
Federation University Australia Art 21 : art in the twenty-first century. Season four 2007 03:40:00 videorecording 1 videodisc (ca. 220 minutes) : sound, colour ; 4 3/4 inches Susan DOWLING, Susan SOLLINS 709.7309051 A784 2007/4
Federation University Australia Art 21 : art in the twenty-first century. Series 2 2003 03:48:00 videorecording 4 videodiscs (228 min) : sound, colour ; 4 3/4 inches + 1 educator's guide (34 pages : illustrations ; 30 cm.) Susan DOWLING, Susan SOLLINS, Catherine TATGE, Deborah SHAFFER 709.73 Ar75tw2
Federation University Australia Art 21 : art in the twenty-first century. Series 3 2006 03:36:00 videorecording 4 videodiscs (DVD) (216 minutes) : sound colour ; 4 3/4 inches 709.73 Ar75tw3
Federation University Australia Art 21 : art in the twenty-first century. Series two 2003 04:00:00 videorecording 4 videodiscs (DVD) (ca. 60 min. each) : sd., col. ; 4 3/4 in. Susan DOWLING, Susan SOLLINS, Catherine TATGE 709.7309051 A784 2003
Federation University Australia Art 21 : spirituality. Series 1, episode 2 00:54:00 videorecording 1 videodisc (54 min) : sound, colour ; 4 3/4 inches 709.73 Ar75tw1
Federation University Australia Art C20 : the Thames & Hudson multimedia dictionary of modern art 1998 electronic resource 1 computer optical disc : sound, colour ; 4 3/4 inches + booklet ([8] pages ; 18 cm.) 709.04 T366A 2005
Federation University Australia Art Models Ultra : Becca 2010 electronic resource 1 DVD-ROM : col. ; 4 3/4 cm. 743.49 A784 2010
Federation University Australia Art city 2004 02:54:00 videorecording 3 videodiscs (174 minutes each) : sound, colour ; 4 3/4 inches 709.73 Ar75ci
Federation University Australia Art from the heart? 1999 00:56:00 videorecording 1 videocdisc (DVD) (ca. 56 min.) : sd., col. ; 4 3/4 in. 709.9404 A784 1999
Federation University Australia Art from the heart? 1999 00:56:00 videorecording 1 videocdisc (DVD) (ca. 56 min.) : sd., col. ; 4 3/4 in. 759.994 Ar75fh
Federation University Australia Art in Australia : postmodernism and cultural identity 1999 00:50:00 videorecording 1 videodisc (50 mins.) : sound, colour ; 4 3/4 inches Paul WOOD 709.994 Ar75au
Federation University Australia Art in reverse 2004 02:41:00 videorecording 3 videodiscs (161 minutes) : sound, colour 709.94 Ar78ir
Federation University Australia Art in the National Gallery 2003 01:05:00 videorecording 1 videodisc (ca. 65 minutes) : sound, colour ; 4 3/4 inches + teacher's notes (8 pages) 759.2 Ar75tn
Federation University Australia Art in the Tate Modern 2003 01:15:00 videorecording 1 videodisc (DVD) (75 minutes) : sound, colour ; 4 3/4 inches Richard STEMP 708.21 Ar75tt
Federation University Australia Art of lighting for film 2003 electronic resource 1 CD-ROM : sound, colour ; 4 3/4 inches + 1 student workbook (56 pages : colour illustrations ; 24 cm.) 778.5343 Ar75lf
Federation University Australia Art safari 2009 03:44:00 videorecording 2 videodiscs (224 min.) : stereo. sd., col. ; 4 3/4 in. + 1 booklet ([24] p. : ill. ; 19 cm.);"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" Ben LEWIS BBC; ; Bergmann Pictures; TV2 Danmark; 2DF; YLE 1; NPS 709.0511 Ar756s 2009
Federation University Australia Art safari 2005 : complete series 2005 2006 01:56:00 videorecording 1 videodisc (116 minutes) : sound, colour ; 4 3/4 inches 709.0511 Ar75sa
Federation University Australia Art with a message 1990 00:36:00 videorecording 1 videodisc (DVD) (36 min.) : sd., col. ; 4 3/4 in. 704.949301 Ar75wm
Federation University Australia Artfully crafted 2004 00:25:00 videorecording 1 videodisc (25 minutes) : sound, colour ; 4 3/4 inches Katherine JEANS, Michael LAEWEN 724.6 Ar75c
Federation University Australia Arthur Boyd : a man in two worlds 2008 00:56:00 videorecording 1 videodisc (DVD) (56 minutes) : sound, colour ; 4 3/4 inches 759.994 B692am
Federation University Australia Arthur Boyd : testament of a painter 200- 00:55:00 videorecording 1 videodisc (55 minutes) : sound, colour ; 4 3/4 inches 759.994 B692a
Federation University Australia Artists at work : David Frazer 2007 00:28:00 videorecording 1 videodisc (28 min.) : sd., col. ; 4 3/4 in. 709.94 F869a
Federation University Australia Artists at work : Del Kathryn Barton 2010 00:28:00 videorecording 1 videodisc (DVD) (28 min.) : sd., col. ; 4 3/4 in. 709.94 B285a
Federation University Australia Artists at work : Jon Cattapan 2009 00:28:00 videorecording 1 videodisc (DVD) (28 min.) : sd., col. ; 4 3/4 in. Louise TURLEY 759.994 C294a
Federation University Australia Artists at work : Joshua Yeldham 2008 00:28:00 videorecording 1 videodisc (DVD) (ca 28 min.) : sd., col. ; 4 3/4 in. 759.994 Y36a
Federation University Australia Artists at work : Linde Ivimey 2007 00:28:00 videorecording 1 videodisc (28 min.) : sd., col. ; 4 3/4 in. 709.94 Iv5a
Federation University Australia Artists at work : Lindy Lee 2008 00:30:00 videorecording 1 videodisc (DVD) (30 min.) : sd., col. ; 4 3/4 in. 709.94 L513a
Federation University Australia Artists at work : William Eicholtz 2008 00:28:00 videorecording 1 videodisc (DVD) (ca 28 min.) : sd., col. ; 4 3/4 in. 730.994 Ei24aw
Federation University Australia Artists in print [1-5] Etching ; Relief printing ; Lithography ; Screen printing ; Prints and reproductions 1980 videorecording 5 videocassettes (VHS) : sd., col. ; 1/2 in. Suzanne DAVIES 760 Ar78ip
Federation University Australia Artists in the Arnhem Land 1992 00:15:00 videorecording 1 videocassette (VHS) (15 min.) : sd., col. ; 1/2 in. 709.94 A791 1992
Federation University Australia Arts action : a resource to support teachers implement the NSW Creative Arts K-6 syllabus 2002 electronic resource 1 CD-ROM : sd., col. ; 4 3/4 in. + Guide (8 p. : col. ill. ; 21 cm.). New South Wales Department of Education and Training, Professional Support and Curriculum Directorate 707 N558A 2002
Federation University Australia Arts in the West Arts : arts criticism and aesthetics 2006 00:29:00 videorecording 1 videodisc (DVD) (29 minutes) : sound, colour ; 4 3/4 inches 700.71 Ar796a
Federation University Australia Australian artists : Arthur Boyd 1960 slide 9 slides : col. ; 5 x 5 cm. + in folder (19 x 19 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 759.994 B6923A 196-
Federation University Australia Australian artists : Charles Blackman 1970 slide 9 slides : colour ; 5 x 5 cm. + in folder (19 x 19 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 759.994 B565A 197-
Federation University Australia Australian artists : John Brack 1970 slide 10 slides : col. ; 5 x 5 cm. + in folder (19 x 19 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 759.994 B724A 197-
Federation University Australia Australian artists : Russell Drysdale 1970 slide 8 slides : colour ; 5 x 5 cm. + in folder (19 x 19 cm.), teachers' notes (4 leaves ; 33 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 759.994 D849A 197-
Federation University Australia Australian ceramics 1980 slide 25 slides : colour ; 5 x 5 cm.;"still image rdacontent";"projected rdamedia";"slide rdacarrier" SHEPPARTON ART GALLERY 738.20994 Au81
Federation University Australia Australian indigenous images 1999 electronic resource 1 computer disc : ill. ; 4 3/4 in . 709.94 A938 1999
Federation University Australia Australian painters - Sidney Nolan 1960 slide 10 slides : colour ; 5 x 5 cm. + in folder (19 x 19 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 759.994 N715A 196-
Federation University Australia Autour de 1800 : Géricault, David, Goya 2003 01:30:00 videorecording 1 videodisc (90 minutes) : sound, colour ; 4 3/4 inches 759.4 Au82do
Federation University Australia Bacon's arena 2009 01:35:00 videorecording 1 videodisc (DVD) (ca. 95 min.) : sd., col. ; 4 3/4 in. 759.2 B128 BAC 2009
Federation University Australia Bauhaus : the face of the 20th century 00:49:00 videorecording 1 videodisc (DVD) (ca. 49 minutes) : sound, colour ; 4 3/4 inches 709.43 B326ft
Federation University Australia Bauhaus : the face of the 20th century (1994) 00:50:00 1 videodisc (50 minutes) : sound, colour ; 4 3/4 in + 1 booklet (9 pages : illustrations ; 19 cm.) Julia CAVE, Frank WHITFORD 709.43 B326ft
Federation University Australia Behind the design : designers on designing 2007 videorecording 3 videodiscs : sound, colour ; 4 3/4 inches Brian ARNOLD, Brendan EDDY 760 Ar64b
Federation University Australia Ben Quilty and the Maggots 2009 00:30:00 videorecording 1 videodisc (DVD) (30 min.) : sd., col. ; 4 3/4 in. 759.994 Q41ma
Federation University Australia Bernini architect 1997 00:30:00 videorecording 1 videodisc (30 minutes) : sound, colour ; 4 /34 inches Glenn SCOTT 720.92 B457a
Federation University Australia Beyond the dreamtime 200- 00:55:00 videorecording 1 videodisc (DVD) (55 min.) : sd., col. (with some b&w sequences) ; 12 cm. Valley of the Winds; Australian Film Commission 759.994 B468dt
Federation University Australia Beyond the dreamtime (1994) 1994 00:54:00 videorecording 1 videocassette (VHS) (54 min.) : sd., col. ; 1/2 in. Valley of the Winds; Australian Film Commission 759.994 B468dt
Federation University Australia Beyond words : photographers of war 2005 00:58:00 videorecording 1 videodisc (DVD) (58 min.) : sd., col. ; 4 3/4 in. 778.9935502 B573 2005
Federation University Australia Birth of an icon : Frank Gehry's Disney Hall 2004 00:11:00 videorecording 1 videodisc (DVD) (11 minutes) : sound, colour ; 4 3/4 inches 725.81 B539i
Federation University Australia Black Australia 1990 00:58:00 videorecording 1 videocassette (VHS) (58 min.) : sd., col. ; 1/2 in. + teachers' guide (31 p. ; 30 cm.) 305.89915 FIL
Federation University Australia Black angels : a widening vision 00:56:00 videorecording 1 videodisc (DVD) (56 min.) : sd., col. ; 4 3/4 in. 759.994 B561aw
Federation University Australia Black angels : a widening vision 2007 00:56:00 videorecording 1 videodisc (DVD) (56 min.) : sd., col. with some b&w sequences ; 12 cm. 759.994 B627 2007
Federation University Australia Black angels : a widening vision 00:55:00 videorecording 1 videocassette (VHS) (55 min.) : sd., col. ; 1/2 in. 759.994 BLA
Federation University Australia Black white + gray : a portrait of Sam Wagstaff + Robert Mapplethorpe 2008 01:18:00 videorecording 1 videodisc (DVD) (78 min.) : sd., col. with b&w sequences ; 4 3/4 in. James CRUMP LM Media GmbH; Arthouse Films 770.973 W135 BLA 2008
Federation University Australia Body and self : performance art in Australia 1969-96 1996 electronic resource 1 CD-ROM : col. ; 4 3/4 in. Anne MARSH 700.994 M352b
Federation University Australia Boomalli : five Koorie artists 1988 00:28:00 videorecording 1 videocassette (VHS) (28 min.) : sd., col. ; 1/2 in. + teacher's notes (12 p. ; 21 cm.) Paul HUMFRESS, Michael RILEY Film Australia 704.0311 BOO
Federation University Australia Borromini 1996 00:35:00 videorecording 1 videodisc (35 minutes) : sound, colour ; 4 3/4 inches Glenn SCOTT 724.16 B645o
Federation University Australia Brett Whiteley 1973 1973 00:30:00 videorecording 1 videodisc (30 min.) : sd., col., with b&w sequences ; 4 3/4 in. 759.994 W587b
Federation University Australia Brett Whiteley 1973 : Alchemy 1996 00:30:00 videorecording 1 videocassette (VHS) (30 min.) : sd., col., with b&w sequences ; 1/2 in. 709.94 B845 1996
Federation University Australia Building a dream : a family affair 2005 00:41:00 videorecording 1 videodisc (41 min.) : sd., col. ; 4 3/4 in. 728 B868dr
Federation University Australia Building your own potters kiln 2003 01:12:00 videorecording 1 DVD-video (72 min.) : col., sd. ; 4 3/4 in. Graham SHEEHAN 738.136 Sh41b
Federation University Australia Camera natura 200- 00:32:00 videorecording 1 videodisc (DVD) (32 min.) : sd., col. with b&w sequences ; 4 3/4 in. 719.0994 C182 200-
Federation University Australia Caravaggio 2004 00:34:00 videorecording 1 videodisc (34 minutes) : sound, colour ; 4 3/4 inches 759.94 D611 2004
Federation University Australia Carl McConnell : stoneware and porcelain 1977 slide 22 slides ; col. + 1 script ([4] leaves ; 22 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" Carl MCCONNELL, John DALACOUR Crafts Resource Productions; Crafts Council of Australia 738.092 M4599C 1977
Federation University Australia Carol Rudyard : video works compilation 2007 01:15:00 videorecording 1 videodisc (75 min.) : sd., col. ; 4 3/4 in. + 4 catalogues, 2 leaves of plates. 709.94 R836cr
Federation University Australia Carrolup found 2007 00:27:00 videorecording 1 videodisc (27 minutes) : sound : colour, black and white ; 12 cm.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" 759.9941 C2369c 2007
Federation University Australia Caught on camera 2004 00:17:00 videorecording 1 videodisc (DVD) (17 minutes) : sound, colour ; 4 3/4 inches RED GUM TELEVISION, AUSTRALIA 778.59 C31oc
Federation University Australia Cave of forgotten dreams 2012 01:27:00 videorecording 1 videodisc (ca. 87 min.) : sd., col. ; 4 3/4 in. Werner HERZOG, Erik NELSON, Adrienne CIUFFO History Films; Creative Differences 759.0112 C3151f
Federation University Australia Census at Bethlehem 2006 00:52:00 videorecording 1 videodisc (DVD) (52 min.) : sd., col. ; 4 3/4 in. 759.492 B832c
Federation University Australia Ceramics of the 80's, part 1 1980 slide 24 slides : colour ; 5x5 cm. + 1 script ([18] leaves : 22 cm.) + booklist.;"still image rdacontent";"projected rdamedia";"slide rdacarrier" Bernard SAHM, Douglas THOMPSON Crafts Resource Productions, Crafts Council of Australia 738.0994 C3343O 1980
Federation University Australia Ceramics of the 80's, part 11 1980 slide 24 slides : colour ; 5x5 cm. + 1 script ([18] leaves ; 22 cm.) + booklist.;"still image rdacontent";"projected rdamedia";"slide rdacarrier" Bernard SAHM, Douglas THOMPSON Crafts Resource Productions; Crafts Council of Australia 738.0994 C3343O 1980
Federation University Australia Certain doubts of William Kentridge = Certas dùvidas de William Kentridge 2000 00:52:00 videorecording 1 videodisc (52 min.) : sd., col. with b&w sequences ; 4 3/4 in. Associação Cultural Videobrasil 709.2 K419c
Federation University Australia Chagall 2000 00:49:00 videorecording 1 videodisc (49 minutes) : sound, colour ; 43/4 inches 759.7 C346ha
Federation University Australia Challenges and choices : Eduardo Kac, Michael Burton, Shen Shaomin 2010 00:30:00 videorecording 1 videodisc (30 mins) : sd., col. ; 4 3/4 in. 709.05 K643oa
Federation University Australia Charles Blackman : dreams and shadows 2008 00:54:00 videorecording 1 videodisc (DVD) (54 minutes) : sound, colour with black and white sequences ; 4 3/4 inches 759.994 B565cd
Federation University Australia Charles Blackman : dreams and shadows 2008 00:55:00 videorecording 1 videodisc (DVD) (55 min.) : sd., col. with b&w sequences ; 4 3/4 in. Richard MOORE, Felicity ST. JOHN MOORE RM Films; Australian Broadcasting Corporation 759.994 B629 CHA 2008
Federation University Australia Charles Rennie Mackintosh 1983 00:48:00 videorecording 1 videodisc (48 min.) : sd., col. ; 4 3/4 in. Andrew MACMILLAN 720.92 C38r
Federation University Australia Chris Thorne : portrait of an aboriginal artist 2006 00:26:00 videorecording 1 DVD-video (PAL) (26 minutes) : sound, colour ; 12 cm. 759.994 C461tp
Federation University Australia Civilisation : a personal view 2005 10:50:00 videorecording 4 videodiscs (DVD) (ca. 650 min.) : sd., col. ; 4 3/4 in. + 1 viewing notes booklet. Kenneth CLARK, Michael GILL, Peter MONTAGNON 709.1 C582 2005
Federation University Australia Claude Monet : painter of light 2000 00:55:00 videorecording 1 videodisc (55 minutes) : sound, colour ; 12 cm. Dominik RIMBAULT 759.4 M746pl
Federation University Australia Coates art review on CDROM Volume 1, Impressionism 1991 electronic resource 1 computer laser optical disc : col. ; 4 3/4 in. + 1 notes (7 p.) 709.0344 COA
Federation University Australia Color and light in motion imaging 2003 electronic resource 1 CD-ROM : sound, colour ; 4 3/4 inches + 1 student workbook (44 pages : colour illustrations ; 24 cm.) 778.5343 C719lm
Federation University Australia Comic book coloring with Steve Furchow 2007 03:00:00 electronic resource 1 DVD-ROM (180 min.) : sd., col. ; 4 3/4 in. Gnomon Workshop; Design Studio Press 741.6 F983 COM 2007
Federation University Australia Comic book confidential 2005 01:26:00 videorecording 1 videodisc (DVD) (86 min.) : sd., col. with b&w sequences ; 4 3/4 in. 741.5 C733 2005
Federation University Australia Comic book inking with Joe Weems 2007 02:30:00 videorecording 1 videodisc (DVD) (150 min.) : sd., col. ; 4 3/4 in. + 1 folded insert. Gnomon Workshop; Design Studio Press 741.6 W397 COM 2007
Federation University Australia Comic-Con : Episode IV, A fan's hope 2012 01:27:00 videorecording 1 videodisc (87 minutes) : sound, colour ; 12 cm.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" Morgan SPURLOCK 741.5973 C7351c 2012
Federation University Australia Completing the picture : women artists and the Heidelberg era : slide resource kit for art and Australian history and Australian studies 1992 kit 1 book (130 pages ; 21 cm.), 42 slides, 1 copy of articles : col. ill. ; in plastic envelope.;"text rdacontent";"still image rdacontent";"other rdamedia";"projected rdamedia";"slide rdacarrier" 759.994 C738p 1992
Federation University Australia Concept art : an introduction : a drawing tutorial 2010 02:05:00 videorecording 2 videodiscs (DVD) (ca. 125 min.) : sd., col. ; 4 3/4 in. David LOVEGROVE 741.2 C744 2010
Federation University Australia Conceptual storyboarding : storytelling and struggle : storyboarding techniques 2007 02:37:00 electronic resource 1 DVD-ROM (157 min.) : sd., col. ; 4 3/4 in. Derek THOMPSON 741.58 T469 CON 2007
Federation University Australia Conserving our national art 2005 00:24:00 videorecording 1 videodisc (24 minutes) : sound, colour ; 4 3/4 inches + teacher's notes (5 pages) 702.880994 C765on
Federation University Australia Contacts 1 : The great tradition of photojournalism 2000 02:36:00 videorecording 1 videodisc (DVD) (156 min.) : sd., col. ; 4 3/4 in. 770 C759/1 2000
Federation University Australia Contacts 2 : The renewal of contemporary photography 2000 02:23:00 videorecording 1 videodisc (DVD) (143 min.) : sd., col. ; 4 3/4 in. 770 C759/2 2000
Federation University Australia Contacts 3 : Conceptual photography 2004 02:10:00 videorecording 1 videodisc (DVD) (130 min.) : sd., col. ; 4 3/4 in. 770 C759/3 2004
Federation University Australia Contemporary aboriginal art 2009 videorecording 3 videodiscs (DVD) : sd., col. ; 4 3/4 in. 704.039915 C767aa
Federation University Australia Contemporary art post-1960 : painting 1 1992 slide 24 slides : colour ; 5x5 cm. + catalogue notes (15 unnumbered leaves ; 30 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 759.13 C7672A 1992
Federation University Australia Contemporary painting, 1950-1979 1982 01:00:00 videorecording 1 videocassette (VHS) (60 min.) : sd., col. ; 1/2 in. David MUIR, Malcolm OTTON 759.994 C761 1982
Federation University Australia Contemporary trends 1986 00:21:00 videorecording 1 videodisc (21 min.) : sd., col. ; 4 3/4 in. 759.06 C767tr
Federation University Australia Contexts in visual arts 2004 00:24:00 videorecording 1 videodisc (DVD) (24 minutes) : sound, colour ; 4 3/4 inches 700.71 Ar796a
Federation University Australia Copyrites 2006 00:52:00 videorecording 1 videodisc (52 min.) : sd., col. ; 4 3/4 in. Australian Film Finance Corporation 305.89915 C785 2006
Federation University Australia Corrupt mythologies : AES + F, Serge Spitzer, David Eliott 2010 00:30:00 videorecording 1 videodisc (30 mins) : sd., col. ; 4 3/4 in. 709.05 K643oa
Federation University Australia Countdown to Wednesday : an inside look at the comic book biz and how to break in 2003 01:50:00 videorecording 1 videodisc (DVD) (110 min.) : sd., col. ; 4 3/4 in. Roger MICHEFF, Dustin CALLIF, Hal LONG Spacedog 741.5 C855 2003
Federation University Australia Cracking the colour code 2009 02:36:00 videorecording 3 videodiscs (ca. 156 min.) : sd., col. ; 4 3/4 in. 701.85 C841cc
Federation University Australia Creating a logo : a process for designers 2003 00:25:00 videorecording 1 videodisc (25 minutes) : sound, colour ; 4 3/4 inches + video support notes (8 pages ; 30 cm.) 741.6 C86l
Federation University Australia Creating an Australian icon : the Rip Curl logo : a graphic communication case study 1996 00:20:00 videorecording 1 videodisc (DVD) (20 min) : sd., col. ; 4 3/4 in. RIP CURL 741.60994 C912 1996
Federation University Australia Crumb 2010 02:00:00 videorecording 1 videodisc (DVD) (120 min.) : sd., col. ; 4 3/4 in. + 2 booklets.;"two-dimensional moving image tdi rdacontent";"video v rdamedia";"videodisc vd rdacarrier" David LYNCH, Lynn O'DONNELL, Terry ZWIGOFF Superior Pictures 741.5973 C8885C 2010
Federation University Australia Culture as nature 1980 01:00:00 videorecording 1 videocassette (VHS) (60 min.) : sd., col. ; 1/2 in. Robert HUGHES, Lorna PEGRAM, David RICHARDSON 709.04 HUG
Federation University Australia Cultures-paysages = Cultures-landscapes 2004 00:35:00 videorecording 1 videodisc (DVD) (35 min.) : sd., col. ; 1/2 in. + 1 booklet. Laetitia BOURGET 778.59 B772C 2004
Federation University Australia Dada cinema 2005 01:15:00 videorecording 1 videodisc (75 minutes) : sound, black and white ; 4 3/4 inches + booklet (33 pages ; 18 cm.) 709.0406 D12ci
Federation University Australia Dark matter : reactivating myth to visually express the existential experience of 'The Change' 2010 electronic resource 1 computer disc (vii, 107 leaves) : illustrated (chiefly colour) ; 31 cm.;"text rdacontent";"computer rdamedia";"computer disc rdacarrier" Janelle MENDHAM 704.9424 M5231d 2010
Federation University Australia David Batchelor 2006 00:26:00 videorecording 1 videodisc (ca. 26 minutes) : sound, colour with black and white sequences ; 4 3/4 inches 709.2 B314d
Federation University Australia Desert heart 2007 00:27:00 videorecording 1 videodisc (DVD) (27 minutes) : sound, colour ; 4 3/4 inches 704.039915 D457h
Federation University Australia Design 2008 videorecording 3 videodiscs (17 x 26 min.) : sd., col. with b&w sequences ; 4 3/4 in. 745.4 D46es
Federation University Australia Design : applying the elements 2004 00:27:00 videorecording 1 videodisc (27 minutes) : sound, colour ; 4 3/4 inches + notes (8 pages : forms ; 30 cm.) 745.2 D46ae
Federation University Australia Design : understanding the elements 2007 00:18:00 videorecording 1 videodisc (18 minutes) : sound, colour ; 4 3/4 inches James STRZELINSKI, Sherri HOLLAENDER, John ROACH 745.4 D46ue
Federation University Australia Design : understanding the principles 2007 00:22:00 videorecording 1 videodisc (22 minutes) : sound, colour ; 4 3/4 inches James STRZELINSKI, Sherri HOLLAENDER, John ROACH 745.4 D46up
Federation University Australia Design and make it!. 1 1999 01:15:00 videorecording 1 videodisc (75 minutes) : sound, colour ; 4 3/4 inches + 1 teacher's notes ([7] pages : illustrations ; 30 cm.) 745.2 D46mi
Federation University Australia Design and make it!. 2 1999 01:13:00 videorecording 1 videodisc (73 minutes) : sound, colour ; 4 3/4 inches + 1 teacher's notes ([26] pages : illustrations ; 30 cm.) 745.2 D46mi
Federation University Australia Design for sustainability 2008 00:26:00 videorecording 1 videodisc (26 min.) : sd., col. ; 4 3/4 in. + notes. 745.2 D46su
Federation University Australia Designing and constructing a kitchen 2007 00:31:00 videorecording 1 videodisc (DVD) (31 minutes) : sound, colour ; 4 3/4 inches + 1 teacher's notes (15 pages) 747.797 D46ck
Federation University Australia Designing on screen 2009 00:27:00 videorecording 1 DVD (27 min.) : sd., col. ; 4 3/4 in. + program support notes (9 p.) 745.20285 D46os
Federation University Australia Destination art : Australia 2008 00:24:00 videorecording 1 videodisc (ca. 24 min.) : sd., col. ; 4 3/4 in. Francine STOCK 709.94 D474aa
Federation University Australia Destination art : Berlin 2008 00:24:00 videorecording 1 videodisc (ca. 24 min.) : sd., col. ; 4 3/4 in. Francine STOCK 709.43155 D474ab
Federation University Australia Destination art : Israel 2008 00:24:00 videorecording 1 videodisc (ca. 24 min.) : sd., col. ; 4 3/4 in. Francine STOCK 709.5694 D474ai
Federation University Australia Destination art : Italy 00:24:00 1 videodisc (ca. 24 min.) : sd., col. ; 4 3/4 in. Francine STOCK 709.45 D474ai
Federation University Australia Destination art : Los Angeles 2008 00:24:00 videorecording 1 videodisc (ca. 24 min.) : sd., col. ; 4 3/4 in. Francine STOCK 709.79494 D474ao
Federation University Australia Destination art : Mexico City 2008 00:24:00 videorecording 1 videodisc (ca. 24 min.) : sd., col. ; 4 3/4 in. 709.7253 D474am
Federation University Australia Destination art : Tokyo 00:24:00 videorecording 1 videodisc (ca. 24 min.) : sd., col. ; 4 3/4 in. Francine STOCK 709.52135 D474at
Federation University Australia Diane Arbus 2006 00:30:00 videorecording 1 videodisc (DVD) (30 min.) : sd., col. ; 4 3/4 in. 779.092 A667 DIA 2006
Federation University Australia Difficult pleasure : a portrait of Brett Whiteley 2007 00:50:00 videorecording 1 videodisc (50 min.) : sd., col. ; 4 3/4 in. 759.994 W588d
Federation University Australia Digital design 2006 00:24:00 videorecording 1 videodisc (24 min.) : sd., col. ; 4 3/4 in. + program support notes. 729.0285 D569de
Federation University Australia Digital lighting magic 1, 2 & 3 2002 03:45:00 videorecording 3 videodiscs (3 DVD) (75 min. ea.) : sd., col. ; 4 3/4 in. 778.7 D574 2002
Federation University Australia Dithers 2004 03:00:00 videorecording 3 videodiscs (DVD) (ca. 3 hrs.) : sound, colour ; 4 3/4 inches 709.73 D634i
Federation University Australia Donald Friend 1975 01:00:00 videorecording 1 videocassette (VHS) (60 min.) : sd., col. ; 1/2 in. 759.994 D675 1975
Federation University Australia Donald Friend -- artist, author, wit, 1915-1989 : the prodigal Australian 2007 01:30:00 videorecording 1 videodisc (DVD) (90 minutes) : sound, colour ; 4 3/4 inches THE ART GALLERY OF NEW SOUTH WALES 759.994 F915dp
Federation University Australia Dreamings : the art of Aboriginal Australia 1988 00:29:00 videorecording 1 videocassette (VHS) (29 min.) : sd., col. ; 1/2 in. 709.0110994 D771 1988
Federation University Australia Dreamlives 2002 00:25:00 videorecording 1 videocassette (VHS) (25 min.) : sd., col. ; 1 /2 in. Jennifer CRONE 779.092 D771 2002
Federation University Australia Du romantisme au realisme : Delacroix, Ingres, Courbet 2002 01:30:00 videorecording 1 videodisc (90 min.) : sd., col. ; 4 3/4 in. 759.409034 R662r
Federation University Australia E.P. sculptor : five themes and variations in the work of Eduardo Paolozzi 1987 01:00:00 videorecording 1 videodisc (DVD) (60 minutes) : sound, colour ; 4 3/4 inches 730.92 P197ep
Federation University Australia Eating art 2010 02:30:00 videorecording 2 videodiscs (DVD) (ca. 270 min.) : sd., col. ; 4 3/4 in. Oliver PEYTON 704.9496413 E14 2010
Federation University Australia Edward Steichen 2006 00:30:00 videorecording 1 videodisc (DVD) (30 min.) : sd., col. ; 4 3/4 in. David WAYNE 779.092 S818 EDW 2006
Federation University Australia Egyptian relief carving 1960 slide 10 slides : colour ; 5 x 5 cm. + notes (3 pages);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 736.50932 EG78R 196-
Federation University Australia Elements and principles of design 2004 00:59:00 videorecording 1 videodisc (59 minutes) : sound, colour ; 4 3/4 inches 745.4 El26pd
Federation University Australia Emily in Japan : the making of an exhibition 2009 01:22:00 videorecording 1 videodisc (DVD) (ca. 82 min.) : sd., col. ; 4 3/4 in. 759.994 K739e
Federation University Australia Eudosia : my own particular anxiety 2005 00:30:00 videorecording 1 videodisc (DVD) (ca. 30 min.) : sd., col. ; 4 3/4 in. Domenico DE CLARIO 709.94 D295E 2005
Federation University Australia Exit through the gift shop 2010 01:26:00 videorecording 1 videodisc (DVD) (ca. 86 min.) : sd., col. ; 4 3/4 in. Jaimie D'CRUZ Paranoid Pictures; Banksy 751.73 B218E 2010
Federation University Australia Exploring arts issues : galleries on show 2005 00:23:00 videorecording 1 videodisc (DVD) (23 min.) : sd., col. ; 4 3/4 in. + 1 teacher's notes. 708.994 E96 2005
Federation University Australia Exploring modern art 1994 electronic resource 1 computer disc ; 4 3/4 in. + user guide. 709 EXP
Federation University Australia Eye for design : learning visual literacy 2006 00:22:00 videorecording 1 videodisc (22 min.) : sd., col. ; 4 3/4 in. LEARNING SEED 745.401 Ey31d
Federation University Australia Fairweather man 2008 00:56:00 videorecording 1 videodisc (DVD) (56 min.) : sd., col. ; 4 3/4 in. Film Finance Corporation Australia; Fury Productions; Pacific Film and Television Commission 759.994 F169ma
Federation University Australia Famous paintings animations 00:21:00 videorecording 1 videodisc (21 minutes) : sound, colour ; 4 3/4 inches 759 F211p
Federation University Australia Film magic pro 2007 electronic resource 1 DVD-ROM : col., sd. ; 4 3/4 in. Andrew KRAMER 778.5345 K89F 2007
Federation University Australia First citizen : Albert Namatjira 1989 00:54:00 videorecording 1 videodisc (DVD) (54 min.) : sd., col. ; 4 3/4 in. John Davy TRISTRAM, I. James WILSON, Nadine AMADIO 759.994 N174 FIR 20--
Federation University Australia First earth : uncompromising ecological architecture 2010 01:27:00 videorecording 1 videodisc (DVD) (87 min.) : sd., col. ; 4 3/4 in. David SHEEN 720.47 F527 2010
Federation University Australia Four colonial painters, 1832-1887 1980 00:40:00 videorecording 1 videocassette (VHS) (40 min.) : sd., col. ; 1/2 in. David MUIR, Malcolm OTTON 759.994 F773 1980
Federation University Australia Francis Bacon 2000 00:55:00 videorecording 1 videodisc (55 minutes) : sound, colour ; 4 3/4 inches David HINTON London Weekend Television 759.2 B132fb
Federation University Australia Frank & Alvar : Ideas and influences 2006 00:31:00 videorecording 1 videodisc (31 minutes) : sound, colour ; 4 3/4 inches + 1 study guide (4 pages) Films for the Humanities & Sciences 720.92 F851ai
Federation University Australia Frank Hurley : the man who made history 2005 00:59:00 videorecording 1 videodisc (DVD) (59 min.) : sd., col. ; 4 3/4 in. 779.092 H965 FRA 2005
Federation University Australia Frank Lloyd Wright : a film 2004 02:33:00 videorecording 1 videodisc (DVD) (ca. 153 minutes) : sound, colour & black and white ; 4 3/4 inches Ken BURNS, Lynn NOVICK Florentine Films; WETA, Washington, D.C 720.924 W938n
Federation University Australia Freestyle : new Australian design for living 2006 00:30:00 videorecording 1 videodisc (30 minutes) : sound, colour ; 4 3/4 inches + 1 program support notes (11 pages : illustrations ; 30 cm.) Mark MCAULIFFE Object; Australian Centre for Craft and Design; Melbourne Museum; VEA 745.20994 F878na
Federation University Australia From Duchamp to pop art 2002 01:30:00 videorecording 1 videodisc (90 minutes) : sound, colour ; 4 3/4 inches Alain JAUBERT 759.06 D856pa
Federation University Australia Garbage warrior 2008 01:24:00 videorecording 1 videodisc (DVD) (84 min.) : sd., col. ; 4 3/4 in. Oliver HODGE Open Eye Media UK; ITVS International; Sundance Channel 720.47 G162wa
Federation University Australia Gary Hume 2005 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 759.2 H882g
Federation University Australia Gaudi's Barcelona 2003 00:48:00 videorecording 1 videodisc (48 minutes) : sound, colour ; 4 3/4 inches 720.92 G233ba
Federation University Australia Gaudi's shadow 2004 00:55:00 videorecording 1 videodisc (55 min.) : sd., col. ; 4 3/4 in. 720.92 G233s
Federation University Australia Gavin Turk 2003 00:25:00 videorecording 1 videodisc (25 minutes) : sound, colour ; 4 3/4 inches 730.92 T847g
Federation University Australia Geoff Mainwaring 1996 00:35:00 videorecording 1 videocassette (VHS) (35 min.) : sd., col. ; 1/2 in. 759.994 P838ag
Federation University Australia Gerhard Richter painting 2011 01:37:00 videorecording 1 videodisc (DVD) (97 min.) : sd., col. ; 4 3/4 in. Corrina BELZ Zero One Film; Terz Film 759.3 G368 2011
Federation University Australia Ghosts, angels & suburbia : four contemporary Australian artists 1997 00:25:00 videorecording 1 videodisc (25 minutes) : sound, colour ; 4 3/4 inches + teacher's notes (1 pages) + 1 electronic text ( : PDF file) Sue KYTE, Julie RAFFAELE 709.94 G346as
Federation University Australia Ghosts, angels and suburbia : four contemporary Australian artists 1997 00:25:00 videorecording 1 videocassette (VHS) (25 min.) : sd., col. ; 1/2 in. + teachers notes. Sue KYTE, Julie RAFFAELE 709.94 G427 1997
Federation University Australia Gilbert & George 2006 00:26:00 videorecording 1 videodisc (DVD) (26 minutes) : sound, colour ; 4 3/4 inches 709.2 G372ge
Federation University Australia Giotto 2004 00:34:00 videorecording 1 videodisc (34 minutes) : sound, colour ; 4 3/4 inches 759.94 D611 2004
Federation University Australia Girl in a mirror : a portrait of Carol Jerrems 2005 01:40:00 videorecording 1 videodisc (DVD) (100 min.) : sd., col. with b&w sequences ; 4 3/4 in. Film Finance Corporation Australia; Toi-Toi Films 770.92 J486g
Federation University Australia Girl in a mirror : a portrait of Carol Jerrems 2005 00:55:00 videorecording 1 videodisc (DVD) (55 min.) : sd., col. with b&w sequences ; 4 3/4 in. 779.092 J56 DRA 2005
Federation University Australia Godzilla meets the Brady Bunch : the art of Maria Kozic 1986 00:32:00 videorecording 1 videocassette (VHS) (32 min.) : sd., col. ; 1/2 in. 759.994 G592 1989
Federation University Australia Golden summers : the Heidelberg School 1985 00:34:00 videorecording 1 videocassette (VHS) (34 min.) : sd., col. ; 1/2 in. Patrick MCCAUGHEY 759.994 G618 1985
Federation University Australia Goodbye revolution 2008 00:53:00 videorecording 1 videodisc (53 min.) : sd., col. ; 4 3/4 in. + study guide (10 p :ill.; 30 cm.) 759.994 G611re
Federation University Australia Gothic 2004 00:31:00 videorecording 1 videodisc (DVD) (31 minutes) : sound, colour ; 4 3/4 inches University of the West of England, Faculty of the Built Environment; Video Project 723.5 G712ot
Federation University Australia Gothic : art for England 1400-1547 2003 00:50:00 videorecording 1 videodisc (50 min) : colour sd, ; 4 3/4 inches Sam FLYNN Illuminations production; Five 709.4209024 G712ae
Federation University Australia Gothic cathedrals 1995 00:50:00 videorecording 1 videodisc (DVD) (50 min.) : sd., col. ; 4 3/4 in. Jaffe Productions; Hearst Entertainment Television; History Channel 726.6 G712ca
Federation University Australia Goya : crazy like a genius 2002 01:30:00 videorecording 1 videodisc (75 minutes) : sound, colour with black and white sequences ; 12 cm. 759.6 G748cl
Federation University Australia Grace Crowley 1975 00:50:00 videorecording 1 videocassette (VHS) (50 min.) : sd., col. ; 1/2 in. 759.994 G729 1975
Federation University Australia Graffiti limbo 2004 00:19:00 videorecording 1 videodisc (DVD) (19 minutes) : sound, colour ; 4/34 inches Storyville Pictures; Boon Pics; James & James Doc 751.73 G758i
Federation University Australia Graffiti verité : read the writing on the wall 1995 03:35:00 videorecording 5 videodiscs (DVD) (ca 67 minutes each) : sound, colour ; 4 3/4 inches Bob BRYAN 751.730979494 G758vr
Federation University Australia Grand designs 2004 72:08:00 videorecording 24 videodiscs (72 hrs, 8 mins) : sd., col. ; 4 3/4 in. Kevin MCCLOUD, Fiona CALDWELL 728 G7626de
Federation University Australia Grand designs : the complete series one 2004 07:58:00 videorecording 2 videodiscs (478 minutes) : sound, colour ; 4 3/4 inches FremantleMedia; Channel 4 728 G762de
Federation University Australia Grand designs Australia. Series 1 2011 08:06:00 videorecording 3 videodiscs (ca. 486 min.) : sd., col. ; 4 3/4 in. 728.0994 G7626d
Federation University Australia Grand designs. Revisited by request 2013 06:16:00 videorecording 2 videodiscs (ca. 376 min.) : sd., col. ; 4 3/4 in. 728 G7626ds 2013
Federation University Australia Grand designs. Series five 2005 16:48:00 videorecording 5 videodiscs (ca. 1008 min.) : sd., col. ; 4 3/4 in. 728 G762de
Federation University Australia Grant Morrison : talking with gods 2010 01:20:00 videorecording 1 videodisc (DVD) (80 min.) : sd., col. ; 4 3/4 in. Patrick MEANEY Halo-8; Respect Films and Sequart 741.59411 M878 GRA 2010
Federation University Australia Graphic Design services directory 2005 electronic resource 1 CD-ROM ; 4 3/4 in. 741.6025 G766 2005
Federation University Australia Graphics & design : architecture 199- 00:53:00 videorecording 1 videodisc (53 min.) : sd., col. ; 4 3/4 in. + program support notes. Image Link; Video Education Australasia 720.28 G767da
Federation University Australia Gwyn Hanssen Pigott : a potters film 2008 00:30:00 videorecording 1 videodisc (PAL) (30 min.) : sd., col. ; 12 cm. 738.0994 H199pf
Federation University Australia Gwyn Hanssen Pigott : education resource pack 02:00:00 videorecording 1 videodisc (DVD) (120 minutes) : sound, colour ; 4 3/4 inches 738.0994 H199g
Federation University Australia H.R. Giger's sanctuary : a short documentary 2008 00:39:00 videorecording 1 videodisc (DVD) (ca. 39 min.) : sd., col. ; 4 3/4 in. Nick BRANDESTINI, Steve ELLINGTON 709.2 G459 HRG 2008
Federation University Australia Hallucination and landscape : Bill Fontana, David Haines, Joyce Hinterding, Angelica Mesiti 2010 00:30:00 videorecording 1 videodisc (30 mins) : sd., col. ; 4 3/4 in. 709.05 K643oa
Federation University Australia Hamish Fulton 2006 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 779.36 F959h
Federation University Australia Hans Heysen recollections 1990 00:28:00 videorecording 1 videodisc (28 min.) : sd., col. ; 4 3/4 in. Eugene SCHLUSSER, Reg MCLEAN 759.994 H519hh
Federation University Australia Hatsu-yume = First dream 2005 00:56:00 videorecording 1 videodisc (DVD) (56 min.) : sd., col. ; 4 3/4 in. Bill VIOLA 778.59 V795 HAT 2005
Federation University Australia Hazards in the arts 1986 02:30:00 videorecording 1 videocassette (VHS) (ca. 150 min.) : sd. , col. ; 1/2 in. Monona ROSSOL 751.2 HAZ
Federation University Australia Head on 2008 : alternative portraits 2008 00:25:00 videorecording 1 videodisc (ca. 25 minutes) : sound, colour ; 4 3/4 inches 704.942 H34ot
Federation University Australia Heidelberg School - Arthur Streeton 1960 slide 7 slides : colour ; 5 x 5 cm. + in folder (19 x 19 cm.) + study guide (4 pages);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 759.994 St835h 196-
Federation University Australia Heidelberg school : Tom Roberts 1980 slide 8 slides : colour ; 5 x 5 cm. + in folder (19 x 19 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 759.994 R5443h 198-
Federation University Australia Here's my hand : a testimony to an Aboriginal memorial 1988 00:28:00 videorecording 1 videocassette (VHS) (28 min.) : sd., col. ; 1/2 in. 704.039915 H421m 1988
Federation University Australia Hidden treasures : inside the National Library of Australia 2008 00:50:00 videorecording 1 videodisc (DVD) (50 min.) : sd., col. ; 4 3/4 in. Betty CHURCHER 708.99471 H53ti
Federation University Australia Hidden treasures with Betty Churcher 2006 01:15:00 videorecording 1 videodisc (75 minutes) : sound, colour with black and white sequences ; 4 3/4 inches Film Australia; Early Works 708.99471 C475h
Federation University Australia Hired assassins : political cartooning in Australia 2003 00:58:00 videorecording 1 videodisc (58 minutes) : sound, colour ; 4 3/4 inches Helen BARROW Film Finance Corporation Australia; Evershine 741.5994 H614ap
Federation University Australia Hockney at the Tate 2002 00:52:00 videorecording 1 videodisc (DVD) (52 min.) : sd., col. ; 4 3/4 in. + 1 booklet (6 p.) Alan BENSON 759.2 G685 HOC 2002
Federation University Australia How art made the world 2006 04:50:00 videorecording 2 videodiscs (DVD) (290 min.) : sd., col. ; 4 3/4 in. Mark HEDGECOE BBC; KCET Hollywood 709 H847 2006
Federation University Australia How to make digital stories 2008 00:24:00 videorecording 1 videodisc (DVD) (24 min.) : sd., col. ; 4 3/4 in. 778.59 H847 2008
Federation University Australia How to shoot RAW without fear, uncertainty and doubt : video tutorials 2007 videorecording 2 videodiscs ; 4 3/4 inches Michael TAPES 775 T161h
Federation University Australia Howard Hodgkin 2002 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 759.2 H667h
Federation University Australia Howard Taylor : forest artist 2001 00:27:00 videorecording 1 videodisc (DVD) (27 min.) : sd., col. ; 4 3/4 in. 709.94 T242 HOW 2001
Federation University Australia I witness : the art of George Gittoes 1999 00:55:00 videorecording 1 videodisc (55 minutes) : sound, colour ; 4 3/4 inches 759.994 G447i
Federation University Australia Ian Davenport 2006 00:26:00 videorecording 1 videodisc (26minutes) : sound, colour ; 4 3/4 inches 759.06 D274i
Federation University Australia Ian Hamilton Finlay 2005 00:26:00 videorecording 1 videodisc (26 minutes) : sound, col ; 4 3/4 inches Illuminations production; Five 730.941 F496i
Federation University Australia Images and meaning : analysing visual text in newspapers 00:30:00 videorecording 1 videodisc (DVD) (30 min) : sd., col. ; 4 3/4 in. Alan WOODRUFF 741.65 I31 1997
Federation University Australia Impressionism in art and music 1986 00:34:00 videorecording 1 videocassette (VHS)(34 min.) : sd., col. ; 1/2 in. EAV Production 700.9 Im7am
Federation University Australia In the footsteps of Van Gogh 1999 00:56:00 videorecording 1 videodisc (56 minutes) : sound, colour ; 4 3/4 inches Dominik RIMBAULT 759.9492 G557r
Federation University Australia Inside Australia : with Antony Gormley 00:50:00 videorecording 1 videodisc (DVD) (50 minutes) : sound, colour ; 4 3/4 inches 730.92 In7a
Federation University Australia International style 1999 00:25:00 videorecording 1 videodisc (25 minutes) : sound, colour ; 4 3/4 inches 728.37 In8st
Federation University Australia Intimacy of touch screen : Jean DuBois, Chloé Lefebvre, Lawrence Malstaff 00:30:00 videorecording 1 videodisc (30 mins) : sd., col. ; 4 3/4 in. 709.05 K643oa
Federation University Australia Introduction to design : elements 2010 00:24:00 videorecording 1 videodisc (ca. 24 min.) : sd., col. ; 4 3/4 in. Aprille HOLLIS, Scott GARDNER 701.8 In891t
Federation University Australia Intuitive interfaces : David Kousemaker, Laurent Mignonneau & Christa Sommerer, Grégory Lasserre & Anaïs met den Ancxt 2010 00:30:00 videorecording 1 videodisc (30 mins) : sd., col. ; 4 3/4 in. 709.05 K643oa
Federation University Australia Is this art? Episode 6, Poetry : visual poetry 2005 00:33:00 videorecording 1 videodisc (DVD) (ca. 33 min.) : sd., col. ; 4 3/4 in. 709.0407 I73 2005
Federation University Australia James Gleeson : the artist as an evolving landscape 2006 00:29:00 videorecording 1 videodisc (DVD) (29 minutes) : sound, colour ; 4 3/4 inches FILM SOUTH 759.994 G479a
Federation University Australia Jasper Johns : ideas in paint 2006 00:56:00 videorecording 1 videodisc (56 minutes) : sound, colour ; 4 3/4 inches 759.13 J623j
Federation University Australia Jenny Sages: Paths to portraiture 2012 00:28:00 videorecording 1 videodisc (28 min.) : sd., col. ; 4 3/4 in. 759.994 J45s
Federation University Australia Jenny Watson 1986 00:29:00 videorecording 1 videocassette (VHS) (29 min.) : sd., col. ; 1/2 in. 759.994 JEN
Federation University Australia Joe Tilson 2006 00:29:00 videorecording 1 videodisc (29 minutes) : sound, colour ; 4 3/4 inches 709.2 T469j
Federation University Australia John Brack : slide set and notes slide 40 slides : b&w and col. + notes (24 p. : ill. ; 30 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 759.994 B724J 1992
Federation University Australia John Olsen : a retrospective 1991 00:17:00 videorecording 1 videocassette (VHS) (17 min.) : sd., col. ; 1/2 in. 759.994 Ol8j
Federation University Australia John Olsen : journey through you beaut "country." 1992 01:32:00 videorecording 1 videodisc (DVD) (92 minutes) : sound, colour ; 4 3/4 inches 759.994 Ols8jj
Federation University Australia John Szarkowski : a life in photography 1998 00:47:00 videorecording 1 videodisc (DVD) (47 min.) : sd., col. with b&w sequences ; 4 3/4 in. Richard B. WOODWARD, Sandra MCLEOD Checkerboard Foundation, Inc 779.092 S996 JOH 1998
Federation University Australia John Wolseley 2005 02:00:00 videorecording 2 videodiscs (DVD) (120 min.) : sd., col. ; 4 3/4 in. + 1 CD-ROM (4 3/4 in.) 709.2 W837s
Federation University Australia John Wolseley : the smokers have taken the gold 2005 00:29:00 videorecording 1 videodisc (DVD) (29 minutes) : sound, colour ; 4 3/4 inches + 1 teachers book (120 leaves : illustrations ; 30 cm.) Creative Cowboy 709.2 W837s
Federation University Australia Joie de vivre 2005 01:00:00 videorecording 1 videodisc (DVD) (ca. 60 min.) : sd., col. ; 4 3/4 in. 709.05 J74 2005
Federation University Australia Judgement Day : images of heaven and hell 2005 01:09:00 videorecording 1 videodisc (69 min.) : sd., col. ; 4 3/4 in. Tim MARLOW Seventh art productions 704.948 J891di
Federation University Australia Julian Opie 2006 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 730.9224 Op3j
Federation University Australia Julie Gough 2007 02:00:00 videorecording 2 videodiscs (120 min.) : sd., col. ; 4 3/4 in. + 1 CD-ROM (4 3/4 in.) 709.2 G726j
Federation University Australia Julie Gough : we walked on a carpet of stars 2007 00:26:00 videorecording 1 videodisc (DVD) (26 min.) : sd., col. ; 4 3/4 in. + 1 resource book (99 leaves : ill. ; 30 cm.) 709.2 G726j
Federation University Australia Karl Weschke 2006 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 759.2 W511k
Federation University Australia Keith Carter 2006 01:00:00 videorecording 1 videodisc (DVD) (60 min.) : sd., col. ; 4 3/4 in. John SPELLOS Anthropy Arts 779.092 C323 KEI 2006
Federation University Australia Kimberley : Wandjina country 1989 00:46:00 videorecording 1 videocassette (VHS) (46 min.) : sd., col. ; 1/2 in. + teacher's guide (16 p.) 759.994 K49 1989
Federation University Australia Kiss of art. Vol. 3, Generation next 2010 00:30:00 videorecording 1 videodisc (30 min.) : sd., col. ; 12 cm. 709.05 K643oa
Federation University Australia Know what's what in art, craft, design 1997 electronic resource 1 computer optical disc (CD) : sd., col. ; 4 3/4 in. + user's guide. John SKULL 700.105 Sk73k
Federation University Australia La naissance de l'impressionisme = Birth of impressionism = Édouard Manet, Olympia ; Pierre-Auguste Renoir, Le bal du moulin de la Galette ; Claude Monet, Le bassin aux nymphes 2000 01:30:00 videorecording 1 videodisc (90 minutes) : sound, colour ; 4 3/4 inches 759.054 N144dl
Federation University Australia Landscape with figures : the art of Australia 2007 04:53:00 videorecording 5 videodiscs (293 minutes) : sound, colour ; 3 3/4 inches Robert HUGHES 759.994 L239fa
Federation University Australia Lascaux, préhistoire de l'art 2001 01:12:00 videorecording 1 videodisc (72 minutes) : sound, colour & black and white, ; 4 3/4 inches 709.011 L332p
Federation University Australia Le Siècle des Lumieres : Watteau, Chardin, Fragonard 2005 01:30:00 videorecording 1 videodisc (90 minutes) : sound, colour ; 4 3/4 inches 709.033 Si15l
Federation University Australia Le Temps des Titans : Titien, Vinci, Raphaël 2005 01:30:00 videorecording 1 videodisc (90 minutes) : sound, colour ; 4 3/4 inches 709.024 T249dt
Federation University Australia Le grand siècle Française : La Tour, Le Lorrain, Poussin 2003 01:30:00 videorecording 1 videodisc (90 minutes) : sound, colour ; 4 3/4 inches 759.4 G765sf
Federation University Australia Le mystere Picasso = The mystery of Picasso 2003 01:15:00 videorecording 1 videodisc (DVD) (75 min.) : sd., col. and b&w ; 4 3/4 in. Henri-georges CLOUZOT Filmsonor 759.6 P586 CLO 2003
Federation University Australia Le siècle d'or des Pays-Bas : Rubens, Rembrandt, Vermeer 2002 01:30:00 videorecording 1 videodisc (90 min.) : sd., col. ; 4 3/4 in. 759.9492 S15dp
Federation University Australia Len Lye 2007 00:26:00 videorecording 1 videodisc (DVD) (ca. 26 minutes) : sound, colour ; 4 3/4 inches 709.2 L986e
Federation University Australia Len Lye : rhythms 2009 00:47:00 videorecording 1 videodisc (47 minutes) : sound, colour ; 4 3/4 inches + 1 booklet (27 pages : illustrations ; 18 cm.) 709.2 L986r
Federation University Australia Leonardo : the divine Michelangelo 2004 04:55:00 videorecording 2 videodiscs (DVD) (295 min.) : sd., col. ; 4 3/4 in. 709.2 L553d
Federation University Australia Les grands modernes : Picasso, Bonnard, Matisse 2000v 01:30:00 videorecording 1 videodisc (90 minutes) : sound, colour ; 4 3/4 inches 709.2 G764m
Federation University Australia Leunig animated 2002 01:40:00 videorecording 1 videodisc (DVD) (ca. 100 min.) : sd., col. ; 4 3/4 in. 741.5994 L653 2002
Federation University Australia Life drawing : techniques in action 2007 02:48:00 videorecording 2 videodiscs (168 minutes) : sound, colour ; 4 3/4 inches Bridget WOODS 743.4 W861i
Federation University Australia Light & shade 2000 00:10:00 videorecording 1 videodisc (10 min.) : sd., col. ; 4 3/4 in. Double Diamond 741.2 L626sh
Federation University Australia Light and shadow 1991 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 701.8 L626sh
Federation University Australia Lighting 2006 00:21:00 videorecording 1 videodisc (21 min.) : sd., col. ; 4 3/4 in. + program support notes. 729.28 L626ig
Federation University Australia Lighting for digital video 2005 00:36:00 videorecording 1 videodisc (DVD) (ca. 36 min.) : sd., col. ; 4 3/4 in. 778.592 L724 2005
Federation University Australia Liliane Lijn 2005 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 730.973 L627l
Federation University Australia Lisa Milroy 2006 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 759.2 M638l
Federation University Australia Lisa Roet : ape lady 2009 00:28:00 videorecording 1 videodisc (DVD) (28 min.) : sd., col. ; 4 3/4 in. 704.9432988 R629al
Federation University Australia Listening to the paintings : Australia 00:38:00 videorecording 1 videodisc (DVD) (38 minutes) : sound, colour ; 4 3/4 inches + 1 sound disc + teacher notes (10 leaves ; 30 cm.) 759.994 L697tp
Federation University Australia Lloyd Rees : a tribute to Sydney 20-- 00:30:00 videorecording 1 videodisc (DVD) (30 min) : sd., col. with b&w sequences ; 4 3/4 in. Sue GREGORY, Wendy CHARELL 759.994 R259t
Federation University Australia Louis Kahn : silence and light 1997 01:00:00 videorecording 1 videodisc (60 min.) : sd., col. with b&w sequences ; 4 3/4 in. Michael BLACKWOOD 720.92 L9289s
Federation University Australia Louise Bourgeois 2008 00:52:00 videorecording 1 videodisc (DVD) (52 minutes) : sound, colour ; 4 3/4 inches + booklet (11 pages) Camille GUICHARD Terra Luna Films; Centre George Pompidou 730.92 B666u
Federation University Australia Louise Bourgeois : the spider, the mistress and the tangerine 2010 01:39:00 videorecording 1 videodisc (DVD) (ca. 99 min.) : sd., col. ; 4 3/4 in. 730.973 B772 LOU 2010
Federation University Australia Lucy Culliton's big skies 2010 00:26:00 videorecording 1 videodisc (DVD) (26 min) : sd., col. ; 4 3/4 in. Sue GREGORY, Wendy CHARELL 759.994 C898bs
Federation University Australia Making masterpieces 1997 03:00:00 videorecording 6 videodiscs (DVD)(180 min.) : sd., col. ; 4 3/4 in. 751 M235 1997
Federation University Australia Malcolm Morley 2006 00:34:00 videorecording 1 videodisc (34 minutes) : sound, colour ; 4 3/4 inches 759.2 M828m
Federation University Australia Man Ray 2004 00:50:00 videorecording 1 videodisc (DVD) (50 min.) : sd., col. and b&w ; 4 3/4 in. 709.2 R264 MAN 2004
Federation University Australia Manet : the man who invented modern art 2012 01:29:00 videorecording 1 videodisc (DVD) (ca. 89 min.) : sd., col. ; 4 3/4 in. 759.4 M3131m
Federation University Australia Manufactured landscapes 2008 01:36:00 videorecording 1 videodisc (DVD) (ca. 96 min.) : sd., col. ; 4 3/4 in. MONGREL MEDIA Mercury Films; Foundry Films; National Film Board of Canada; TVOntario 779.092 B974 MAN 2008
Federation University Australia Margaret Olley : a life in paint 2012 00:55:00 videorecording 1 videodisc (DVD) (55 min.) : sd., col. with b & w sequences ; 12 cm. 759.994 M327 2012
Federation University Australia Market of dreams 1990 00:52:00 videorecording 1 videodisc (52 min.) : sd., col. ; 4 3/4 in. 759.994 M341d
Federation University Australia Martin Creed 2006 00:26:00 videorecording 1 videodisc (26 min.) : sound, colour ; 4 3/4 in.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" 709.2 C8613m 2006
Federation University Australia Mask making 1994 01:00:00 videorecording 1 videodisc (60 minutes) : sound, colour ; 4 3/4 inches Kriszta BODONYI 731.75 M379m
Federation University Australia Masters of design 200- videorecording 2 videodiscs (DVD) : sound, colour ; 4 3/4inches Exero Media 729 M393d
Federation University Australia Materials for design : resin jewellery 2006 00:24:00 videorecording videorecording 739.27028 M417d
Federation University Australia Matisse/Picasso 2002 00:52:00 videorecording 1 videodisc (52 minutes) : sound, colour ; 4 3/4 inches 759.4 M427p
Federation University Australia Max Germaine's artists and galleries on CD-ROM : the essential reference of contemporary art in Australia 1997 electronic resource 1 computer optical disc (CD) : sd., col. ; 4 3/4 in. 709.940320 G317a
Federation University Australia McCullin 2012 01:31:00 videorecording 1 videodisc (91 minutes) : sound, colour, back and white sequences ; 4 3/4 in.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" Jacqui MORRIS, David MORRIS 770.92 M1392c 2012
Federation University Australia Meaning in abstract art 2006 00:31:00 videorecording 1 videodisc (31 minutes) : sound, colour ; 4 3/4 inches + 1 program support notes (8 pages ; 30 cm.) Paul WOOD 709.04052 M462aa
Federation University Australia Meeting James Gleeson 2004 00:50:00 videorecording 1 videodisc (DVD) (50 minutes) : sound, colour ; 4 3/4 inches 759.994 G479ja
Federation University Australia Melbourne : the school of the forties, 1943-1947 1981 00:42:00 videorecording 1 videocassette (VHS PAL) (42 min.) : sd., col. ; 1/2 in. 759.994 M517 1984
Federation University Australia Michael Cardew, 1901-1983 1999 00:30:00 videorecording 1 videodisc (30 min.) : sd., col. ; 4 3/4 in. Eve MUIR, Fred FEIBEL 738.092 C178mc
Federation University Australia Michael Landy 2005 00:26:00 videorecording 1 videodisc (ca. 26 minutes) : sound, colour ; 4 3/4 inches Illuminations Production; Channel Four Television, London; WDR, Cologne 709.2 L239m
Federation University Australia Michael Leunig 00:28:00 videorecording 1 videodisc (28 minutes) : sound, colour ; 4 3/4 inches 741.5994 L572m
Federation University Australia Michelangelo 2004 00:41:00 videorecording 1 videodisc (41 minutes) : sound, colour ; 4 3/4 inches 759.94 D611 2004
Federation University Australia Michelangelo's David 2001 00:49:00 videorecording 1 videodisc (DVD) (49 min.) : sd., col. ; 4 3/4 in. + teacher's notes. 730.92 M582d
Federation University Australia Microsoft art gallery : the collection of the National Gallery, London 1993 electronic resource 1 computer laser optical disc : sd., col. ; 4 3/4 in. + user guide. 708.212 MIC
Federation University Australia Mies 2006 01:01:00 videorecording 1 videodisc (61 minutes) : sound, colour with black and white sequences ; 4 3/4 inches 720.92 M586ie
Federation University Australia Milliya rumarra = Brand new day 1984 00:50:00 videorecording 1 videocassette (VHS) (50 min.) : sd., col. ; 1/2 in. 700.99411 M655 1984
Federation University Australia Mona Hatoum 2005 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches Sam FLYNN Illuminations Production; Channel Four Television, London; WDR, Cologne 709.2 H286m
Federation University Australia Monsieur René Magritte 1978 00:51:00 videorecording 1 videodisc (51 minutes) : sound, colour ; 4 3/4 in + 1 booklet (9 pages : illustrations ; 19 cm.) RM Productions; Antenne 2; WDR 759.9493 M276m
Federation University Australia Monumental vision 2007 02:45:00 videorecording 6 videodiscs (DVD) (165 min.) : sd., col. ; 4 3/4 in. 730.994 R724 MON 2007
Federation University Australia More human than human 2005 00:52:00 videorecording 1 videodisc (DVD) (52 minutes) : sound, colour ; 4 3/4 inches + teacher's note (9 pages, 30 cm.) 704.942 M813h
Federation University Australia More than a glance : Tony Woods 2005 00:15:00 videorecording 1 videodisc (15 minutes) : sound colour ; 4 3/4 inches 759.994 W867mt
Federation University Australia Morning Star painter : Aboriginal art and culture 00:30:00 1 videocassette (30 min.) : sd., col. ; 1/2 in. 709.011 M828s 1979
Federation University Australia Music and dance 2007 00:30:00 videorecording 1 videodisc (DVD) (30 min.) : sd., col. ; 4 3/4 in. Justin SHORTAL, Rod PARNALL 700.71 Ar796a
Federation University Australia Naked states 2002 01:20:00 videorecording 1 videodisc (80 minutes) : sound, colour ; 4 3/4 inches Arlene DONNELLY Junto Films Production; Chaiken Films 704.9421 N145st
Federation University Australia New buildings in old settings : Ted Cullinan talks to Victoria Perry 200- 00:53:00 videorecording 1 videodisc (53 min.) : sd., col. ; 4 3/4 in. Monica PIDGEON 720.28 C897n
Federation University Australia New directions in clay 1983 slide 24 slides : col. + 1 script ([15] leaves ; 21 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" 738.0994 N42
Federation University Australia Noise driven ambient audio and visuals 2006 videorecording 1 videodisc : sd., col. ; 4 3/4 in. KNBSC505 778.59 N784 2006
Federation University Australia Nora Heysen : a life of her own 2006 00:55:00 videorecording 1 videodisc (55 minutes) : sound, colour ; 4 3/4 inches Eugene SCHLUSSER, Reg MCLEAN 759.994 H519nl
Federation University Australia Not quite art 2007 01:30:00 videorecording 3 videodiscs (30 min. ea.) : sd., col. ; 12 cm. 709 N843q
Federation University Australia Not quite art 2007 01:30:00 videorecording 1 videodisc (DVD) (ca. 90 min.) : sd., col. ; 12 cm. 709 N899 2007
Federation University Australia Not quite art. Series 2 2007 01:21:00 videorecording 3 videodiscs (81 min.) : sd. , col. ; 4 3/4 in.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" Emma CRIMMINGS, Frank HAINES 709 N843q
Federation University Australia Objects of desire 2009 videorecording 2 videodiscs (DVD) (102 min.) : sd., col. ; 4 3/4 in. 745.2 Ut8bt
Federation University Australia Ochre and ink : a Chinese artist in Aboriginal Australia 2011 00:27:00 videorecording 1 videodisc (27 min.) : sd., col. ; 4 3/4 in. + 1 study guide (14 p.: col. ill. ; 30 cm.). 759.994 Oc37i
Federation University Australia Olafur Eliasson : notion motion 2005 01:30:00 videorecording 1 videodisc (DVD) (90 min.) : sound, colour ; 4 /34 in.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" 709.489 El42o 2005
Federation University Australia Ordinary miracles : the Photo League's New York 2012 01:17:00 videorecording 1 videodisc (DVD)(77 min.) : sd., b&w and col. ; 4 3/4 in. Daniel ALLENTUCK, Nina ROSENBLUM 779.997471 O65 2012
Federation University Australia Originality in design : creating a unique form language 2005 02:00:00 videorecording 1 videodisc (DVD) (120 min.) : sd., col. ; 4 3/4 in. Nick PUGH 741.6 P978 ORI 2005
Federation University Australia P & S '86 1986 kit 58 slides : colour ; 5 x 5 cm.;"still image rdacontent";"projected rdamedia";"slide rdacarrier" 709.047 P4163s 1986
Federation University Australia Painting Australia 2007 02:42:00 videorecording 3 videodiscs (DVD) (162 min.) : sd., col. ; 4 3/4 in. 759.994 P148.1 2007
Federation University Australia Painting Australia 2007 02:42:00 videorecording 3 videodiscs (DVD) (162 min.) : sd., col. ; 4 3/4 in. 759.994 P166au
Federation University Australia Painting country 2000 00:52:00 videorecording 1 videocassette (VHS) (52 min.) : sd., col. ; 1/2 in. Sally INGLETON, Robin EASTWOOD, Andrew OGILVIE 759.994 P148 2000
Federation University Australia Painting country 2000 00:52:00 videorecording 1 videodisc (52 minutes) : sound, colour ; 4 3/4 inches Australian Film Finance Corporation; Electric Pictures; Robin Eastwood Productions 759.9940899915 P166co
Federation University Australia Painting the town : a film about Yosl Bergner 2008 00:58:00 videorecording 1 DVD-video (PAL)(58 min.) : sound, colour with some black &white sequences ; 12 cm.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" 759.994 B4545p 2008
Federation University Australia Paradise found : the story of Islamic art 2011 01:43:00 videorecording 1 videodisc (DVD) (103 min.) : sd., col. ; 4 3/4 in. 709.1767 P211f
Federation University Australia Paris : the luminous years 2011 01:46:00 videorecording 1 videodisc (DVD) (ca. 106 min.) : sd., col. ; 4 3/4 in. 700.904 P2186u
Federation University Australia Patterns of landscape : through the eyes of Fred Williams, 1927-1982 1989 00:46:00 videorecording 1 videocassette (VHS) (46 min.) : sd., col. ; 1/2 in. Christina WILCOX 709.94 PAT
Federation University Australia Paul Driessen : inside out 2003 00:52:00 videorecording 1 videodisc (DVD) (52 minutes) : sound, colour ; 4 3/4 inches Ton GLOUDEMANS, Paul DRIESSEN, Guus VAN WAVEREN 778.5347 D831i
Federation University Australia Paul Driessen : inside out 2006 00:52:00 videorecording 1 videodisc (DVD) (52 min.) : sd., col. ; 4 3/4 in. Ton GLOUDEMANS, Paul DRIESSEN, Guus VAN WAVEREN 778.5347 P324 2006
Federation University Australia Permutations into darkness trilogy 1985 02:26:00 videorecording 1 videocassette (VHS) (146 min.) : sd., col. ; 1/2 in. + notes(5 p.) Nicholas TSOUTAS 709.94 P451 1985
Federation University Australia Peter Berner's loaded brush 2005 00:56:00 videorecording 1 videodisc (DVD) (56 min.) : sd., col. ; 4 3/4 in. 757 B525 PET 2005
Federation University Australia Peter Berner's loaded brush 2005 00:56:00 videorecording 1 videodisc (DVD) (56 min.) : sd., col. ; 4 3/4 in. 757 P441bb
Federation University Australia Peter Churcher : the master at work 2005 00:40:00 videorecording 1 DVD-video (40 min.) : sd., col. ; 12 cm. 757.0994 C475p
Federation University Australia Phillip McConnell - forms and surface 1980 slide 17 col. slides (plastic mounts) ; 5 x 5 cm., teacher's manual.;"still image rdacontent";"projected rdamedia";"slide rdacarrier" John DALACOUR Crafts Council of Australia Resource Centre 738.092 M4599P 1980
Federation University Australia Photographers of Australia : Dupain, Sievers, Moore 1992 00:43:00 videorecording 1 videodisc (DVD) (43 min.) : sd., col., with b&w sequences ; 4 3/4in. 770.994 P575 1992
Federation University Australia Photography 2006 00:14:00 videorecording 1 videodisc (DVD) (14 minutes) : sound, colour ; 4 3/4 inches 770 P566h
Federation University Australia Picasso : Guernica (1937) 2006 00:52:00 videorecording 1 videodisc (DVD) (052 min.) : sd., col. ; 4 3/4 in. 759.6 P581gu
Federation University Australia Piero della Francesca 2004 00:35:00 videorecording 1 videodisc (35 minutes) : sound, colour ; 4 3/4 inches 759.94 D611 2004
Federation University Australia Plains tribal dream catchers and medicine bags 2005 00:24:00 videorecording 1 videodisc (24 minutes) : sound, colour ; 4 3/4 inches 745.5 P691td
Federation University Australia Poles apart 2001 01:00:00 videorecording 1 videodisc (DVD) (60 min.) : sd., col. ; 4 3/4 in. 701.030994 P758ap
Federation University Australia Portrait of Imogen 1987 00:26:00 videorecording 1 videocassette (VHS) (26 min.) : sd., b&w ; 1/2 in. 770.92 P853 1987
Federation University Australia Poster art 1914-1920 : an interactive art exhibition on a CD-ROM disc 1993 electronic resource 1 optical laser disc : sd., col. ; 4 3/4 in., in container 13 x 15 x 1 cm. BOARD OF STUDIES NSW 741.67407 POS
Federation University Australia Prairie style 1998 00:23:00 videorecording 1 videodisc (23 min.) (DVD) : sd., col. ; 4 3/4 in. 728.37 P884st
Federation University Australia Private life of a masterpiece. Series 3, Sunflowers 2004 00:50:00 videorecording 1 videodisc (DVD) (50 minutes) : sound, colour ; 4 3/4 inches + teacher's note (10 pages 30 cm) 759.9492 G557p
Federation University Australia Prix Ars Electronica : CyberArts 2008 : international compendium Prix Ars Electronica : Computer animation/film/VFX, digital music, hybrid art, interactive art, digital communities, Media Art Research Award, u19 - freestyle computing 2008 319 pages : illustrations (some colour) ; 24 cm. + 1 DVD-ROM, 1 CD (51 minutes) + booklet (12 pages : illustrations ; 12 cm.) Hannes LEOPOLDSEDER, Christine SCHöPF, Gerfried STOCKER 776.2 P939p
Federation University Australia Professional practice : Dominique Falla 00:59:00 videorecording 1 videodisc (59 min.) : sd., col. ; 4 3/4 in. VCV 741.6092 F19p
Federation University Australia RASH 2005 01:12:00 videorecording 1 videodisc (72 min.) : sound, colour ; 4 3/4 in.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" Nicholas HANSEN 751.73099451 R1835a 2005
Federation University Australia Rachel Whiteread 2005 00:26:00 videorecording 1 videodisc (DVD) (26 minutes) : sound, colour ; 4 3/4 inches 730.92 W588r
Federation University Australia Rachel Whiteread : house 1995 00:26:00 videorecording 1 videocassette (VHS) (26 min.) : sd., col.; 1/2 in. John KELLY, Helen SILVERLOCK 730.9421 R119 1995
Federation University Australia Raffaello 00:42:00 videorecording 1 videodisc (42 minutes) : sound, colour ; 4 3/4 inches 759.94 D611 2004
Federation University Australia Rembrandt and his world 00:42:00 videorecording 1 videodisc (42 min.) : col., sd. ; 4 3/4 in. Robin LUTZ 759.9492 R282l
Federation University Australia Rembrandt's masterly brushstrokes : a scientific research of his paint in collaboration with DSM 00:28:00 videorecording 1 videodisc (ca. 28 minutes) : sound, colour ; 4 3/4inches Visser & Van Rijckevorsel Filmprodukties 759.9492 R282v
Federation University Australia Remembrance of things to come 2008 01:08:00 videorecording 1 videodisc (DVD) (68 min.) : sd., b&w ; 4 3/4 in. Chris MARKER, Yannick BELLON Les Films de l'equinoxe; ARTE France 779.092 B447 REM 2008
Federation University Australia Remote-controlled suspension 1987 00:18:00 videorecording 1 videocassette (VHS) (18 min) : sd. col. ; 1/2 in. 700.92 St38r 1987
Federation University Australia Return to the dreaming 1969 00:50:00 videorecording 1 videocassette (VHS) (50 min) : sd., col. ; 1/2 in. 709.011 R439 1969
Federation University Australia Returning figures : a sculpture commission by Greg Johns for Ibiza 2005 00:27:00 videorecording 1 videodisc (27 minutes) : sound, colour ; 4 3/4 inches Ashley STARKEY 730.994 R316f
Federation University Australia Richard Deacon 2006 00:26:00 videorecording 1 videodisc (DVD) (26 min.) : sound, colour ; 4 3/4 in.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" 730.92 D3404r 2006
Federation University Australia Richard Tuttle : never not an artist 2005 00:32:00 videorecording 1 videodisc (32 min.) : sd., col. ; 4 3/4 in. Twelve films 709.2 T888nn
Federation University Australia Richard Wilson 2006 00:26:00 videorecording 1 videodisc (DVD) (26 min.) : sound, colour ; 4 3/4 in.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" 709.2 W6971r 2006
Federation University Australia Rivers and tides : Andy Goldsworthy : working with time 2006 02:35:00 videorecording 2 videodiscs (DVD) (ca. 155 min.) : sd., col. ; 4 3/4 in. + booklet ([19] p. : ill. ; 19 cm.) 730.942 R524ta
Federation University Australia Road to Cherbourg : surveying issues in contemporary indigenous art 1999 electronic resource 1 computer optical disc (CD-ROM) : sd., col. ; 4 3/4 in. 759.994 S485 ROA 1999
Federation University Australia Roar! : Melbourne expressionism in the 1980s 00:26:00 videorecording 1 videodisc (DVD) (25 min.) : sd., col. ; 4 3/4 in. + teacher notes (5 p.) Traudi ALLEN, Peter WISEMAN 709.9451 R628 2006
Federation University Australia Robert Irwin : the beauty of questions 1997 01:00:00 videorecording 1 videocassette (VHS) (60 min.) : sd., col. with b&w sequences ; 1/2 in. 709.2 R641 1997
Federation University Australia Robert Jacks : the artist's journey 00:20:00 videorecording 1 DVD-video (20 min.) : sd., col. ; 12 cm. 759.994 J131rj
Federation University Australia Robert Rauschenberg : man at work 2001 00:57:00 videorecording 1 videodisc (57 minutes) : sound, colour ; 4 3/4 inches Andrea MILLER, Chris GRANLUND BBC; RM Arts; Guggenheim Museum; Ovation 709.2 R193r
Federation University Australia Rome wasn't built in a day 2011 04:42:00 videorecording 6 videodiscs (282 min.) : sd., col. ; 4 3/4 in. 728.8093763 R6642w
Federation University Australia Ron Mueck 2007 00:14:00 videorecording 1 videodisc (DVD) (14 minutes) : sound, colour ; 4 3/4 inches 730.92 M885rm
Federation University Australia Ron Mueck : [a girl] : Cacmálaga, Centro de Arte Contemporáneo de Málaga 2007 videorecording 1 videodisc (DVD) : sd., col. ; 4 3/4 in. 730.994 M945R 2007
Federation University Australia Ron Mueck : [a girl] : Cacmálaga, Centro de Arte Contemporáneo de Málaga 2007 01:10:00 videorecording 1 videodisc (ca 70 minutes) : sound, colour ; 4 3/4 inches 730.92 M885c
Federation University Australia Roy Lichtenstein 2005 00:51:00 videorecording 1 videodisc (DVD) (51 minutes) : sound, colour ; 4 3/4 inches Chris HUNT 709.24 L617r
Federation University Australia Roy Lichtenstein 2005 00:53:00 videorecording 1 videodisc (DVD) (ca. 53 min.) : sd., col. ; 4 3/4 in. Chris HUNT 759.13 L699 ROY 2005
Federation University Australia Rubens and his world 1998 electronic resource 1 CD-ROM : sd., col. ; 4 3/4 in. Hans DEVISSCHER, Paul HUVENNE, Hans NIEUWDORP 759.9493 R823d
Federation University Australia Rupert Charles Wulsten Bunny : colour, mood and the senses 2000 00:58:00 videorecording 1 videodisc (58 minutes) : sound, colour ; 4 3/4 inches Eugene SCHLUSSER, Reg MCLEAN 759.994 B885rc
Federation University Australia Safety in ceramics 1983 00:12:00 videorecording 1 videocassette (VHS) (12 min.) : sd., col. ; 1/2 in. K. STARBUCK 738.18 S128 1983
Federation University Australia Santiago Sierra : art vs globalisation 2006 00:29:00 videorecording 1 videodisc (29 min.) : sd., col. ; 4 3/4 in. 709.2 Si17s
Federation University Australia Saving Fallingwater 00:54:00 videorecording 1 videodisc (DVD) (54 min.) : sd., col. and b&w ; 4 3/4 in. Kenneth LOVE 728 W949 SAV 2006
Federation University Australia Sculpting comic book style 2008 02:00:00 videorecording 1 videodisc (DVD) (120 min.) : sd., col. ; 4 3/4 in. John BROWN, Chris SEARS 731.42 B878 SCUL 2008
Federation University Australia Sculpture by the sea 2007 00:39:00 videorecording 1 videodisc (DVD) (ca. 39 minutes) : sound, colour ; 4 3/4 inches Rebel PENFOLD-RUSSELL, Adam BAYLISS 730.994 Sc78se
Federation University Australia Sears Tower 2004 00:45:00 videorecording 1 videodisc (45 min.) : sd., col. and b&w ; 4 3/4 in. Kristina DJOKIC, Emily LAU, Bruce NASH Actuality Productions, Inc 720.483 Se17to
Federation University Australia Seeingdrawing 2001 electronic resource 1 DVD-ROM : sd., col. ; 4 3/4 in. + 1 sheet Don GRATTON London Institute IT Research and Development Unit 741.0285 L847S 2001
Federation University Australia Selection of edited parts from : Suspension and amplified body events 1990 00:55:00 videorecording 1 videocassette (VHS) (55 min.) : sd., col. ; 1/2 in. 700.92 St38s 1990
Federation University Australia Serious effects & compositing : advanced techniques for After Effects 7 2006 electronic resource 1 DVD-ROM (ca. 180 min.) : sd., col. ; 4 3/4 in. Andrew KRAMER 778.5345 K89S 2006
Federation University Australia Show us a light : the art of Carrolup 1991 00:28:00 videorecording 1 videocassette (VHS) (ca. 28 min.) : sd., col. ; 1/2 in. Pat NUNN, John WILLIAMSON, Nancy SOKIL, Diana WILLIAMS Marribank Family Centre Education Section 759.9941 Sh82ul
Federation University Australia Show us a light : the art of Carrolup (200-) 200- 00:28:00 1 videodisc (28 minutes) : sound, colour ; 4 3/4 inches 759.9941 Sh82ul
Federation University Australia Sidney Nolan : an Australian dream 1982 01:10:00 videorecording 1 videocassette (ca. 70 min.) : sd., col. ; 1/2 in. 759.994 N711s
Federation University Australia Sidney Nolan, Mary Nolan : an Australian dream 1982 01:11:00 videorecording 1 videodisc (DVD) (71 min.) : sd., col. ; 4 3/4 in. 759.994 N711s
Federation University Australia Sidney Nolan, Mary Nolan : an Australian dream 2004 01:15:00 videorecording 1 videodisc (DVD) (75 min.) : sd., col. ; 4 3/4 in. 759.994 N789S BEN 2004
Federation University Australia Signac : revealing light 2000 00:51:00 videorecording 1 videodisc (51 minutes) : sound, colour ; 4 3/4inches Dominik RIMBAULT 759.4 Si26rl
Federation University Australia Site specific 2007 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 728.37 Si86sp
Federation University Australia Skyscrapers 2004 01:05:00 videorecording 1 videodisc (ca. 65 minutes) : sound, colour ; 4 3/4 inches WGBH Science Unit; Production Group, Inc 720.483 Sk96ys
Federation University Australia Snow, sand and savages : the life of Frank Hurley 1999 00:47:00 videorecording 1 videocassette (47 min.) : sd., b&w ; 1/2 in. 770.92 H965 SNO 1999
Federation University Australia Sophie Calle : conceptual heart 2006 00:29:00 videorecording 1 videodisc (29 min.) : sd., col. ; 4 3/4 in. Ben LEWIS 709.2 C132s
Federation University Australia Speaking of art : John Szarkowski on John Szarkowski 2005 01:00:00 videorecording 1 videodisc (DVD) (ca. 60 min.) : sd., col. ; 4 3/4 in. Checkerboard Foundation, Inc 779.092 S996 SPE 2005
Federation University Australia Sport and money 2000 00:26:00 videorecording 1 videodisc (26 min.) : sd., col. ; 4 3/4 in. + support notes. 306.483 S764 2000
Federation University Australia State of the art : ideas and images in the 1980s 2006 05:29:00 videorecording 2 videodiscs (329 min.) : sound, colour ; 12 cm;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" Illuminations Production; Channel Four Television, London; WDR, Cologne 701 St2914a 1987
Federation University Australia State of the art : ideas and images in the 1980s 2006 videorecording 2 videodiscs ( minutes) : sound, colour ; 4 3/4 inches Illuminations Production; Channel Four Television, London; WDR, Cologne 709.048 St29oa
Federation University Australia Steam power : the Eveleigh Railway workshops 2010 00:17:00 videorecording 1 videodisc (DVD) (17 min.) : sd., col. with b&w sequences ; 4 3/4 in. 711.750994 S799 2010
Federation University Australia Stelarc Contemporary arts media presents 2005 00:36:00 videorecording 1 videodisc (DVD) (36 minutes) : sound, colour ; 1/2 inches + 1 CD-ROM. 700.92 St38ca
Federation University Australia Stubbs & the horse 2005 00:40:00 videorecording 1 videodisc (DVD) (ca. 40 min.) : sd., col. ; 4 3/4 in. 759.2 S932 2005
Federation University Australia Student art - a case study : Holly Cole, photographer 1996 00:17:00 videorecording 1 videocassette (VHS) (17 mins) : sd., col. ; 1/2 in. + 1 teacher notes Alan WOODRUFF 770.28 S933 1996
Federation University Australia Studio : Australian painters on the nature of creativity 2007 01:43:00 videorecording 1 videodisc (103 min) : sd., col. ; 4 3/4 in.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" 759.994 St9465a 2007
Federation University Australia Successful video production 1999 05:42:00 videorecording 4 videodiscs (DVD) (342 min.) : sd., col. ; 4 3/4 in. + 8 user guides. Mik PARSONS 778.592 S942.2 2002
Federation University Australia Sunday arts : 07/09/2008 2008 00:57:00 videorecording 1 videodisc (DVD) (ca. 57 min.) : sd., col. ; 4 3/4 in. 709.94 Su72sa
Federation University Australia Sunday arts : 31/08/2008 2008 00:57:00 videorecording 1 videodisc (DVD) (ca. 57 min.) : sd., col. ; 4 3/4 in. 709.94 Su72s
Federation University Australia Sunday arts : the best of the visual artists 2009 02:10:00 videorecording 2 videodiscs (ca. 130 min.) : sd., col. ; 4 3/4 in. 709.94 Su722a
Federation University Australia Superstar 2000 01:27:00 videorecording 1 videodisc (DVD)(87 min.) : sd., b&w & col. ; 4 3/4 in. Chuck WORKMAN Marilyn Lewis Entertainment Ltd 709.2 W275 WOR 2000
Federation University Australia Surface design on ceramics 1978 slide 27 slides : col. + 1 script ([9] leaves ; 22 cm.);"still image rdacontent";"projected rdamedia";"slide rdacarrier" Stephen BENWELL, Ivan HEXTER Crafts Resource Productions; Crafts Council of Australia 738.092 B447S 1978
Federation University Australia Suzon Fuks #1 2008 00:43:00 videorecording 1 videodisc (43 min.) : sd., col. ; 4 3/4 in. Suzon FUKS 709.04 F989s
Federation University Australia Suzon Fuks #2 2008 00:42:00 videorecording 1 videodisc (DVD) (42 min.) : sd., col. ; 4 3/4 in. Suzon FUKS 709.04 F989s
Federation University Australia Tadao Ando 1989 00:59:00 videorecording 1 videodisc (59 min.) : sd., col. with b&w sequences ; 4 3/4 in. 720.92 An24t
Federation University Australia Takashi Murakami : toying with art 00:28:00 1 videodisc (28 min.) : sd., col. ; 4 3/4 in. 709.2 M931t
Federation University Australia Talking about Aboriginal art 1992 03:18:00 videorecording 4 videocassettes (VHS) (198 min.) : sd., col. ; 1/2 in. + teacher's notes (31 p. : 1 map, ports. ; 21 cm.) 709.94 T144a
Federation University Australia Talking art 2005 00:51:00 videorecording 1 DVD (51 minutes) : sound, colour ; 4 3/4 inches + teacher's notes ([8] pages 30 cm.) 709.41 T131a
Federation University Australia Teaching through the arts 2009 00:37:00 videorecording 1 videodisc (DVD) (37 min.) : sd., col. ; 4 3/4 in. Annette MUÑOZ-KADRWEAS 700.71 T253 2009
Federation University Australia The Adventure of photography : 150 years of the photographic image 1988 04:20:00 videorecording 2 videodiscs (DVD) (260 min.) : sd., col. ; 4 3/4 in. 770.9 A244 1998
Federation University Australia The Arts 2008 00:28:00 videorecording 1 videodisc (DVD) (28 min.) : sd., col. ; 4 3/4 in. 701.03 Ar79t
Federation University Australia The Australian Aboriginal heritage : an introduction through the arts 320 p. : ill. (some col.), maps, music ; 31 cm + 2 sound discs (33 1/3 rpm; 12 in) Ronald M. BERNDT, E.s. PHILLIPS 700.994 AUS
Federation University Australia The Australian impressionists, 1888-1896 1983 00:49:00 videorecording 1 videocassette (VHS) (49 min.) : sd., col. ; 1/2 in. David MUIR, Malcolm OTTON 759.994 A938 1983
Federation University Australia The Australian modernists, 1916-1942 1981 00:48:00 videorecording 1 videocassette (VHS PAL) (48 min.) : sd., col. ; 1/2 in. 759.994 A938 1984
Federation University Australia The Break with tradition 1986 00:32:00 videorecording 1 videodisc (32 min.) : sd., col. ; 4 3/4 in. 759.054 B74wt
Federation University Australia The Colosseum 2004 00:44:00 videorecording 1 videodisc (44 min.) : sd., col. ; 4 3/4 in. 722.7 C719ol
Federation University Australia The Commonwealth Bank second national ceramic award, Canberra 1988 1988 slide 40 slides : colour, plastic ; 5x5 cm.;"still image rdacontent";"projected rdamedia";"slide rdacarrier" 738.0994 C737B 1988
Federation University Australia The Dali dimension : decoding the mind of a genius 2007 01:15:00 videorecording 1 videodisc (75 min.) : sd., col. ; 4 3/4 in. The Salvador Dali Society; Mediapro; Media 3.14; Televisio de Catalunya; Fundacio Gala-Salvador Dali; Institut Ramon Llull; AVRO; TVE Tematicos; RTBF; YLE Teema 759.6 D143 DAL 2007
Federation University Australia The Errol Morris collection : Gates of heaven, Vernon Florida, The thin blue line 2006 04:01:00 videorecording 3 videodiscs (DVD) (ca. 56 mins, 83 mins, 102 mins.) : sd., col. ; 4 3/4 in. Errol MORRIS 778.5 E72 2006
Federation University Australia The Fred Perry shirt 1990 00:30:00 videorecording 1 videocassette (VHS) (30 min.) : sd., col. ; 1/2 in. 745.2 F852 1990
Federation University Australia The French connection 2007 00:27:00 videorecording 1 videodisc (27 minutes) : sound, colour ; 4 3/4 inches 704.039915 F887c
Federation University Australia The Future that was 1979 01:00:00 videorecording 1 videocassette (VHS) (60 min.) : sd., col. ; 1/2 in. Robert HUGHES, David RICHARDSON 709.04 HUG
Federation University Australia The Gothic cathedral : a landmark in engineering 2000 00:26:00 videorecording 1 videodisc (DVD) (26 minutes) : sound, colour ; 4 3/4 inches 723.5 G712c
Federation University Australia The Impressionists : painting and revolution 2012 02:56:00 videorecording 2 videodiscs (DVDs) (ca. 236 min.) : sd., col. ; 4 3/4 in. 759.054 Im77m
Federation University Australia The Impressionists : with Tim Marlow 1998 03:12:00 videorecording 8 videodiscs (192 min.) : sd., col. ; 4 3/4 in. Phil GRABSKY, Ali RAY Seventh Art; Channel 5 759.054 Im7pr
Federation University Australia The Kiss 2004 00:50:00 videorecording 1 videodisc (DVD) (50 minutes) : sound, colour ; 4 3/4 inches + teacher's notes. 730.944 R617k
Federation University Australia The Landscape of pleasure 1979 01:00:00 videorecording 1 videocassette (VHS) (60 min.) : sd., col. with b&w sequences ; 1/2 in. Robert HUGHES, Lorna PEGRAM 709.04 HUG
Federation University Australia The Mechanical paradise 1979 01:00:00 videorecording 1 videocassette (VHS) (60 min.) : sd., col. with b&w sequences ; 1/2 in. Robert HUGHES 709.04 HUG
Federation University Australia The Metropolitan Museum seminars in art : expressionism/abstraction 1986 00:24:00 videorecording 1 videodisc (24 minutes) : sound colour ; 4 3/4 inches 759.0642 M567me
Federation University Australia The Metropolitan Museum seminars in art : techniques 1986 00:27:00 videorecording 1 videodisc (27 minutes) : sound, colour ; 4 3/4 inches The Center for Humanities 702.8 M567mt
Federation University Australia The Michelangelo code : cracking the secrets of the Sistine ceiling 2011 01:43:00 videorecording 1 videodisc (103 min.) : sd., col. ; 4 3/4 in. 759.5 M58252c
Federation University Australia The Morning star painter 1979 00:27:00 videorecording 1 videocassette (VHS) (27 min.) : sd., col. ; 1/2 in. 759.994 M866 1979
Federation University Australia The Natzlers 2003 00:15:00 videorecording 1 videodisc (15 min.) : sd., col. ; 4 3/4 in. Los Angeles County Museum of Art 738.0973 N219at
Federation University Australia The Powers that be 1979 01:00:00 videorecording 1 videocassette (VHS) (60 min.) : sd., col. 1/2 in. 709.04 HUG
Federation University Australia The Saatchi 100 2004 00:51:00 videorecording 1 videodisc (51 minutes) : sound, colour ; 4 3/4 inches 709.04 Sa12oh
Federation University Australia The Threshold of liberty 1980 00:52:00 videorecording 1 videocassette, 52 min. : sd., col. BBC-TV Time-Life Television 709.04 HUG
Federation University Australia The View from the edge 1979 01:00:00 videorecording 1 videocassette (VHS) (60 min.) : sd., col. with b&w sequences ; 1/2 in. 709.04 HUG
Federation University Australia The art and films of Lynn Hershman Leeson : secret agents, private I 2005 xix, 229 p., [16] p. of plates : ill. (some col.) ; 23 cm. + 1 DVD-ROM (4 3/4 in.) Meredith TROMBLE, Robin HELD, Kyle STEPHAN 700.92 H572 TRO 2005
Federation University Australia The art life 2007 01:18:00 videorecording 1 videodisc (DVD) (78 min.) : sd., col. ; 4 3/4 in. 709.94 A784 2007
Federation University Australia The art of Arnhem Land : past, present and future 1996 00:13:00 videorecording 1 videocassette (VHS) (13 minutes) : sound, colour ; 1/2 inches + 1 teacher notes. Marilynne BRADLEY 704.039915 Ar75al
Federation University Australia The art of Bill Henson 2006 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 770.92 H398ab
Federation University Australia The art of ancient Greece : The art of ancient Rome 1997 00:36:00 videorecording 1 videodisc (36 min.) : sd., col. ; 4 3/4 in. 709.38 Ar75ag
Federation University Australia The art of war 2005 01:44:00 videorecording 1 videodisc (DVD) (ca. 104 min) : sd., col. ; 4 3/4 in. 704.94935502 A748 2005
Federation University Australia The art of war 2005 01:44:00 videorecording 1 videodisc (DVD) (ca. 104 min) : sound, colour ; 4 3/4 inches 759.994 Ar75ow
Federation University Australia The artist as a social critic 1986 00:27:00 videorecording 1 videodisc (DVD) (27 min.) : sd., col. ; 4 3/4 in. 750 Ar78sc
Federation University Australia The artist as content 2004 videorecording 1 videodisc (DVD) : sd., col. ; 4 3/4in. 702.81 A791.3 2004
Federation University Australia The arts course advice : professional development support kit 1996 1 v. (loose-leaf) : forms ; 32 cm. + 1 videocassette. 700.710945 V645A 1996
Federation University Australia The arts show : Gascoigne country 2005 00:26:00 videorecording 1 videodisc (26 minutes) : sound, colour ; 4 3/4 inches 700.994 Ar79sh
Federation University Australia The ballad of Genesis and Lady Jaye 2012 01:10:00 videorecording 1 videodisc (DVD) (70 min.) : sd., col & b&w ; 4 3/4 in. Marie LOSIER, Steve HOLMGREN, Martin MARQUET 700.92 B188 2012
Federation University Australia The curious world of Hieronymus Bosch 2016 01:30:00 videorecording 1 videodisc (approximately 90 min.) : DVD video, sound, colour ; 12 cm.;"two-dimensional moving image tdi rdacontent";"video v rdamedia";"videodisc vd rdacarrier" 759.9492 B6506C 2016
Federation University Australia The cutting edge : the magic of movie editing 2005 01:39:00 videorecording 1 videodisc (99 minutes) : sound, colour and black and white ; 4 3/4 inches Mark Jonathan HARRIS, Wendy APPLE Starz Encore Entertainment; TCEP, Inc. production; The American Cinema Editors (ACE); NHK; BBC; AVRO 778.535 C982ed
Federation University Australia The development of decorative arts in Australia : Morris & Co. and imported taste, 1862-1939 2004 electronic resource 1 CD-ROM (2 volumes (ix, 848 leaves) : illustrations) ; 12 cm.;"text rdacontent";"computer rdamedia";"computer disc rdacarrier" Lesley Anne BAKER 745.0994 B1748d 2004
Federation University Australia The films of Charles & Ray Eames 2005 05:37:00 videorecording 6 videodiscs (337 minutes) : sound, colour ; 4 3/4 inches Eames DEMETRIOS, Shelley MILLS 745.20973 Ea62f
Federation University Australia The genius of photography 2009 05:52:00 videorecording 2 videodiscs (352 min.) : sd., col. with b&w sequences ; 4 3/4 in. WALL TO WALL Fulmar Television & Film; BBC 770.9 G331 2009
Federation University Australia The homes of Frank Lloyd Wright 1996 00:50:00 videorecording 1 videodisc (50 min.) : sd., col. ; 4 3/4 in. 728.3 W931h
Federation University Australia The impressionists : the other French Revolution 2001 01:40:00 videorecording 2 videodiscs (DVD) (ca. 100 min.) : sd., col. ; 4 3/4 in. 759.054 I34 2001
Federation University Australia The king of Belle-Ile : the story of Australia's first Impressionist painter John Russell 2001 00:52:00 videorecording 1 videocassette (VHS) (52 min.) : sd., col. ; 1/2 in. Albie THOMS 759.994 R964 KIN 2001
Federation University Australia The mindscape of Alan Moore 2006 01:18:00 videorecording 2 videodiscs (DVD) (78 min.) : sd., col. ; 4 3/4 in. + 1 booklet ([20] p. : col. ill. ; 19 cm.) Dez VYLENZ Shadowsnake Films 741.5941 M821 MIN 2006
Federation University Australia The photographers 2000 00:56:00 videorecording 1 videodisc (DVD) (56 min.) : sd., col. ; 4 3/4 in. NATIONAL GEOGRAPHIC SOCIETY 770.092 P575 2000
Federation University Australia The private life of a masterpiece. The complete series 1-5 2008 17:58:00 videorecording 7 videodiscs (ca. 1078 minutes) : sound, colour with black and white sequences ; 4 3/4 inches Russell DAVIES, Jeremy BUGLER Fulmar Television & Film; BBC 759.4 M313d
Federation University Australia The quest of Jimmy Pike 2009 00:51:00 videorecording 1 videodisc (51 min.) : sd., col. ; 4 3/4 in. I. James WILSON, Pat LOWE, John TRISTAM Juniper Film 759.994 Q38jp
Federation University Australia The reconstruction of space 1986 00:21:00 videorecording 1 videodisc (21 min.) : sd., col. ; 4 3/4 in. 759.0632 R245os
Federation University Australia The return to the mother : male surrealists - female bodies 2001 electronic resource 1 CD-ROM ; 4 3/4 in. (2 volumes : illustrations);"text rdacontent";"computer rdamedia";"computer disc rdacarrier" Marion MANIFOLD 709.04063 M3143r 2001
Federation University Australia The scream 2005 00:44:00 videorecording 1 videodisc (DVD) (44 minutes) : sound, colour ; 4 3/4 inches+ teacher's notes. 769.92 M921s
Federation University Australia The sculpture 100 : England's public sculpture 1905-2005 2005 00:58:00 videorecording 1 videodisc (58 minutes) : sound, colour ; 4 3/4 inches Sam FLYNN, Sebastian GRANT, Ajay HOTHI 730.941 Sc48oe
Federation University Australia The serpent and the cross 1991 00:55:00 videorecording 1 videocassette (VHS) (55 min.) : sd., col. ; 1/2 in. Chris HILTON, Ray THOMAS, Belinda NOLAN 759.994 S486 1991
Federation University Australia The true meaning of pictures : Shelby Lee Adams' Appalachia 2002 00:55:00 videorecording 1 videodisc (DVD) (ca. 55 min.) : sd., col. ; 4 3/4 in. Jennifer BAICHWAL 779.2 A217 TRU 2002
Federation University Australia The universe of Keith Haring 2008 01:30:00 videorecording 1 videodisc (90 min.) : sd., col. ; 4 3/4 in. Christina CLAUSEN Arthouse Films; Curiously Bright Entertainment ; OVERCOM; French Connection Films 709.7470904 Un3kh
Federation University Australia The universe of Keith Haring 2009 01:40:00 videorecording 1 videodisc (DVD) (ca. 100 min.) : sd., col. ; 4 3/4 in. 759.13 H281 UNI 2009
Federation University Australia The view from here 2002 00:26:00 videorecording 1 videodisc (26 min.) : sd., col ; 43/4 in. 759.994238 V679fh
Federation University Australia The way things go 2010 00:30:00 videorecording 1 videodisc (30 min.) : sd., col. ; 4 3/4 in. Peter FISCHLI, David WEISS T & C Film AG Zurich Production; Alfred Richterich 709.040755 W357 2010
Federation University Australia Tom & Jerry 2009 videorecording 2 videodiscs (DVD) : sd., col. & b&w ; 4 3/4 in. Thunderbean 741.5 T655 2009
Federation University Australia Tony Cragg 2006 00:26:00 videorecording 1 videodisc (ca. 26 minutes) : sound, colour ; 4 3/4 inches 730.92 C843t
Federation University Australia Touch the Earth lightly : the life and work of Glenn Murcutt 1994 00:54:00 videorecording 1 videodisc (DVD) (54 min.) : sd., col. ; 4 3/4 in. 728.0994 T642el
Federation University Australia Tracey Emin 2005 00:26:00 videorecording 1 DVD (26 minutes) : sound, colour ; 4 3/4 inches 709.2 Em47tr
Federation University Australia Tradition and change : art from the desert 1992 00:43:00 videorecording 1 videocassette (VHS) (43 min.) : sd., col. ; 1/2 in. 709.94 T763 1992
Federation University Australia Transformation and transience : a studio exploration of transformation through change, pattern and ornament 2012 electronic resource 1 computer disc (198 pages : colour illustrations);"text rdacontent";"computer rdamedia";"computer disc rdacarrier" Megan CAMPBELL 709.05015 C1532t 2012
Federation University Australia Trouble in Utopia 1980 00:58:00 videorecording 1 videocassette (VHS PAL) (58 min.) : sd., col. with b&w sequences ; 1/2 in. Robert HUGHES 709.04 HUG
Federation University Australia Twentieth century artistic revolutions 1996 00:32:00 videorecording 1 videocassette (VHS) (32 mins) : sd.,col. ; 1/2 in. + program notes, worksheets. 700.9 T918ca
Federation University Australia Two thirds sky : artists in desert country 2002 00:53:00 videorecording 1 videodisc (DVD) (53 minutes) : sound, colour ; 4 3/4 inches Australian Film Finance Corporation; Arcadia Pictures Production 759.994 T93ts
Federation University Australia Two women in three dimensions 1988 00:50:00 videorecording 1 videocassette (VHS) (50 min.) : sd., col. ; 1/2 in. 730.941 T93wt
Federation University Australia Ultimate : heroic male 2008 electronic resource 2 computer optical discs (DVD) : col. ; 4 3/4 in. 760.0285 U47.2 2008
Federation University Australia Ultimate boy toys 2000 videorecording 2 videodiscs (DVDs) : sd., col. ; 4 3/4 in. 745.2 U47 200-
Federation University Australia Understanding colour 2007 00:50:00 videorecording 1 videodisc (DVD)(50 min.) : sd., col. ; 4 3/4 in. 701.85 U55 2007
Federation University Australia Understanding colour 2007 00:50:00 videorecording 1 videodisc (DVD)(50 minutes) : sound, colour ; 4 3/4 inches+ notes (5 pages) 701.85 Un2c
Federation University Australia Understanding value and painting facial features 2008 01:18:00 videorecording 1 videodisc (ca. 78 min.) : sd., col. ; 4 3/4 in. Karyn MEYER, Daniella WOOLF artistsnetwork.tv 751.45 Un2vp
Federation University Australia Up in the sky : Tracey Moffat in New York 1999 00:26:00 videorecording 1 videocassette (VHS)(ca. 26 min.) : sd., col. ; 1/2 in. Jane COLE 779.9994 M695 COL 1999
Federation University Australia Up in the sky : Tracey Moffatt in New York : a film 1999 00:26:00 videorecording 1 videodisc (DVD) (26 min.) : sd., col. ; 4 3/4 in. Jane COLE 770.92 M723c
Federation University Australia Upper pleistocene art 1990 00:27:00 videorecording 1 videocassette (VHS) (27 min.) : sd., col. ; 1/2 in. 709.011 U68 199-
Federation University Australia Urban Aboriginal artists 1992 00:43:00 videorecording 1 videocassette (VHS) (43 min.) : sd., col. ; 1/2 in. 709.94 U72 1992
Federation University Australia Using color : creating color harmony 2006 00:21:00 videorecording 1 videodisc (21 minutes) : sound, colour ; 4 3/4 inches Learning Seed; Video Stage Fright Productions 701.85 Us4cc
Federation University Australia Van Dyck 2004 00:41:00 videorecording 1 videodisc (41 minutes) : sound, colour ; 4 3/4 inches 759.94 D611 2004
Federation University Australia Vera Moller 15/09/02 2003 00:16:00 sound recording 1 sound disc (ca 16 min.) : digital, stereo ; 4 3/4 in. ABC Radio National 709.2 M726 COP 2003
Federation University Australia Video-animation and sound art 2010 01:15:00 videorecording 3 DVD-videos (75 min.) : sd., col. ; 4 3/4 in. + 1 CD-ROM (4 3/4 in.) Paul FLETCHER 778.5347 F636v
Federation University Australia Vincent van Gogh 2005 00:50:00 videorecording 1 videodisc (DVD) (50 minutes) : sound, colour ; 4 3/4 inches Daniel ZUCKERBROT, Donna ZUCKERBROT 759.9492 G557z
Federation University Australia Visions of light : the art of cinematography 1994 01:31:00 videorecording 1 videodisc (91 minutes) : sound, colour with b&w sequences ; 1/2 inches 778.53 V825ol
Federation University Australia Visions of light : the art of cinematography 2000 01:32:00 videorecording 1 videodisc (92 min.) : sd., col. with b&w sequences ; 4 3/4 in. The American Film Institute; NHK Japan Broadcasting Corporation; American Society of Cinematographers 778.53 V831 2000
Federation University Australia Visions of light : the art of cinematography 2009 01:31:00 videorecording 1 videodisc (DVD) (91 min.) : sd., col. with b&w sequences ; 4 3/4 in. 778.53 V831 2009
Federation University Australia Visual design : elements and principles 2005 00:20:00 videorecording 1 videodisc (DVD) (20 min.) : sd., col. ; 4 3/4 in. Stewart ARDEN, John DAVIS 745.4 V829de
Federation University Australia Visual design basics 2007 electronic resource 745.4 V829db
Federation University Australia Visual literacy 2000 00:29:00 videorecording 1 videodisc (29 minutes) : sound, colour ; 4 3/4 inches 700.71 Ar796a
Federation University Australia Vong Phaophanit 2006 00:26:00 videorecording 1 videodisc (26 min.) : sound, colour ; 4 3/4 in.;"two-dimensional moving image rdacontent";"video rdamedia";"videodisc rdacarrier" 709.2 P493v 2006
Federation University Australia W. Eugene Smith : photography made difficult 2001 01:29:00 videorecording 1 videodisc (89 min.) : sd., col. ; 4 3/4 in. WES FORee Productions; WQED/Pittsburgh; WNET/New York 779.092 S663 LAS 2001
Federation University Australia Walker ceramics award 1992 1992 00:30:00 videorecording 1 videocassette (VHS) (30 min) : sd., col. ;1/2 in. 738.0994 W151c 1992
Federation University Australia Walker ceramics award retrospective 1977-1991 1993 00:40:00 videorecording 1 videocassette (VHS) (c40 min.) : sd., col. ; 1/2 in. WALKER CERAMICS 738.0994 W151c 1977-1991
Federation University Australia Walking, dancing, belonging 2007 00:22:00 videorecording 1 videodisc (22 min.) : sd., col. ; 4 3/4 in. 704.039915 W154db
Federation University Australia War Paint 2012 00:30:00 videorecording 1 videodisc (30 min.) : sd., col. ; 4 3/4 in. 759.994 W195p
Federation University Australia What is art? : What is the meaning of life? 2006 00:52:00 videorecording 1 videodisc (DVD) (52 minutes) : sound, colour ; 4 3/4 inches 701.1 Ex15ww
Federation University Australia What is minimalism : the American perspective 1958-1968 2004 01:01:00 videorecording 1 videodisc (61 minutes) : sound, colour ; 4 3/4 inches 709.040973 W556im
Federation University Australia Wheel throwing 1990 00:47:00 videorecording 1 vidoecassette (VHS) (47 min.) : sd., col. ; 1/2 in. 738.14 W561 1990
Federation University Australia Who gets to call it art? : a film by Peter Rosen 2005 01:20:00 videorecording 1 videodisc (ca. 80 min.) : sd., col., ; 4 3/4 in. Peter ROSEN 700.973092 W62ga
Federation University Australia William Turnbull 2005 00:27:00 videorecording 1 videodisc (27 minutes) : sound, col ; 4 3/4 inches 730.942 T849w
Federation University Australia Wilson "Snowflake" Bentley digital archives : the man and his images. Volume 1. 1999 electronic resource 1 CD-ROM : sd., b&w, col. ; 4 3/4 in. Meredith TROMBLE, Robin HELD, Kyle STEPHAN 700.92 B446w
Federation University Australia Wim Delvoye : is this sh*t art? 00:29:00 videorecording 1 videodisc (29 min.) : sd., col. ; 4 3/4 in. 709.2 D389w
Federation University Australia Women's art and feminism 1994 00:30:00 videorecording 1 videodisc (DVD) (30 min.) : sd., col. ; 4 3/4 in. Traudi ALLEN 704.042 W872 1994
Federation University Australia Women's art and feminism 1994 00:55:00 videorecording 1 videocassette (VHS) (55 min.) : sd., col. ; 1/2 in. + 1 teacher notes (4 p.) Traudi ALLEN 709.94 W842af
Federation University Australia Write and unite 2004 01:10:00 videorecording 1 videodisc (70 minutes) : sound, colour ; 4 3/4 inches MAGIC MOMENTS, SICK156 751.73 W93un
Federation University Australia Yinka Shonibare 2005 00:26:00 videorecording 1 videodisc (26 minutes) : sound, col ; 4 3/4 inches 709.2 Sh75y
Flinders University Art Museum 1) Inner and Outer 2) Before and After 3) Doppelganger 1970 1979 c 1970s 1/2 inch, reel to reel, black and white Helican Scan video tape (high density), 30 mins International Art. Post-Object And Documentation Art John FISHER 723
Flinders University Art Museum 1/ Five secular settings 2/ A different drummer 3/ Face to face 4/ Gunfire undated U-matic video Dimensions : 25.3 cm h x 17.5 cm w x 3.8 cm d International Art. Post-Object And Documentation Art Ken UNSWORTH 1227
Flinders University Art Museum 26 hours 1976 1976 created 10-11 December 1976 unknown Super 8mm film © the artist International Art Stuart BRISLEY Gift of the Australian Experimental Art Foundation Transferred to VHS tape 'EAF video documentation 1975-78' by Leigh Hobba in the mid-1990s. 5560
Flinders University Art Museum 3 poems for Mary Kathleen 1985 1985 created 8 May 1985 unknown audio © the estate of the artist Australian Art Jenny BOULT Gift of the Australian Experimental Art Foundation 5602b
Flinders University Art Museum 600,000 hours of mortality 1995 1995 created 1 October 1995 02:35:50 VHS video CAMPFIRE AGENCY, Michael EATHER, Richard GRAYSON, Leon MARVELL, Laurie NILSEN, Colin PARDOE, William YANG Supporting documentation indicates this tape is the master recording for works 5627, 5643.001, 5643.002. 5643.005
Flinders University Art Museum 600,000 hours of mortality 1 1995 1995 created 1 October 1995 01:30 audio Elisabeth BRONFEN, Anna GIBBS Conference proceedings. The National Library of Australia holds a collection of the papers presented and can be found at https://catalogue.nla.gov.au/Record/850118. 5601
Flinders University Art Museum 600,000 hours of mortality 2 1994 1994 created 1 October 1994 01:30 audio Felicity FENNER, Anna GIBBS, Jane GOODALL, Gary KRUG, Anne LOXLEY Conference proceedings. The National Library of Australia holds a collection of the papers presented and can be found at https://catalogue.nla.gov.au/Record/850118. 5608
Flinders University Art Museum 600,000 hours of mortality 3 1994 1994 created 1 October 1994 01:30 audio Gary KRUG, Thomas SOKOLOWSKI, Jyanni STEFFENSEN Conference proceedings. The National Library of Australia holds a collection of the papers presented and can be found at https://catalogue.nla.gov.au/Record/850118. 5606
Flinders University Art Museum 600,000 hours of mortality 3: Richard Grayson, Dr Colin Pardoe, Campfire Agency: Michael Eather and Laurie Nilsen, Leon Marvell and William Yang 1995 1995 created 3 October 1995 1:55:50 VHS video CAMPFIRE AGENCY, Michael EATHER, Richard GRAYSON, Leon MARVELL, Laurie NILSEN, Colin PARDOE, William YANG 5627
Flinders University Art Museum 600,000 hours of mortality 4 1994 1994 created 1 October 1994 01:30 audio Colin PARDOE, Griselda POLLOCK, Jyanni STEFFENSEN Conference proceedings. The National Library of Australia holds a collection of the papers presented and can be found at https://catalogue.nla.gov.au/Record/850118. 5610
Flinders University Art Museum 600,000 hours of mortality 5 1994 1994 1 October 1994 01:30 audio CAMPFIRE GROUP, Leon MARVELL, Colin PARDOE Conference proceedings. The National Library of Australia holds a collection of the papers presented and can be found at https://catalogue.nla.gov.au/Record/850118. 5607
Flinders University Art Museum 600,000 hours of mortality 6 1994 1994 created 1 October 1994 01:30 audio © the artist Australian Art William YANG Gift of the Australian Experimental Art Foundation Conference proceedings. The National Library of Australia holds a collection of the papers presented and can be found at https://catalogue.nla.gov.au/Record/850118. 5611
Flinders University Art Museum 600,000 hours of mortality: Dr Gary King, Richard Grayson: end day 1, Richard Grayson: start day 2, Thomas Sokolowski, Jyanni Steffensen and Prof Griselda Pollock 1995 1995 created 1 October 1995 02:37:35 VHS video Richard GRAYSON, Gary KING, Griselda POLLOCK, Thomas SOKOLOWSKI, Jyanni STEFFENSEN 5643.004
Flinders University Art Museum 600,000 hours of mortality: Dr Gary King, Richard Grayson: end day 1, Rochard Grayson: start day 2, Thomas Sokolowski, Jyanni Steffensen and Prof Griselda Pollock 1995 1995 created 1 October 1995 02:37:35 VHS video Richard GRAYSON, Gary KING, Griselda POLLOCK, Thomas SOKOLOWSKI, Jyanni STEFFENSEN 5643.002
Flinders University Art Museum 600,000 hours of mortality: Richard Grayson, Prof Elisabeth Bronfen, Dr Anna Gibbs, Felicity Fenner and Anne Lockley, Dr Jane Goodall and Richard Grayson 1995 1995 created 1 October 1995 02:53:21 VHS video Elisabeth BRONFEN, Felicity FENNER, Anna GIBBS, Jane GOODALL, Richard GRAYSON, Anne LOXLEY 5643.003
Flinders University Art Museum 600,000 hours of mortality: Richard Grayson, Prof Elisabeth Bronfen, Dr Anna Gibbs, Felicity Fenner and Anne Loxley, Dr Jane Goodall and Richard Grayson 1995 1995 created 1 October 1995 02:53:21 VHS video Elisabeth BRONFEN, Felicity FENNER, Anna GIBBS, Jane GOODALL, Richard GRAYSON, Anne LOXLEY 5643.001
Flinders University Art Museum A decade at the E.A.F 1984 1984 created 3 December 1984 unknown VHS video Australian Art VARIOUS ARTISTS 5596
Flinders University Art Museum A decade at the E.A.F 1984 1984 created 1 December 1984 unknown VHS video Australian Art VARIOUS ARTISTS 5598
Flinders University Art Museum A grind had stones to meal 1989 1989 00:06 VHS video © the artist International Art Agnes HEGEDUS Gift of the Australian Experimental Art Foundation 5626f
Flinders University Art Museum A work for Fluoro tube, wool and open door 1976 1976 created July 1976 unknown VHS video © the artist Australian Art Ian HAMILTON, Stephen JONES Gift of the Australian Experimental Art Foundation Original video on Super 8mm film, filmed by Stephen Jones. Transferred to the VHS 'EAF video documentation 1975-78' by Leigh Hobba in the mid-1990s. 5617
Flinders University Art Museum AGM 1993 1993 00:03 VHS video UNKNOWN 5661c
Flinders University Art Museum AGM 1993 1993 00:03 VHS video UNKNOWN 5662c
Flinders University Art Museum Act 1: discussion 1979 1979 The exhibition was held in 1978 and audio tape made February-March 1979. audio, 90 mins Image : 59.9 cm h x 84.7 cm w Dimensions : 10.9 cm h x 6.9 cm w x 1.7 cm d International Art. Post-Object And Documentation Art Ingo KLEINERT, Sylvia KLINERT 1209
Flinders University Art Museum Alignment of the stars 1976 1976 unknown Super 8mm film © the artist Australian Art Paul HAY Gift of the Australian Experimental Art Foundation 5590a
Flinders University Art Museum Alignment of the stars / Invitation to a beheading 1976 1976 unknown Super 8mm film © the artist Australian Art Paul HAY Gift of the Australian Experimental Art Foundation Filmed immediately prior to a solar eclipse at an area near Mount Gambier, South Australia. 5590
Flinders University Art Museum All new generation 1993 1993 00:12 VHS video © the artists Australian Art VNS MATRIX Gift of the Australian Experimental Art Foundation 5661j
Flinders University Art Museum All new generation 1993 1993 00:12 VHS video © the artists Australian Art VNS MATRIX Gift of the Australian Experimental Art Foundation 5662j
Flinders University Art Museum All our working lives 1985 1985 created 5 March 1985 00:20 VHS video COMMUNITY MEDIA 5647
Flinders University Art Museum Ambiguous window 1996 1996 00:14 VHS video © the artist International Art Janos SUGAR Gift of the Australian Experimental Art Foundation 5636
Flinders University Art Museum Ania Walwicz poems: Night, Horse, Heat, Waves, Elephant, Dawn 1986 1986 unknown audio © the artist Australian Art Ania WALWICZ Gift of the Australian Experimental Art Foundation 5614
Flinders University Art Museum Approaching installation 1991 1991 00:17 VHS video © the artist Australian Art Hany ARMANIOUS Gift of the Australian Experimental Art Foundation 5631
Flinders University Art Museum Arbeit Macht Frei 1973 1973 16mm colour film (800ft), 22 minutes International Art. Post-Object And Documentation Art Stuart BRISLEY 737
Flinders University Art Museum Arborotum 1978 1978 created December 1978 unknown Super 8mm film UNKNOWN 5576
Flinders University Art Museum Arborotum 1978 1978 circa 1978 date not recorded on work or related documents; previous work in this collection with same name dates to 1978 unknown VHS video UNKNOWN Arts Council written on spine of case. 5593
Flinders University Art Museum Ariadne unemployed 1996 1996 00:14 VHS video © the artist International Art Janos SUGAR Gift of the Australian Experimental Art Foundation 5639
Flinders University Art Museum Art / Being, Notebook I (1 and 2) 1972 1975 typescript on paper with 35mm colour slides and audio cassette, duration 43 mins Good International Art. Post-Object And Documentation Art John FISHER 1637
Flinders University Art Museum Attitude undated unknown VHS video GEORGIE 5648
Flinders University Art Museum Audio documentary of the 1979 Sydney Biennale 1979 1979 audio, duration variable Dimensions : 10.9 cm h x 7 cm w x 1.7 cm d International Art. Post-Object And Documentation Art VARIOUS ARTISTS 1398
Flinders University Art Museum BBC omnibus: Judy Chicago's Dinner Party 1981 1981 1981 is the year that this documentary was shown on BBC1. A: U-matic videotape; B: VHS videotape International Art. Post-Object And Documentation Art Judy CHICAGO 1644
Flinders University Art Museum Bio music & bio dance at 1974 1974 created July 1974 unknown Super 8mm film BIO DANCE, BIO MUSIC 5589
Flinders University Art Museum Bob Ramsay speaks to Noel Sheridan 1977 1977 created June 1977 00:20 Super 8mm film D STEINER, SOUTH AUSTRALIAN COLLEGE OF ADVANCED EDUCATION 5558
Flinders University Art Museum Bow Gamelan Orchestra 1984 1984 unknown VHS video © the artists International Art BOW GAMELAN ENSEMBLE Gift of the Australian Experimental Art Foundation 5653
Flinders University Art Museum Budgie Events and Dialectic Smerble 1976 1978 1978 and 1976 U-matic video, 3/4" International Art. Post-Object And Documentation Art Dorothy THOMPSON 1677
Flinders University Art Museum But the fierce blackman 1971 1971 March 1971 gelatin silver prints on paper, audio International Art. Post-Object And Documentation Art Peter KENNEDY 665.001
Flinders University Art Museum But the fierce blackman 1971 1971 March 1971 gelatin silver prints on paper, audio, duration 45 mins Good International Art. Post-Object And Documentation Art Peter KENNEDY 665.002
Flinders University Art Museum But the fierce blackman 1971 1971 March 1971 gelatin silver prints on paper, audio, duration 23 mins International Art. Post-Object And Documentation Art Peter KENNEDY 665.003
Flinders University Art Museum Campfire Agency: Michael Eather and Laurie Nilsen 1995 1995 created 3 October 1995 00:21:28 VHS video © the artists International Art CAMPFIRE AGENCY, Michael EATHER, Laurie NILSEN Gift of the Australian Experimental Art Foundation 5627c
Flinders University Art Museum Celebration dancers 1976 1976 aired 21 June 1976 unknown Super 8mm film © the artists Australian Art Nick LYONS Gift of the Australian Experimental Art Foundation Performance at the Experimental Art Foundation, with music by Nick Lyons. 5563b
Flinders University Art Museum Chance Ballet 1974 1974 created July 1974 unknown Super 8mm film CHANCE BALLET Performed at Central Street Studios. 5575
Flinders University Art Museum Chemicals 1993 1993 00:01 VHS video Adam BOYD 5661d
Flinders University Art Museum Chemicals 1993 1993 00:01 VHS video Adam BOYD 5662d
Flinders University Art Museum Continuous work 1981 1983 First part of work completed in 1981. International Art. Post-Object And Documentation Art John FISHER 1672
Flinders University Art Museum Continuous work 4: teaching and learning 1981 1981 audio cassette Dimensions : 7 cm h x 10.9 cm w x 1.6 cm d International Art. Post-Object And Documentation Art John FISHER 1711
Flinders University Art Museum Dada and the politics of frustration 1985 1985 created 8 May 1985 unknown audio © the estate of the artist Australian Art Jenny BOULT Gift of the Australian Experimental Art Foundation 5602a
Flinders University Art Museum Dawn 1986 1986 unknown audio © the artist Australian Art Ania WALWICZ Gift of the Australian Experimental Art Foundation 5614f
Flinders University Art Museum Deadly tales 1994 1994 unknown VHS video © the artist International Art Griselda POLLOCK Gift of the Australian Experimental Art Foundation 5652
Flinders University Art Museum Decade at the E.A.F 1984 1984 created 2 December 1984 unknown VHS video Australian Art VARIOUS ARTISTS 5597
Flinders University Art Museum Delabole variations 1974 1974 16 mm black and white film, duration 8 minutes 48 seconds International Art. Post-Object And Documentation Art Bob RAMSAY 1722
Flinders University Art Museum Delabole variations 1974 1974 16mm film, black and white, duration 8 mins 48 secs Dimensions : 18.5 cm h x 18.5 cm w x 2.5 cm d International Art. Post-Object And Documentation Art Bob RAMSAY 1723
Flinders University Art Museum Details of Short Sharp Shock exhibitions 1995 1995 Super 8mm film SHORT SHARP SHOCK 5663c
Flinders University Art Museum Direct life studies and media documentation 1974 1974 5 -13 September 1974 1/2" reel to reel tape, 26 minutes and gelatin silver prints on paper International Art. Post-Object And Documentation Art Philip GERNER 1716
Flinders University Art Museum Dr Anna Gibbs 1995 1995 created 1 October 1995 00:45:09 VHS video Anna GIBBS 5643.001c
Flinders University Art Museum Dr Anna Gibbs 1995 1995 created 1 October 1995 00:44:09 VHS video Anna GIBBS 5643.003c
Flinders University Art Museum Dr Colin Pardoe 1995 1995 created 3 October 1995 00:34:31 VHS video Colin PARDOE 5627b
Flinders University Art Museum Dr Gary King 1995 1995 created 1 October 1995 00:00:20 VHS video Gary KING 5643.002a
Flinders University Art Museum Dr Gary King 1995 1995 created 1 October 1995 00:00:20 VHS video Gary KING 5643.004a
Flinders University Art Museum Dr Jane Goodall 1995 1995 created 1 October 1995 00:34:09 VHS video © the artist International Art Jane GOODALL 5643.001e
Flinders University Art Museum Dr Jane Goodall 1995 1995 created 1 October 1995 00:24:09 VHS video © the artist International Art Jane GOODALL Gift of the Australian Experimental Art Foundation 5643.003e
Flinders University Art Museum Dupe 05 1976 1976 audio, duration 60 mins Dimensions : 11 cm h x 7 cm w x 11.7 cm d International Art. Post-Object And Documentation Art Michael NICHOLSON 734
Flinders University Art Museum EAF archive, copy 1: Object a, Geoff Weary and Alan Cruikshank, AGM, Chemicals, Joyce Hinterding, Short Sharp Shock I, Short Sharp Shock II, Short Sharp Shock IV, Short Sharp Shock VI, All new generation and High cost of living 1993 1993 00:50 VHS video Adam BOYD, Alan CRUIKSHANK, Susan FEREDAY, Joyce HINTERDING, Dereck KREDELER, VNS MATRIX, Geoffrey WEARY 5661
Flinders University Art Museum EAF archive, copy 2: Object a, Geoff Weary and Alan Cruikshank, AGM, Chemicals, Joyce Hinterding, Short Sharp Shock I, Short Sharp Shock II, Short Sharp Shock IV, Short Sharp Shock VI, All new generation and High cost of living 1993 1993 00:50 VHS video Adam BOYD, Alan CRUIKSHANK, Susan FEREDAY, Joyce HINTERDING, Dereck KREDELER, VNS MATRIX, Geoffrey WEARY 5662
Flinders University Art Museum EAF forum 1996 1996 created 22 August 1996 unknown audio © the artists Australian Art Paul GREENAWAY, Bronwyn PLATTEN, Daniel THOMAS Gift of the Australian Experimental Art Foundation 5642
Flinders University Art Museum EAF organisational study 1992 1992 unknown VHS video Thom CORCORAN, UNKNOWN Includes nuclear criticism video essay compiled by Thom Corcoran for the Experimental Art Foundation. 5660
Flinders University Art Museum EAF projects 1975-93 1995 1995 unknown Super 8mm film Steven ROUTOULAS 5663a
Flinders University Art Museum Elephant 1986 1986 unknown audio © the artist Australian Art Ania WALWICZ Gift of the Australian Experimental Art Foundation 5614e
Flinders University Art Museum English numbers 1990 1990 00:10 VHS video © the artist International Art Lazslo Lazslo REVESZ Gift of the Australian Experimental Art Foundation 5626b
Flinders University Art Museum Expansion in Space and Hell/dunkel 1977 1977 Expansion in Space dated June 1977, Hell/dunkel dated October 19.77 U-matic video, black and white Dimensions : 22 cm h x 13.9 cm w x 3 cm d International Art. Post-Object And Documentation Art Marina ABRAMOVIC, ULAY 1253
Flinders University Art Museum FA Cup finals, John Arlott undated unknown Super 8mm film UNKNOWN 5546
Flinders University Art Museum Felicity Fenner and Anne Loxley 1995 1995 created 1 October 1995 00:49:58 VHS video Felicity FENNER, Anne LOXLEY 5643.001d
Flinders University Art Museum Felicity Fenner and Anne Loxley 1995 1995 created 1 October 1995 00:39:58 VHS video Felicity FENNER, Anne LOXLEY 5643.003d
Flinders University Art Museum Field 1990 1990 00:10 VHS video © the artist International Art Marta FEHER Gift of the Australian Experimental Art Foundation 5626e
Flinders University Art Museum Film of the 1979 Sydney Biennale 1979 1979 super 8mm film, colour, duration 3.75 mins Dimensions : 17.8 cm h x 17.8 cm w International Art. Post-Object And Documentation Art Genevieve O'LOUGHLIN, Lindsay PARKHILL 1347
Flinders University Art Museum First Australian Expo of Panaceas (audio cassette) 1984 1984 unknown audio © the artist Australian Art Christine GOODWIN Gift of the artist 5191
Flinders University Art Museum First Australian Expo of Panaceas (reel-to-reel tape) 1984 1984 unknown reel-to-reel tape © the artist Australian Art Christine GOODWIN Gift of the artist 5192
Flinders University Art Museum First part: life of John Fisher 1982 1982 audio cassette, duration 90 minutes Dimensions : 6.3 cm h x 10 cm w x 1.1 cm d International Art. Post-Object And Documentation Art John FISHER 1717
Flinders University Art Museum Flight flight flight undated unknown VHS video Alex RIZKALLA 5623
Flinders University Art Museum Forest of repeated action 1991 1991 created June 1991 00:08:30 VHS video © the artist Australian Art Filomena RENZI Gift of the Australian Experimental Art Foundation 5666
Flinders University Art Museum Four seasons 1981 1981 U-matic video, 3/4", duration 20 mins Dimensions : 25.5 cm h x 17.2 cm w x 3.7 cm d Good International Art. Post-Object And Documentation Art Arthur WICKS 1705
Flinders University Art Museum Geoff Weary and Alan Cruikshank 1993 1993 00:06 VHS video Geoffrey WEARY 5661b
Flinders University Art Museum Geoff Weary and Alan Cruikshank 1993 1993 00:06 VHS video Geoffrey WEARY 5662b
Flinders University Art Museum Git down: a depression in three parts undated unknown U-matic video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5549a
Flinders University Art Museum Heads 1992 1992 unknown VHS video © the artist Australian Art Hany ARMANIOUS Gift of the Australian Experimental Art Foundation 5632
Flinders University Art Museum Heat 1986 1986 unknown audio © the artist Australian Art Ania WALWICZ Gift of the Australian Experimental Art Foundation 5614c
Flinders University Art Museum High cost of living 1993 1993 00:07 VHS video Dereck KREDELER 5661k
Flinders University Art Museum High cost of living 1993 1993 00:07 VHS video Dereck KREDELER 5662k
Flinders University Art Museum Hold your breath for as long as possible. Hold your finger in a candle flame for as long as possible. 1972 1972 16mm film, black and white, duration 5 mins International Art. Post-Object And Documentation Art Mike PARR 718
Flinders University Art Museum Horse 1986 1986 unknown audio © the artist Australian Art Ania WALWICZ Gift of the Australian Experimental Art Foundation 5614b
Flinders University Art Museum Housewatch 1985 1990 multiple works, dating from 1985-1990 unknown VHS video George E SAXON 5654a
Flinders University Art Museum Hungarian video program: Seven seasons, English numbers, Two half-pictures, Secondary mirror, Field, A grind had stones to meal, Image to Paul Klee, Video diary, Videoplus and The immortal culprits 1988 1990 various works from 1988 to 1990 displayed on this tape 01:56 VHS video © the artists International Art HUNGARIAN VIDEO PROGRAM, SOROS FOUNDATION Gift of the Australian Experimental Art Foundation 5626
Flinders University Art Museum Image to Paul Klee 1988 1988 00:04 VHS video © the artist International Art Agnes HEGEDUS Gift of the Australian Experimental Art Foundation 5626g
Flinders University Art Museum Imponderabilia 1977 1977 00:50 U-matic video, black and white, mono sound © the artists International Art Marina ABRAMOVIC, ULAY Gift of the Australian Experimental Art Foundation 5553
Flinders University Art Museum In solidarity: September 1984 and March 1985 1985 1985 created 8 May 1985 unknown audio © the estate of the artist Australian Art Jenny BOULT Gift of the Australian Experimental Art Foundation 5602c
Flinders University Art Museum Interview with Noel Sheridan 1976 1976 aired Wednesday 19 May 1976 unknown Super 8mm film © the artists Australian Art Noel SHERIDAN Gift of the Australian Experimental Art Foundation Interview conducted by the ABC during the segment 'Today at One'. 5563a
Flinders University Art Museum Invitation to a beheading 1976 1976 unknown Super 8mm film © the artist Australian Art Paul HAY Gift of the Australian Experimental Art Foundation 5590b
Flinders University Art Museum Jam 1976 1976 created May-June 1976 01:05 U-matic video, black and white, mono sound © the artist Australian Art Philip GERNER Gift of the Australian Experimental Art Foundation 5592
Flinders University Art Museum Jam documentation 1976 1976 black and white video, 60 minutes with DVD and slides Dimensions : 25.5 cm h x 17.5 cm w x 4 cm d International Art. Post-Object And Documentation Art Philip GERNER 759
Flinders University Art Museum Jean Dunaz 1995 1995 25 October 1995 unknown audio Jean DUNAZ 5605
Flinders University Art Museum Jenny Boult, poet: Dada and the politics of frustration, 3 poems for Mary Kathleen, In solidarity: September 1984 and March 1985 and Twenty questions 1985 1985 created 8 May 1985 unknown audio © the estate of the artist Australian Art Jenny BOULT Gift of the Australian Experimental Art Foundation 5602
Flinders University Art Museum Jim Allen Leigh Hobba 1976 1976 created 22 April 1976 unknown Super 8mm film Jim ALLEN, Leigh HOBBA Possible collaboration with Richard Tipping. Information on this performance originally obtained from the book 'A decade at the EAF:a history of the Experimental Art Foundation 1974-1984'. 5587
Flinders University Art Museum John Reid, Channel 9 1997 1997 created 17 June 1997 unknown VHS video © the artist Australian Art John REID Gift of the Australian Experimental Art Foundation Footage recorded from a television broadcast on Channel 9. 5599
Flinders University Art Museum John's pool 1976 1976 unknown Super 8mm film Dirk LARSON, Tom PUCKEY 5568a
Flinders University Art Museum Joyce Hinterding 1993 1993 00:05 VHS video Joyce HINTERDING 5661e
Flinders University Art Museum Joyce Hinterding 1993 1993 00;05 VHS video Joyce HINTERDING 5662e
Flinders University Art Museum Jyanni Steffensen 1995 1995 created 1 October 1995 00:54:33 VHS video Jyanni STEFFENSEN 5643.002e
Flinders University Art Museum Jyanni Steffensen 1995 1995 created 1 October 1995 00:48:35 VHS video Jyanni STEFFENSEN 5643.004e
Flinders University Art Museum Krid at John's pool 1976 1976 unknown Super 8mm film Dirk LARSON, Tom PUCKEY 5568e
Flinders University Art Museum Krid's garden 1976 1976 unknown Super 8mm film Dirk LARSON, Tom PUCKEY 5568b
Flinders University Art Museum Krug undated unknown audio Gary KRUG 5612
Flinders University Art Museum Laurie Anderson: collected works 1990 1990 date not recorded on work or related documents; research indicates production date of 1990 00:55 VHS video © the artist International Art Laurie ANDERSON Gift of the Australian Experimental Art Foundation 5621
Flinders University Art Museum Leon Marvell 1995 1995 created 3 October 1995 00:58:46 VHS video © the artist Australian Art Leon MARVELL Gift of the Australian Experimental Art Foundation 5627d
Flinders University Art Museum Looking beyond art, book 5 and 6 1970 1979 c 1970s 35mm slides, 8mm reel-to-reel tape Image : 85 cm h x 56.5 cm w International Art. Post-Object And Documentation Art John FISHER 1640
Flinders University Art Museum Mondo carn undated unknown VHS video Shane CARN 5650
Flinders University Art Museum Moshe Kadem Games 1976 1976 created 18 June 1976 unknown Super 8mm film MOSHE KADEM GAMES Supporting documentation indicates this video includes the 'final jam tasting' [possibly relates to Philip Gerner's Jam of Your Life]. 'Mick Johnson' is written on the label. 5559
Flinders University Art Museum Night 1986 1986 unknown audio © the artist Australian Art Ania WALWICZ Gift of the Australian Experimental Art Foundation 5614a
Flinders University Art Museum Noel Sheridan talks to Bob Ramsay 1977 1977 According to supporting documentation, other relevant data suggests this work was created June 1977 00:20 U-matic video, black and white, mono sound Australian Art UNKNOWN 5545
Flinders University Art Museum Nose 1995 1995 created 11 November 1995 unknown audio © the artist Australian Art Bronwyn PLATTEN Gift of the Australian Experimental Art Foundation 5603
Flinders University Art Museum Not waiting 1974 1974 created June 1974 00:26:40 VHS video © the estate of the artist Australian Art Noel SHERIDAN Gift of the Australian Experimental Art Foundation Original tape in U-matic format, transferred to VHS tape 'EAF video documentation 1975-78' by Leigh Hobba in the mid-1990s. Location of original tape is unknown. 5615
Flinders University Art Museum Notebook II: lectures and discussions 1975 1976 35mm slides, audio cassette, Super 150 8mm tape, duration 120 minutes Good International Art. Post-Object And Documentation Art John FISHER 1638
Flinders University Art Museum Number 1 objects 1992 1992 unknown VHS video UNKNOWN 5657
Flinders University Art Museum Object a 1993 1993 00:00:20 VHS video Alan CRUIKSHANK, Susan FEREDAY 5661a
Flinders University Art Museum Object a 1993 1993 00:00:20 VHS video Alan CRUIKSHANK, Susan FEREDAY 5662a
Flinders University Art Museum Objects 1992 1992 unknown VHS video UNKNOWN 5656
Flinders University Art Museum Objects number 2 1992 1992 unknown VHS video UNKNOWN 5658
Flinders University Art Museum Of voice, to sand 1979 1979 February 1979 U-matic video, duration 40 mins Dimensions : 25.5 cm h x 17.3 cm w x 3.7 cm d Good International Art. Post-Object And Documentation Art Bob RAMSAY 1664
Flinders University Art Museum Of voice, to sand 1979 1979 February 1979 U-matic video, 3/4", duration 40 mins Dimensions : 25.4 cm h x 17.4 cm w x 3.7 cm d International Art. Post-Object And Documentation Art Bob RAMSAY 1742
Flinders University Art Museum On planting a native 1976 1976 created June 1976 unknown Super 8mm film Jim ALLEN 5562
Flinders University Art Museum Other than art's sake 1974 1975 16 mm film, black and white, duration 35 mins International Art. Post-Object And Documentation Art Judy CHICAGO, Peter KENNEDY, Adrian PIPER, Stephen WILLATS, Hans HAAKE, Charles SIMMONDS, David MEDALLA 701
Flinders University Art Museum Our story of 'bi-cultural women', European descent undated 00:29 VHS video UNKNOWN 5651
Flinders University Art Museum Peanuts 1978 1978 May 1978 U-matic video, black and white, duration 52 mins Dimensions : 17.3 cm h x 25.5 cm w x 3.7 cm d International Art. Post-Object And Documentation Art Bob RAMSAY 1666
Flinders University Art Museum Peanuts 1978 1978 U-matic video, 3/4", black and white, duration 52 mins Dimensions : 25.4 cm h x 17.4 cm w x 3.7 cm d Good International Art. Post-Object And Documentation Art Bob RAMSAY 1740
Flinders University Art Museum Performance 12: 'AAA.......AAA' undated unknown U-matic video, colour, stereo sound © the artists International Art Marina ABRAMOVIC, ULAY Gift of the Australian Experimental Art Foundation 5551
Flinders University Art Museum Performances 1990 1990 circa 1990 date not recorded on work or related documents; label suggests tape was edited 1994 however artist passed away in 1993 unknown VHS video © the estate of the artist Australian Art Pamela HARRIS Gift of the Australian Experimental Art Foundation 5630
Flinders University Art Museum Person to person undated unknown U-matic video B TOLLEY 5547
Flinders University Art Museum Peter Kennedy 1976 1976 created 11 November 1976 unknown VHS video © the artist Australian Art Peter KENNEDY Gift of the Australian Experimental Art Foundation 5591
Flinders University Art Museum Plasticology 1997 1997 00:05 VHS video, stereo sound © the artist Australian Art Patricia PICCININI Gift of the Australian Experimental Art Foundation 5624.001
Flinders University Art Museum Portrait 1975 1976 Super 8 mm film, silent, colour, duration 29.7 mins Dimensions : 21.8 cm h x 23.1 cm w x 2.5 cm d International Art. Post-Object And Documentation Art Richard LARTER 847
Flinders University Art Museum Post object survey: Interview with Noel Sheridan and Celebration dancers 1976 1976 two segments, one created 19 May 1976 and the other 21 June 1976 unknown Super 8mm film Australian Art UNKNOWN 5563
Flinders University Art Museum Post-object artists 1976 1976 unknown VHS video Noel SHERIDAN Original video on Super 8mm film, transferred to the VHS 'EAF video documentation 1975-78' by Leigh Hobba in the mid-1990s. 5616
Flinders University Art Museum Prof Elisabeth Bronfen 1995 1995 created 1 October 1995 00:42 VHS video © the artist International Art Elisabeth BRONFEN Gift of the Australian Experimental Art Foundation 5643.001b
Flinders University Art Museum Prof Elisabeth Bronfen 1995 1995 created 1 October 1995 00:42:00 VHS video © the artist International Art Elisabeth BRONFEN Gift of the Australian Experimental Art Foundation 5643.003b
Flinders University Art Museum Prof Griselda Pollock 1995 1995 created 1 October 1995 unknown VHS video Griselda POLLOCK 5643.002f
Flinders University Art Museum Prof Griselda Pollock 1995 1995 created 1 October 1995 00:53:37 VHS video © the artist International Art Griselda POLLOCK Gift of the Australian Experimental Art Foundation 5643.004f
Flinders University Art Museum Project Stelarc 1980 circa 1980 U-matic video, colour, duration 29 mins Dimensions : 13.8 cm h x 22 cm w x 3 cm d International Art. Post-Object And Documentation Art STELARC 1667
Flinders University Art Museum Protein lattice 1997 1997 00:04 VHS video, stereo sound © the artist Australian Art Patricia PICCININI Gift of the Australian Experimental Art Foundation 5624.002
Flinders University Art Museum Public fitting 1972 1973 1972 or 1973 Super 8 mm film (50 ft, colour, silent) International Art. Post-Object And Documentation Art Tim JOHNSON 692
Flinders University Art Museum Quotations undated unknown U-matic video, colour BURNING HOOP PRODUCTIONS 5554
Flinders University Art Museum Quotations 1990 1990 unknown VHS video © the artists Australian Art BURNING HOOP PRODUCTIONS, Michelle LUKE, Jyanni STEFFENSEN, Tish BANKS, John JENKINS, Charlie REES, Jennifer ROBERTSON, Mark THOMSON, Craig TIDSWELL, Curtis WEISS Gift of the Australian Experimental Art Foundation According to label, this work is a project by the Experimental Art Foundation. Sender label from John Jenkins. 5600
Flinders University Art Museum Rational hyphen absurd burnt-sienna live-in film 1974 1974 16mm film, colour International Art. Post-Object And Documentation Art Michael NICHOLSON 677
Flinders University Art Museum Read 1977 1977 December 1977 U-matic video, colour, duration 38 mins Dimensions : 25.5 cm h x 17.3 cm w x 3.7 cm d Good International Art. Post-Object And Documentation Art Bob RAMSAY 1665
Flinders University Art Museum Read 1977 1977 Recorded at the EAF, 16 December 1977, and edited April - June at Griffith University. U-matic video, 3/4", colour, duration 38 mins Dimensions : 25.7 cm h x 17.3 cm w x 3.5 cm d International Art. Post-Object And Documentation Art Bob RAMSAY 1738
Flinders University Art Museum Reindeer Werk 1976 1976 1976 unknown Super 8mm film Dirk LARSON, Tom PUCKEY 5568f
Flinders University Art Museum Reindeer werk behavioural actions: John's pool, Krid's garden, Yeck's garden, Yeck's and John's pool, Krid at John's pool and Reindeer Werk 1976 1976 1976 unknown Super 8mm film Dirk LARSON, Tom PUCKEY 5568
Flinders University Art Museum Revisions III undated unknown U-matic video UNKNOWN 5555
Flinders University Art Museum Richard Grayson 1995 1995 created 3 October 1995 00:02:04 VHS video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5627a
Flinders University Art Museum Richard Grayson 1995 1995 created 1 October 1995 00:03:05 VHS video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5643.003a
Flinders University Art Museum Richard Grayson 1995 1995 created 1 October 1995 00:03:04 VHS video © the artist International Art Richard GRAYSON, EXPERIMENTAL ART FOUNDATION Gift of the Australian Experimental Art Foundation 5643.001a
Flinders University Art Museum Richard Grayson 1995 1995 created 1 October 1995 unknown VHS video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5643.001f
Flinders University Art Museum Richard Grayson 1995 1995 created 1 October 1995 unknown VHS video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5643.003f
Flinders University Art Museum Richard Grayson compilation tape: Git down: a depression in three parts, Three real things and Three thousand famous men undated unknown U-matic video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5549
Flinders University Art Museum Richard Grayson: end day 1 1995 1995 created 1 October 1995 00:43:27 VHS video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5643.002b
Flinders University Art Museum Richard Grayson: end day 1 1995 1995 created 1 October 1995 00:43:27 VHS video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5643.004b
Flinders University Art Museum Richard Grayson: start day 2 1995 1995 created 1 October 1995 00:01:04 VHS video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5643.002c
Flinders University Art Museum Richard Grayson: start day 2 1995 1995 created 1 October 1995 00:01:04 VHS video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5643.004c
Flinders University Art Museum Rules and displacement activities, part 2 1973 1974 16mm film, colour release print, magnetic sound, duration 55 mins International Art. Post-Object And Documentation Art Mike PARR 732
Flinders University Art Museum Rules and displacement activities, part 3 1982 1983 16mm film, colour International Art. Post-Object And Documentation Art Mike PARR 1971
Flinders University Art Museum Saturno suite 1977 1977 created 1 April 1977 unknown Super 8mm film Jan HUBRECHSON Sound is sourced from a separate audio cassette whose location is unknown. Partial performance only, according to supporting documentation. 5561
Flinders University Art Museum Search 1993 1993 created 17 May 1993 00:07:54 VHS video © the artists Australian Art Wendy KIRKUP, Pat NALDI Gift of the Australian Experimental Art Foundation At 1pm on Monday 17 May 1996 both artists took a synchronised walk in two separate locations within the Newcastle-upon-Tyne city centre. These walks were filmed simultaneously by the recently-installed surveillance camera system belonging to the Northumbr 5625.001
Flinders University Art Museum Search 1993 1993 created 17 May 1993 00:07:54 VHS video © the artists Australian Art Wendy KIRKUP, Pat NALDI Gift of the Australian Experimental Art Foundation At 1pm on Monday 17 May 1996 both artists took a synchronised walk in two separate locations within the Newcastle-upon-Tyne city centre. These walks were filmed simultaneously by the recently-installed surveillance camera system belonging to the Northumbr 5625.002
Flinders University Art Museum Search 1993 1993 created 17 May 1993 00:07:54 VHS video © the artists Australian Art Wendy KIRKUP, Pat NALDI Gift of the Australian Experimental Art Foundation At 1pm on Monday 17 May 1996 both artists took a synchronised walk in two separate locations within the Newcastle-upon-Tyne city centre. These walks were filmed simultaneously by the recently-installed surveillance camera system belonging to the Northumbr 5625.003
Flinders University Art Museum Search 1993 1993 created 17 May 1993 00:07:54 VHS video © the artists Australian Art Wendy KIRKUP, Pat NALDI Gift of the Australian Experimental Art Foundation At 1pm on Monday 17 May 1996 both artists took a synchronised walk in two separate locations within the Newcastle-upon-Tyne city centre. These walks were filmed simultaneously by the recently-installed surveillance camera system belonging to the Northumbr 5625.004
Flinders University Art Museum Search 1993 1993 created 17 May 1993 00:07:54 VHS video © the artists Australian Art Wendy KIRKUP, Pat NALDI Gift of the Australian Experimental Art Foundation At 1pm on Monday 17 May 1996 both artists took a synchronised walk in two separate locations within the Newcastle-upon-Tyne city centre. These walks were filmed simultaneously by the recently-installed surveillance camera system belonging to the Northumbr 5625.005
Flinders University Art Museum Search 1993 1993 created 17 May 1993 00:07:54 VHS video © the artists Australian Art Wendy KIRKUP, Pat NALDI Gift of the Australian Experimental Art Foundation At 1pm on Monday 17 May 1996 both artists took a synchronised walk in two separate locations within the Newcastle-upon-Tyne city centre. These walks were filmed simultaneously by the recently-installed surveillance camera system belonging to the Northumbr 5625.006
Flinders University Art Museum Search 1993 1993 created 17 May 1993 00:07:54 VHS video © the artists Australian Art Wendy KIRKUP, Pat NALDI Gift of the Australian Experimental Art Foundation At 1pm on Monday 17 May 1996 both artists took a synchronised walk in two separate locations within the Newcastle-upon-Tyne city centre. These walks were filmed simultaneously by the recently-installed surveillance camera system belonging to the Northumbr 5625.007
Flinders University Art Museum Search 1993 1993 created 17 May 1993 00:07:54 VHS video © the artists Australian Art Wendy KIRKUP, Pat NALDI Gift of the Australian Experimental Art Foundation At 1pm on Monday 17 May 1996 both artists took a synchronised walk in two separate locations within the Newcastle-upon-Tyne city centre. These walks were filmed simultaneously by the recently-installed surveillance camera system belonging to the Northumbr 5625.008
Flinders University Art Museum Search 1993 1993 created 17 May 1993 00:07:54 VHS video © the artists Australian Art Wendy KIRKUP, Pat NALDI Gift of the Australian Experimental Art Foundation At 1pm on Monday 17 May 1996 both artists took a synchronised walk in two separate locations within the Newcastle-upon-Tyne city centre. These walks were filmed simultaneously by the recently-installed surveillance camera system belonging to the Northumbr 5625.009
Flinders University Art Museum Search 1993 1993 created 17 May 1993 00:07:54 VHS video © the artists Australian Art Wendy KIRKUP, Pat NALDI Gift of the Australian Experimental Art Foundation At 1pm on Monday 17 May 1996 both artists took a synchronised walk in two separate locations within the Newcastle-upon-Tyne city centre. These walks were filmed simultaneously by the recently-installed surveillance camera system belonging to the Northumbr 5625.01
Flinders University Art Museum Search 1996 1996 created February-March 1996 unknown VHS video Wendy KIRKUP, Pat NALDI Artists-in-residence at the Experimental Art Foundation from February-March 1996 as part of the Telstra Adelaide Festival. This video contains the segments of Search broadcasted on Channel 7 as part of 'Festival TV'. 5633
Flinders University Art Museum Secondary mirror 1991 1991 00:10 VHS video © the artist International Art Marta FEHER Gift of the Australian Experimental Art Foundation 5626d
Flinders University Art Museum Seven seasons 1990 1990 00:03 VHS video © the artist International Art Lazslo Lazslo REVESZ Gift of the Australian Experimental Art Foundation 5626a
Flinders University Art Museum Short Sharp Shock I 1993 1993 00:05 VHS video SHORT SHARP SHOCK 5661f
Flinders University Art Museum Short Sharp Shock I 1993 1993 00:05 VHS video SHORT SHARP SHOCK 5662f
Flinders University Art Museum Short Sharp Shock II 1993 1993 00:02:30 VHS video SHORT SHARP SHOCK 5661g
Flinders University Art Museum Short Sharp Shock II 1993 1993 00:02:30 VHS video SHORT SHARP SHOCK 5662g
Flinders University Art Museum Short Sharp Shock IV 1993 1993 00:02 VHS video SHORT SHARP SHOCK 5661h
Flinders University Art Museum Short Sharp Shock IV 1993 1993 00:02 VHS video SHORT SHARP SHOCK 5662h
Flinders University Art Museum Short Sharp Shock VI 1993 1993 00:04 VHS video SHORT SHARP SHOCK 5661i
Flinders University Art Museum Short Sharp Shock VI 1993 1993 00:04 VHS video SHORT SHARP SHOCK 5662i
Flinders University Art Museum Short Sharp Shock and Steve Routoulas (three works): EAf projects 1975-93, Summary of Short Sharp Shock exhibits and Details of Short Sharp Shock exhibitions 1995 1995 video compiled by Steve Routoulas in 1995, but features works from 1975 to 1993 02:25 VHS video Steven ROUTOULAS, SHORT SHARP SHOCK 5663
Flinders University Art Museum Silver surfer undated unknown VHS video UNKNOWN Label information reads: - photo: Igor Mischiyev - video: Kaiser - Augusta - Allee 48 - animation: D-10589 Berlin 5640
Flinders University Art Museum Smoke on location at University of New South Wales 1970 1970 8mm film International Art. Post-Object And Documentation Art Clive MURRAY-WHITE 667
Flinders University Art Museum Snapshots of EAF #2 1992 1992 unknown VHS video Thom CORCORAN, UNKNOWN 5659
Flinders University Art Museum So-ever: I've got no idea watt... 1977 1977 8pm, 22 June 1977 16mm film, silent, duration 4 mins with audio cassette and 160 slides Good International Art. Post-Object And Documentation Art Bob RAMSAY 1737
Flinders University Art Museum Songs of Neptune 1994 1994 00:30 VHS video © the artist Australian Art Filomena RENZI Gift of the Australian Experimental Art Foundation 5667
Flinders University Art Museum Stations 1982 1982 01:00 VHS video Robert WILSON, Nicolas ECONOMOU Written, directed and designed by Robert Wilson. Produced by Lois Bianchi. Music by Nicolas Economou. Produced in association with Institut National de l'Audiovisuel in France and Zweites Deutsches Fernesehen in Germany. 5622
Flinders University Art Museum Stelarc 1 undated unknown VHS video © the artist Australian Art STELARC Gift of the Australian Experimental Art Foundation 5646
Flinders University Art Museum Stelarc rehearsal 1975 1975 00:07:36 Super 8mm film © the artist International Art STELARC Gift of the Australian Experimental Art Foundation Rehearsal for the event 'Stretched Skin - Sustend/Extend'. Transferred to the VHS 'EAF video documentation 1975-78' by Leigh Hobba in the mid-1990s. 5588
Flinders University Art Museum Stuart Brisley performance 1975 1975 unknown VHS video Stuart BRISLEY Original video on Super 8mm film, transferred to the VHS 'EAF video documentation 1975-78' by Leigh Hobba in the mid-1990s. 5618
Flinders University Art Museum Summary of Short Sharp Shock exhibits 1995 1995 unknown Super 8mm film SHORT SHARP SHOCK 5663b
Flinders University Art Museum Survey 12: on paper 1980 1980 Exhibition held in 1980. Works executed by artists between 1973 and 1980. U-matic video, 3/4" with 24 colour slides Good International Art. Post-Object And Documentation Art Micky ALLAN, Mandy MARTIN, Sally ROBINSON, Jenny WATSON 1645
Flinders University Art Museum Survey 2 1978 1978 video, 16 minutes and 24 slides Good International Art. Post-Object And Documentation Art Rosalie GASCOIGNE 1641
Flinders University Art Museum Survey 4 1978 1978 video, duration 17 mins 30 sec with 24 slides Good International Art. Post-Object And Documentation Art John LETHBRIDGE 1642
Flinders University Art Museum Susan Hiller AGSA 1998 1998 created 17 February 1998 unknown audio © the artist International Art Susan HILLER Gift of the Australian Experimental Art Foundation 5609
Flinders University Art Museum Sustend/extend 1975 1975 00:07:36 VHS video © the artist Australian Art STELARC Gift of the Australian Experimental Art Foundation Rehearsal for Stretched Skin event. Transferred to the VHS 'EAF video documentation 1975-78' by Leigh Hobba in the mid-1990s. 5619
Flinders University Art Museum Symposium of Theatre Design tape #13 1974 1974 created 28 November 1974 unknown Super 8mm film Warrick MCHAFFEY, Peter ROEHLEN, Wally RUSSELL Series contains tapes with numbers 4, 5, 7, 8, 13, 14, 16 and 17. 5570
Flinders University Art Museum Symposium of Theatre Design tape #14 1974 1974 created 28 November 1974 unknown Super 8mm film Helmut GROSSER, Warrick MCHAFFEY Series contains tapes with numbers 4, 5, 7, 8, 13, 14, 16 and 17. 5567
Flinders University Art Museum Symposium of Theatre Design tape #16 1974 1974 created 29 November 1974 unknown Super 8mm film UNKNOWN Series contains tapes with numbers 4, 5, 7, 8, 13, 14, 16 and 17. 5566
Flinders University Art Museum Symposium of Theatre Design tape #17 1974 1974 created 29 November 1974 unknown Super 8mm film Frederick BENTHAM, Anthony STEELE Series contains tapes with numbers 4, 5, 7, 8, 13, 14, 16 and 17. 5571
Flinders University Art Museum Symposium of Theatre Design tape #4 1974 1974 created 11 November 1974 unknown Super 8mm film © the estates of the artists Australian Art Jean BATTERSBY, Eric WESTBROOK Gift of the Australian Experimental Art Foundation Series contains tapes with numbers 4, 5, 7, 8, 13, 14, 16 and 17. 5569
Flinders University Art Museum Symposium of Theatre Design tape #5 1974 1974 created 11 November 1974 unknown Super 8mm film UNKNOWN Series contains tapes with numbers 4, 5, 7, 8, 13, 14, 16 and 17. 5565
Flinders University Art Museum Symposium of Theatre Design tape #7 1974 1974 created 27 November 1974 unknown Super 8mm film © the estate of the artist International Art Fritz BORNEMANN Gift of the Australian Experimental Art Foundation Series contains tapes with numbers 4, 5, 7, 8, 13, 14, 16 and 17. 5573
Flinders University Art Museum Symposium of Theatre Design tape #8 1974 1974 created 27 November 1974 unknown Super 8mm film © the estates of the artists International Art Onno GREINER, Victor PRUS Gift of the Australian Experimental Art Foundation Series contains tapes with numbers 4, 5, 7, 8, 13, 14, 16 and 17. 5572
Flinders University Art Museum Talking about similarity 1976 1976 created 30 November 1976 00:45 U-matic video, black and white, mono sound © the artists International Art Marina ABRAMOVIC, ULAY Gift of the Australian Experimental Art Foundation Private performance at Singel 64, Amsterdam. 5550
Flinders University Art Museum The Jack series 1985 1990 multiple works, dating from 1986-87 unknown VHS video George E SAXON 5654b
Flinders University Art Museum The jam of your life, Part A (copy) 1976 1976 created May-June 1976 01:00 Super 8mm film © the artist Australian Art Philip GERNER Gift of the Australian Experimental Art Foundation This work was part of 'A Survey of Australian and New Zealand Post Object Art'. 5557
Flinders University Art Museum The jam of your life, part A 1976 1976 created May-June 1976 unknown Super 8mm film © the artist Australian Art Philip GERNER Gift of the Australian Experimental Art Foundation This work was part of 'A Survey of Australian and New Zealand Post Object Art'. 5548
Flinders University Art Museum The jam of your life, part B 1976 1976 created May-June 1976 01:00 Super 8mm film © the artist Australian Art Philip GERNER Gift of the Australian Experimental Art Foundation This work was part of 'A Survey of Australian and New Zealand Post Object Art'. 5556
Flinders University Art Museum This type of intention 1989 1989 00:06 VHS video © the artist International Art Janos SUGAR Gift of the Australian Experimental Art Foundation 5637
Flinders University Art Museum Thomas Sokolowski 1995 1995 created 1 October 1995 00:00:32 VHS video Thomas SOKOLOWSKI 5643.002d
Flinders University Art Museum Thomas Sokolowski 1995 1995 created 1 October 1995 00:00:12 VHS video Thomas SOKOLOWSKI 5643.004d
Flinders University Art Museum Three performances: White, These are the days and 24 shows in 24 hours undated 00:15 VHS video UNKNOWN 5664
Flinders University Art Museum Three performances: White, These are the days and 24 shows in 24 hours undated 03:00 VHS video UNKNOWN 5665
Flinders University Art Museum Three real things undated unknown U-matic video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5549b
Flinders University Art Museum Three thousand famous men undated unknown U-matic video © the artist International Art Richard GRAYSON Gift of the Australian Experimental Art Foundation 5549c
Flinders University Art Museum Tweedle 1987 1987 00:16 VHS video © the artist International Art Janos SUGAR Gift of the Australian Experimental Art Foundation 5638
Flinders University Art Museum Twenty questions 1985 1985 created 8 May 1985 unknown audio © the estate of the artist Australian Art Jenny BOULT Gift of the Australian Experimental Art Foundation 5602d
Flinders University Art Museum Two half-pictures 1990 1990 00:04 VHS video © the artist International Art Lazslo Lazslo REVESZ Gift of the Australian Experimental Art Foundation 5626c
Flinders University Art Museum Two moon July 1986 1986 01:00 VHS video © the artists International Art Vito ACCONCI, Laurie ANDERSON, Michel AUDER, Dara BIRNBAUM, Jonathan BOROFSKY, David BYRNE, Bruce CONNER, Brian ENO, Kit FITZGERALD, Bill T JONES, George LEWIS, Arto LINDSAY, Robert LONGO, Evan LURIE, Gregory MILLER, Eric MITCHELL, Tony NOGUERIA, Cindy SHERMAN, John STANBORN, THE KITCHEN, Bill VIOLA, Molissa FENLEY, Philip GLASS, John LURIE Gift of the Australian Experimental Art Foundation Variety of performances by various artists. 5635
Flinders University Art Museum Two performances: Everybody must get stones and A work for Fluoro tube, wool and open door 1976 1976 created July 1976 unknown Super 8mm film Ian HAMILTON, Noel SHERIDAN Transferred to the VHS 'EAF video documentation 1975-78' by Leigh Hobba in the mid-1990s. 5574
Flinders University Art Museum Two performances: Housewatch and The Jack series 1985 1990 multiple works on tape, dating from 1985 to 1990 unknown VHS video George E SAXON Label states "Not for public viewing or transmission". 5654
Flinders University Art Museum Untitled Date not recorded on work or related documents 16mm colour film International Art. Post-Object And Documentation Art Bob RAMSAY 4800
Flinders University Art Museum Untitled Date not recorded on work or related documents Post-object art, Conceptual art International Art. Post-Object And Documentation Art Bob RAMSAY 4801
Flinders University Art Museum Untitled undated unknown Super 8mm film UNKNOWN 5564
Flinders University Art Museum Untitled undated unknown VHS video © the artist Australian Art Steven ROUTOULAS Gift of the Australian Experimental Art Foundation Tape has attached note from Steve Routoulas addressed to a Cecelia. 5649
Flinders University Art Museum Untitled 1991 1991 created 17 September 1991 00:35 VHS video Thom CORCORAN, John FORBES, Jyanni STEFFENSEN Filmed by Thom Corcoran; the venue was Club Foote. 5655
Flinders University Art Museum Venice Biennale 1976 1976 created 16 July 1976 01:00 U-matic video, black and white, mono sound © the artists International Art Marina ABRAMOVIC, ULAY Gift of the Australian Experimental Art Foundation 5552
Flinders University Art Museum Video diary 1989 1989 00:13 VHS video © the artist International Art Erika PASZTOR Gift of the Australian Experimental Art Foundation 5626h
Flinders University Art Museum Videoplus 1988 1988 00:18 VHS video © the artist International Art Zoltan BONTA Gift of the Australian Experimental Art Foundation 5626i
Flinders University Art Museum Voyeur 1987 1987 created 31 May 1987 unknown VHS video Michelle LUKE 5595
Flinders University Art Museum Waves 1986 1986 unknown audio © the artist Australian Art Ania WALWICZ Gift of the Australian Experimental Art Foundation 5614d
Flinders University Art Museum We should call it a living room undated 16mm film, colour, duration 9 mins International Art. Post-Object And Documentation Art Aleks DANKO, Roger FRAMPTON, David LOURIE, David STEWART 702
Flinders University Art Museum What follows...Guerilla Girls undated unknown VHS video © the artists International Art GUERILLA GIRLS Gift of the Australian Experimental Art Foundation 5645
Flinders University Art Museum Wigg & Watt 1992 1992 created October 1992 unknown VHS video Thom CORCORAN, WIGG AND WATT 5628
Flinders University Art Museum William Yang 1995 1995 created 3 October 1995 unknown VHS video William YANG 5627e
Flinders University Art Museum Yeck's and John's pool 1976 1976 unknown Super 8mm film Dirk LARSON, Tom PUCKEY 5568d
Flinders University Art Museum Yeck's garden 1976 1976 unknown Super 8mm film Dirk LARSON, Tom PUCKEY 5568c
Flinders University Art Museum Zen and Lacan 1995 1995 created 26 July 1995 unknown audio Peter BISHOP Talk given by Peter Bishop as part of the 'Working with Theory' series. 5604
Griffith University Art Museum "Silence is the only possible means of communication" K. Marx 1843 from Artrage: artworks for television 1996 1.00 Tape, video Leigh HOBBA 000798.29
Griffith University Art Museum 19:45pm January 7 from Artrage: artworks for television 1996 1.36 Tape, video Tony TWIGG 000798.25
Griffith University Art Museum 64 from Artrage: artworks for television 1997 3.11 Tape, video Jon MCCORMACK 000798.21
Griffith University Art Museum A Passion Play 1991 8.00 Tape, video, digital betacam master Tony TWIGG 000800A
Griffith University Art Museum A digital rhizome 1994 Disc, CD ROM (MacOS), Kodak CD-R, archive copy Brad MILLER Minimum requirements: Mac OS, 20 Mb of RAM, 24bit colour, HyperCard, Palatino font, Harddrive to be renamed "Rhizome" if all material is copied to the computer 000793A
Griffith University Art Museum A short hygenic video about safety from Artrage: the compilation video 1994 1.58 Tape, video Tobias RICHARDSON 000694.18
Griffith University Art Museum A slice of life or the crumbs of existence 1993 1994 15.00 Tape, 16mm black and white film, digital betacam master Janet MEREWETHER 000762A
Griffith University Art Museum A taxi to temptation and Dial T for terror from Sinerama 1985 5.00 Tape, video, digital betacam master RANDELLI 000690A
Griffith University Art Museum Against the tide 1979 30.00 Tape, VHS, digital betacam master Arthur WICKS 000682A
Griffith University Art Museum Album 1970 5.35 Tape, 16mm film, digital betacam master David PERRY 000667A
Griffith University Art Museum Antipodean Epic 2016 18.53 R Drive, HD video, 1080p, colour, sound, no dialogue, 18min 53sec Jill ORR Photographer: Christina Simons Video Production: Jason Heller Cinematographer: Dave Mckinnar Costume: Alison Kelly 002979
Griffith University Art Museum Any kind of advance from Artrage: artworks for television 1996 1.55 Tape, video Bernt PORRIDGE 000798.12
Griffith University Art Museum Appropriation 2003 Vinyl, 45 rpm 7in vinyl single, Rock song recorded on a 45 rpm 7in vinyl single in music recording studio. Danius KESMINAS 001992g
Griffith University Art Museum Armada 1994 9.00 Tape, video, digital betacam master John GILLIES 000790A
Griffith University Art Museum Art rage from Artrage: the compilation video 1994 0.43 Tape, video Linda DEMENT 000694.03
Griffith University Art Museum Artrage from Artrage: artworks for television 1998 50.17 Tape, video, digital betacam master VARIOUS ARTISTS 000891A
Griffith University Art Museum Artrage: the compilation video 1994 35.00 Tape, Betacam SP video, digital betacam master VARIOUS ARTISTS 000694A
Griffith University Art Museum Artrage: artworks for television 1996 Tape, video VARIOUS ARTISTS 000798A
Griffith University Art Museum Autumn song 1996 23.0 Tape, video, digital betacam master John CONOMOS 000844A
Griffith University Art Museum B.I.T. 1992 6.00 Tape, video, Exhibition video David COX 000903B
Griffith University Art Museum Baby from Artrage: artworks for television 1996 1.12 Tape, video Patricia PICCININI 000798.08
Griffith University Art Museum Back to the Happy Ever After 1993 18.00 Tape, video, digital betacam master Shane CARNE, Michael CARNE, Philip 'Sunday' HOPKINS 000761A
Griffith University Art Museum Basilisk and a universe of dirt 1999 Disc, CD ROM (MAC), Unknown, archive copy Panos COUROS, Lloyd SHARP, Komninos ZERVOS Minimum requirements : MacOS PowerPC, System 8 and later, Quicktime 3, 12Mb free RAM 000907A
Griffith University Art Museum Beg and Gen in the Bonding Booth 1993 5.00 Tape, VHS, digital betacam master VNS MATRIX 000930.07A
Griffith University Art Museum Benny and the dreamers 1993 53.00 Tape, VHS, curatorial reference video Phillip BATTY, Ivo BURUM 000656A
Griffith University Art Museum Bet On It! from Artrage: artworks for television 1998 2.06 Tape, video Amy LEE 000891.17
Griffith University Art Museum Bifurcate 1994 11.30 Tape, feedback video FX image and music, digital betacam master Tim KREGER, Mike NICHOLLS 000719A
Griffith University Art Museum Blind Ned 1997 1998 2.24 Device, DVD - digital master Blind_Ned.mov Derek KRECKLER 001858A
Griffith University Art Museum Blind date and Love fever from Love stories 1984 3.42, 7.40 Tape, VHS, digital betacam master RANDELLI 000689A
Griffith University Art Museum Bluto 1967 5.00 Tape, 16mm film with optical sound, transferred to video, digital betacam master Albie THOMS 000715A
Griffith University Art Museum Brief secrets 1993 7.00 Tape, video, curatorial reference video Diana LEACH 000752A
Griffith University Art Museum Broken English from Blood brothers c. 1992 54.41 Tape, video, curatorial reference video Ben LANDERS, Rachel PERKINS 000765.01A
Griffith University Art Museum Caged 2010 4.47 Disc, HD DVD 4.47 minute loop, HD Filming, DVD loop. According to the artist's questionnaire the work was created in photoshop ( digital image), then the motion in DVD Studio Pro Kelly HUSSEY-SMITH 001917A
Griffith University Art Museum Carnival of broken sleep 1994 10.34 Tape, video, digital betacam master Matt DABROWSKI 000808A
Griffith University Art Museum Cat watching II from Artrage: the compilation video 1994 0.30 Tape, video Kathy TEMIN 000694.21
Griffith University Art Museum Cicadas & Cellophane 1998 12.53 Tape, video, digital betacam master Juliana BERGESEN-BEDNARECK, Alexandra BLUNDELL, MONSTERS OF INGRATITUDE 000935A
Griffith University Art Museum Colour space, Flat space and Expressive space from Spaces 1981 5.08, 4.11, 4.16 Tape, VHS, digital betacam master RANDELLI 000692A
Griffith University Art Museum Compilation: Endless house 1991; The digital garden 1992; The digital garden III 1993; Green machine 1993; Woman in Rm 32 1994 1991 1994 16.40 Tape, video, digital betacam master Ross HARLEY 000763a.eA
Griffith University Art Museum Confide in me from Artrage: the compilation video 1994 1.40 Tape, video Mutlu CERKEZ 000694.06
Griffith University Art Museum Constructing a simple 3 point perspective volume (television) from Artrage: the compilation video 1994 2.02 Tape, video Stephen BRAM 000694.19
Griffith University Art Museum Continuous monument to the Australian film industry 1982 2.40 Tape, video, digital betacam master John GILLIES 000825A
Griffith University Art Museum Cut from Artrage: the compilation video 1994 2.04 Tape, video Mikala DWYER 000694.10
Griffith University Art Museum Cyberflesh girlmonster 1996 Disc, CD ROM (MacOS), Unknown (digital audio), archive copy Linda DEMENT Minimum requirements: MacOS running System 7 or later, 8MB RAM, 16bit colour, CD-ROM drive 000776.01A
Griffith University Art Museum D-VOID 1995 3 Tape, shot on SP betacam, Digital betacam master Michelle MAHRER 000784A
Griffith University Art Museum DNE (47 songs humans shouldn't sing) 1990 31 Vinyl, record Eugene CARCHESIO 000433
Griffith University Art Museum Dam special from Nganampa Anwernekenhe, series 5, program 13, segment 2 1991 7.30 Tape, VHS, curatorial reference video CAAMA 000657A
Griffith University Art Museum Dark 1973 1974 19.00 Tape, video, digital betacam master Paul WINKLER 000829A
Griffith University Art Museum Darkside 1992 10.00 Tape, VHS from SP BVU master, digital betacam master FERAL ARTS 000688A
Griffith University Art Museum David Perry 1968 4 Tape, 16mm film with optical sound, transferred to video, digital betacam master Albie THOMS 000716A
Griffith University Art Museum Dead Board from Artrage: artworks for television 1996 1.16 Tape, video Scott REDFORD 000798.07
Griffith University Art Museum Default from Artrage: artworks for television 1996 1.42 Tape, video Marion HARPER 000798.17
Griffith University Art Museum Dial T for terror from Sinerama 1985 5 Tape, VHS RANDELLI 000710
Griffith University Art Museum Display screen 1 'Kimberley Star Gazing' 1988 Film, Perspex and metal Joan BRASSIL 000836A.i
Griffith University Art Museum Double Trouble 1986 5.26 Tape, video, digital betacam master Peter CALLAS 000450A
Griffith University Art Museum Duncan (Jenepher) 2003 Vinyl, 45 rpm 7in vinyl single, Rock song recorded on a 45 rpm 7in vinyl single in music recording studio. Danius KESMINAS 001992j
Griffith University Art Museum Dying Song 1974 6.30 Tape, video, betacam SP submaster Warren BURT 000817B
Griffith University Art Museum E 1994 9.00 Tape, shot on super 8, completed on video, digital betacam master Jennifer LEGGETT 000758A
Griffith University Art Museum ENDGAME from Artrage: artworks for television 1998 2.01 Tape, video Ian HOWARD 000891.11
Griffith University Art Museum East Timor Identity, Resistance & Dreams of Return 1999 Disc, CD ROM (PC & MAC), Unknown , archive copy Michael BUCKLEY Minimum requirements: Multimedia 486 PC with Video/Sound card, 64MB RAM, 8 speed CD-ROM drive Will run best with on an 8X speed CD-ROM drive 000912A
Griffith University Art Museum Either / Orr 1997 10.00 Tape, video, shot on SP Betacam, Digital betacam master Jill ORR 000899A
Griffith University Art Museum End from Artrage: artworks for television 1996 1.18 Tape, video Maria KOZIC 000798.20
Griffith University Art Museum Engaged 1994 9.00 Tape, video, digital betacam master Paul ANDREW 000759A
Griffith University Art Museum Everyday I am a Day Older, Special Feature 2006 R Drive, digital video David M. THOMAS 002423a
Griffith University Art Museum Expo Schmexpo 1986 8.00 exhibition copy - to be created Debra BEATTIE 002934d
Griffith University Art Museum Eye Hunger from Artrage: artworks for television 1998 0.48 Tape, VHS, colour, sound Robyn STACEY 000891.24
Griffith University Art Museum Faggots are for burning 1996 9.45 Tape, video, digital betacam master Barry MCKAY 000809A
Griffith University Art Museum Failure to materialise 1988 12.00 Tape, video, digital betacam master Geoffrey WEARY 000755A
Griffith University Art Museum Faint echoes 1988 17.00 Tape, video, digital betacam master Paul WINKLER 000830A
Griffith University Art Museum Feeling Sexy 1999 47 Disc, DVD - main stream production Davida ALLEN 001859A
Griffith University Art Museum Freedom ride from Blood brothers 1992 53.25 Tape, video, curatorial reference video Ben LANDERS, Rachel PERKINS 000765.02A
Griffith University Art Museum From little things, big things grow. Kev Carmody from Blood brothers c. 1992 52.37 Tape, video, curatorial reference video Ben LANDERS, Rachel PERKINS 000765.03A
Griffith University Art Museum Front I (stories for video) 1994 1.40 Tape, installation, two videos, Digital Betacam master Linda Marie WALKER 000902.01A
Griffith University Art Museum Front II (stories for video) 1994 1.40 Tape, installation, two videos, Digital Betacam master Linda Marie WALKER 000902.02A
Griffith University Art Museum Goat Odyssey 2006 15.10 Disc, digital video (Infinite Loop) Hayden FOWLER 001801A
Griffith University Art Museum Goodbye daddy from Artrage: the compilation video 1994 1.32 Tape, video Nike SAVVAS 000694.04
Griffith University Art Museum Goori Goori dreaming 1993 7.00 Tape, video, curatorial reference video Randall WOOD 000764A
Griffith University Art Museum Haiku dada 1996 Disc, CD ROM (MacOS), Unknown (digital audio), archive copy Felix HUDE Power Macintosh - System 7.0 or greater, 5 Meg of free RAM, Display (640 x 480 pixels), 256 colours (8 bit) 000775A
Griffith University Art Museum Hip to be Square 2003 Vinyl, 45 rpm 7in vinyl single, Rock song recorded on a 45 rpm 7in vinyl single in music recording studio. Danius KESMINAS 001992d
Griffith University Art Museum Homage to John Cage 1992 7.00 Tape, SVHS, digital betacam master Frank OSVATH 000693A
Griffith University Art Museum How Sweet it is (to be Loved by You) 2003 Vinyl, 45 rpm 7in vinyl single, Rock song recorded on a 45 rpm 7in vinyl single in music recording studio. Danius KESMINAS 001992h
Griffith University Art Museum How to skoal with style from Artrage: the compilation video 1994 0.34 Tape, video Stieg PERSSON 000694.02
Griffith University Art Museum Hypnotism 1996 23.0 Tape, video, digital betacam master Luke ROBERTS 000770A
Griffith University Art Museum I am a singer 1997 Disc, CD ROM (MacOS), Unknown (unopened CD), archive copy Megan HEYWARD Minimum requirements: Power Macintosh System 7 operating system or higher, 16MB RAM. 640x480 Display ,16 bit graphics, 4 x CD-ROM drive. Optimised to run directly from the CD-ROM drive. 000882A
Griffith University Art Museum I am hungry 1984 3.50 Tape, video Juan DAVILA, Martin MUNZ 000352
Griffith University Art Museum I'm quite sure I don't understand the question 2008 5 Disc, DVD - pal digital video 5 mins David M. THOMAS 001861A
Griffith University Art Museum I'm too drunk to tell you 2011 10.00, 12.4 Disc, High Definition Single Channel DVD Video, High Definition Single Channel DVD Video, recorded with an aspect ratio of 16:1, authored and looped. 16:1 Liam O'BRIEN 002358a
Griffith University Art Museum Interior with views 1976 4.52 Tape, U-matic video, digital betacam master David PERRY 000666A
Griffith University Art Museum Interpreter from Artrage: the compilation video 1994 0.37 Tape, video Eugene CARCHESIO 000694.01
Griffith University Art Museum Jack High from Artrage: artworks for television 1998 1.51 Tape, video Laurens TAN 000891.15
Griffith University Art Museum Janek the Cloud 2007 3.58 Disc, digital animation, software used: 3D Studio Max 09, Vue xStream, Premiere Pro (for Editing) Peter ALWAST 001630A
Griffith University Art Museum Jardiwarnpa - a Warlpiri fire ceremony from Blood brothers c. 1992 56.33 Tape, video, curatorial reference video Ben LANDERS, Rachel PERKINS 000765.04A
Griffith University Art Museum K-RAD MAN 1991 11.00 Tape, video, digital betacam master Ian HAIG 000909A
Griffith University Art Museum Kafka's sister's castle 1991 12.00 Tape, video, 16mm film transferred to digital betacam master Alex CHOMICZ 000718A
Griffith University Art Museum Kimberley Stranger Gazing 1988 11.45 Tape, video, digital betacam master Joan BRASSIL 000836A
Griffith University Art Museum Korper 1995 6.00 Tape, video, digital betacam master Robyn WEBSTER 000792A
Griffith University Art Museum Lacrimosa (A mournful day) 1993 5.00 Tape, computer animation, U-matic video, digital betacam master Csaba SZAMOSY 000684A
Griffith University Art Museum Leash control from Video as art 1980 Tape, VHS, digital betacam master RANDELLI 000691.1
Griffith University Art Museum Leg Spiral from Artrage: artworks for television 1975 0.31 Tape, video Mike PARR 000891.07
Griffith University Art Museum Level two - Tom 1999 3.0 Tape, video, digital betacam master Brook ANDREW 000934A
Griffith University Art Museum Li Ji: Warrior Girl 2000 14.00 Tape, computer animated video, digital betacam master Kate BEYNON 000954A
Griffith University Art Museum Link 1994 8.45 Tape, video, curatorial reference video Penny MCDOWELL, Tim SLADE 000760A
Griffith University Art Museum London 1986 6.00 Tape, video, digital betacam master John GILLIES 000823A
Griffith University Art Museum Lost in translation 1994 1999 6.00 Tape, video, digital betacam master Peter CALLAS 000936A
Griffith University Art Museum Love Hotel 2000 6.45 Tape, VHS, Digital betacam master Linda WALLACE 000942A
Griffith University Art Museum Love fever from Love stories 1984 7.40 Tape, VHS RANDELLI 000711
Griffith University Art Museum Love me, buy me, envy me and Leash control from Video as art 1980 Tape, VHS, digital betacam master RANDELLI 000691A
Griffith University Art Museum Maidens 1978 33.00 Tape, 16mm film transferred to VHS, curatorial reference video Jeni THORNLEY 000741A
Griffith University Art Museum Man ascending from Artrage: artworks for television 1996 1.23 Tape, video John TONKIN 000798.06
Griffith University Art Museum Man seeing stars; side head; the sacred drunken bat of heaven; death on a pale surfboard. from Artrage: artworks for television 1995 1.35 Tape, video Michael STRUM 000798.01
Griffith University Art Museum Marriage of the bride to art 1994 21.00 Tape, video, digital betacam master Jill ORR 000665A
Griffith University Art Museum Me and my Third Hand 2003 Vinyl, 45 rpm 7in vinyl single, Rock song recorded on a 45 rpm 7in vinyl single in music recording studio. Danius KESMINAS 001992c
Griffith University Art Museum Measuring stick 1980 30.00 Tape, VHS, digital betacam master Arthur WICKS 000683A
Griffith University Art Museum Meditation 14 1986 5.00 Tape, video, digital betacam master Warren BURT 000818A
Griffith University Art Museum Men's work Unknown Disc, CD ROM (MAC), Verbatim Data Life Plus, archive copy Peter CHARUK Minimum requirements: Macintosh with at least 4mb of free RAM. System 7 or later,640 x 480screen resolution 13inMonitor with at least 256 colours. Quicktime compatible. 2X speed CD-ROM drive. 000834A
Griffith University Art Museum Metabody: from cyborg to symborg 1997 Disc, CD ROM (MacOS), Unknown (digital audio), archive copy Jeffrey COOK, Sam DE SILVA, MERLIN INTEGRATED MEDIA, Gary ZEBINGTON Macintosh 8500 PowerMac - 132 processor or better, System 7.5.3 or later, Minimum 16-bit colour depth, 32 megs of RAM minimum, Speech Manager, Macintalk 3, Voices preferably set to 'Ralph', all in extensions folder, QuickTime 2.1 or greater in extensions folder in system folder, QuickTime Power Plugin in extensions folder, Netscape Navigator 3.0 or 3.1, Macromedia Shockwave installed in Netscape plug-ins folder, 'Winsock Netmanage Lib'-on CD-ROM:appendages in extensions folder, 'RealVR Traveller plug-in' - on CD-ROM:appendages in Netscape plug-ins folder, 'RealVR Playback Xtra' - on CD-ROM:appendages in Netscape plug-ins in Shockwave folder, Thread Manager in extensions folder, The AppleScript Extension in extensions folder 000883A
Griffith University Art Museum Mild bear from Artrage: the compilation video 1994 2.01 Tape, video Adam CULLEN 000694.16
Griffith University Art Museum Mined Feel-ds from Artrage: artworks for television 1997 0.46 Tape, video Naomi HERZOG 000891.03
Griffith University Art Museum Moodeitj yorgas 1988 22.00 Tape, 16mm film, curatorial reference video Tracey MOFFATT 000650A
Griffith University Art Museum Mountains of East and West 1991 8.27 Tape, video, digital betacam master Andrew FROST 000845A
Griffith University Art Museum Museum 1996 9.55 Tape, video, digital betacam master; from video with stereo sound. Geoffrey WEARY 000799A
Griffith University Art Museum Nail clippings from Artrage: the compilation video 1994 2.51 Tape, video Jacky REDGATE 000694.11
Griffith University Art Museum Nam June Paik 2003 Vinyl, 45 rpm 7in vinyl single, Rock song recorded on a 45 rpm 7in vinyl single in music recording studio. Danius KESMINAS 001992e
Griffith University Art Museum Neo Geo: An American Purchase 1989 9.17 Tape, video, digital betacam master Peter CALLAS 000448A
Griffith University Art Museum Neurosis 1970 9.00 Tape, video, digital betacam master Paul WINKLER 000828A
Griffith University Art Museum Never Mind the Pollocks here's the Histrionics 2003 Disc, CD Album, 10 Cover Rock Songs recorded on a Compact Disk in recording studio. Danius KESMINAS, THE HISTRIONICS 001993
Griffith University Art Museum Night Cries: A Rural Tragedy 1990 17.00 Disc, DVD 17 minutes Tracey MOFFATT 000651C
Griffith University Art Museum Night's High Noon; An Anti-Terrain 1988 7.26 Tape, video, digital betacam master Peter CALLAS 000449A
Griffith University Art Museum November eleven 1979 1981 19.33 Tape, VHS, digital betacam master Peter KENNEDY, John HUGHES 000663A
Griffith University Art Museum Objects for the Blind 1994 6.00 Tape, 16mm colour and black & white film, digital betacam master Geoffrey WEARY 000754A
Griffith University Art Museum Olympic City from Artrage: artworks for television 1998 2.29 Tape, video Julianne PIERCE 000891.20
Griffith University Art Museum OmTipi 1996 Disc, CD ROM (MacOS), Kodak CD-R, archive copy Dorian DOWSE Minimum requirements: MacOS running System 7.5 or later, 32 MB RAM, 16bit colour, CD-ROM drive 000774A
Griffith University Art Museum On sacred land 1983 1984 13.56 Tape, video, digital betacam master Peter KENNEDY, John HUGHES 000664A
Griffith University Art Museum Opinionated from Artrage: the compilation video 1994 1.08 Tape, video Derek KRECKLER 000694.20
Griffith University Art Museum Other 2010 7 Tape, Betacam Master 7 minutes Tracey MOFFATT 001903B
Griffith University Art Museum Out of order 1992 3.04 Tape, video, curatorial reference video Joy SAUNDERS 000812A
Griffith University Art Museum PAL9000 from Artrage: artworks for television 1998 0.21 Tape, video MEDIALIGHT PRODUCTIONS 000891.02
Griffith University Art Museum Passion Play 1991 8.00 Tape, video, exhibition video Tony TWIGG 000800D
Griffith University Art Museum PathL from Artrage: artworks for television 1996 1.56 Tape, video Peter HENNESSEY 000798.28
Griffith University Art Museum Payback 1996 10.00 Tape, video, exhibition video Warwick THORNTON 000791B
Griffith University Art Museum Pearls of wisdom: a postmodern journey through one person's mind 1996 Disc, CD ROM (PC), mouse pad, track ball, Laser CD-R, archive copy Di BALL 000796.03C
Griffith University Art Museum Pet Shop from Artrage: artworks for television 1998 1.43 Tape, video Martine COROMPT 000891.12
Griffith University Art Museum Photography 2003 Vinyl, 45 rpm 7in vinyl single, Rock song recorded on a 45 rpm 7in vinyl single in music recording studio. Danius KESMINAS 001992f
Griffith University Art Museum Pink poos from Artrage: artworks for television 1996 1.06 Tape, video Jay YOUNGER 000798.05
Griffith University Art Museum Planet of noise 1997 Disc, CD ROM (MacOS), Unknown (digital audio), exhibition copy Brad MILLER, McKenzie WARK Minimum Requirements: Macintosh PowerMac, 8 X CD-ROM or greater, 16Mb RAM, 832 x 624 pixel Screen resolution, Quicktime 2.1 and Sound Manager or greater 000880C
Griffith University Art Museum Point of view: An anthology of the moving image 2003 Disc, Digital video VARIOUS ARTISTS 000136R
Griffith University Art Museum Poison box from Artrage: the compilation video 1994 1.09 Tape, video John BARBOUR 000694.14
Griffith University Art Museum Pop Video from Artrage: artworks for television 1998 2.55 Tape, video: shot on mini DV, edited on Adobe Premier Christopher LANGTON 000891.04
Griffith University Art Museum Pop-o-matic dream home from Artrage: artworks for television 1996 1.30 Tape, video Ian HAIG 000798.15
Griffith University Art Museum Portrait #2 from Artrage: artworks for television 1996 2.00 Tape, video, Shot on Hi-8, finished on SP Betacam. Carol RUDYARD 000798.16
Griffith University Art Museum Power cuts from Artrage: the compilation video 1994 2.25 Tape, video Jeff GIBSON 000694.12
Griffith University Art Museum Programme 1995 2.15 Tape, video, exhibition video Ian ANDREWS 000783D
Griffith University Art Museum Projection 1993 5.00 Tape, video, exhibition video Martina PALOMBI 000757D
Griffith University Art Museum Proposition for Identity (Receiver) 2014 62 Device, Palsonic TV and bracket Liam O'BRIEN 003376b
Griffith University Art Museum Psycho/cyber: virtual and robot events 1993 1992 1993 18.00 Tape, VHS, exhibition video STELARC 000649B
Griffith University Art Museum Pucker up 1991 10.00 Tape, shot on super 8, completed on video, exhibition video (digitised) Amree HEWITT, Deb VERHOEVEN 000695D
Griffith University Art Museum Purge from Artrage: artworks for television 1998 1.40 Tape, video Tina GONSALVES 000891.08
Griffith University Art Museum Raising the spirits 1995 37.49 Tape, video, exhibition video Jill ORR 000720D
Griffith University Art Museum Rapt 1998 5.06 Tape, video, exhibition video Justine COOPER 000923D
Griffith University Art Museum Rapt #1 from Artrage: artworks for television 1998 2.31 Tape, video Justine COOPER 000891.21
Griffith University Art Museum Relics 2007 2.29 Disc, Digital animation., software used: 3D Studio Max 09, Vue xStream, Premiere Pro (for editing) Peter ALWAST 001631B
Griffith University Art Museum Rip from Artrage: the compilation video 1994 2.00 Tape, video Kerrie POLINESS 000694.17
Griffith University Art Museum Rosalind Brodsky's Time Travelling Cookery Show from Artrage: artworks for television 1998 2.03 Tape, video Suzanne TREISTER 000891.16
Griffith University Art Museum Rosie's secret 1994 11.00 Tape, 35mm film, exhibition video; colour and black and white video. Lisa MATTHEWS 000756B
Griffith University Art Museum Sand Lines from Artrage: artworks for television 1998 1.46 Tape, video Paul BROWN 000891.25
Griffith University Art Museum Sand lines 1997 Disc, CD ROM (MAC), Kodak CD-R, archive copy Paul BROWN Minimum requirements: MacOS PowerPC running System 8.5 or later, 64MB RAM, CD-ROM drive 000887A
Griffith University Art Museum Secretions 1997 29.18 Tape, video, digital betacam master Maree CUNNINGTON 000885A
Griffith University Art Museum Section heads meeting "Angel of youth" from Artrage: the compilation video [NOT TO BE SCREENED UNDER ANY CIRCUMSTANCES - BY ARTIST REQUEST] 1994 3.27 Tape, video Dale FRANK 000694.08
Griffith University Art Museum She says 'the grooves speak' 1987 3 Tape, video, digital betacam master John GILLIES 000824A
Griffith University Art Museum Shhh! from Artrage: artworks for television 1998 1.21 Tape, video CAMPFIRE, Robert MERCER 000891.05
Griffith University Art Museum Sightseeing tours 1993 3.30 Tape, video, digital betacam master Lisa ANDREW, Lauren BERKOWITZ 000822A
Griffith University Art Museum Signed from Artrage: artworks for television 1998 2.00 Tape, video Richard TIPPING 000891.14
Griffith University Art Museum Skin of memory 1997 6.00 Tape, video, digital betacam master Judith WRIGHT 000820A
Griffith University Art Museum Slow burn from Artrage: artworks for television 1996 2.19 Tape, video John CONOMOS 000798.23
Griffith University Art Museum Smile from Artrage: artworks for television 1996 0.33 Tape, video Linda DEMENT 000798.26
Griffith University Art Museum Sniff movie from Artrage: artworks for television 1996 1.06 Tape, video Julie RRAP 000798.04
Griffith University Art Museum Snow White 1996 20.00 Tape, video, digital betacam master Robyn WEBSTER 000835A
Griffith University Art Museum Softcore from Artrage: artworks for television 1996 0.50 Tape, video Anthony BABICCI, Panos COUROS 000798.27
Griffith University Art Museum Soul flight 1997 10.00 Tape, video, digital betacam master Lin LI 000821A
Griffith University Art Museum Soul road poem 1993 7.00 Tape, video, digital betacam master Stephen DUKE 000717A
Griffith University Art Museum Sound, silence and light 1996 18.00 Tape, video, digital betacam master Jill ORR 000815A
Griffith University Art Museum Soundform 1998 Disc, CD ROM (MacOS), Unknown (digital audio), archive copy Troy INNOCENT Minimum Requirements: Power Macintosh with System 7.5 (or later), Quicktime 2.5, 48MB of RAM. This work will only run with Quicktime 2.5. All other versions of Quicktime must be disabled for optimum functionality. 000910A
Griffith University Art Museum Special go-man (excerpt from PsyVision) from Artrage: artworks for television 1996 1.52 Tape, computer animated video Troy INNOCENT 000798.24
Griffith University Art Museum Star from Artrage: artworks for television 1996 1.30 Tape, video Geoffrey WEARY 000798.22
Griffith University Art Museum Surfacing 1995 10.30 Tape, video, digital betacam master Kelli DIPPLE, Jan-Nell WEAVER 000884A
Griffith University Art Museum Synthing from Artrage: artworks for television 1996 1.29 Tape, video Tim GRUCHY 000798.09
Griffith University Art Museum Tales of typhoid Mary 1996 Disc, CD ROM (MAC), Unknown (digital audio), archive copy Linda DEMENT Minimum requirements: MacOS running System 7 or later, 8MB RAM, 16bit colour, CD-ROM drive 000776.02 A
Griffith University Art Museum Talk Show 1994 3 Tape, video, U-matic transferred to digital betacam master Niamh LINES 000721A
Griffith University Art Museum Techno/Dumb/Show 1991 20.00 Tape, video, digital betacam master John GILLIES 000555A
Griffith University Art Museum Test from Artrage: artworks for television 1992 1.08 Tape, video John GILLIES 000798.11
Griffith University Art Museum Texture from Artrage: artworks for television 1996 3.02 Tape, video Elena POPA 000798.02
Griffith University Art Museum The Comb - Snow White from Artrage: artworks for television 1996 1.40 Tape, video Robyn WEBSTER 000891.22
Griffith University Art Museum The End of The World from Artrage: artworks for television 1998 1.23 Tape, video Richard GRAYSON 000891.26
Griffith University Art Museum The Gridder 2003 Vinyl, 45 rpm 7in vinyl single, Rock song recorded on a 45 rpm 7in vinyl single in music recording studio. Danius KESMINAS 001992b
Griffith University Art Museum The Less Said the Better 2009 20 Disc, DVD for Apple; B&W; duration 20min David M. THOMAS 001860A
Griffith University Art Museum The Michelangelo project 1995 1996 Disc, CD ROM (MacOS), Unknown (digital audio), archive copy Nola FARMAN Minimum requirements: MacOS running System 7.5 or later, 32 MB RAM,, CD-ROM drive 000797A
Griffith University Art Museum The Seduction of Art 1996 11.25 Tape, video, digital betacam master Barbara CAMPBELL 000768A
Griffith University Art Museum The Sleep of Reason Produces Monsters from Artrage: artworks for television 1998 2.05 Tape, video Lauren BERKOWITZ 000891.13
Griffith University Art Museum The cute machine 1997 Disc, CD ROM (MAC), Unknown , archive copy Martine COROMPT Minimum requirements: Minimum 12mb RAM,Macintosh System 7.5 or later, Monitors must be set to 256 colours, Screen Resolution 640 X 480 or larger 000881A
Griffith University Art Museum The engine of desire (excerpt) from Artrage: artworks for television 1996 2.28 Tape, video Bill SEAMAN 000798.13
Griffith University Art Museum The forgotton adventures of Krazy Kat episode 39 – holiday in Vegas from Artrage: artworks for television 1996 1.23 Tape, video Ross HARLEY 000798.19
Griffith University Art Museum The future from Artrage: the compilation video 1994 2.09 Tape, video Geoff LOWE 000694.15
Griffith University Art Museum The good cook 1998 Disc, CD ROM (PC & MAC), Unknown , archive copy Michael BUCKLEY Minimum requirements: Multimedia 486 PC with Video/Sound card, 64MB RAM, CD-ROM drive, Minimum requirements: MacOS PowerPC running System 8.5 or later, 64MB RAM, CD-ROM drive 000911A
Griffith University Art Museum The illustrated Auschwitz 1992 12.16 Tape, video, curatorial reference video Jackie FARKAS 000814A
Griffith University Art Museum These are the days 1994 1.30 Tape, computer animation, VHS, digital betacam master John TONKIN 000680A
Griffith University Art Museum Thread of voice 1993 18.00 Tape, 16mm black and white film, digital betacam master ARF ARF, Marcus BERGNER, Michael BUCKLEY, Frank LOVECE, Merissa STIPE 000696A
Griffith University Art Museum Three views from Moods 1979 6.10 betacam SP submaster Warren BURT 000819B
Griffith University Art Museum Tourette's Tics 1993 6.00 Tape, video, digital betacam master Janet MEREWETHER 000782A
Griffith University Art Museum Transient Gaze I 2005 7.02 Disc, DVD, Filmed on a digital camera, Digital DVD master Judith WRIGHT 002929a
Griffith University Art Museum Transient Gaze II 2005 8.32 Disc, DVD, Filmed on a digital camera, Digital DVD master Judith WRIGHT 002930a
Griffith University Art Museum Tuning fork reflections from Artrage: artworks for television 1996 2.43 Tape, video Joan BRASSIL, Warren BURT 000798.18
Griffith University Art Museum Uncle Tom has a lovely bunch of coconuts from Artrage: artworks for television 1996 0.44 Tape, video Gordon BENNETT 000798.03
Griffith University Art Museum Untitled from Artrage: the compilation video 1994 0.35 Tape, video Diena GEORGETTI 000694.13
Griffith University Art Museum Untitled (wind charm) 2013 10.00` Film, HD video installation, single channel, 16:9, colour, mono sound, 10:00 mins, projected over two timber sheets, HD digital cam-recorder, Mini DV tape transferred to and edited in Fina/cut Pro. The final output format in Quicktime movie. 16:9 Paul BAI 002798a
Griffith University Art Museum Untitled video from Artrage: artworks for television 1996 1.35 Tape, video Susan NORRIE 000798.14
Griffith University Art Museum Untitled: tolerance or acceptance from Artrage: the compilation video 1994 1.22 Tape, video Brett THOMPSON 000694.07
Griffith University Art Museum Useless Steel in the Mall 2003 Vinyl, 45 rpm 7in vinyl single, Rock song recorded on a 45 rpm 7in vinyl single in music recording studio. Danius KESMINAS 001992i
Griffith University Art Museum Video Art 2003 Vinyl, 45 rpm 7in vinyl single, Rock song recorded on a 45 rpm 7in vinyl single in music recording studio. Danius KESMINAS 001992a
Griffith University Art Museum Virgin with hard drive 1999 Disc, CD ROM (MacOS), Laser CD-R, archive copy Lucy FRANCIS Minimum requirements: MacOS running System 7.5 or later, 32 MB RAM, 16mb free RAM, Quicktime 3 or later, CD-ROM drive 000908A
Griffith University Art Museum Virgin with hard drive from Artrage: artworks for television 1998 2.08 Tape, video: original format CD ROM then captured on Betacam Lucy FRANCIS 000891.10
Griffith University Art Museum Vivarium Performance and choreography by Sue-ellen Kohler based on the solo dance performance Hybrid - turning the body inside out 1993 13.00 Tape, 16mm colour black & white film, digital betacam master Mahalya MIDDLEMIST 000753A
Griffith University Art Museum Watching the apocalypse 1994 7.00 Tape, video, digital betacam master Barbara CAMPBELL 000816.01A
Griffith University Art Museum White 1996 9.27 Tape, video, digital betacam master Francesca DA RIMINI, Josephine STARRS 000810A
Griffith University Art Museum Why be an artist? 1994 9.00 Tape, video, digital betacam master Leigh HOBBA, Noel SHERIDAN 000785A
Griffith University Art Museum Witness 1994 8.00 Tape, video, curatorial reference video Michael BUCKLEY 000813A
Griffith University Art Museum Working title / Blue print 1998 30.00 Tape, digital film on video, Digital Betacam master Anna NERVEGNA 000900A
Griffith University Art Museum Worldly Pain Worldly Spirit from Artrage: artworks for television 1998 2.07 Tape, video Franz EHMANN 000891.09
Griffith University Art Museum Worlds (part 1) nature nature from Artrage: the compilation video 1994 1.51 Tape, video Janet BURCHILL, Jennifer MCCAMLEY 000694.09
Griffith University Art Museum Writer and High Street Kew from Artrage: artworks for television 1995 3.23 Tape, video Komninos ZERVOS 000891.18
Griffith University Art Museum YOUR DOOR 2011 8.17, 8.5 Device, High Definition Digital Video 16:9, Colour and Stereo Sound., Edited using Final Cut Pro 6. Sound track produced using a Roland synthesiser and 2006 Kaoss Pad (KORG). Special effects created using a green screen. Costumes made of found materials. 16:9 Heath FRANCO 002357a
Griffith University Art Museum Your Move 2002 5 Disc, CGI text video / single screen formatted to DVD Grant STEVENS 002974.1
Griffith University Art Museum ZEN-CHE - a tactical arts response 1997 9.00 Tape, video, digital betacam master ARTERIAL, NINGI YOUTH CENTRE 000811A
Griffith University Art Museum a-tv (an artwork for television) from Artrage: artworks for television 1998 2.04 Tape, video Michael DOUGLAS, Elizabeth NEWMAN 000891.06
Griffith University Art Museum air and water I-III 1993 1994 10.40 Tape, computer animation, VHS, digital betacam master John TONKIN 000681.01-.03A
Griffith University Art Museum damage from Artrage: artworks for television 1998 1.23 Tape, video Brook ANDREW 000891.19
Griffith University Art Museum exploitation 07 from Artrage: artworks for television 1998 1.12 Tape, video Narbig LICHT, Doll YOKO 000891.23
Griffith University Art Museum how low can you go from Artrage: artworks for television 1996 4.08 Tape, video Destiny DEACON, Fiona HALL 000798.10
Griffith University Art Museum in the event of Amnesia the city will recall... 1997 9.00 Tape, video, digital betacam master Denis BEAUBOIS 000843A
Griffith University Art Museum observe objects closer from Artrage: artworks for television 1998 2.02 Tape, video Kenneth LYONS 000891.27
Griffith University Art Museum the Eye of the Model 1993 1994 6.40 Tape, video, digital betacam master Geoffrey WEARY 000655A
Griffith University Art Museum the only machines from Artrage: artworks for television 1998 2.03 Tape, video RETARDED EYE 000891.01
Moreton Bay Regional Council Directing a line 2009 6:50 DVD Good Carly SCOUFOS Moreton Bay Regional Council Art Collection C-2009-043
Moreton Bay Regional Council Gnawing to be naught, never to be naught (broken chair) 2009 3:15 DVD Good Arryn SNOWBALL Moreton Bay Regional Council Art Collection C-2013-001
Moreton Bay Regional Council Old skool cars show 'n' shine 2014 12:00 DVD Excellent Mick RICHARDS Moreton Bay Regional Council Art Collection C-2015-22
Moreton Bay Regional Council Owl Creek dawn 2011 12:28 DVD Good Carl WARNER (B. 1965) Moreton Bay Regional Council Art Collection C-2011.003
Moreton Bay Regional Council Sunrise over the Glasshouse from Owl Creek 2011 6:00 DVD Excellent Carl WARNER (B. 1965) Moreton Bay Regional Council Art Collection C-2011.002
National Art Archive|Art Gallery of New South Wales 'A moment alone' - 'Away' Katthy Cavaliere performed at Artspace May 1999 for the Helen Lempriere Travelling Art Exh Donation 1999 VHS Katthy CAVALIERE ARC395.11.12
National Art Archive|Art Gallery of New South Wales 'Loved' 2008 Donation 2008 Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.2
National Art Archive|Art Gallery of New South Wales (Pat); Paranoid grunt; Compononent head; Pat dances Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.40
National Art Archive|Art Gallery of New South Wales (Untitled) Gift/Archival Collections floppy disk © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.6.2
National Art Archive|Art Gallery of New South Wales (Untitled) Gift/Archival Collections 16mm film © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.5.3
National Art Archive|Art Gallery of New South Wales (Untitled) Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.33
National Art Archive|Art Gallery of New South Wales (Untitled) Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.34
National Art Archive|Art Gallery of New South Wales (Untitled) Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.58
National Art Archive|Art Gallery of New South Wales 1 The pack; Katthy's room 12/05/98 (copy) Donation Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.117
National Art Archive|Art Gallery of New South Wales 11 films Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.44
National Art Archive|Art Gallery of New South Wales 27 March 1996 Julie; Kaleidescope Gift/Archival Collections VHS © Richard Larter/Copyright Agency Richard LARTER ARC154.3.51
National Art Archive|Art Gallery of New South Wales 3 The walk (copy) Donation Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.116
National Art Archive|Art Gallery of New South Wales A Moment alone Donation 1999 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.33
National Art Archive|Art Gallery of New South Wales A muse no. 1992 with Jewel Leigh Gift/Archival Collections VHS © Richard Larter/Copyright Agency Richard LARTER ARC154.3.4
National Art Archive|Art Gallery of New South Wales A muse: starring Jewel Leigh; Julie 15 March 1994 Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.48
National Art Archive|Art Gallery of New South Wales A side: Fun and laughs and the song Jossie and the pussy cats; B side: Kathy Donation Audio cassette, sound Katthy CAVALIERE ARC395.11.6
National Art Archive|Art Gallery of New South Wales A side: Last Saturday - Artspace Donation Audio cassette, sound Katthy CAVALIERE ARC395.11.10
National Art Archive|Art Gallery of New South Wales A side: Satuday 1 Artspace in my room Donation Audio cassette, sound Katthy CAVALIERE ARC395.11.11
National Art Archive|Art Gallery of New South Wales A structure of Gift/Archival Collections U-matic Lawrence WEINER '3 people are seated around a table, they introduce themselves and make themselves heard while clapping. The work starts with a woman's voice, she begins a conversation, driving it through various topics. Each person describes the reality of living in New York. Topics include art history, gallery politics, the importance of dressing well, the compatability of sculpture and TV. They talk about sexuality, gender, fashion and art's role in society. A Structure Of is a snapshot of a certain reality-a singular yet representative moment in New York history captured on film.' ARC434.2.12
National Art Archive|Art Gallery of New South Wales Against the grain Gift/Archival Collections 1981 magnetic audio tape © Tim Burns/Copyright Agency Tim BURNS A production by Nightshift, directed by Tim Burns and written by Burns and Michael Callaghan. Music by Nicholas Lyons. ARC434.2.7
National Art Archive|Art Gallery of New South Wales Against the grain Gift/Archival Collections 1981 magnetic audio tape © Tim Burns/Copyright Agency Tim BURNS A production by Nightshift, directed by Tim Burns and written by Burns and Michael Callaghan. Music by Nicholas Lyons. ARC434.2.13
National Art Archive|Art Gallery of New South Wales Altered to suit Gift/Archival Collections 1979 16mm black and white film Lawrence WEINER Produced by Moved Pictures, New York. A film by Lawrence Weiner, music by Peter Gordon, cinematography by Michael Oblowitz. Players: Teta Gorgoni, Rosemary Hochsild, Britta Le Va, Michael Shamberg and Kirsten Vibeke Thueson. Editors: Kathryn Bigelow and Gerrit Hilhorst. Music performed by Peter Gordon, David van Tiegham and Kirsten Vibeke Thueson. ARC434.2.3
National Art Archive|Art Gallery of New South Wales Angela and Peters vis Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.9
National Art Archive|Art Gallery of New South Wales Architecture for mining Gift/Archival Collections 1979 Audio cassette, sound Marr GROUNDS A recording of design students from the University of Sydney presenting their work for the Muswellbrook exhibition, including Erica Moratelli 'Strip Mining. Case study 2, Man'. This was organised by Marr Grounds of the Department of Architecture, Sydney University. ARC227.11.14
National Art Archive|Art Gallery of New South Wales Artart actions Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.18
National Art Archive|Art Gallery of New South Wales Artart actions Gift/Archival Collections VHS © Estate of Pat Larter Pat LARTER ARC154.3.43
National Art Archive|Art Gallery of New South Wales Artart actions Gift/Archival Collections 1980s 104:00:00 VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.7.9
National Art Archive|Art Gallery of New South Wales Aucklandt; Lathernews; Burn car burn Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.41
National Art Archive|Art Gallery of New South Wales Automatic actions performance 2000 Donation 2000 Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.112
National Art Archive|Art Gallery of New South Wales BB with Annett Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.24
National Art Archive|Art Gallery of New South Wales Beach. Birds. Eliza and girl Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.12
National Art Archive|Art Gallery of New South Wales Bedroom 98, Grace + 1, sleep, mum, Nonno's (Pack cont.) Donation 1998 Video 8, colour, sound Katthy CAVALIERE ARC395.11.2
National Art Archive|Art Gallery of New South Wales Boats rang?[illeg.] Old man [illeg.] Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.16
National Art Archive|Art Gallery of New South Wales Bowdance Gift/Archival Collections 1983 Audio cassette, sound Colin OFFORD Recording by Graham Double of performances by Colin Offord at the Watters Gallery in 1983. This includes 'Deer Dance' for travelling bow and voice of a poem by Bettina Zeisler, 'The cat' for grand Jacaranda mouthbow and voice of a poem by Baudelaire, 'Night cries' for travelling bow and voice, 'Daily dance' for travelling bow and rattles, 'Iwalewa reflections' for curtain rod and long horn, 'The bakery' for frame drum and voice of a Korean poem, 'Little bow' and 'The kiss' with Christina Mani using 'mouthmusic' or the singing of one person into the mouth of another. ARC227.11.15
National Art Archive|Art Gallery of New South Wales Brett Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.43
National Art Archive|Art Gallery of New South Wales Brett masturbating on chair, bed and floor. Debbie holding her painting. Debbie and painting. Julie in red underwear on floor. Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.41
National Art Archive|Art Gallery of New South Wales Brown paper performance 26/2/05 Donation 2005 Mini-DV, colour, sound Katthy CAVALIERE ARC395.11.1
National Art Archive|Art Gallery of New South Wales Bunny Gift/Archival Collections 1996 VHS Adrienne DOIG ARC449.1.3
National Art Archive|Art Gallery of New South Wales Bunny Donation 1996 8mm video, sound, colour Adrienne DOIG ARC449.1.16
National Art Archive|Art Gallery of New South Wales Bunny Donation 1996 8mm video, sound, colour Adrienne DOIG ARC449.1.17
National Art Archive|Art Gallery of New South Wales C.V. (Canberra Video) Donation 1988 VHS © Richard Larter/Copyright Agency Richard LARTER ARC154.3.5
National Art Archive|Art Gallery of New South Wales Campbelltown 24/25 Feb Perform. A moment alone 26 Feb 10.30-11.30 Donation 2005 Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.126
National Art Archive|Art Gallery of New South Wales Car arrives and 'Window light goes on' Donation VHS Katthy CAVALIERE ARC395.5.51
National Art Archive|Art Gallery of New South Wales Cheap Gift/Archival Collections 1997 VHS Adrienne DOIG This work was first shown at the Pendulum Gallery, Sydney, in 1997. ARC449.1.5
National Art Archive|Art Gallery of New South Wales Chris Chapman special; Terpischore; Trixie's walking fingers Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.49
National Art Archive|Art Gallery of New South Wales Clothes horse Gift/Archival Collections 1978 00:27:00 Betacam SP, black and white, sound © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.1.2
National Art Archive|Art Gallery of New South Wales Clothes horse Gift/Archival Collections 1978 VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.1
National Art Archive|Art Gallery of New South Wales Clotheshorse Gift/Archival Collections 1978 00:25:00 analog tape (1/2 inch video) shown as single channel digital video, black and white, sound © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.7.5
National Art Archive|Art Gallery of New South Wales Clover annimation (Master) 1hr. Donation Mini-DV, colour, sound Stephen BIRCH ARC264.7.6
National Art Archive|Art Gallery of New South Wales Collages + Waterfall Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.60
National Art Archive|Art Gallery of New South Wales Como 2001 Donation 2001 Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.123
National Art Archive|Art Gallery of New South Wales Como July 2001 2 Donation 2001 Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.124
National Art Archive|Art Gallery of New South Wales Compile / 'A moment alone'; 'Story of a girl'. Donation Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.110
National Art Archive|Art Gallery of New South Wales Crane [illeg.] lower? Blank Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.11
National Art Archive|Art Gallery of New South Wales Crumbling of etc; Mascara flic; The Pushbutton etc; Red tape etc; Eye to eye; Nova Pomerania; When no one etc; Thicko thicko; O.S. lady Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.27
National Art Archive|Art Gallery of New South Wales Cuttings Gift/Archival Collections 1974 00:30:00 analog tape (1/2 inch video) shown as single channel digital video, black and white, sound © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.7.3
National Art Archive|Art Gallery of New South Wales Daniel not too good at posing Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.50
National Art Archive|Art Gallery of New South Wales Digging Berlin and Basket Ballers (Master only) Donation Mini-DV, colour, sound Stephen BIRCH ARC264.7.10
National Art Archive|Art Gallery of New South Wales Do you believe in water? Gift/Archival Collections 1979 U-matic Lawrence WEINER A production of Kitchen, New York. 'Do You Believe in Water? is a recorded performance and was a component of Lawrence Weiner exhibition at The Kitchen, New York City, in 1976. Six players are in an empty loft space. The only furniture is an octagonal table built around a column with several improvised benches, cinder blocks and boxes. One of the male actors, Robert Stearns, recites the credits, then he introduces himself to the others, clapping his hands; then, all the other actors do the same. They split in three groups: two women are on the table they start kissing and cuddling, two men sit down and start to play the 'patty cake' game, clapping their hands, and a man /female couple are chatting. During the length of the video the camera sometimes focuses on a separate group, sometimes on the activities of two groups and sometimes all groups are shown at the same time, exposing the way they do or do not interact with each other.' Netherlands Media Art Institute. ARC434.2.4
National Art Archive|Art Gallery of New South Wales Domestic Drama Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.27
National Art Archive|Art Gallery of New South Wales Domestic drama Gift/Archival Collections 2001 VHS Adrienne DOIG This work was first shown at the Salon in Vienna in 2001. ARC449.1.6
National Art Archive|Art Gallery of New South Wales Down town [illeg.] trees Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.8
National Art Archive|Art Gallery of New South Wales Drawing; Toilet in a field Donation Video 8, colour, sound Katthy CAVALIERE ARC395.11.4
National Art Archive|Art Gallery of New South Wales Driving BB Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.25
National Art Archive|Art Gallery of New South Wales Faces 1976-1996 Gift/Archival Collections 1996 VHS © Sue Ford Archive Sue FORD This film was produced by Sue Ford and Ben Ford.The work explores the relationship between time, photography and personal identity. The 1976 component was made as a short experimental film, deliberately set against prevailing photographic orthodoxies in the seventies to create an 'anti-technique', reflective portrait of 16 people (including the artist). Sue Ford filmed individual friends and colleagues. Twenty years later the same process with the same people was filmed. The two films were merged to make a montage of faces reflective of individual psychological histories. This work was awarded the Best Short Film at the St Kilda Film Festival, Melbourne, April 1997. A number of the portraits used in the film are in the photographic collection of the Art Gallery of New South Wales. ARC227.11.16
National Art Archive|Art Gallery of New South Wales Family playing cards (?) Donation Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.114
National Art Archive|Art Gallery of New South Wales Feelings Gift/Archival Collections 2000 VHS Adrienne DOIG, Peter SPILSBURY This work was first shown at the Performance Space, Sydney, in 2000. ARC449.1.11
National Art Archive|Art Gallery of New South Wales Femail art Gift/Archival Collections 00:57:00 VHS © Estate of Pat Larter Pat LARTER ARC154.3.21
National Art Archive|Art Gallery of New South Wales Film 1. Building site Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.9
National Art Archive|Art Gallery of New South Wales Film 2. Building site Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.10
National Art Archive|Art Gallery of New South Wales Film. #1 Berlin 98. Donation 1998 Mini-DV, colour, sound Stephen BIRCH ARC264.7.4
National Art Archive|Art Gallery of New South Wales Film. Portraits #1 Donation Mini-DV, colour, sound Stephen BIRCH ARC264.7.3
National Art Archive|Art Gallery of New South Wales Film. Portraits #2 - 1.Andrew 2.Karen Donation Mini-DV, colour, sound Stephen BIRCH ARC264.7.2
National Art Archive|Art Gallery of New South Wales Films by Pat and Richard Larter Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.72
National Art Archive|Art Gallery of New South Wales Fisher's Ghost Donation Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.107
National Art Archive|Art Gallery of New South Wales For James Clifford: Cassilis Gift/Archival Collections 1988 Audio cassette, sound James CLIFFORD ARC227.11.13
National Art Archive|Art Gallery of New South Wales For example decorated Gift/Archival Collections 1977 VHS Lawrence WEINER Produced by Moved Pictures, New York City. Structure by Lawrence Weiner, directed by Michael H. Shamberg. First Production Consultant: Carlotta Schoolman. Video photography by Michael H. Shamberg, Ambient Audio Track from the Sound tape i.e. Decorated (Solo Exhibition, Konrad Fisher Gallery, 1977) Players: Peter Gordon, Britta Le Va, James Sarkis. First Presentation: The Kitchen, New York City, late May, 1977. 'For Example Decorated is an art world talk show between personalities Britta Le Va, Peter Gordon and James Sarkis. The show begins with Le Va, seated at a table, introducing the show (i.e. reciting the credits). Then she introduces herself, soviet style as in Do You Believe In Water? by saying her name and then clapping. Gordon and Sarkis do the same, and they are finally all clapping. They sit down and talk. A coffee table in front of them is covered with Lego blocks. As they converse, they build little structures. A sound tape made for the installation of the work HAVING BEEN MARKED WITH (i.e. decorated) HAVING BEEN DECORATED WITH (i.e. marked) WITH A PROBABILITY OF BEING SEEN at the Konrad Fischer Gallery, 1977, is played at intervals throughout For Example Decorated. The sound tape has a number of tracks that were mixed by Weiner. On one track, the work is read by Le Va and Weiner along the artists' 'conditions': 'the artist may construct the work; the work may be fabricated; the work need not to be built...' On another Le Va talks generally about how to make friends with transvestites, what they like and don't like. And another track has Le Va singing an old Marlene Dietrich song, 'Falling In Love Again.' The work track, her conversation and the singing are multi-lingual, shifting naturally between English and German. Le Va says that there is an assumption that people who make artefacts are a class in and of themselves. Gordon says that museums provide a limited audience; television reaches many more people. Le Va thinks that the poor people in the suburbs don't need to be disturbed by an artist's problems. Rock and roll bands are different, a painting can be a thing by itself. Artists make art first for themselves, then show it to their friends, then give it to a dealer to sell. Artists have to have criticism, says Gordon. The audience is your peer group, says Sarkis. Le Va notices Sarkis' shoes and wants to know where he got them. Sarkis finds the question hostile: he is dressed as a transvestite, and his shoes are high heels. His nails are lacquered. Several times the camera focuses close-up on his face; he speaks faintly, his eyes flicker. Le Va talks about art works being destroyed by ignorance because people did not know what they were. The tape ends with Le Va saying 'I am not an artist, but if I were I would...so why should I?' while the camera focuses on a close-up of Sarkis' elegant foot and shoe.' Alice Weiner ARC434.2.2
National Art Archive|Art Gallery of New South Wales Forest Donation 1998? 8mm video, sound, colour Adrienne DOIG ARC449.1.37
National Art Archive|Art Gallery of New South Wales Freud Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.32
National Art Archive|Art Gallery of New South Wales Freud words Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.31
National Art Archive|Art Gallery of New South Wales From Pat Larter archives Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.17
National Art Archive|Art Gallery of New South Wales Goulburn 'Living Doll' Donation 2004 Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.113
National Art Archive|Art Gallery of New South Wales Green as well as blue as well as red and A little bit of matter and a little bit of more Gift/Archival Collections 1976 U-matic Lawrence WEINER 'Green as well as blue as well as red' was produced by Moved Pictures, New York City. The structure is by Lawrence Weiner, video photography by Carlota Schoolman, Ambient Music by Freiheit (Freedom), Ernst Bush and chorus, from 'Songs of the Lincoln and International Brigades' (Stinson Records, SLP 52, 33 1/3 rpm). The players are Tina Girouard and Suzanne Harris, with commentators Kathryn Bigelow and Lawrence Weiner. The first presentation of this work occured as part of 'A proposition + some questions as to moved pictures,' at the Artists' Space, New York City, on 27 February 1976. 'A table is set with two identical red books placed at diagonal corners and a stack of three poker chips placed in the centre. Two women, Tina Girouard and Susanne Harris, enter the frame. Harris is wearing a red blouse, Girouard a blue blouse with a red carnation in her buttonhole. They shake hands and sit down. Different soundtracks begin to converge: one is a dialogue between Lawrence Weiner and Kathryn Bigelow; another track is the reading of works from the red book; and another is a field recording of 'Freiheit' from the Lincoln International Brigade during the Spanish Civil War. Sometimes it sounds as if the work track is responding to the dialogue between Weiner and Bigelow, or as if it is directing the actions of the performers. Weiner directed the camera, mixed the soundtracks and maintained the dialogue with Bigelow at one go, while the performers performed. (Weiner does not appear, but the camera pans once to Bigelow who is sitting on a chair to the left of the performers.) So it is, in effect, a live tape.' Alice Weiner. 'A little bit of matter and a little bit of more' was produced by Moved Pictures, New York, in cooperation with Fifi Corday Productions. The structure is by Lawrence Weiner, video photography by Michael H. Shamberg, music by Marzette Watts, voices by Azw Bentley and Lawrence Weiner. The players are Martine Rapin, Cynthia Pattison, Mike Grotto, P. Hoenderdos, D. Kaplan, Susan Davis, Ms. Tacks/Takes. The first presentation of this work occured at the Kitchen, New York City, on 9 December 1976. 'The male/female, subject/object investigation in A Bit of Matter and a Little Bit More does not have any titillating episodes leading up to it. The appetite is not whetted beforehand. Hardcore, the opening shot shows the crotch area of two bodies, male and female, engaged in coitus. The camera shifts to a point on the floor where a circle with arrow pointing to it are taped. (Perhaps a screwed up sex symbol?) Also on the floor are a hammer and a nail. Two people approach the circle. One of them picks up the hammer and drives the nail into the floor. They both walk to the corner of the room where there is a blanket. (Perhaps this action builds AN OBJECT SECURED UPON A THRESHOLD?) The music is like jazz bubble-gum. A woman's voice on an overlap track begins to compare the idea of baroque to sex. She says that discussing either is silly because she doesn't 'really' know what either is. Then she talks about what people really get excited by. At the end a male voice says, 'Some questions and five answers relative to moved pictures, five questions and some answers relative to moved pictures.' This refers to the artist's book 100 Rocks on a Wall (Lund: Edition Sellem, Archive of Experimental and Marginal Art, 1976.) This is followed by lots of sighs and squeaking noises. The last spoken words in A Bit of Matter and a Little Bit More are 'Look at me look at me.' Alice Weiner ARC434.2.1
National Art Archive|Art Gallery of New South Wales Hamstrung Gift/Archival Collections 1978 00:32:00 Betacam SP, black and white, sound © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.1.5
National Art Archive|Art Gallery of New South Wales Hamstrung Gift/Archival Collections 1978 00:32:00 VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.25
National Art Archive|Art Gallery of New South Wales Happy Hour Donation Mini-DV, colour, sound Stephen BIRCH ARC264.7.17
National Art Archive|Art Gallery of New South Wales I spy Gift/Archival Collections VHS Adrienne DOIG ARC449.1.9
National Art Archive|Art Gallery of New South Wales Ice sculpture Donation Audio cassette, sound Katthy CAVALIERE ARC395.11.9
National Art Archive|Art Gallery of New South Wales Intimacy; Intim; Model Tracey Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.71
National Art Archive|Art Gallery of New South Wales Jason (Canberra) nude playboy positions Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.42
National Art Archive|Art Gallery of New South Wales Jason in jeans bare chested. Jason down to undies. Jason nude various positions. Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.38
National Art Archive|Art Gallery of New South Wales Joey terrific movements Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.48
National Art Archive|Art Gallery of New South Wales Josie in clothes Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.56
National Art Archive|Art Gallery of New South Wales Josie in white skirt bare chested Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.53
National Art Archive|Art Gallery of New South Wales Josie just in undies on bed. Dark Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.55
National Art Archive|Art Gallery of New South Wales Julie (painted) Gift/Archival Collections VHS © Richard Larter/Copyright Agency Richard LARTER ARC154.3.64
National Art Archive|Art Gallery of New South Wales Julie colon 306 (Left side) Gift/Archival Collections VHS © Richard Larter/Copyright Agency Richard LARTER ARC154.3.69
National Art Archive|Art Gallery of New South Wales Julie in red underwear then takes underwear off Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.37
National Art Archive|Art Gallery of New South Wales Julie nude on floor Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.39
National Art Archive|Art Gallery of New South Wales Julie on floor in nude with pillow Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.40
National Art Archive|Art Gallery of New South Wales Kathy - dalla nascita fino alla prima comunione Donation VHS Katthy CAVALIERE ARC395.5.56
National Art Archive|Art Gallery of New South Wales Katthy 'Eating a Hotdog' Donation Super 8, colour, sound Katthy CAVALIERE ARC395.5.67
National Art Archive|Art Gallery of New South Wales Katthy - Clovelly, set up of 'Nest' colour super 8 Donation Super 8, colour, sound Katthy CAVALIERE ARC395.5.64
National Art Archive|Art Gallery of New South Wales Katthy - Clovelly, set up of 'Nest' colour super 8 Donation Super 8, colour, sound Katthy CAVALIERE ARC395.5.65
National Art Archive|Art Gallery of New South Wales Katthy Cavaliere 'Castello' video Donation VHS Katthy CAVALIERE ARC395.11.13
National Art Archive|Art Gallery of New South Wales Katthy Cavaliere - 'Katthy's room' 1998; 'A moment alone' 1999; 'Story of a girl' 1999 Donation VHS Katthy CAVALIERE ARC395.11.16
National Art Archive|Art Gallery of New South Wales Katthy personal - making faces, dancing topless Donation Video 8, colour, sound Katthy CAVALIERE ARC395.11.5
National Art Archive|Art Gallery of New South Wales Katthy's room - being installed at Artspace + Day 1 of conversations Donation 1998 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.28
National Art Archive|Art Gallery of New South Wales Katthy's room - day 1 Donation 1998 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.27
National Art Archive|Art Gallery of New South Wales Katthy's room - day 2 Donation 1998 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.29
National Art Archive|Art Gallery of New South Wales Katthy's room - last day Donation 1998 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.30
National Art Archive|Art Gallery of New South Wales Katthy's room at Rockdale. The pack 12th May 1998 Donation 1998 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.31
National Art Archive|Art Gallery of New South Wales Katthy's room' - Artspace - Travelling Art Scholarship 1998. cont. of Day 1 + Day 2 conversations while staying in the box + last day (copy) Donation 1998 VHS Katthy CAVALIERE ARC395.11.18
National Art Archive|Art Gallery of New South Wales Katthy's room' 1998 Donation VHS Katthy CAVALIERE ARC395.5.57
National Art Archive|Art Gallery of New South Wales Katthy's room' 1998 conversations (recordings of conversations in bedrooom at Artspace) Donation 1998 Audio cassette, sound Katthy CAVALIERE ARC395.11.8
National Art Archive|Art Gallery of New South Wales Katthy's room' Artspace 1990 Helen Lempriere Travelling Art Exhibition (copy) Donation 1998 VHS Katthy CAVALIERE ARC395.11.19
National Art Archive|Art Gallery of New South Wales Kites N.Z. Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.13
National Art Archive|Art Gallery of New South Wales Kitschens Gift/Archival Collections 1978 00:36:00 Betacam SP, black and white, sound © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.1.6
National Art Archive|Art Gallery of New South Wales Kitschens Gift/Archival Collections 1978 00:36:00 VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.23
National Art Archive|Art Gallery of New South Wales Kitschens Gift/Archival Collections 1978 00:25:00 analog tape (1/2 inch video) shown as single channel digital video, black and white, sound © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.7.4
National Art Archive|Art Gallery of New South Wales Kyrion + Ricky wanking + bed Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.45
National Art Archive|Art Gallery of New South Wales Larter 13 sections Gift/Archival Collections floppy disk © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.6.1
National Art Archive|Art Gallery of New South Wales Larters: Latex news; Lather news; Last of the old home; men; Long see; Burn car burn; Limbic. Lethbridge: Emerging attitudes. Gibbs: Sculpture Gift/Archival Collections 1967 1974 VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, John LETHBRIDGE, Paul GIBBS, Pat LARTER ARC154.3.28
National Art Archive|Art Gallery of New South Wales Larters: Paranoid grunt, Component head, Ritualised activity; Jones: Foreign ingredients Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency © Stephen Jones Richard LARTER, Stephen JONES, Pat LARTER ARC154.3.20
National Art Archive|Art Gallery of New South Wales Laser print muse with Belle Connen Gift/Archival Collections 1993 VHS © Richard Larter/Copyright Agency Richard LARTER ARC154.3.8
National Art Archive|Art Gallery of New South Wales Laser print muse; Belie Connen Jan 1993 Gift/Archival Collections VHS © Richard Larter/Copyright Agency Richard LARTER ARC154.3.68
National Art Archive|Art Gallery of New South Wales Lass Pat dance; Long see; Paranoid grunt; Anon fuck Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.73
National Art Archive|Art Gallery of New South Wales Latex news; Lather news; Last of the old home; Men; Long see; John Lethbridge; Paul Gibbs; Burn car burn; Limbic Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.66
National Art Archive|Art Gallery of New South Wales Lather news or leather nudes or Larter news Gift/Archival Collections 1974 00:26:00 super 8 film shown as single channel digital video, colour, silent © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.7.6
National Art Archive|Art Gallery of New South Wales Luminary Kinetics Archival Collections 1984 00:10:00 16mm colour film reel ARC21.2.10
National Art Archive|Art Gallery of New South Wales Luminary Kinetics Archival Collections 1984 00:10:00 16mm colour film reel Nick POWER ARC21.2.10
National Art Archive|Art Gallery of New South Wales MISC. Pigeons Donation Mini-DV, colour, sound Stephen BIRCH ARC264.7.15
National Art Archive|Art Gallery of New South Wales Mascara flic Gift/Archival Collections 1976 00:12:00 super 8 film shown as single channel digital video, colour, silent © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.7.8
National Art Archive|Art Gallery of New South Wales Men Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.7
National Art Archive|Art Gallery of New South Wales Men Gift/Archival Collections 1975 00:26:00 Super 8 film transferred to analog taope shown as single channel digital video, colour, silent © Estate of Pat Larter Pat LARTER In the only film she made independently, Pat Larter gives men the playboy treatment. ARC154.7.1
National Art Archive|Art Gallery of New South Wales Milan Mosaic Donation 2003 8mm video, sound, colour Adrienne DOIG ARC449.1.39
National Art Archive|Art Gallery of New South Wales Milano 2002 Donation 2002 Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.3
National Art Archive|Art Gallery of New South Wales Mit mat mix; A Pat thigh Gift/Archival Collections circa 1970s U-matic © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.2.2
National Art Archive|Art Gallery of New South Wales Model Chloe; All in a days work Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.12
National Art Archive|Art Gallery of New South Wales Monster 1995 VHS Adrienne DOIG This work was first shown at the Pendulum Gallery, Sydney, in 1996. ARC449.1.1
National Art Archive|Art Gallery of New South Wales Monster Gift/Archival Collections 1995 VHS Adrienne DOIG This work was first shown at the Pendulum Gallery, Sydney, in 1996. ARC449.1.2
National Art Archive|Art Gallery of New South Wales Monster Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.14
National Art Archive|Art Gallery of New South Wales Monster Wildcat Donation 1994 8mm video, sound, colour Adrienne DOIG ARC449.1.18
National Art Archive|Art Gallery of New South Wales Mosaic Ferrara Milan Donation 2003 8mm video, sound, colour Adrienne DOIG ARC449.1.38
National Art Archive|Art Gallery of New South Wales Muse Gift/Archival Collections 2000 VHS Adrienne DOIG This work was first shown at the Academy of Fine Arts, Vienna, in 2000. ARC449.1.10
National Art Archive|Art Gallery of New South Wales Muse Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.26
National Art Archive|Art Gallery of New South Wales NYC #2. 98 Donation 1998 Mini-DV, colour, sound Stephen BIRCH ARC264.7.5
National Art Archive|Art Gallery of New South Wales Nova Pomerania Gift/Archival Collections 1978 00:20:00 super 8 film shown as single-channel digital video, colour © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.7.12
National Art Archive|Art Gallery of New South Wales Operate your TV, protect your home Gift/Archival Collections circa 1970s 1980s Audio cassette tape, sound © Cees Francke Cees FRANCKE ARC153.222.1
National Art Archive|Art Gallery of New South Wales Out of place Gift/Archival Collections 1991 U-matic Maeve WOODS 'Looking out of the window I began to notice strange things about the way in which plants moved. It seemed that there were patterns and discrete combinations of bobbing, swaying, rotating, fluttering, shimmering, thrashing, flopping, twitching and jiggling. These signs were not for me, but 1 am curious even about things such as languages set up for winged things. 1 became very interested in the aerody­namic properties of plants. All this got me started on Out of Place. ..you could call it a 'sci­ence fiction' film'. (Maeve Woods). This film was originally filmed on Super 8. ARC227.11.8
National Art Archive|Art Gallery of New South Wales Over exposed Gift/Archival Collections 2004 VHS Adrienne DOIG ARC449.1.8
National Art Archive|Art Gallery of New South Wales Over exposed 1 Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.34
National Art Archive|Art Gallery of New South Wales Over exposed 2 Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.35
National Art Archive|Art Gallery of New South Wales Over exposed 3. Mosaic Sicily Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.36
National Art Archive|Art Gallery of New South Wales Packing Katthy's room 1998. Removalists taking it to gallery Artspace Donation 1998 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.32
National Art Archive|Art Gallery of New South Wales Pat Larter's rhythms and Pete Maloney's blues Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.3
National Art Archive|Art Gallery of New South Wales Pat tails dance Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.6
National Art Archive|Art Gallery of New South Wales Paul + Joey Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.49
National Art Archive|Art Gallery of New South Wales Paul coloured Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.46
National Art Archive|Art Gallery of New South Wales Paul undressing + nude Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.51
National Art Archive|Art Gallery of New South Wales Peepheart Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.23
National Art Archive|Art Gallery of New South Wales Performance art 4 December 1979 (After a performance at Temple Saraswati Ubud, Bali August 79) Gift/Archival Collections 1979 U-matic © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.2.1
National Art Archive|Art Gallery of New South Wales Peter Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.39
National Art Archive|Art Gallery of New South Wales Peter Moon Donation Mini-DV, colour, sound Stephen BIRCH ARC264.7.14
National Art Archive|Art Gallery of New South Wales Phantasm Gift/Archival Collections 2001 VHS Adrienne DOIG ARC449.1.7
National Art Archive|Art Gallery of New South Wales Portrait Gift/Archival Collections 1975-1976 00:33:00 super 8 film, colour © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.4.1
National Art Archive|Art Gallery of New South Wales Portrait Gift/Archival Collections 1975 1976 00:33:00 super 8 film shown as single-channel digital video, colour © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.7.11
National Art Archive|Art Gallery of New South Wales Portrait 1975-6 Gift/Archival Collections super 8 film © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.4.3
National Art Archive|Art Gallery of New South Wales Portrait 1975-6 Gift/Archival Collections super 8 film © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.4.2
National Art Archive|Art Gallery of New South Wales Portrait 1975-6 Gift/Archival Collections super 8 film © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.4.4
National Art Archive|Art Gallery of New South Wales Portrait 1975-6 Gift/Archival Collections super 8 film © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.4.5
National Art Archive|Art Gallery of New South Wales Portrait 1975-6 Gift/Archival Collections super 8 film © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.4.6
National Art Archive|Art Gallery of New South Wales Prater Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.30
National Art Archive|Art Gallery of New South Wales Rang?[illeg.] View Sky Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.15
National Art Archive|Art Gallery of New South Wales Reel 1. Bond Beach Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.19
National Art Archive|Art Gallery of New South Wales Reel 10. Mark and James Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.28
National Art Archive|Art Gallery of New South Wales Reel 11. Mark Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.29
National Art Archive|Art Gallery of New South Wales Reel 12. Mark Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.30
National Art Archive|Art Gallery of New South Wales Reel 13. Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.31
National Art Archive|Art Gallery of New South Wales Reel 14. Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.32
National Art Archive|Art Gallery of New South Wales Reel 2. Bondi Beach Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.20
National Art Archive|Art Gallery of New South Wales Reel 3. Manly Beach Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.21
National Art Archive|Art Gallery of New South Wales Reel 4. Manly Beach Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.22
National Art Archive|Art Gallery of New South Wales Reel 5. Hydro Ferry and Other Things Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.23
National Art Archive|Art Gallery of New South Wales Reel 6. Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.24
National Art Archive|Art Gallery of New South Wales Reel 7. Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.25
National Art Archive|Art Gallery of New South Wales Reel 8. Two nude guys Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.26
National Art Archive|Art Gallery of New South Wales Reel 9. Mick Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.27
National Art Archive|Art Gallery of New South Wales Ricky by himself + Rick and Kyrion on bed Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.44
National Art Archive|Art Gallery of New South Wales SCA Mask Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.20
National Art Archive|Art Gallery of New South Wales Sarteano Donation Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.111
National Art Archive|Art Gallery of New South Wales Sealskin seebers; Solid state daily girl; Switched on swingers Gift/Archival Collections circa 1970s Betacam SP, black and white, sound © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.1.1
National Art Archive|Art Gallery of New South Wales Sealskin seebers; Solid state daily girl; Switched on swingers Gift/Archival Collections 1971 1973 VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.31
National Art Archive|Art Gallery of New South Wales Seeberskin; Cuttings; Mr Klein falls out; Sealskin seebers; Solid state daily girl; Switched on swingers Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.24
National Art Archive|Art Gallery of New South Wales Seelskin seebers Gift/Archival Collections 1971 00:07:00 VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.7.2
National Art Archive|Art Gallery of New South Wales Shoppers, birds, tanks etc Gift/Archival Collections 1975 super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.59
National Art Archive|Art Gallery of New South Wales Side 1: fun and a story Donation Audio cassette, sound Katthy CAVALIERE ARC395.11.7
National Art Archive|Art Gallery of New South Wales Silde Disolve Wild Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.22
National Art Archive|Art Gallery of New South Wales Silvia paints Pat part one Gift/Archival Collections 1978 00:36:00 Betacam SP, black and white, sound © Estate of Pat Larter © Richard Larter. Copyright Agency © Silvia Jansons Richard LARTER, Silvia JANSONS, Pat LARTER ARC154.1.4
National Art Archive|Art Gallery of New South Wales Silvia paints Pat part one Gift/Archival Collections 1978 00:36:00 VHS © Estate of Pat Larter © Richard Larter. Copyright Agency © Silvia Jansons Richard LARTER, Silvia JANSONS, Pat LARTER ARC154.3.26
National Art Archive|Art Gallery of New South Wales Silvia paints Pat part two Gift/Archival Collections 1978 00:36:00 Betacam SP, black and white, sound © Estate of Pat Larter © Richard Larter. Copyright Agency © Silvia Jansons Richard LARTER, Silvia JANSONS, Pat LARTER ARC154.1.3
National Art Archive|Art Gallery of New South Wales Silvia paints Pat part two Gift/Archival Collections 1978 VHS © Estate of Pat Larter © Richard Larter. Copyright Agency © Silvia Jansons Richard LARTER, Silvia JANSONS, Pat LARTER ARC154.3.2
National Art Archive|Art Gallery of New South Wales Silvia paints Pat parts one and two; Hamstrung; Clotheshops kitschens Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency © Silvia Jansons Richard LARTER, Silvia JANSONS, Pat LARTER ARC154.3.32
National Art Archive|Art Gallery of New South Wales Sleep 1998 Donation 1998 VHS Katthy CAVALIERE ARC395.5.53
National Art Archive|Art Gallery of New South Wales Solid state daily girl Gift/Archival Collections 1972 16mm film © Estate of Pat Larter © Richard Larter. Licensed by Coopyright Agency Richard LARTER, Pat LARTER ARC154.5.2
National Art Archive|Art Gallery of New South Wales Solid state daily girl Gift/Archival Collections 1972 00:28:00 16mm film shown as single channel digital video, black and white, optional sound © Estate of Pat Larter © Richard Larter. Licensed by Coopyright Agency Richard LARTER, Pat LARTER ARC154.7.7
National Art Archive|Art Gallery of New South Wales Spirito del Paese: Mother and Child 2003; Sarteano - Katthy Cavaliere Donation 2003 VHS Katthy CAVALIERE ARC395.11.15
National Art Archive|Art Gallery of New South Wales Stations of the Cross Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.40
National Art Archive|Art Gallery of New South Wales Stations of the Cross 2004 Donation 2004 8mm video, sound, colour Adrienne DOIG ARC449.1.41
National Art Archive|Art Gallery of New South Wales Steve mastermating + Daniel Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.47
National Art Archive|Art Gallery of New South Wales Story of a Girl - tape 1 Donation 1999 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.34
National Art Archive|Art Gallery of New South Wales Story of a Girl - tape 2 Donation 1999 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.35
National Art Archive|Art Gallery of New South Wales Story of a Girl - tape 3 Donation 1999 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.36
National Art Archive|Art Gallery of New South Wales Story of a Girl - tape 4 Donation 1999 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.37
National Art Archive|Art Gallery of New South Wales Story of a Girl - tape 5 Donation 1999 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.38
National Art Archive|Art Gallery of New South Wales Story of a Girl - tape 6 Donation 1999 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.39
National Art Archive|Art Gallery of New South Wales Story of a Girl - tape 7 Donation 1999 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.40
National Art Archive|Art Gallery of New South Wales Story of a Girl - tape 8 Donation 1999 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.41
National Art Archive|Art Gallery of New South Wales Story of a Girl - tape 9 Donation 1999 Hi8, colour, sound Katthy CAVALIERE ARC395.5.42
National Art Archive|Art Gallery of New South Wales Story of a girl Donation 1999 VHS Katthy CAVALIERE ARC395.5.58
National Art Archive|Art Gallery of New South Wales Story of a girl. Artspace 1999 - 1 Donation 1999 VHS Katthy CAVALIERE ARC395.11.17
National Art Archive|Art Gallery of New South Wales Strike? Marsh. Crane. Out of focus Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.17
National Art Archive|Art Gallery of New South Wales Suspended moment - Goulburn Donation Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.18
National Art Archive|Art Gallery of New South Wales Swans transport [illeg.] Art gallery Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.14
National Art Archive|Art Gallery of New South Wales Switched on swingers Gift/Archival Collections 1973 16mm film © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.5.1
National Art Archive|Art Gallery of New South Wales Tammy dark on bed clothes on Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.52
National Art Archive|Art Gallery of New South Wales Tammy on bed in shawl Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.54
National Art Archive|Art Gallery of New South Wales Tania, Bondi Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.35
National Art Archive|Art Gallery of New South Wales Tania, Bondi Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.36
National Art Archive|Art Gallery of New South Wales Test film of camera: car on road; telegraph pole; Cathy? At gates; view in shop - myself; myself/drawing; car driving Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.57
National Art Archive|Art Gallery of New South Wales The movement movement Archival Collections 1969 00:29:00 16mm film UNKNOWN ARC21.2.30
National Art Archive|Art Gallery of New South Wales The other S.F. for Joleighn ingredients Gift/Archival Collections circa 1970s U-matic © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.2.3
National Art Archive|Art Gallery of New South Wales The other woman Gift/Archival Collections 1999 VHS Adrienne DOIG This work was first shown at the Performance Space, Sydney, in 1999. ARC449.1.12
National Art Archive|Art Gallery of New South Wales The other woman Gift/Archival Collections 1998 Betacam, colour, sound Adrienne DOIG This work was first shown at the Performance Space, Sydney, in 1999. ARC449.1.13
National Art Archive|Art Gallery of New South Wales The pack - DV-SP Katthy's room Donation Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.100
National Art Archive|Art Gallery of New South Wales The rational hyphen absurd burnt-Sienna live-in film Gift/Archival Collections 1974 16mm colour film Michael NICHOLSON This film is concerned with the concept of presenting an absurd event in an everyday rational context: in this case the interruption of movement in a house by the imposition of metal and wood; and the assembly of D.M.R. road-work equipment on a patio. It is described by the filmmaker as 'a celebration at the interface where past-object art ritual and every-day life interact to make visible that which needs to be seen'. ARC227.11.5
National Art Archive|Art Gallery of New South Wales The walk Donation 1998 1999 VHS Katthy CAVALIERE ARC395.5.55
National Art Archive|Art Gallery of New South Wales The walk 1998-99 (part of the 'A moment alone') installation (viewed in the white box) Donation 1998 VHS Katthy CAVALIERE ARC395.5.54
National Art Archive|Art Gallery of New South Wales There but for Gift/Archival Collections 1980 U-matic Lawrence WEINER A film by Lawrence Weiner, music by Peter Gordon, videophotography by John Sanborn, video consultant Kit Fitzgerald, assistant director and script consultant Michael H. Shamberg, video director John Sanborn. Players: Peter Downsbrough, Britta LeVa, Peter Nadin, Leslie Schiff and Michael H. Shamberg. ''There But For' imitates the format of a soap opera. The characters are in a house, playing 'daily life'. As usual in Lawrence Weiner videos the actors are well known artists: Brita Le Va, Peter Downsbrough, Peter Nadin, Lesley Schiff and Michael H. Shamberg. An annoying couple with a son are welcoming some guests. The woman is complaining about her life and husband while he seems rather disinterested. Their guests are having conversations; a female visitor argues with the female host. From time to time during the tape the characters are acting out of place: a female is shaving in the bathroom while two man are talking to each other and the host male pees, or the host male pees on the plants of the living room in front of everyone, a woman cleans her ears with a knife. The music was performed live on the set while the play was enacted.' Netherlands Media Art Institute, Andreia Magalhaes. ARC434.2.6
National Art Archive|Art Gallery of New South Wales Thicko thicko; Outstanding lady Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.37
National Art Archive|Art Gallery of New South Wales Toilet - Como Donation 2001 Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.79
National Art Archive|Art Gallery of New South Wales Toilet - Como Donation Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.87
National Art Archive|Art Gallery of New South Wales Toilet in field; 16 July 2001 9pm; Casa Landi Donation 2001 Video 8, colour, sound Katthy CAVALIERE ARC395.11.3
National Art Archive|Art Gallery of New South Wales Tracings of an outstanding lady Gift/Archival Collections 1979 00:06:00 super 8 film shown as single-channel digital video, colour © Estate of Pat Larter © Estate of Robin Crozier © Niels Lomholt Robin CROZIER, Pat LARTER, Niels LOMHOLT ARC154.7.10
National Art Archive|Art Gallery of New South Wales Transient collage 2000 Donation 2000 2004 Mini-DV, colour, sound Katthy CAVALIERE ARC395.5.26
National Art Archive|Art Gallery of New South Wales Transient collage and Suspended moment Donation 2000 8mm video cassette, colour, sound Katthy CAVALIERE ARC395.5.43
National Art Archive|Art Gallery of New South Wales Tree animation. April 10 1998 Donation 1998 Mini-DV, colour, sound Stephen BIRCH ARC264.7.13
National Art Archive|Art Gallery of New South Wales Tripe Gift/Archival Collections 1979 U-matic Betty SUSSLER Tripe was an adaptation of the play Ein Mann, Ein Worterbuch by Franz Xaver Kroetz, translated by Michael Roloff and Carl Weber. ARC434.2.5
National Art Archive|Art Gallery of New South Wales Trixie film Gift/Archival Collections 00:21:00 VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.10
National Art Archive|Art Gallery of New South Wales Trixie's walking fingers Gift/Archival Collections VHS © Estate of Pat Larter © Richard Larter. Copyright Agency Richard LARTER, Pat LARTER ARC154.3.54
National Art Archive|Art Gallery of New South Wales Undercover Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.33
National Art Archive|Art Gallery of New South Wales Unravelling man Gift/Archival Collections 1985 16mm film © Tim Burns/Copyright Agency Tim BURNS A production of Cinevex films, Melbourne. ARC434.2.9
National Art Archive|Art Gallery of New South Wales Urban spaces Archival Collections 1980 16mm colour film reel Paul WINKLER ARC21.2.3
National Art Archive|Art Gallery of New South Wales Utterance - First Draft (recordings in bedroom as a child) 199[?] Donation Audio cassette, sound Katthy CAVALIERE ACR395.6.15
National Art Archive|Art Gallery of New South Wales Utterance - First Draft (recordings in bedroom as a child) 199[?] Donation Audio cassette, sound Katthy CAVALIERE ARC395.6.15
National Art Archive|Art Gallery of New South Wales Utterance sound - record loop [side A] Donation Audio cassette, sound Katthy CAVALIERE ACR395.6.14
National Art Archive|Art Gallery of New South Wales Utterance sound - record loop [side A] Donation Audio cassette, sound Katthy CAVALIERE ARC395.6.14
National Art Archive|Art Gallery of New South Wales Video portraits: Clare Ivors, Jennt Potts, Mark - Fabbro, Margret Grafton, Philip Howard Donation Mini-DV, colour, sound Stephen BIRCH ARC264.7.7
National Art Archive|Art Gallery of New South Wales Vienna Cleaning Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.28
National Art Archive|Art Gallery of New South Wales Vienna stuff Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.29
National Art Archive|Art Gallery of New South Wales West Haven boathouse Gift/Archival Collections super 8 film © Estate of Pat Larter Pat LARTER ARC154.4.18
National Art Archive|Art Gallery of New South Wales Wild backyard Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.21
National Art Archive|Art Gallery of New South Wales Wild cat Gift/Archival Collections 1996 VHS Adrienne DOIG ARC449.1.4
National Art Archive|Art Gallery of New South Wales Wildcat Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.19
National Art Archive|Art Gallery of New South Wales Wildcat Monster Donation 8mm video, sound, colour Adrienne DOIG ARC449.1.15
National Art Archive|Art Gallery of New South Wales [Little Red Riding Hood] Donation MiniDVD-RW, colour, sound Katthy CAVALIERE ARC395.5.59
National Film and Sound Archive of Australia Convict Fleet To Dragon Boat 1998 CD-ROM © In Copyright Summary: Convict Fleet to Dragon Boat takes a confronting and personal look at immigration and multiculturalism in Australia, opening discussion on a range of issues as they affect migrants and Australian Society, and adding a new perspective to the debate. 377004
National Film and Sound Archive of Australia ISEATERROR98 1998 CD-ROM, Macintosh Tracey SANDERS-WOOD, Maf'j ALVAREZ Australian Film Commission 848 saw revolution worldwide. Paris, Venice, Berlin, Milan & Parma amongst many other areas were in revolt. Count Rossi the papal premier was assassinated. The first Women's Rights convention was held in Seneca Falls, New York. Marx and Engels issued the Communist Manifesto. The Pre-Raphaelite Brotherhood was formed and Manchester was in the throws of the Industrial Revolution. The textile industry in Manchester was flourishing and the city's population had exploded. Environmental, social and political issues were paramount... 1998, one hundred and fifty years later we are experiencing another revolution with the accompanying terror it brings... The digital revolution. --- General note: Summary from cover insert. Produced by The Department of Fine Arts at the Manchester Metropolitan University -- Additional credits: Design, Tracey Sanders-Wood, Maf'j Alvarez 1765855
National Film and Sound Archive of Australia Ingenious! 1997 CD-ROM © In Copyright Summary: Ingenious is an interactive adventure which challenges 8-14 year olds to investigate five real life Australian science mysteries. Ingenious! consists of five separate missions in which players work with two argumentative but brilliant special agents (code named Taurus and Red) to solve some of the hottest problems in Australian Science today. Contents: The Last Tribe: In the Tanami desert, the Walpiri people and a team of rangers are in a life and death struggle to save the last of the wallaby species known as the Mala. Practise wildlife conservation as you explore the greatest environmental issues facing Australia's scientists today. Fire Fighter!: On this mission you will lead a fire-fighting team during the peak of the Western Australian bushfire season. Something Fishy: Solve the mystery surrounding the gruesome discovery of millions of dead pilchards washed up on the Australian coastline. Are We Alone: Travel to Parkes Telescope in NSW to help search for extra-terrestrial intelligence. Racing On The Sun: Build a solar car from the wheels up and then race it from Darwin to Adelaide using power from the sun while you find out all about the clean, green technologies of the future. (Source: CD-ROM sleeve.) 376992
National Film and Sound Archive of Australia MUTO 1996 CD-ROM, Windows, Macintosh Kat MEW, Steve LAW Cyberspace exists as a parallel universe to our own, and can only be accessed through the portal of the computer interface. MUTO exists as a microscopic planet within this digital universe. In the realm of MUTO, data is not an inert substance; it is an organism of intellect. Like simple organic cells, it has the power to breed and to mutate. MUTO has evolved from the vast collection of electronic data that the human race has amassed in cyberspace; algorithms that stimulate the functions of lifeforms, papers that document every facet of human existence, digital audio, viruses. The planet MUTO is a synthesis of bytes and pixels which behave in an organic manner. Its environments of red, green and blue (digital RGB) respectively represent the body and the mutant humanoid, the earth and genetic hybrid plant-life, the atmosphere, weather and our forecasts and simulations of these phenomena. Black and white environments (the total absence or presence of digital colour) are apposing poles of organic mutation and digital chaos. The idiosyncratic lifeforms of computer bytes and natural cells rely on the interactivity of the user as the catalyst for creation, mutation and destruction. -- General note: Summary from cover insert. 1765846
National Film and Sound Archive of Australia Mabo: The Native Title Collection 2002 CD-ROM © NFSA - FAC In 1992, the High Court of Australia put an end to the legal fiction that Australia was empty before it was occupied by Europeans. It upheld the claim of Eddie 'Koiki' Mabo and his fellow plaintiffs that Murray Islanders were the traditional owners of land on the island of Mer in the Torres Strait. Mabo: the Native Title Revolution delves into the Mabo legal case and the important issues it raises for Australians and indigenous peoples everywhere. This multimedia resource gives an overview of the case and provides an insight into Torres Strait Islander culture and Eddie Mabo himself - both were crucial to the claims success. The CD Rom also examines broader concepts such as colonialisation, land rights and native title - in Australia and internationally - and looks at what happened in the past and what is happening now. General note: Caution: 'This CD-ROM includes photographs of many Aboriginal and Torres Strait people, both living and deceased. Care should be taken when showing this program to Indigenous peoples so as not to cause distress to those related to the deceased. No secret-sacred or otherwise restricted images or information have, to the producers' knowledge, been included in this program'. Source: Disc sleeve 559857
National Film and Sound Archive of Australia Metabody: From Cyborg to Symborg 1997 CD-ROM, Macintosh Jeffrey COOK, Sam DE SILVA, Gary ZEBINGTON The Metabody assemblage is an animated mapping of the territory of the human-machine interface: the avatar/golem; the robot or automaton (recently cyborg, now symborg) through the ages; and the body as performance installation site connected to other bodies and sites around the world. It encompasses the body as alternative interface using a vocabulary of gestural and performative twitches needed to establish a bodily dialogue with a representation in symbolic space. The ROM comprises three main sections: the Stelarc archive; the human-machine historical section; and various simulations (hypercells) of ideas explicated elsewhere. The components exist as a colony or loose assemblage of cells, some of which will integrate into a larger multicellular whole at a later date; some which extend the cyborg’s organomechanic role by virtue of digital appendages or layers (pro)creating the symbiological organism — the symborg; or react in a connective soup of humans across time and space; or linger in an unresolved phase state, as submerged ideas of an emergent humanity and humaneutics. A technology-induced symbiological body plays tangent to various prosthetic or bodily add-on potentialities and strategies and tends toward inclusion in a growing set of options: the melding of some aspects of organic, web and internet sensorial spaces; interactive anthropomorphic digital symbols; software simulations; attachable hardware augmentations and other interconnected humans via local and remotely distributed computer systems. -- Source: siggraph.org. Production company: Australian Film Commission 1765851
National Film and Sound Archive of Australia Mission Australia 1999 CD-ROM © In Copyright One in a series of 10 "Australia on CD" titles, funded by the Department of Communications, Information Technology and the Arts, covering a diversity of Australian cultural experience and achievement. This CD-ROM aims to educate children about the environment. 401680
National Film and Sound Archive of Australia Mnemonic Notations VI 1996 CD-ROM Phillip GEORGE, Ralph WAYMENT Australian Film Commission Mnemonic Notations explores the process of memory inherent in all humans. It responds to the presence of a visitor by altering the form and structure of the environment – in effect creating an entirely new image. The visitor’s choices are remembered by the machine, and images travel to a new layer as the participant navigates through the program. So while the visitor remains in the Mnemonic Notations environment, the interaction between computer and human memory gradually generates new layers. The interactive structure of Mnemonic Notations reflects the relationship between man and the land. The overall structure of the routes through the work is based on the early Buddhist doctrine of creation by causes, which describes the circular or spiralling process of birth, growth, death, decay, regeneration, and rebirth. The images in the interactive work are no longer separate, individual works, but links in an endless circular or spiralling chain. Four of these chains are positioned parallel to each other, and the participant’s spiralling route through the work is determined by the choices made in navigating through the 12 layers of graphics and animations that are linked by the interactive chains. Each layer has been deconstructed into at least eight node-groups, which are separate destinations within a layer represented by different interfaces, graphics, and animations. While node-groups may look like a single graphic, they are in fact deconstructed into up to 24 individual nodes, each of which is a clickable interactive "hot­spot". Selecting a node triggers an animation, transformation, or relocation to another. The routes through these maze-like node-groups of graphics and animations are structured so as to mimic and explore the processes of memory. Details of a layer are seen clearly, but the image of a whole layer is so reduced in size as to be unclear. Details of future and past layers are clearly seen, but the totality of the evolution and devolution of the work is an image that is only fully developed in the participant's memory. There are distractions, unasked-for intrusions, flashes of new perception as images invert or blend into their future and past forms, curiosity about what details will be revealed, frustration as animations and graphics that are meaningful to a participant cannot be revisited without risking moving on to another layer, and a gradual understanding and acceptance of the totality of the work. The work is paced to reflect genesis, growth, decay, memory, and imagination rather than technology. It is designed to calm and illuminate rather than excite. -- Source: siggraph.org. 1766339
National Film and Sound Archive of Australia Moorditj 1998 © In Copyright The CD-ROM, Moorditj - a Noongar word for 'excellent' - celebrates the work of 110 Indigenous artists from all over Australia including Sally Morgan, Yothu Yindi, Neville T Bonner, Bronwyn Bancroft, Clifford Possum Tjapaltjarra, Ellen Jose and Bangarra Dance Theatre. Aaron Pedersen and Justine Saunders are the guides through the CD-ROM. CAUTION: PERSONS WHO APPEAR IN THIS FILM MAY HAVE DIED SINCE THIS FILM WAS MADE, THE SCREENING OF AUDIO AND IMAGES OF DECEASED PERSONS MAY UPSET THEIR FRIENDS AND RELATIVES. THE NFSA GENERAL DISCLAIMER MUST BE SHOWN BEFORE SCREENING THE FILM PUBLICLY, IF IT IS TO BE SHOWN IN A COMMUNITY PERMISSION SHOULD BE OBTAINED FROM SENIOR MEMBERS OF THAT COMMUNITY. 381418
National Film and Sound Archive of Australia Of Day, Of Night 2000 CD-ROM © In Copyright A woman has lost the ability to dream. She sets herself a series of creative tasks in an attempt to spark her unconscious into dreaming again. Part narrative, part game, part memory and part dream, 'Of day, of Night' is an explorative work of new media (Source : Disc cover) 797099
National Film and Sound Archive of Australia Real Wild Child! 1998 CD-ROM © In Copyright A multimedia ride through five decades of Australian rock music. 371691
National Film and Sound Archive of Australia Stage Struck CD-ROM "This CD-ROM invites you to take on the ultimate challenge - to direct and design your own interactive theatre, musical , opera or dance performance on stage." "Stage Struck is a continuation of the Oz On CD. Produced by the Stagestruck Consortium comprising the National Institute of Dramatic Art, The University of Wollongong, The Australian Ballet, Opera Australia and The Sydney Opera House." (Source: CD-ROM sleeve and Oz On CD Newsletter, Issue 8, February 1999) 399703
National Film and Sound Archive of Australia Strange Cities 1999 CD-ROM © In Copyright Strange Cities is an interactive musical CD-Rom set in Shanghai between wars. Sasha discovers the identity of her grandparents Xenia & Sergei Ermolaeff (orchestra leader) in their music and struggle to survive the Russian and Chinese revolutions. The work is inspired by a tune of the same name - a musical vision of old Shanghai , conjuring mythic, filmic and musical images of the city port. Experimental interactive multimedia work for CD-Rom release, exhibition and promotion on the World Wide Web. As an imaginary vision of old Shanghai, Chinese metropolis, and international settlement, the work conjures mythic, literary, filmic, musical and personal images of the city port, prior to and during the Communist Revolution in China of 1949. Mac-based CD-ROM 522988
National Film and Sound Archive of Australia The Hub 1995 CD-ROM, Macintosh Richard GODDERICK Australian Film Commission An exclusive limited edition CD-ROM containing all the Emotional Computing commissions. The Hub was created in May 1995 to support the creative use of desktop computers and produced by Richard Godderick of the Arts Council of England. -- General note: Summary from information sheet. 1766342
National Film and Sound Archive of Australia The Nation Of Nervana : Isle Of The Apes 1997 CD-ROM, Macintosh Tom BARBALET Nervana began as a computer program which created a tropical island. The island was explored by a sub-humanoid creature, known as the Noble Ape. It quickly grew into a project with a number of pieces of software and texts associated with it but the goals remained the same. To create both a realistic, sustainable ecosystem within a computer simulation and a method for sentient beings to exist within this simulation. This CD/CD-ROM represents the first year and a half of works. It celebrates the design of a virtual reality interface so the user can explore the ecosystem, the text written for the project and the music developed thus far. -- General note: Summary from cover insert. Production company: Australian Film Commission 1765853
National Film and Sound Archive of Australia Totally Gorgeous: The CD ROM! 1995 CD-ROM © In Copyright Contains six interactive games, video footage, photos, animated cartoons, ten minutes of the award-winning animated film 'Gorgeous', starring Hermoine the Modern Girl, and updated text of Kaz Cooke's book 'Real Gorgeous - The Truth about Body and Beauty'. 306689
National Film and Sound Archive of Australia Under A Southern Sun : Stories From The Australian Landscape 1997 CD-ROM © In Copyright An interactive collection of Australian art with rare artist insights, interviews and comments. Presented by the National Gallery of Australia. A journey through the Australian landscape as seen through the artworks of some of our leading painters, sculptors and photographers. Examine artworks in detail, listen to commentary and interviews, read journals, articles and newspaper extracts. 330665
National Film and Sound Archive of Australia Voices From A War : The Australian Experience Of World War 2 1997 CD-ROM © In Copyright A CD-ROM designed to educate young Australians about Australian involvement in World War 2. It features over a thousand screens of photos, paintings, objects, letters, diaries and original archival material from the Australian War Memorial. 371716
National Portrait Gallery of Australia Bruce Petty Commissioned 2008 2008 2:19 digital animation, colour, with sound Bruce PETTY 2009.22
National Portrait Gallery of Australia Johnny Warren OAM MBE Purchased 2011 2008 2:50 digital video, colour, sound Natasha GADD, Rhys GRAHA 2011.2
National Portrait Gallery of Australia Layne Beachley Commissioned 2008 2008 Continuous loop digital video, colour, without sound, continuous loop Petrina HICKS 2008.87.2
National Portrait Gallery of Australia Paul Kelly Commissioned with funds provided by Ian Darling 2013 2013 8:54 digital HD vide Warwick THORNTON 2013.49
National Portrait Gallery of Australia Portrait of Cate Blanchett Commissioned with funds provided by Ian Darling 2008 2008 9:56 Blu-Ray digital video, colour, sound David ROSETZKY 2008.107
National Portrait Gallery of Australia Sir William Deane Purchased 2011 2008 2:47 Blu-Ray digital video, colour, sound, Merilyn FAIRSKYE 2011.19
Rockhampton Art Gallery Continuum Acquired through the Rockhampton Art Gallery Gift Fund, 2018 2018 1:00:00 from the series, Continuum high-definition video Kate SHAW (B. 1969) 2018_004
Rockhampton Art Gallery Fjall Donated to Rockhampton Art Gallery through the Australian Government's Cultural Gifts Program by Kate Shaw, 2018 2013 3:16 N/A high definition vide Kate SHAW (B. 1969) 2018_008
Rockhampton Art Gallery Inertia Purchased 2004 1998 1:00:19 hardcopy DVD in Artist File Cabinet Digital File located in external council drive video installation Makasahi (b. 1966) IWASAKI 2004.025
Rockhampton Art Gallery Interruption Acquired through the Rockhampton Art Gallery Acquisition Fund, 2018 2015 3:46 N/A high definition video, Daniel O'TOOLE (B. 1984) 2018.005
Rockhampton Art Gallery Mother (TV) Acquired through the Rockhampton Art Gallery Gift Fund, 2018 2016 1:00:00 from the series, Mother single channel digital video, sound, continuous loop Michael COOK (B. 1968 2018_006
Rockhampton Art Gallery River Dreams Purchased with funds provided by Rockhampton Regional Council 2018 from the series, River Dreams video loop (1920 x 1080 progressive, 60 fps format, h264 codex mp4 file format Bec CAWTHORNE 2018.01
Rockhampton Art Gallery River Dreams (A) Purchased with funds provided by Rockhampton Regional Council 2018 from the series, River Dreams video loop (1920 x 1080 progressive, 60 fps format, h264 codex mp4 file format) Bec CAWTHORNE 2018.010.001
Rockhampton Art Gallery River Dreams (B) Purchased with funds provided by Rockhampton Regional Council 2018 from the series, River Dreams video loop (1920 x 1080 progressive, 60 fps format, h264 codex mp4 file format) Bec CAWTHORNE 2018.010.002
Rockhampton Art Gallery River Dreams (C) Purchased with funds provided by Rockhampton Regional Council 2018 from the series, River Dreams video loop (1920 x 1080 progressive, 60 fps format, h264 codex mp4 file format) Bec CAWTHORNE 2018.010.003
Rockhampton Art Gallery Running men Purchased with funds provided by Rockhampton Regional Council, 2015 2008 2014 infinite loop five-channel 1080p video installation with sound, infinite loop Daniel MCKEWEN (B. 1983 Artwork has multiple backups: 5 x 16GB USB 2.0 flash drives - one for each channel 1080p, 23.976fps H.264, approx 4 hours. (7.820Mbps) 5 x exhibition Blu-ray discs same spec as flash drives 5 x backup Blu-ray discs (35Mbps) 5 x Data DVD discs including a single loop of each channel in: uncompressed 8-bit 4:2:2 .mov, Apple ProRes HQ, Photo-jpg, and Image TIF 2015.023
Rockhampton Art Gallery The Spectator Donated to Rockhampton Art Gallery through the Australian Government's Cultural Gifts Program by Kate Shaw, 2018 2008 4:00 N/A video installation Kate SHAW (B. 1969) 2018_007
Rockhampton Art Gallery The Surface Purchased 2005 2002 8:50 hardcopy DVD in Artist File Cabinet. Digital Files saved in external council drive. video installation Carl WARNER (B. 1965) 2005.03
Rockhampton Art Gallery Wooroona Views Gifted by Friends of the Rockhampton Art Gallery, 2019 2019 5:15 N/A digital media Erin DUNNE (B. 1990 2019_006
State Library of South Australia 10floor Donation 1992 4 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 10floor is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ooooC. b35393373 PRG 919/107/553/10floor
State Library of South Australia 1993 and 1994 projects Donation from Australian Network of Art and Technology 1993 1994 1 3.5 inch floppy disk, 53 electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY ANAT Project files from 1993 and 1994, including the Great Australian Science Show, a visit by Peter Richards, a Multimedia Forum, and Next Wave project (3.5 inch floppy disk). b35433966 BRG 391/380
State Library of South Australia 1997 National Summer School and Australian Association of Contemporary Art Organisations Donation from Australian Network of Art and Technology 1996 1 3.5 inch floppy disk, 23 electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Australian Network for Art and Technology 1997 National Summer School papers and Australian Association of Contemporary Art Organisations list and web brief. National Summer School papers includes applications, deadlines, budgets, and CVs. b35432433 BRG 391/375
State Library of South Australia 1997 projects and New Media applications Donation from Australian Network of Art and Technology 1997 1 3.5 inch floppy disk, 46 electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Australian Network for Art and Technology 1997 projects and New Media application papers. Includes CVs of Joesphine Starrs, Linda Dement, and Lloyd Sharp, and an AFC report by Jason Gee. 1997 projects includes 'Code Red', 'Eco-Link' in Cairns, Curators training program, and assorted collaborations and residencies. b35432421 BRG 391/374
State Library of South Australia 26FONTS Donation 1993 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 26FONTS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397500 PRG 919/107/811/26FONTS
State Library of South Australia 2MOONPLNET Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 2MOONPLNET is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HOURGLS1 and GEOMETRO. b35380731 PRG 919/107/50/2MOONPLNET
State Library of South Australia 2TRI-1tri Donation 1994 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 2TRI-1tri is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRI-2. b35398127 PRG 919/107/772/2TRI-1tri
State Library of South Australia 2TRI-1tri Donation 1994 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 2TRI-1tri is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35398140 PRG 919/107/772A/2TRI-1tri
State Library of South Australia 2TRI15 Donation 1988 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 2TRI15 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRIASPHERE, TRISPHRBLW, and 2TRIANGLES. b35384670 PRG 919/107/132/2TRI15
State Library of South Australia 2TRIANGLES Donation 1988 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 2TRIANGLES is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRIASPHERE, TRISPHRBLW, and 2TRI15. b35384645 PRG 919/107/132/2TRIANGLES
State Library of South Australia 2TRIASCAPE Donation 1988 18 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 2TRIASCAPE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRIMAUVE and HORISPATT. b35383677 PRG 919/107/100/2TRIASCAPE
State Library of South Australia 2TRIHORIS Donation 1988 11 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 2TRIHORIS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUESPHER2 and BLUESPHER3. b35382156 PRG 919/107/41/2TRIHORIS
State Library of South Australia 2X Donation 1990 27 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 2X is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as X, XX, and 3X. b35381188 PRG 919/107/75/2X
State Library of South Australia 2sphrsLine Donation 1991 3 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 2sphrsLine is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mosaic. b35387464 PRG 919/107/263/2sphrsLine
State Library of South Australia 3P1N1 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 3P1N1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PIN3GREEN, PINTRANGL1, and TRIANGLPIN. b35382764 PRG 919/107/73/3P1N1
State Library of South Australia 3SPHERES Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 3SPHERES is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as THREECOPOL, 3SPHERES1, and 3SPHERES2. b35382636 PRG 919/107/66/3SPHERES
State Library of South Australia 3SPHERES1 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 3SPHERES1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as THREECOPOL, 3SPHERES, and 3SPHERES2. b3538265x PRG 919/107/66/3SPHERES1
State Library of South Australia 3SPHERES2 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 3SPHERES2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as THREECOPOL, 3SPHERES1, and 3SPHERES. b35382661 PRG 919/107/66/3SPHERES2
State Library of South Australia 3SPIRALS Donation 1988 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 3SPIRALS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 3SPIRALS, SPIRAL1, and BRONZE. b35384773 PRG 919/107/138/3SPIRALS
State Library of South Australia 3X Donation 1990 27 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 3X is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as X, 2X, and XX. b3538119x PRG 919/107/75/3X
State Library of South Australia 45174 Donation 1992 10 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 5-9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Form. b3538881x PRG 919/107/322/5-9
State Library of South Australia 4SPHERES Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 4SPHERES is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LINESPACE, PLANETS, and 4SPHERES2. b35380688 PRG 919/107/43/4SPHERES
State Library of South Australia 4SPHERES2 Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 4SPHERES2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LINESPACE, PLANETS, and 4SPHERES. b35380676 PRG 919/107/43/4SPHERES2
State Library of South Australia 68basic-3 Donation 1994 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 68basic-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScrenFloat. b35398267 PRG 919/107/808/68basic-3
State Library of South Australia 9muses Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 9muses is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 9muses-A. b35391248 PRG 919/107/445/9muses
State Library of South Australia 9muses-A Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI 9muses-A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 9muses. b35391236 PRG 919/107/445/9muses-A
State Library of South Australia A Demonstrators Ball Donation from Australian Network of Art and Technology 1995 00:23:00 1 videocassette , sound, stereo, VHS, colour 13mm THE HOOTER GROUP Machinery & Technology incorporated Live Performance. ANAT # 213 b35255742 BRG 391/F-142
State Library of South Australia A Symphony For The People - Interactive Music Installation 1 Donation from Australian Network of Art and Technology 1993 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Tony KASTANOS Documentation of an interactive music installation which aims to question the mechanics of how the visual art world claims the title 'Art' and expresses the artists desire to create an exhibition with nothing much to look at. Shown as part of the Experimental Art Foundation's 'Short Sharp Shock' series of works in progress in 1983. Video/FX. ANAT # KAS 93.01 b3525516x BRG 391/F-84
State Library of South Australia A Walk on the Pier Donation from Australian Network of Art and Technology 1990 00:09:00 1 videocassette , sound, stereo, VHS, colour 13mm Andrew NELSON A stroll along a pier triggers an animated journey into an imaginative stream of conciousness. Video/FX/2D & 3D Computer Animation. ANAT # NEL 90.01 b35255328 BRG 391/F-100
State Library of South Australia A-basic Donation 1992 5 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI A-basic is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Harmonics. b35391935 PRG 919/107/481/A-basic
State Library of South Australia ABC Donation 1988 31 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ABC is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNBLUE1, SUNBLUE, and SUNYELLOW. b35383641 PRG 919/107/99/ABC
State Library of South Australia ABC 'Review' Interview / Performances Donation from Australian Network of Art and Technology 1989 00:24:00 1 videocassette , sound, stereo, VHS, colour 13mm Michelle ANDRINGA A compilation of interviews and performance documentation for video performance artist and singer Michelle Andringa. Includes excerpts from 'Dangerous Ground' and 'Correspondence from the Stage'. Video [See BRG 391/7 for artist file]. ANAT # AND 89.01 b35254385 BRG 391/F-6
State Library of South Australia ABSTR Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ABSTR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FOLDS and FOLDS1. b35381103 PRG 919/107/70/ABSTR
State Library of South Australia ABSTR3 Donation 1990 27 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ABSTR3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WATERCOLR3, CATHEDRAL, and OK13A. b35381279 PRG 919/107/121/ABSTR3
State Library of South Australia ABSTRACT89 Donation 1988 27 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ABSTRACT89 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GREENSUN, SUNBLUE, and GOLDSUN. b35384864 PRG 919/107/140/ABSTRACT89
State Library of South Australia ADA - Promo Donation from Australian Network of Art and Technology 2001 01:02:00 1 videocassette , sound, stereo, VHS, colour 13mm Sarah NEVILLE Excerpts from ADA, a dance/new media production based on the life and history of Ada Byron Lovelace who referred to herself as a Metaphysical Scientist and created the first computer software in 1 840 in collaboration with Charles Babbage. Video / Dance / FX. ANAT # NEV 01.01 b35255341 BRG 391/F-102
State Library of South Australia AERIAL1 Donation 1990 10 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL3, AERIAL4, and AERIAL2. b35380585 PRG 919/107/39/AERIAL1
State Library of South Australia AERIAL10 Donation 1990 19 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL10 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL9, AERIAL12, and AERIAL11. b35380986 PRG 919/107/64/AERIAL10
State Library of South Australia AERIAL11 Donation 1990 10 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL11 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL9, AERIAL12, and AERIAL10. b35381012 PRG 919/107/64/AERIAL11
State Library of South Australia AERIAL12 Donation 1990 16 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL12 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL9, AERIAL10, and AERIAL11. b35381000 PRG 919/107/64/AERIAL12
State Library of South Australia AERIAL2 Donation 1990 10 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL3, AERIAL1, and AERIAL4. b35380603 PRG 919/107/39/AERIAL2
State Library of South Australia AERIAL3 Donation 1990 10 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL1, AERIAL4, and AERIAL2. b35380573 PRG 919/107/39/AERIAL3
State Library of South Australia AERIAL4 Donation 1990 10 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL3, AERIAL2, and AERIAL1. b35380597 PRG 919/107/39/AERIAL4
State Library of South Australia AERIAL5 Donation 1990 10 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL6, AERIALBEST, and AERIAL7. b35380615 PRG 919/107/40/AERIAL5
State Library of South Australia AERIAL6 Donation 1990 10 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL5, AERIALBEST, and AERIAL7. b35380627 PRG 919/107/40/AERIAL6
State Library of South Australia AERIAL7 Donation 1990 10 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIALBEST, AERIAL5, and AERIAL6. b35380640 PRG 919/107/40/AERIAL7
State Library of South Australia AERIAL9 Donation 1990 10 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIAL9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL10, AERIAL12, and AERIAL11. b35380998 PRG 919/107/64/AERIAL9
State Library of South Australia AERIALBEST Donation 1990 19 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AERIALBEST is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AERIAL5, AERIAL6, and AERIAL7. b35380639 PRG 919/107/40/AERIALBEST
State Library of South Australia AIMIA conference disk 2 Donation from Australian Network of Art and Technology 1995 1 3.5 inch floppy disk, electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Australasian Interactive Multimedia Industry Association 95 conference photos disk 2 3.5 inch floppy disk. b35433358 BRG 391/377/1
State Library of South Australia AIMIA conference disk 4 Donation from Australian Network of Art and Technology 1995 1 3.5 inch floppy disk, electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Australasian Interactive Multimedia Industry Association 95 conference photos disk 4 3.5 inch floppy disk. b35433504 BRG 391/377/2
State Library of South Australia AIMIA conference disk 5 Donation from Australian Network of Art and Technology 1995 1 3.5 inch floppy disk, electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Australasian Interactive Multimedia Industry Association 95 conference photos disk 5 (3.5 inch floppy disk), containing 1 image. b35433516 BRG 391/377/3
State Library of South Australia AIMIA conference disk 6 Donation from Australian Network of Art and Technology 1995 1 3.5 inch floppy disk, electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Australasian Interactive Multimedia Industry Association 95 conference photos disk 6 (3.5 inch floppy disk). b35433528 BRG 391/377/4
State Library of South Australia AIMIA conference disk 7 Donation from Australian Network of Art and Technology 1995 1 3.5 inch floppy disk, electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Australasian Interactive Multimedia Industry Association 95 conference photos disk 7 (3.5 inch floppy disk). b3543353x BRG 391/377/5
State Library of South Australia ALBERS Donation 1988 17 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ALBERS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALDOTS, SPIRAL, and SPIRADIAM. b35382983 PRG 919/107/81/ALBERS
State Library of South Australia ALBERT Donation 1988 24 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ALBERT is a pixel based artwork of Albert Einstein, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ALBERT2, ALBERT1, and ALBERT3. b35383409 PRG 919/107/91/ALBERT
State Library of South Australia ALBERT1 Donation 1988 24 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ALBERT1 is a pixel based artwork of Albert Einstein, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ALBERT2, ALBERT3, and ALBERT. b35383392 PRG 919/107/91/ALBERT1
State Library of South Australia ALBERT2 Donation 1988 26 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ALBERT2 is a pixel based artwork of Albert Einstein, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ALBERT3, ALBERT1, and ALBERT. b35383380 PRG 919/107/91/ALBERT2
State Library of South Australia ALBERT3 Donation 1988 27 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ALBERT3 is a pixel based artwork of Albert Einstein, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ALBERT2, ALBERT1, and ALBERT. b35383379 PRG 919/107/91/ALBERT3
State Library of South Australia ALBERT4 Donation 1988 27 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ALBERT4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ALBERT5 and CITY. b35385364 PRG 919/107/833/ALBERT4
State Library of South Australia ALBERT5 Donation 1991 3 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ALBERT5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ALBERT 4 and CITY. b3538802x PRG 919/107/833/ALBERT5
State Library of South Australia ALTAR Donation 1991 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ALTAR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS. b35385832 PRG 919/107/178/ALTAR
State Library of South Australia ALTARO Donation 1988 15 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ALTARO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TREE, NAVIGATOR, and LENS. b35383550 PRG 919/107/97/ALTARO
State Library of South Australia ANALOG Donation 1988 30 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ANALOG is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HOUSE, grid1, and TWINSPHRS. b35384736 PRG 919/107/137/ANALOG
State Library of South Australia ANAT Logo Donation from Australian Network of Art and Technology 1995 00:01:00 1 videocassette , sound, stereo, VHS, colour 13mm AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY ANAT Logo, produced by Network 8 Digital. ANAT # ANA 95.01 b35338106 BRG 391/F-174
State Library of South Australia ANAT Logo Donation from Australian Network of Art and Technology 1995 29 June 00:01:00 1 videocassette (Betacam SP) , AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY ANAT Logo, produced by Network 8 Digital. ANAT # N037 b35360707 BRG 391/F-265
State Library of South Australia ANAT National Summer School 1991 Donation from Australian Network of Art and Technology 1991 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm John TONKIN, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Documentation of artworks created during the ANAT 1991 National Summer School. Video produced by John Tonkin. Video/Stills/FX/2D & 3D Computer Animation. ANAT # ANA 91.02 b35337990 BRG 391/F-172
State Library of South Australia ANAT National Summer School 1991 Donation from Australian Network of Art and Technology 1991 1 videocassette (U-matic) , John TONKIN ANAT National Summer School 1991 Master recording. See BRG 391/F-172 for a VHS recording. ANAT # N005 b35355487 BRG 391/F-233
State Library of South Australia ANAT National Summer School 1995 Donation from Australian Network of Art and Technology 1995 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY S-VHS Master. Documentation of artworks created during the 1995 ANAT Summer School, held in association with the Centre for Innovation in the Arts at the Queensland University of Technology. Video/FX/2D & 3D computer animation. ANAT # ANA 95.02 b3533812x BRG 391/F-175
State Library of South Australia ANAT National Summer School 1995 Donation from Australian Network of Art and Technology 1995 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Documentation of artworks created during the 1995 ANAT Summer School, held in association with the Centre for Innovation in the Arts at the Queensland University of Technology. Video/FX/2D & 3D computer animation. 5 copies. ANAT # ANA 95.03 b35338131 BRG 391/F-176
State Library of South Australia ANAT ReSkin Application of Cecilia Heffer Donation from Australian Network of Art and Technology 2006 1 Data CD, 1 electronic file, Cecilia HEFFER ReSkin Application by Cecilia Heffer submitted to the Australian Network for Art and Technology (ANAT), containing a Powerpoint presentation, showcasing textile works. b35177433 BRG 391/150/1
State Library of South Australia ANAT Support Material Donation from Australian Network of Art and Technology Date of production not identified 00:09:00 1 videocassette , sound, stereo, VHS, colour 13mm Georgina PINN ANAT Suppport Material. Video and effects. ANAT # 178 b35255419 BRG 391/F-109
State Library of South Australia ANAT application, and poems and writings Donation from Australian Network of Art and Technology 1994 1 3.5 inch floppy disk, 14 electronic files, Dave CUBBY Disk 2 of Dave Cubby, containing ANAT application, and poems and writings. b35372941 BRG 391/69/2
State Library of South Australia ANAT report Donation from Australian Network of Art and Technology 2000 1 3.5 inch floppy disk, 1 electronic files, Elizabeth DAY Report for ANAT Funding to attend The Discovery Residency at the Banff Centre for the Arts, Oct-Dec. 2000. b35372904 BRG 391/78/1
State Library of South Australia ANAT: Compilation 1994 Donation from Australian Network of Art and Technology 1992 1994 01:47:00 1 videocassette , sound, stereo, VHS, colour 13mm Troy INNOCENT, Elena POPA, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY, Tony KASTANOS, Faye MAXWELL, Kim BOUNDS A collection of seven animated works by Australian artists. Some of the films credits contain the technical specifications used by the filmmakers in creating the footage. Two copies, both looped: BRG 391/F-177/1 (four times) & BRG 391/F-177/2 (twice). ANAT # ANA 94.01 b35244951 BRG 391/F-177
State Library of South Australia ANAT: New Media Meeting 24.01.05 Part 1 Donation from Australian Network of Art and Technology 2005 24 January 00:49:00 1 videocassette , sound, stereo, VHS, colour 13mm AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Video documentation of a New Media Meeting held in January 2005 by ANAT & dLux, in conjunction with a variety of other media arts organisations, to discuss and debate proposed changes to the Australia Council and how they will affect the New Media arts sector. Includes various speakers and a discussion panel/forum. The event was webcast online. Part 1 of 2. ANAT # ANA 05.01 b35338027 BRG 391/F-173/1
State Library of South Australia ANAT: New Media Meeting 24.01.05 Part 2 Donation from Australian Network of Art and Technology 2005 25 January 01:15:00 1 videocassette , sound, stereo, VHS, colour 13mm AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Video documentation of a New Media Meeting held in January 2005 by ANAT & dLux, in conjunction with a variety of other media arts organisations, to discuss and debate proposed changes to the Australia Council and how they will affect the New Media arts sector. Includes various speakers and a discussion panel/forum. The event was webcast online. Part 2 of 2. ANAT # ANA 05.02 b35338040 BRG 391/F-173/2
State Library of South Australia ANGLES Donation 1991 6 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ANGLES is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLO. b35385728 PRG 919/107/172/ANGLES
State Library of South Australia ANGLES Donation 1991 5 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ANGLES is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLORA1. b35386393 PRG 919/107/209/ANGLES
State Library of South Australia ANGLES2 Donation 1991 6 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ANGLES2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT777. b35386356 PRG 919/107/207/ANGLES2
State Library of South Australia ARCHOSA Donation 1990 27 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ARCHOSA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ARCHOSI. b35381450 PRG 919/107/134/ARCHOSA
State Library of South Australia ARCHOSI Donation 1990 27 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ARCHOSI is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ARCHOSA. b35381449 PRG 919/107/134/ARCHOSI
State Library of South Australia ARCHblue Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ARCHblue is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNRISE1, GOLDREDFLO, and SQUARSHADO. b35380858 PRG 919/107/54/ARCHblue
State Library of South Australia ARCHblue2 Donation 1988 9 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ARCHblue2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERECROS, GATE, and DIMONDSPHR. b35382284 PRG 919/107/47/ARCHblue2
State Library of South Australia ARROW Donation 1988 24 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ARROW is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ARROWmndl, CHINESE2, and ARROW2. b35382739 PRG 919/107/71/ARROW
State Library of South Australia ARROW2 Donation 1988 23 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ARROW2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ARROWmndl, ARROW, and CHINESE2. b35382740 PRG 919/107/71/ARROW2
State Library of South Australia ARROWmndl Donation 1988 24 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ARROWmndl is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ARROWmndl, ARROW, and ARROW2. b35382727 PRG 919/107/71/ARROWmndl
State Library of South Australia ART20_Read [digital file] Donation 1991 18 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ART20_Read is the release notes for V1.90 of ART20, listing improvements and bugs fixed. b35192495 PRG 919/107/857/ART20_Read
State Library of South Australia ASP Donation from Australian Network of Art and Technology 1994 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Rainer LINZ ASP [sound recording]. b35333480 BRG 391/207/8
State Library of South Australia ASTROCARL Donation 1991 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ASTROCARL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CARLinORBT. b35386447 PRG 919/107/211/ASTROCARL
State Library of South Australia ASTROCAT Donation 1991 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ASTROCAT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRAVELCAT. b35386423 PRG 919/107/210/ASTROCAT
State Library of South Australia ATLAS Donation 1989 26 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ATLAS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELSKY, CITY, and SAILS. b35379704 PRG 919/107/830/ATLAS
State Library of South Australia ATRIUM Donation 1992 17 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ATRIUM is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NEON-1. b35389709 PRG 919/107/368/ATRIUM
State Library of South Australia ATTRACT Donation 1988 22 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ATTRACT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GARDENRED and EYESCAPE. b35382429 PRG 919/107/56/ATTRACT
State Library of South Australia Aark (Pilot) Donation from Australian Network of Art and Technology 1996 00:33:00 1 videocassette , sound, stereo, VHS, colour 13mm Amy LEE, Kirsty BRUCE, Tim MCGAHAN, Benjamin WILSON Pilot episode of a multi-university community television program featuring student documentaries, short films, animation and artwork. The series was created by University of Queensland student Amy Lee and aired on Brisbane community television station Briz31, as well as Local Vision, a community access station on the now defunct, OptusVision pay-tv service. Only works which appear in full (with credits) appear on this list. Additional works, interspersed throughout the program, include Retro TV [Andrew Hodgkinson], Cyberpoetry [Komninos Zevros], Puppets In Your Neighbourhood [Ben Somerville]. Produced in Australia by Australian artists in 1996. ANAT # AAR 95.01 b35241731 BRG 391/F-167
State Library of South Australia Abba-1 Donation 1993 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Abba-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Abba-2. b35395254 PRG 919/107/648/Abba-1
State Library of South Australia Abba-2 Donation 1993 30 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Abba-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Abba-1. b35395266 PRG 919/107/648/Abba-2
State Library of South Australia Abo-Nonagn Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Abo-Nonagn is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Web-1. b3539111x PRG 919/107/439/Abo-Nonagn
State Library of South Australia AboEnne Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AboEnne is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Double-1. b35391194 PRG 919/107/443/AboEnne
State Library of South Australia AboFrame Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI AboFrame is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Nonabor. b35391133 PRG 919/107/440/AboFrame
State Library of South Australia Acorn Donation 1993 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Acorn is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Net. b35397299 PRG 919/107/754/Acorn
State Library of South Australia Acorn Donation 1993 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Acorn is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Squeeze-O. b35397470 PRG 919/107/765/Acorn
State Library of South Australia Acornet Donation 1993 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Acornet is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Acorneto. b35397329 PRG 919/107/755/Acornet
State Library of South Australia Acorneto Donation 1993 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Acorneto is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Acornet. b35397317 PRG 919/107/755/Acorneto
State Library of South Australia Acorno Donation 1993 17 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Acorno is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NetRed. b35397184 PRG 919/107/748/Acorno
State Library of South Australia Adam Wolter Compilation Disk 1 Donation from Australian Network of Art and Technology 1986 1988 1 3.5 inch floppy disk, electronic files, Adam WOLTER Adam Wolter Compilation Disk 1 (3.5 inch floppy disk), collected by the Australian Network for Art and Technology (ANAT), shows work from 1986-1988, and was compiled 19 February 1988. The disk contains picture files and a script called 'SHOW'. See BRG 391/356 for artist file of Adam Wolter. b35426408 BRG 391/366/1
State Library of South Australia Adam Wolter Compilation Disk 2 Donation from Australian Network of Art and Technology 1986 1988 1 3.5 inch floppy disk, electronic files, Adam WOLTER Adam Wolter Compilation Disk 2 (3.5 inch floppy disk), collected by the Australian Network for Art and Technology (ANAT), shows work from 1986-1988, and was compiled 19 February 1988. The disk contains picture files and a script called 'SHOW'. See BRG 391/356 for artist file of Adam Wolter. b35426366 BRG 391/366/2
State Library of South Australia Albers Donation 1993 11 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Albers is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandl-ALB. b35395886 PRG 919/107/683/Albers
State Library of South Australia Alire magazine disks Donation from Australian Network of Art and Technology 1989 1991 1 3.5 inch floppy disk, electronic files, Phillipe BOOTZ ALIRE Computer animated poetry magazine, founded by Philippe Bootz with Tibor Papp. 3 copies. b35427255 BRG 391/369
State Library of South Australia Amersfoort Performance Donation from Australian Network of Art and Technology 2001 7 February 1 data CD, 4 electronic files, STELARC, Rainer LINZ Sound recordings for Stelarc Performance at Amersfoort, Holland. Contains 4 MP3 files. Sound design: Rainer Linz. This recording is for documentation purposes and may not be broadcast. b3521689x BRG 391/293/15
State Library of South Australia Amphitryon Donation from Australian Network of Art and Technology 1987 1 videocassette (U-matic) , Mechthild SCHMIDT Amphitryon. Excerpts from a multimedia theatre after Heinrich v. Kleist. A collaboration with theatre director Ulli Stephan. ANAT # N009 b35355529 BRG 391/F-237
State Library of South Australia Amplified Body: Laser Space / Laser Eyes Donation from Australian Network of Art and Technology 1986 00:16:00 1 videocassette , sound, stereo, VHS, colour 13mm STELARC Video documentation of an 'Amplified Body' event, in which Stelarc combines live performance with robotics, medical technology and sensor driven systems to create an interaction between internal/external rhythms of the human body and the automated control of mechanical and digital devices. This particular performance, utilizing laser technology, was presented at the High Technology & Art Exhibition in Tokyo, August 1986. Video/FX. ANAT # STE 86.01 b35255602 BRG 391/F-128
State Library of South Australia Analogue Project Test Pieces Donation from Australian Network of Art and Technology [Approximately 1994] 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Rainer LINZ Analogue Project Test Pieces [sound recording]. b35333479 BRG 391/207/7
State Library of South Australia Ancient Donation 1992 14 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ancient is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Domus. b3539206x PRG 919/107/488/Ancient
State Library of South Australia Andrew Kettle Portfolio CDrom Donation from Australian Network of Art and Technology 2002 1 Data CD, electronic files, Andrew KETTLE Portfolio CDrom of experimental musician and sound artist Andrew Kettle. b3515553x BRG 391/191
State Library of South Australia Angles of Incidence: Video Reflections of Multimedia Artworks Donation from Australian Network of Art and Technology 1989 1993 01:55:00 1 videocassette , sound, stereo, Dolby, VHS, colour 13mm Peter CALLAS, BANFF CENTRE FOR THE ARTS, Don RITTER, Anne BAY, Benjamin Jay BRITTON, Jurgen CLAUS, Molly CLEATOR, Rene COELHO, John CRAWFORD, Peter D'AGOSTINO, Sara DIAMOND, Tessa ELLIOT, Vera FRENKEL, Lynn HERSHMAN, Jonathan JONES-MORRIS, Diana MCINTOSH, Laurant MIGNONNEAU, Catherine RICHARDS, Sara ROBERTS, David ROKEBY, Mona SARKIS, Thecla SCHIPHORST, Henry SEE, Nina SOBEL, Christa SOMMERER, Nell TENHAAF A compilation of new media work produced by the Banff Centre for the Arts, in conjunction with the Multimedia Communications 1993 conference sponsored by the International Council for Computer Communication. Curated by Sara Diamond. Produced in Canada in 1993. ANAT # ANG 93.01 b35241974 BRG 391/F-168
State Library of South Australia Animation Reel 1997/1998 Donation from Australian Network of Art and Technology 1998 00:31:00 1 videocassette , sound, stereo, VHS, colour 13mm Tina GONSALVES, Mark THOMAS A showreel of collaborative works between animator and director Tina Gonsalves and sound artist Mark Thomas. (NB: Due to tape length, 'Immerse' is incomplete, and the final two titles noted on the video cover ('Residue', 'Perception 2') are both missing.) ANAT # GON 98.01 b35347764 BRG 391/F-203
State Library of South Australia Animations: Works from 1984-1993 Donation from Australian Network of Art and Technology 1993 00:22:00 1 videocassette , sound, stereo, VHS, colour 13mm Kathy SMITH A collection of animated works by Kathy Smith, a Sydney-based painter and animator who explores themes of dislocation and disorientation via evocative, often surreal, hand-crafted animation. ANAT # SMI 93.01 b35349153 BRG 391/F-220
State Library of South Australia Annemarie Kohn's public projection documentation Donation from Australian Network of Art and Technology [Approximately 2000] 1 DVD, Annemarie KOHN Annemarie Kohn's Public projection documentation (DVD), collected by the Australian Network for Art and Technology (ANAT). Contains a projection video of the raw footage and a documentation video of the projection being played in a Hindley Street window. b35177482 BRG 391/196/1
State Library of South Australia Annemarie Kohn's video showreel Donation from Australian Network of Art and Technology [Approximately 2003] 1 DVD, Annemarie KOHN Annemarie Kohn's video showreel collected by the Australian Network for Art and Technology (ANAT). Contains video from 'Lost + Found' Outdoor installation (Amsterdam / Adelaide 2003), Animation examples (2002), and 'Unsaid' 360 degrees (Liquid Architecture Festival 2003). Copy 1 of 2. b35177494 BRG 391/196/2
State Library of South Australia Annemarie Kohn's video showreel Donation from Australian Network of Art and Technology [Approximately 2003] 1 DVD, Annemarie KOHN Annemarie Kohn's video showreel collected by the Australian Network for Art and Technology (ANAT). Contains video from 'Lost + Found' Outdoor installation (Amsterdam / Adelaide 2003), Animation examples (2002), and 'Unsaid' 360 degrees (Liquid Architecture Festival 2003). Copy 1 of 2. b35177500 BRG 391/196/3
State Library of South Australia Apocalypse Soon Donation from Australian Network of Art and Technology 1992 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Ken SEALEY Prophetic short animating the coming apocalypse in an Australian landscape. Video/Stills/FX/3D & 2D Computer Animation. ANAT # SEA 92.01 b35255523 BRG 391/F-120
State Library of South Australia Art Rage: The Compilation Video, Contemporary Artists Make Artworks for Television 1994 Donation from Australian Network of Art and Technology 1994 00:35:00 1 videocassette , sound, stereo, VHS, colour 13mm Hany ARMANIOUS, John BARBOUR, Stephen BRAM, Janet BURCHILL, Eugene CARCHESIO, Mutlu CERKEZ, Adam CULLEN, Linda DEMENT, Mikala DWYER, Dale FRANK, Diena GEORGETTI, Jeff GIBSON, Derek KRECKLER, Geoff LOWE, Jennifer MCCAMLEY, Kerrie POLINESS, Jacky REDGATE, Tobias RICHARDSON, Nike SAVVAS, Kathy TEMIN, Brett THOMPSON, ABC TV, Kim MACHAN, Steig PERSSON ART RAGE: Artworks for Television 1994. The first in a series of video based artworks, created specifically for broadcast on ABC TV's 'Rage' music video program. Created and Produced by Kim Machan with support from the Australia Council for the Arts. 2 copies ANAT # ART 94.01 b35245001 BRG 391/F-178
State Library of South Australia Art Rage: The Compilation Video, Contemporary Artists Make Artworks for Television 1996 / 1997 Donation from Australian Network of Art and Technology 1995 1997 00:35:00 1 videocassette , sound, stereo, VHS, colour 13mm Leigh HOBBA, Patricia PICCININI, Carol RUDYARD, Geoffrey WEARY, Anthony BABICCI, Gordon BENNETT, Bernt PORRIDGE, Joan BRASSIL, John CONOMOS, Panos COUROS, Destiny DEACON, Linda DEMENT, Tim GRUCHY, Ian HAIG, Fiona HALL, Ross HARLEY, Marion HARPER, Peter HENNESSEY, Troy INNOCENT, Maria KOZIC, Jon MCCORMACK, Susan NORRIE, Elena POPA, Scott REDFORD, Julie RRAP, Bill SEAMAN, Michael STRUM, John TONKIN, Tony TWIGG, Jay YOUNGER, ABC TV, John GILLES, Kim MACHAN ART RAGE: Artworks for Television 1996-1997. The second in a series of video based artworks, created specifically for broadcast on ABC TV's 'Rage' music video program. Created and Produced by Kim Machan with support from the Australia Council for the Arts. ANAT # ART 97.01 b35340216 BRG 391/F-179
State Library of South Australia Art Servers Unlimited Donation from Australian Network of Art and Technology 1998 00:29:00 1 videocassette , sound, stereo, VHS, colour 13mm Documentary highlighting 'Art Servers Unlimited', a conference and net radio event held at London's ICA in 1998, examining some of the most innovative nodes of cultural activity on the internet. Video/FX. ANAT # ANA 98.01 b35340198 BRG 391/F-180
State Library of South Australia Art World of Ben Beeton Donation from Australian Network of Art and Technology [Approximately 2000] 1 Data CD, 213 electronic files, Ben BEETON Art World of Ben Beeton data CD, containing written material, images of assorted artworks, photography, and a CV. Relates to '590 Million Years on a Flat Surface', 'Amongst the Living', 'Experiencing the Border Track', and 'Heath Tapestry'. b35112207 BRG 391/26/1
State Library of South Australia Art and Kindness rough mixes Donation from Australian Network of Art and Technology 1994 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Dave CUBBY Art and Kindness rough mixes. b35332724 BRG 391/69/3
State Library of South Australia Artefact Donation 1992 4 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Artefact is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Artefact2. b35390232 PRG 919/107/395/Artefact
State Library of South Australia Artefact1 Donation 1992 3 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Artefact1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Optics. b35390220 PRG 919/107/394/Artefact1
State Library of South Australia Artefact2 Donation 1992 4 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Artefact2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Artefact b35390244 PRG 919/107/395/Artefact2
State Library of South Australia Artefact>>> Donation from Australian Network of Art and Technology 2001 00:03:00 1 videocassette , sound, stereo, VHS, colour 13mm Troy INNOCENT Video documentation of an installation of interactive objects and spaces that deconstruct the language of electronic games by accentuating errors, or ""artefacts"", in the representation of reality. Two copies. Video/3D Computer Graphics. ANAT # INO 01.01 b35255122 BRG 391/F-80
State Library of South Australia Artifauna (or The Artificial Beast) Donation from Australian Network of Art and Technology [Approximately 1992] 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Theo JANSEN Short documentary on Theo Jansen, the Dutch visual artist and kinetic sculptor who creates large scale, wind-propelled 'beach beasts' and is dedicated to 'creating life' via the implementation of genetic algorithms. Video/FX/2D & 3D Computer Animation. ANAT # JAN 92.01 b35255146 BRG 391/F-82
State Library of South Australia Arts for Australians Donation from Australian Network of Art and Technology 1999 00:07:00 1 videocassette , sound, stereo, VHS, colour 13mm AUSTRALIA COUNCIL A short documentary promoting all aspects of Australian art. Video/FX. ANAT # ART 99.01 b35340605 BRG 391/F-181
State Library of South Australia Artspace slide show loop Donation from Australian Network of Art and Technology 1998 00:30:00 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Isabelle DELMOTTE Slide Show loop (30 minute) for Artspace, 'Epileptograph: the internal journey'. b35332797 BRG 391/81/2
State Library of South Australia Asian Individual and Collaborative Donation from Australian Network of Art and Technology Date of production not identified 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm Anne ROBERTSON Asian Individual and Collaborative. Video and effects. ANAT # 183 b35255468 BRG 391/F-114
State Library of South Australia Astroturf Donation from Australian Network of Art and Technology 1996 00:07:00 1 videocassette , sound, stereo, VHS, colour 13mm Ian HAIG, Philip SAMARTZIS Technological scenarios of human-machine meltdown. An animated exploration of how interactions with technology are causing the devolution of humankind. With sound by Philip Samartzis. 3D Computer Animation. ANAT # HAI 96.01 b35254968 BRG 391/F-64
State Library of South Australia Astroturf (Excerpt) Donation from Australian Network of Art and Technology 1994 00:01:00 1 videocassette , sound, stereo, VHS, colour 13mm Ian HAIG, Philip SAMARTZIS Excerpt from Haig's 3D animated short, exploring how humans are devolving through their interaction with technology. 3D Computer Animation. ANAT # HAI 94.01 b3525497x BRG 391/F-65
State Library of South Australia Attoinform / Ritmi Estatici / Fasti Poiesis / Marra Donation from Australian Network of Art and Technology 1987 00:38:00 1 videocassette , sound, stereo, VHS, colour 13mm Nicola FRANGIONE A collection of video works by Italian artist, filmmaker and poet Nicola Frangione. ANAT # FRA 87.01 b35347612 BRG 391/F-201
State Library of South Australia Ausgraph 90 Donation from Australian Network of Art and Technology 1990 1 3.5 inch floppy disk, 37 electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Administrative documents relating to the AUSGRAPH 90 computer graphics conference. Includes correspondence, National Summer School backgrounds, and administrative documents. (3.5 inch floppy disk). b35433930 BRG 391/379
State Library of South Australia Australia - Getting down to business Donation from Australian Network of Art and Technology 1988 00:12:00 1 videocassette , sound, stereo, VHS, colour 13mm A Commonwealth Government promotional video displaying the sophisticated structure of industry, commerce and technology which underpins Australian society. Video. ANAT # AUS 88.01 b35341002 BRG 391/F-183
State Library of South Australia Australian Artists Donation from Australian Network of Art and Technology 1986 1 3.5 inch floppy disk, 2 electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Australian artists (3.5 inch floppy disk). b35439233 BRG 391/382
State Library of South Australia Australian Artists Donation from Australian Network of Art and Technology 1994 1 3.5 inch floppy disk, 2 electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Disk containing 'Guidelines for summer school co-ordination' from the National Summer Schools in Computer Aided Art, Design and Manufacture, and a CV from Suzanne Treister (3.5 inch floppy disk). b35439257 BRG 391/383
State Library of South Australia Australian Network for Art and Technology artist file of Aelxandra Gillespie Donation from Australian Network of Art and Technology 2005 2 multimedia DVDs, Alexandra GILLESPIE Australian Network for Art and Technology (ANAT) artist file of Alexandra Gillespie comprising 2 DVDs: 'Ghost Towns' and 'Post-Occupancy'. b35375395 BRG 391/123
State Library of South Australia Australian Network for Art and Technology artist file of Annemarie Kohn Donation from Australian Network of Art and Technology [approximately 2000] 3 Multimedia DVDs, Annemarie KOHN Australian Network for Art and Technology (ANAT) artist file of Annemarie Kohn comprising 3 data DVDs, containing public project documentation and support material. b35155589 BRG 391/196
State Library of South Australia Australian Network for Art and Technology artist file of Jonathan Duckworth Donation from Australian Network of Art and Technology 2005 1 data CD, 1 multimedia DVD, 9 electronic files, Jonathan DUCKWORTH Australian Network for Art and Technology (ANAT) artist file of Jonathan Duckworth comprising a DVD containing 'Metraform ecstatis', and a data CD containing, 'Black on black, white on white (ACMI) installation photographs'. b35154536 BRG 391/91
State Library of South Australia Australian Network for Art and Technology artist file of Lisa Beilby Donation from Australian Network of Art and Technology [Approximately 1996] 1 sheet, 0.5 cm;1 3.5 inch floppy disk, 15 electronic files, Lisa BEILBY Australian Network for Art and Technology artist file of Lisa Beilby comprising a floppy disk containing 'Little Bits Frameset' / artwork (BRG 391/27/1), and a list of slides (BRG 391/27/2). b35112219 BRG 391/27
State Library of South Australia Australian Network for Art and Technology grant support material of Jon Drummond Donation from Australian Network of Art and Technology 1994 1995 00:10:00 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Jon DRUMMOND Cassette submitted as support material for the grant application to Australian Network for Art and Technology (ANAT) for collaboration between Lisa Anderson and Jon Drummond. Cassette contains three tracks, 'Sea, Frogs and Magpies' (1994), 'Under the Covers' (1995), 'Palace of Memories - the Tattoo' (1995). b35154524 BRG 391/90
State Library of South Australia Australian Network for Art and Technology: ReSkin application data CD by Andrea Fisher Donation from Australian Network of Art and Technology 2006 1 Data CD, 12 electronic files (JPG, BMP, Doc), Andrea FISHER ReSkin program application data CD by Andrea Fisher submitted to the Australian Network for Art and Technology (ANAT). Includes photographs of Gumerri shield, articles, CV, and outline for ReSkin. b3515469x BRG 391/107
State Library of South Australia Australian Network for Art and Technology: artist file of Rory Cubby Donation from Australian Network of Art and Technology [approximately 1995] 1 3.5 inch floppy disk, 10 electronic files, Rory CUBBY Australian Network for Art and Technology (ANAT) artist file of Rory Cubby comprising a floppy disk with the text 'Stills from recent video work' on the casing. Disk contains 10 images titled 'Field of Offering', and includes digital generated images and manipulated photographs. See BRG 391/F194-F195 for experimental videos of Rory Cubby. b35112645 BRG 391/70/1
State Library of South Australia Author Where (Demonstration) Donation from Australian Network of Art and Technology 2000 00:18:00 1 videocassette , sound, stereo, VHS, colour 13mm Greg GIANNIS Video demonstration of a web authoring interface. Video. ANAT # GIA 00.01 b35254890 BRG 391/F-57
State Library of South Australia Autodesk 3D Studio Release 2: Siggraph 92 Demo Reel Donation from Australian Network of Art and Technology 1992 00:24:00 1 videocassette , sound, stereo, VHS, colour 13mm Commercial animation demo/showreel, highlighting the features and capabilities of the programs produced by Autodesk. 3D Computer Animation/Text. ANAT # AUT 92.01 b35341051 BRG 391/F-184
State Library of South Australia Autumn Song Donation from Australian Network of Art and Technology 1996 00:24:00 1 videocassette , sound, stereo, VHS, colour 13mm John CONOMOS A highly personal study of post-colonial and bi-cultural identity, Autumn Song is an autobiographical performance video examining Comonos' childhood experiences as a Greek migrant in postwar Australia. Video/FX. ANAT # CON 96.01 b35254610 BRG 391/F-29
State Library of South Australia BALL Donation 1988 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BALL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BALL1, HIGHBIRD, and BALL2. b35384621 PRG 919/107/130/BALL
State Library of South Australia BALL1 Donation 1988 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BALL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HIGHBIRD, BALL, and BALL2. b35384608 PRG 919/107/130/BALL1
State Library of South Australia BALL2 Donation 1988 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BALL2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BALL1, BALL, and HIGHBIRD. b35384633 PRG 919/107/130/BALL2
State Library of South Australia BALL3 Donation 1988 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BALL3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BALL4, BALL5, and BALL6. b35383185 PRG 919/107/86/BALL3
State Library of South Australia BALL4 Donation 1988 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BALL4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BALL3, BALL5, and BALL6. b35383203 PRG 919/107/86/BALL4
State Library of South Australia BALL5 Donation 1988 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BALL5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BALL4, BALL3, and BALL6. b35383215 PRG 919/107/86/BALL5
State Library of South Australia BALL6 Donation 1988 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BALL6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BALL4, BALL5, and BALL3. b35383197 PRG 919/107/86/BALL6
State Library of South Australia BARRY2 Donation 1988 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BARRY2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BARRY5, BARRY3, and BARRY4. b35383501 PRG 919/107/95/BARRY2
State Library of South Australia BARRY3 Donation 1988 22 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BARRY3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BARRY5, BARRY2, and BARRY4. b35383483 PRG 919/107/95/BARRY3
State Library of South Australia BARRY4 Donation 1988 22 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BARRY4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BARRY5, BARRY2, and BARRY3. b35383513 PRG 919/107/95/BARRY4
State Library of South Australia BARRY5 Donation 1988 22 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BARRY5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BARRY3, BARRY2, and BARRY4. b35383495 PRG 919/107/95/BARRY5
State Library of South Australia BAU2OOO Donation 1990 27 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BAU2000 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SIGNS1, SIGNS2 and SIGNS. b35380330 PRG 919/107/21/BAU2OOO
State Library of South Australia BAUHAUS1 Donation 1988 23 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BAUHAUS1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLTRE20, BAUHAUS2, and MNDLTRE20A. b35384712 PRG 919/107/135/BAUHAUS1
State Library of South Australia BAUHAUS2 Donation 1988 23 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BAUHAUS2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLTRE20, MNDLTRE20A, and BAUHAUS1. b35384700 PRG 919/107/135/BAUHAUS2
State Library of South Australia BAUHAUS4 Donation 1988 23 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BAUHAUS4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HELEN, REFLECT, and DES1GN. b35382697 PRG 919/107/69/BAUHAUS4
State Library of South Australia BEAST Donation 1991 30 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BEAST is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BEASTY b35385480 PRG 919/107/112/BEAST
State Library of South Australia BEASTY Donation 1991 30 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BEASTY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BEAST. b35385492 PRG 919/107/112/BEASTY
State Library of South Australia BELL Donation 1990 23 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BELL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BELL1, BELL2, and BELL3. b35381140 PRG 919/107/72/BELL
State Library of South Australia BELL1 Donation 1990 23 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BELL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BELL, BELL2, and BELL3. b35381139 PRG 919/107/72/BELL1
State Library of South Australia BELL2 Donation 1990 23 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BELL2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BELL, BELL1, and BELL3. b35381152 PRG 919/107/72/BELL2
State Library of South Australia BELL3 Donation 1990 23 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BELL3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BELL, BELL2, and BELL1. b35381164 PRG 919/107/72/BELL3
State Library of South Australia BIGBROTHER Donation 1988 18 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BIGBROTHER is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GOLDSPHER2, GOLDSPHERS, and BROT1. b3538217x PRG 919/107/42/BIGBROTHER
State Library of South Australia BLACK1 Donation 1990 19 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLACK1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLACK2, BLACK4RED, and BLACK3. b35380378 PRG 919/107/22/BLACK1
State Library of South Australia BLACK2 Donation 1990 20 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLACK2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLACK1, BLACK4RED, and BLACK3. b35380366 PRG 919/107/22/BLACK2
State Library of South Australia BLACK3 Donation 1990 20 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLACK3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLACK1, BLACK4RED, and BLACK2. b35380391 PRG 919/107/22/BLACK3
State Library of South Australia BLACK4RED Donation 1990 20 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLACK4RED is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLACK1, BLACK2, and BLACK3, and has a red background. b3538038x PRG 919/107/22/BLACK4RED
State Library of South Australia BLANK Donation from Australian Network of Art and Technology Date of production not identified 1 videocassette, sound, stereo, VHS, colour 13mm (1/2 inch), I. MCGREGOR, Elizabeth GERTSAKIS, G LEE, I MCLEAN [Blank Cassette] ANAT # 156 b35255249 BRG 391/F-92
State Library of South Australia BLMANDLENS Donation 1988 10 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLMANDLENS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as POLLOCK, POLLOCKSPH, and GARDENBLUE. b35381991 PRG 919/107/35/BLMANDLENS
State Library of South Australia BLOCK Donation 1991 31 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLOCK is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLOK. b35386381 PRG 919/107/208/BLOCK
State Library of South Australia BLOCKI Donation 1991 17 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLOCKI is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLEJUNGL. b35385911 PRG 919/107/182/BLOCKI
State Library of South Australia BLOK Donation 1991 5 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLOK is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLOCK. b3538637x PRG 919/107/208/BLOK
State Library of South Australia BLUECARPET Donation 1988 20 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLUECARPET is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUECARPT1, GATE, and CATHEDRAL. b35384025 PRG 919/107/109/BLUECARPET
State Library of South Australia BLUECARPT1 Donation 1988 19 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLUECARPT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CATHEDRAL, GATE, and BLUECARPET. b35384001 PRG 919/107/109/BLUECARPT1
State Library of South Australia BLUECIRCLE Donation 1988 29 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLUECIRCLE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MONUMENT, MONUMENT1, and MONUMENT2. b35383586 PRG 919/107/98/BLUECIRCLE
State Library of South Australia BLUEGOLD Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLUEGOLD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SEPIAGOLD, REDGOLD1, and REDGOLD. b35384943 PRG 919/107/142/BLUEGOLD
State Library of South Australia BLUEMANDEL Donation 1988 9 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLUEMANDEL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LENS2MANDL, REDMANDEL, and LENSMANDEL. b35383781 PRG 919/107/103/BLUEMANDEL
State Library of South Australia BLUESPHER2 Donation 1988 18 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLUESPHER2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUESPHER3 and 2TRIHORIS. b35382132 PRG 919/107/41/BLUESPHER2
State Library of South Australia BLUESPHER3 Donation 1988 19 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLUESPHER3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUESPHER2 and 2TRIHORIS. b35382144 PRG 919/107/41/BLUESPHER3
State Library of South Australia BLUESUN Donation 1990 19 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLUESUN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SANDWATER, GARDENMOON, and CURRENTS. b35381413 PRG 919/107/133/BLUESUN
State Library of South Australia BLUMANDL3X Donation 1988 7 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLUMANDL3X is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELBLUE, ROSEMANDEL, and MANDELBLU2. b35383720 PRG 919/107/102/BLUMANDL3X
State Library of South Australia BLW Donation 1990 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLW is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLW1, BLW3, and BLW2. b35380433 PRG 919/107/23/BLW
State Library of South Australia BLW1 Donation 1990 11 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLW1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLW2, BLW3, and BLW. b3538041x PRG 919/107/23/BLW1
State Library of South Australia BLW2 Donation 1990 11 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLW2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLW1, BLW3, and BLW. b35380408 PRG 919/107/23/BLW2
State Library of South Australia BLW3 Donation 1990 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLW3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLW1, BLW2, and BLW. b35380421 PRG 919/107/23/BLW3
State Library of South Australia BLW4 Donation 1990 12 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLW4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLW5, BLW7, and BLW6. b35380469 PRG 919/107/24/BLW4
State Library of South Australia BLW5 Donation 1990 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLW5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLW7, BLW4, and BLW6. b35380457 PRG 919/107/24/BLW5
State Library of South Australia BLW6 Donation 1990 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLW6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLW5, BLW4, and BLW7. b35380470 PRG 919/107/24/BLW6
State Library of South Australia BLW7 Donation 1990 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BLW7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLW5, BLW4, and BLW6. b35380445 PRG 919/107/24/BLW7
State Library of South Australia BOOKBROT Donation 1988 1 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BOOKBROT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRL, STAR, and LETTERS. b35383859 PRG 919/107/105/BOOKBROT
State Library of South Australia BRONZE Donation 1988 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BRONZE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 3SPIRALS, SPIRAL1, and SPIRLBRONZ. b35384797 PRG 919/107/138/BRONZE
State Library of South Australia BRONZE17 Donation 1988 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BRONZE17 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BRONZE25, BRONZE9, and BRONZE3. b35383707 PRG 919/107/101/BRONZE17
State Library of South Australia BRONZE25 Donation 1988 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BRONZE25 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BRONZE9, BRONZE17, and BRONZE3. b35383690 PRG 919/107/101/BRONZE25
State Library of South Australia BRONZE3 Donation 1988 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BRONZE3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BRONZE25, BRONZE17, and BRONZE9. b35383719 PRG 919/107/101/BRONZE3
State Library of South Australia BRONZE9 Donation 1988 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BRONZE9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BRONZE25, BRONZE17, and BRONZE3. b35383689 PRG 919/107/101/BRONZE9
State Library of South Australia BROT Donation 1988 28 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT1, BROT2, and ORIGBROT. b35384967 PRG 919/107/143/BROT
State Library of South Australia BROT Donation 1990 11 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT1, BROT2, and BROT3. b35381498 PRG 919/107/236/BROT
State Library of South Australia BROT-20 Donation 1990 23 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT-20 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Schape2. b3538153x PRG 919/107/678/BROT-20
State Library of South Australia BROT-20aa Donation 1993 4 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT-20aa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT-CAVES. b35395795 PRG 919/107/677/BROT-20aa
State Library of South Australia BROT-20ad Donation 1993 14 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT-20ad is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MoonLyap2. b35395679 PRG 919/107/671/BROT-20ad
State Library of South Australia BROT-CAVES Donation 1993 4 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT-CAVES is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT-20aa. b35395801 PRG 919/107/677/BROT-CAVES
State Library of South Australia BROT1 Donation 1988 28 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT, BROT2, and ORIGBROT. b35384979 PRG 919/107/143/BROT1
State Library of South Australia BROT1 Donation 1990 11 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT, BROT2, and BROT3. b35381474 PRG 919/107/236/BROT1
State Library of South Australia BROT1 Donation 1990 1 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT2, and GOLD. b35380536 PRG 919/107/27/BROT1
State Library of South Australia BROT1 Donation 1988 20 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as INSECT, and INSECT1. b35381802 PRG 919/107/28/BROT1
State Library of South Australia BROT1 Donation 1988 20 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GOLDSPHER2, BIGBROTHER, and GOLDSPHERS. b35382193 PRG 919/107/42/BROT1
State Library of South Australia BROT1 Donation 1988 30 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SEAMANDEL and BUBLEBROT. b35383471 PRG 919/107/93/BROT1
State Library of South Australia BROT10 Donation 1991 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT10 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT11. b35386290 PRG 919/107/204/BROT10
State Library of South Australia BROT11 Donation 1991 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT11 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT10. b35386307 PRG 919/107/204/BROT11
State Library of South Australia BROT12 Donation 1991 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT12 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b3538685x PRG 919/107/232/BROT12
State Library of South Australia BROT1A Donation 1990 11 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT1A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT2A, BROT1C, and BROT3A. b35380482 PRG 919/107/26/BROT1A
State Library of South Australia BROT1C Donation 1990 2 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT1C is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT2A, BROT1C, and BROT3A. b35380500 PRG 919/107/26/BROT1C
State Library of South Australia BROT2 Donation 1988 28 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT1, BROT, and ORIGBROT. b35384980 PRG 919/107/143/BROT2
State Library of South Australia BROT2 Donation 1990 11 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT, BROT1, and BROT3. b35381504 PRG 919/107/236/BROT2
State Library of South Australia BROT2 Donation 1990 1 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT1, and GOLD. b35380524 PRG 919/107/27/BROT2
State Library of South Australia BROT2001 Donation 1988 31 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT2001 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as COTTAGE and SOUNDFORK. b35381826 PRG 919/107/29/BROT2001
State Library of South Australia BROT2A Donation 1990 11 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT2A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT1A, BROT1C, and BROT3A. b35380494 PRG 919/107/26/BROT2A
State Library of South Australia BROT2A Donation 1994 11 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT2A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT3A. b35398371 PRG 919/107/824/BROT2A
State Library of South Australia BROT3 Donation 1991 29 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT4. b35386897 PRG 919/107/234/BROT3
State Library of South Australia BROT3 Donation 1990 10 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT, BROT2, and BROT1. b35381486 PRG 919/107/236/BROT3
State Library of South Australia BROT3A Donation 1990 11 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT3A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT2A, BROT1C, and BROT1A. b35380512 PRG 919/107/26/BROT3A
State Library of South Australia BROT3A Donation 1990 11 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT3A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT2A. b35381565 PRG 919/107/824/BROT3A
State Library of South Australia BROT4 Donation 1991 29 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT3. b35386885 PRG 919/107/234/BROT4
State Library of South Australia BROT4 Donation 1988 11 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT6. b35385194 PRG 919/107/236A/BROT4
State Library of South Australia BROT5 Donation 1991 30 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT6. b35386903 PRG 919/107/235/BROT5
State Library of South Australia BROT6 Donation 1991 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT5. b35386915 PRG 919/107/235/BROT6
State Library of South Australia BROT6 Donation 1988 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT4. b35385182 PRG 919/107/236A/BROT6
State Library of South Australia BROT7 Donation 1991 29 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT8. b35386344 PRG 919/107/206/BROT7
State Library of South Australia BROT74-aa Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT74-aa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397755 PRG 919/107/855/BROT74-aa
State Library of South Australia BROT77 Donation 1991 15 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT77 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as lines64-1, lines64-2, and LINE64-3. b35387130 PRG 919/107/246/BROT77
State Library of South Australia BROT777 Donation 1991 4 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT777 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ANGLES2. b35386368 PRG 919/107/207/BROT777
State Library of South Australia BROT77a Donation 1991 15 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT77a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE4a. b35387658 PRG 919/107/273/BROT77a
State Library of South Australia BROT8 Donation 1991 29 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT7. b35386332 PRG 919/107/206/BROT8
State Library of South Australia BROT9MONO Donation 1991 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT9MONO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT_MONO. b35386873 PRG 919/107/233/BROT9MONO
State Library of South Australia BROT_MONO Donation 1991 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BROT_MONO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT9MONO. b35386861 PRG 919/107/233/BROT_MONO
State Library of South Australia BUBLEBROT Donation 1988 23 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BUBLEBROT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ORIGBROT, RUG and ORIGBROT1. b35384104 PRG 919/107/111/BUBLEBROT
State Library of South Australia BUBLEBROT Donation 1988 17 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BUBLEBROT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SEAMANDEL and BROT1. b3538346x PRG 919/107/93/BUBLEBROT
State Library of South Australia BULLINGRDN Donation 1991 12 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BULLINGRDN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as KROS. b35386198 PRG 919/107/197/BULLINGRDN
State Library of South Australia Back Wall Test Donation from Australian Network of Art and Technology [Approximately 2000] 1 videocassette , stereo, VHS, colour 13mm S. FRASER Back Wall Test - Support material for professional development and travel fund grant. ANAT # N030 b35360008 BRG 391/F-260
State Library of South Australia Bad Words / Untitled Documentation for Seven Works about Text, Technology and Corrupted Language Donation from Australian Network of Art and Technology 1991 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm Kevin DANIEL Experimental short and documentation of numerous works from 1988-1990. ANAT # DAN 91.01 b3534250x BRG 391/F-196
State Library of South Australia Ball Donation 1992 9 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ball is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ball-1. b35390980 PRG 919/107/432/Ball
State Library of South Australia Ball-1 Donation 1992 9 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ball-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ball. b35390979 PRG 919/107/432/Ball-1
State Library of South Australia Balloon Donation 1992 25 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Balloon is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as balloon1. b35391601 PRG 919/107/463/Balloon
State Library of South Australia Basilisk and A Universal Dirt Donation from Australian Network of Art and Technology 1994 00:10:00 1 videocassette , stereo, VHS, colour 13mm Lloyd SHARP, Wayne STAMP Documentation of animation work on a broader CD-ROM project investigating the beginnings of life and the depths of biology. 3D Computer Graphics/Animation. Basilisk... was a collaborative work between Lloyd Sharp and Wayne Stamp. ANAT # SHA 94.01 b35255547 BRG 391/F-122
State Library of South Australia Bass-1 Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Bass-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Bass-2. b35391030 PRG 919/107/435/Bass-1
State Library of South Australia Bass-2 Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Bass-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Bass-1. b35391042 PRG 919/107/435/Bass-2
State Library of South Australia BassRel Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BassRel is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Web. b35391066 PRG 919/107/436/BassRel
State Library of South Australia BassRel-74 Donation 1993 8 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI BassRel-74 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397640 PRG 919/107/844/BassRel-74
State Library of South Australia Beads Donation 1992 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Beads is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Papyrus. b35391893 PRG 919/107/478/Beads
State Library of South Australia Bearings Donation 1992 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Bearings is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Bearings1. b35390141 PRG 919/107/390/Bearings
State Library of South Australia Bearings1 Donation 1992 17 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Bearings1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Bearings. b3539013x PRG 919/107/390/Bearings1
State Library of South Australia Beetles Donation 1992 6 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Beetles is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Beetles-1. b35390086 PRG 919/107/387/Beetles
State Library of South Australia Beetles-1 Donation 1992 6 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Beetles-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Beetles. b35390074 PRG 919/107/387/Beetles-1
State Library of South Australia Beetles-2 Donation 1992 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Beetles-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Oval. b35390384 PRG 919/107/402/Beetles-2
State Library of South Australia Beetles-3 Donation 1992 6 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Beetles-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Beetles-4. b3539058x PRG 919/107/412/Beetles-3
State Library of South Australia Beetles-4 Donation 1992 7 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Beetles-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Beetles-3. b35390578 PRG 919/107/412/Beetles-4
State Library of South Australia Beetles-O Donation 1992 27 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Beetles-O is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereHIf. b35390682 PRG 919/107/417/Beetles-O
State Library of South Australia Big New Sites Donation from Australian Network of Art and Technology 1996 00:14:00 1 videocassette , sound, stereo, VHS, colour 13mm Lynette WALLWORTH Australian contemporary art in national cinemas. Slides and original music. ANAT # 227 b35255882 BRG 391/F-156
State Library of South Australia Biosphere Donation 1993 6 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Biosphere is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Biosphere1. b35395072 PRG 919/107/638/Biosphere
State Library of South Australia Biosphere1 Donation 1993 6 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Biosphere1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Biosphere. b35395060 PRG 919/107/638/Biosphere1
State Library of South Australia Black on Black, White on white (ACMI) installation photographs Donation from Australian Network of Art and Technology 2005 1 Data CD, 8 electronic files, Jonathan DUCKWORTH Black on Black, White on white (ACMI) installation photographs (Data CD), submitted to the Australian Network for Art & Technology (ANAT). b35239529 BRG 391/91/2
State Library of South Australia Blue76 Donation 1993 22 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Blue76 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35394742 PRG 919/107/619/Blue76
State Library of South Australia Board Donation 1992 22 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Board is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mauve. b35392873 PRG 919/107/528/Board
State Library of South Australia Body of Information Donation from Australian Network of Art and Technology 1997 00:54:00 1 videocassette , sound, stereo, VHS, colour 13mm AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY A screening programme of Australian media works presented by Amanda McDonald Crowley (on behalf of ANAT) at Gallery Connexion in New Brunswick, Canada - November 1997. ANAT # BOD 97.01 b35341191 BRG 391/F-188
State Library of South Australia Body of Information 1999 Donation from Australian Network of Art and Technology 1999 1 videocassette (Betacam) , AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Body of Information 1999. Artists include: Ian Haig, Ian Andrews, Gordon Bennett, Lynne Sanderson, Moira Corby, Josephine Starrs & Francesca de Rimini, Derek Kreckler, John Tonkin. http://archive2019.anat.org.au/2010/08/body-of-information-1999/. See BRG 391/F-188 for Body of Information VHS videorecording. 2 copies. ANAT # N010 b35355530 BRG 391/F-238
State Library of South Australia Bodybuilding Donation from Australian Network of Art and Technology 1994 00:02:00 1 videocassette , sound, stereo, VHS, colour 13mm Faye MAXWELL A work in progress document for a 3D Animation project showing various computer-created elements of the human body. 3D Computer Animation. ANAT # MAX 94.01 b35255237 BRG 391/F-91
State Library of South Australia Bonemap Donation from Australian Network of Art and Technology 2002 00:29:00 1 videocassette , sound, stereo, VHS, colour 13mm Russell MILLEDGE, Rebecca YOUDELL This video collects three works created to document performance by the Bonemap project, a hybrid mesh of live art, visual art and new media framed by an overarching ecological philosophy. A creative intermedia arts partnership between Russell Milledge and Rebecca Youdell, Bonemap often works in collaboration with other artists. ANAT # BON 02.01 b35341245 BRG 391/F-189
State Library of South Australia Bringing it to You! Donation from Australian Network of Art and Technology 1996 00:11:00 1 videocassette , sound, stereo, VHS, colour 13mm RTMARK Promotional Documentary An esoteric 3D exploration of the past, present and future evolution of humanity's temples of worship. Designed and directed by musician Todd Rundgren. 3D Computer. ANAT # 184 b3525547x BRG 391/F-115
State Library of South Australia Broadcast / Video Donation from Australian Network of Art and Technology 2002 00:11:00 1 videocassette , sound, stereo, VHS, colour 13mm Sumugan SIVANESAN A collection of works by video/sound/installation artist Sumugan Sivanesan. ANAT # SIV 02.01 b3534913x BRG 391/F-219
State Library of South Australia Brot2ab Donation 1994 28 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Brot2ab is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Brot2ac. b35398310 PRG 919/107/821/Brot2ab
State Library of South Australia Brot2ac Donation 1994 12 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Brot2ac is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Brot2ab. b35398322 PRG 919/107/821/Brot2ac
State Library of South Australia Buildin Donation 1992 11 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Buildin is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tapestro. b35392095 PRG 919/107/489/Buildin
State Library of South Australia Building Donation 1992 2 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Building is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Reflecta. b35390827 PRG 919/107/424/Building
State Library of South Australia Building Donation 1992 10 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Building is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Building-2. b35391947 PRG 919/107/482/Building
State Library of South Australia Building Donation 1992 10 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Building is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Building-2. b35391960 PRG 919/107/483/Building
State Library of South Australia Building-2 Donation 1992 8 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Building-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Building. b35391959 PRG 919/107/482/Building-2
State Library of South Australia Building-2 Donation 1992 8 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Building-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Building b35391972 PRG 919/107/483/Building-2
State Library of South Australia C.V. of Don Hunter Donation from Australian Network of Art and Technology [Approximately 2005] 1 Data CD, 2 electronic files, Don HUNTER Don Hunter CV (Data CD) collected by the Australian Network for Art and Technology (ANAT). Disk contains Art Crew Text and a CV. b35177457 BRG 391/164/1
State Library of South Australia CAAMA ident data CD Donation from Australian Network of Art and Technology [Approximately 2000] 1 Data CD, Vance GLYNN CAAMA Ident data CD by Vance Glynn, collected by the Australian Network for Art and Technology (ANAT). Disc contains a short Central Australian Aboriginal Media Association (CAAMA) Productions title video of a stick figure falling and running away from a falling television. [2 copies]. b3517741x BRG 391/125/1
State Library of South Australia CARLOST Donation 1991 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CARLOST is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRAL. b35385534 PRG 919/107/163/CARLOST
State Library of South Australia CARLSWIRLS Donation 1991 18 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CARLSWIRLS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLPLNT. b3538573x PRG 919/107/173/CARLSWIRLS
State Library of South Australia CARLinORBT Donation 1991 4 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CARLinORBT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ASTROCARL. b35386435 PRG 919/107/211/CARLinORBT
State Library of South Australia CAROST Donation 1991 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CAROST is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CAROST1. b35386642 PRG 919/107/221/CAROST
State Library of South Australia CAROST1 Donation 1991 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CAROST1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CAROST. b35386630 PRG 919/107/221/CAROST1
State Library of South Australia CARPET2 Donation 1988 5 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CARPET2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CARPET3 and CARPET4. b35383239 PRG 919/107/87/CARPET2
State Library of South Australia CARPET3 Donation 1988 5 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CARPET3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CARPET2 and CARPET4. b35383227 PRG 919/107/87/CARPET3
State Library of South Australia CARPET4 Donation 1988 5 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CARPET4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CARPET2 and CARPET3. b35383240 PRG 919/107/87/CARPET4
State Library of South Australia CARPTGLOBE Donation 1991 18 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CARPTGLOBE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHEREMNDL. b35386654 PRG 919/107/222/CARPTGLOBE
State Library of South Australia CATHEDRA Donation 1990 26 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CATHEDRA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FACTORY1, INSIDE, and FACTORY. b35381292 PRG 919/107/122/CATHEDRA
State Library of South Australia CATHEDRAL Donation 1988 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CATHEDRAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUECARPT1, GATE, and BLUECARPET. b35383999 PRG 919/107/109/CATHEDRAL
State Library of South Australia CATHEDRAL Donation 1990 26 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CATHEDRAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WATERCOLR3, OK13A, and ABSTR3. b35381267 PRG 919/107/121/CATHEDRAL
State Library of South Australia CAVE Donation 1988 12 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CAVE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CAVESPHERS, FERNPIC, and SPINNER. b3538539x PRG 919/107/834/CAVE
State Library of South Australia CAVESPHERS Donation 1988 13 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CAVESPHERS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CAVE, FERNPIC, and SPINNER. b35385388 PRG 919/107/834/CAVESPHERS
State Library of South Australia CELL BDO 26/01/02 Donation from Australian Network of Art and Technology 2002 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm CELL Video documentation of the CELL sculpture/installation, a monsterous fusion of music, metal and machinery, welcoming music fans to the Sydney Big Day Out in 2002. Video/FX. ANAT # CEL 02.01 b35254555 BRG 391/F-23
State Library of South Australia CENTRAC Donation 1988 5 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CENTRAC is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CENTRAL, CENTRE, and CENTRO. b35384918 PRG 919/107/141/CENTRAC
State Library of South Australia CENTRAL Donation 1988 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CENTRAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CENTR0, CENTRE, and CENTRAC. b3538489x PRG 919/107/141/CENTRAL
State Library of South Australia CENTRALL Donation 1988 20 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CENTRALL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SNAIL1, RIVER1, and RIVER2. b35383021 PRG 919/107/82/CENTRALL
State Library of South Australia CENTRE Donation 1988 5 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CENTRE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CENTRAL, CENTRO, and CENTRAC. b35384906 PRG 919/107/141/CENTRE
State Library of South Australia CENTRE Donation 1988 13 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CENTRE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PINTRANGL3, PINTRANGL2, and PINTRANGL4. b35382806 PRG 919/107/74/CENTRE
State Library of South Australia CENTREHALF Donation 1988 13 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CENTREHALF is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GATE and HEXAGON. b35382582 PRG 919/107/63/CENTREHALF
State Library of South Australia CENTRO Donation 1988 5 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CENTRO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CENTRAL, CENTRE, and CENTRAC. b35384888 PRG 919/107/141/CENTRO
State Library of South Australia CEPLANA Donation 1991 16 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CEPLANA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CEPLANET b35386617 PRG 919/107/220/CEPLANA
State Library of South Australia CEPLANET Donation 1991 16 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CEPLANET is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CEPLANA. b35386629 PRG 919/107/220/CEPLANET
State Library of South Australia CHINEORCHD Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CHINEORCHD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CHINESE7 and NIGHTDAY. b35380755 PRG 919/107/51/CHINEORCHD
State Library of South Australia CHINESE1 Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CHINESE1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ORIENT and GATEGREY. b35380561 PRG 919/107/38/CHINESE1
State Library of South Australia CHINESE2 Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CHINESE2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ARROWmndl, ARROW, and ARROW2. b35381127 PRG 919/107/71/CHINESE2
State Library of South Australia CHINESE3 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CHINESE3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EARTHMOON1, EARTHMOON2, and EARTHMOON. b35380780 PRG 919/107/52/CHINESE3
State Library of South Australia CHINESE7 Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CHINESE7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CHINESEORCHD and NIGHTDAY. b35380743 PRG 919/107/51/CHINESE7
State Library of South Australia CHINESMNDL Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CHINESMNDL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK9colr, OK7colr1, and OK7colr. b35380147 PRG 919/107/13/CHINESMNDL
State Library of South Australia CIRCLE Donation 1992 19 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CIRCLE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SATELITES. b35389588 PRG 919/107/362/CIRCLE
State Library of South Australia CITY Donation 1988 5 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CITY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ATLAS, MANDELSKY, and SAILS. b35385303 PRG 919/107/830/CITY
State Library of South Australia CITY Donation 1988 5 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CITY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ALBERT4 and ALBERT5. b35385376 PRG 919/107/833/CITY
State Library of South Australia CLOUDinvr1 Donation 1992 22 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CLOUDinvr1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CLOUDinvr2. b35389242 PRG 919/107/344/CLOUDinvr1
State Library of South Australia CLOUDinvr2 Donation 1992 22 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CLOUDinvr2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CLOUDinvr1. b35389230 PRG 919/107/344/CLOUDinvr2
State Library of South Australia COLORFERN Donation 1988 10 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI COLORFERN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FERNPIC, MOONFERN, and GOLDFERNS. b35384505 PRG 919/107/127/COLORFERN
State Library of South Australia COLOURSPIN Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI COLOURSPIN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERESPIN, DOUBLESPIN, and SIXSPIN. b35382971 PRG 919/107/79/COLOURSPIN
State Library of South Australia COLUMN Donation 1988 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI COLUMN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TAPESTRY1 and JULIE. b35382880 PRG 919/107/77/COLUMN
State Library of South Australia COLUMN3 Donation 1992 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI COLUMN3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as M-W-dmnd. b35389783 PRG 919/107/372/COLUMN3
State Library of South Australia COLUMNSPHE Donation 1988 11 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI COLUMNSPHE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ELLIPSE2, VERTIKAL, and FULLCIR1. b35383367 PRG 919/107/90/COLUMNSPHE
State Library of South Australia COTTAGE Donation 1988 5 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI COTTAGE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT2001 and SOUNDFORK. b35381838 PRG 919/107/29/COTTAGE
State Library of South Australia CREST Donation 1988 22 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CREST is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CREST1 and PLANETMAKE. b35385005 PRG 919/107/144/CREST
State Library of South Australia CREST1 Donation 1988 22 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CREST1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PLANETMAKE and CREST. b35385029 PRG 919/107/144/CREST1
State Library of South Australia CURRENTS Donation 1990 19 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CURRENTS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUESUN, GARDENMOON, and SANDWATER. b35381437 PRG 919/107/133/CURRENTS
State Library of South Australia CURVE Donation 1991 21 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CURVE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CURVE1. b35387488 PRG 919/107/265/CURVE
State Library of South Australia CURVE1 Donation 1991 21 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CURVE1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CURVE. b3538749x PRG 919/107/265/CURVE1
State Library of South Australia CURVE3 Donation 1991 23 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CURVE3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CURVE4. b3538766x PRG 919/107/274/CURVE3
State Library of South Australia CURVE4 Donation 1991 21 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CURVE4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CURVE3. b35387671 PRG 919/107/274/CURVE4
State Library of South Australia CURVEdble Donation 1991 21 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CURVEdble is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CURVEred. b35387592 PRG 919/107/270/CURVEdble
State Library of South Australia CURVEred Donation 1991 18 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CURVEred is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CURVEdble. b35387580 PRG 919/107/270/CURVEred
State Library of South Australia California Dream (revised version) Donation from Australian Network of Art and Technology 1989 1 videocassette (U-matic) , Barry SCHRADER, Michael SCROGGINS California Dream (revised version). ANAT # N006 b35355499 BRG 391/F-234
State Library of South Australia Calligraphy Donation from Australian Network of Art and Technology 1987 1990 1 3.5 inch floppy disk, electronic files, Calligraphy files, including grids, backgrounds, seals, and touches (3.5 inch floppy disk). b35433772 BRG 391/378
State Library of South Australia Candelabra Donation 1992 30 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Candelabra is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Treasure. b35389461 PRG 919/107/356/Candelabra
State Library of South Australia CarLyap74 Donation 1993 9 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI CarLyap74 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397585 PRG 919/107/831/CarLyap74
State Library of South Australia Carbon Sampler 1.0 Donation from Australian Network of Art and Technology 1998 1 Data CD, x electronic files, LYCETTE BROS. Lycette Brother Carbon sampler 1.0 (Data CD) collected by the Australian Network for Art and Technology (ANAT), presenting five years of award winning interactive promotional work by Mark and John Lycette. b35200728 BRG 391/214/2
State Library of South Australia Carlya2-68 Donation 1993 8 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Carlya2-68 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Carlyap2c. b35394195 PRG 919/107/469/Carlya2-68
State Library of South Australia Carlyap Donation 1992 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Carlyap is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OverpassBR. b35391625 PRG 919/107/464/Carlyap
State Library of South Australia Carlyap2 Donation 1992 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Carlyap2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaplanet. b35391686 PRG 919/107/467/Carlyap2
State Library of South Australia Carlyap2a Donation 1992 1 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Carlyap2a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Carlyap2b. b35391704 PRG 919/107/468/Carlyap2a
State Library of South Australia Carlyap2b Donation 1992 1 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Carlyap2b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Carlyap2a. b35391698 PRG 919/107/468/Carlyap2b
State Library of South Australia Carlyap2c Donation 1992 1 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Carlyap2c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Carlya2-68. b35391716 PRG 919/107/469/Carlyap2c
State Library of South Australia Carlyap31a Donation 1992 18 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Carlyap31a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapreflct. b35391662 PRG 919/107/466/Carlyap31a
State Library of South Australia Carptspace Donation 1993 8 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Carptspace is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPUNOV-b. b35394468 PRG 919/107/602/Carptspace
State Library of South Australia Cat's Cradle Donation from Australian Network of Art and Technology 1991 00:12:00 1 videocassette , sound, stereo, VHS, black and white 13mm Liz HUGHES What does a family do when it can't afford to bury it's father? Short experimental drama. B/W. ANAT # HUG 91.01 b35255080 BRG 391/F-76
State Library of South Australia Cat-knight Donation 1992 26 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cat-knight is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Seajul. b35393531 PRG 919/107/561/Cat-knight
State Library of South Australia Cave-1 Donation 1992 15 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cave-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cave-2. b35393671 PRG 919/107/568/Cave-1
State Library of South Australia Cave-2 Donation 1992 6 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cave-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cave-1. b3539366x PRG 919/107/568/Cave-2
State Library of South Australia Cave-3 Donation 1992 15 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cave-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cave-4. b35393737 PRG 919/107/571/Cave-3
State Library of South Australia Cave-4 Donation 1992 15 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cave-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cave-3. b35393725 PRG 919/107/571/Cave-4
State Library of South Australia Cave-68a Donation 1993 13 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cave-68a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cave-68b. b35395175 PRG 919/107/644/Cave-68a
State Library of South Australia Cave-68b Donation 1993 13 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cave-68b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cave-68a. b35395187 PRG 919/107/644/Cave-68b
State Library of South Australia Cave-68c Donation 1993 13 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cave-68c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cave-68d. b35395151 PRG 919/107/643/Cave-68c
State Library of South Australia Cave-68d Donation 1993 13 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cave-68d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cave-68c. b35395163 PRG 919/107/643/Cave-68d
State Library of South Australia Cave-68e Donation 1993 13 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cave-68e is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cave-68f. b35395138 PRG 919/107/642/Cave-68e
State Library of South Australia Cave-68f Donation 1993 13 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cave-68f is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cave-68e. b3539514x PRG 919/107/642/Cave-68f
State Library of South Australia Cenrte-7 Donation 1992 11 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cenrte-7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Offcentre. b35392691 PRG 919/107/519/Cenrte-7
State Library of South Australia Cenrte-7a Donation 1992 11 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cenrte-7a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Floatrise. b35392757 PRG 919/107/522/Cenrte-7a
State Library of South Australia Centre-O Donation 1990 21 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Centre-O is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fan. b35381528 PRG 919/107/658/Centre-O
State Library of South Australia Chameleon Vision: VJ Demo Show Reel Donation from Australian Network of Art and Technology 2002 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Soncha IACONO A sample of a VJ performance submitted as an application for ANAT's Trickster Masterclass in Video Jamming. Video/Stills/FX/3D computer animation. ANAT # IAC 02.01 b35255109 BRG 391/F-78
State Library of South Australia Circular Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Circular is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Door. b35391534 PRG 919/107/460/Circular
State Library of South Australia City Farm Donation from Australian Network of Art and Technology 1994 00:12:00 1 videocassette , sound, stereo, VHS, colour 13mm Zebbitty EMANEM A creative promotional video for the 'City Farm' in East Perth, which uses crafty camera work and tricky editing to bring the farm to the city (and vice versa) and highlight City Farm's role as an organic community garden, nursery and resource centre. Video/FX. ANAT # EMA 94.01 b35254828 BRG 391/F-50
State Library of South Australia Clock Donation 1992 3 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Clock is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Clock1. b35393099 PRG 919/107/539/Clock
State Library of South Australia Clock1 Donation 1992 3 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Clock1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Clock. b35393087 PRG 919/107/539/Clock1
State Library of South Australia Code Red How to Skoal With Donation from Australian Network of Art and Technology 1997 00:43:00 1 videocassette , sound, stereo, VHS, colour 13mm Marko PELTHAN, Zina KAYE Code Red How to Skoal With [no picture?]. ANAT # 176 b35255390 BRG 391/F-107
State Library of South Australia Code red Donation from Australian Network of Art and Technology 1997 1 3.5 inch floppy disk, electronic files, Linda CARROLI Code red (3.5 inch floppy disk), containing a flyer for an international conference and forum event curated by Julianne Pierce at the Performance Space, Sydney, between November 22-25, 1997. Disk also includes an ANAT logo, and assorted 'Russell Square' fonts. b35427280 BRG 391/370
State Library of South Australia Coiffure Carnival Trilogy Donation from Australian Network of Art and Technology 1990 00:28:00 1 videocassette , sound, stereo, VHS, colour 13mm Muriel MAGENTA Documentation of an extensive video archive/sculpture/installation project by Muriel Magenta, which explores the concept of 'self-image through hairstyle'. ANAT # MAG 90.01 b35348719 BRG 391/F-211
State Library of South Australia Columnsphr Donation 1994 8 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Columnsphr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OXOXcen. b35397998 PRG 919/107/763/Columnsphr
State Library of South Australia Coming Attractions Donation from Australian Network of Art and Technology 1991 00:03:00 1 videocassette , sound, stereo, VHS, colour 13mm Susan Alexis COLLINS This animated short presents the artists personal reflection on modern mating habits, and sexual balances of power. 2D Computer Animation. ANAT # COL 91.01 b35254580 BRG 391/F-26
State Library of South Australia Communities Working Online Donation from Australian Network of Art and Technology [Approximately 1996] 00:19:00 1 videocassette , sound, stereo, VHS, colour 13mm Documentary ""presenting a selection of online communities, working the internet to output themselves and their activities, connect with other communities and resource relevant information."" Online communities represented cover a wide range of areas, from visual arts & design to cyberfeminism. Video/Internet Screengrabs. ANAT # COM 96.01 b35341397 BRG 391/F-190
State Library of South Australia Complex-1 Donation 1993 12 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Complex-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b3539478x PRG 919/107/622/Complex-1
State Library of South Australia Compos68aa Donation 1993 29 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Compos68aa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Compose68b. b35394651 PRG 919/107/613/Compos68aa
State Library of South Australia Compose68 Donation 1993 29 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Compose68 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Compose68a. b35394560 PRG 919/107/608/Compose68
State Library of South Australia Compose68 Donation 1993 8 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Compose68 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Dotsphere. b35394614 PRG 919/107/611/Compose68
State Library of South Australia Compose68a Donation 1993 19 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Compose68a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Compose68. b35394559 PRG 919/107/608/Compose68a
State Library of South Australia Compose68b Donation 1993 29 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Compose68b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Compos68aa. b3539464x PRG 919/107/613/Compose68b
State Library of South Australia Computer Animation Festival Volume 2.0 Donation from Australian Network of Art and Technology 1994 00:59:00 1 videocassette , sound, stereo, VHS, colour 13mm Video compilation featuring 22 award-winning computer animation from the USA and around the world. ANAT # COM 94.01 b35341403 BRG 391/F-191
State Library of South Australia Computer Painting Donation from Australian Network of Art and Technology 1992 00:32:00 1 videocassette , sound, stereo, VHS, colour 13mm Gerd STRUWE Computer Graphics/Painting. ANAT # 204 b35255651 BRG 391/F-133
State Library of South Australia Conference & Workshop Fund Application Donation from Australian Network of Art and Technology 2004 30 June 00:35:00 1 videocassette , stereo, VHS, colour 13mm Frances D'ATH Conference & Workshop Fund Application for the Australian Network for Art and Technology. ANAT # N022 b3535978x BRG 391/F-252
State Library of South Australia Conference and workshop fund application Donation from Australian Network of Art and Technology [Approximately 2004] 1 DVD, Kylie WILKINSON Kylie Wilkinson's conference and workshop fund application DVD, containing short documentary video extracts, filmed of people, organisations, and places. b35456681 BRG 391/389
State Library of South Australia Continental Drift Donation from Australian Network of Art and Technology 1991 1 videocassette (U-matic) , Jill SCOTT Continental drift, including documentation of performance. ANAT # N003 b3535544x BRG 391/F-231
State Library of South Australia Conversation Donation from Australian Network of Art and Technology 1990 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm Tamas WALICZKY Conversation between Tamas Walicsky and Tibor Szemzo. Interactive Installation. ANAT # 223 b35255845 BRG 391/F-152
State Library of South Australia Copie de Travail Donation from Australian Network of Art and Technology 1991 00:14:00 1 videocassette , sound, stereo, VHS, colour 13mm A collection of 'Infopeinture' works created by the artists B de F Rashel and Jean Luc Faubert, via the interaction of traditional fine art media and computer based technology. ANAT # BDE 91.01 b35341087 BRG 391/F-186
State Library of South Australia Cora Donation 1992 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cora is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as cora-1. b35388432 PRG 919/107/301/Cora
State Library of South Australia Corner Donation 1993 24 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Corner is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MandeTRIOb. b35396015 PRG 919/107/689/Corner
State Library of South Australia Corner74 Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Corner74 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397573 PRG 919/107/820/Corner74
State Library of South Australia Creen-C Donation 1993 18 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Creen-C is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Creen-D. b35397135 PRG 919/107/746/Creen-C
State Library of South Australia Creen-Ca Donation 1993 14 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Creen-Ca is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Creen-Cb. b35397123 PRG 919/107/745/Creen-Ca
State Library of South Australia Creen-Cb Donation 1993 14 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Creen-Cb is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Creen-Ca b35397111 PRG 919/107/745/Creen-Cb
State Library of South Australia Creen-D Donation 1993 20 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Creen-D is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Creen-C. b35397147 PRG 919/107/746/Creen-D
State Library of South Australia Creen-Da Donation 1993 14 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Creen-Da is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScreenE. b35397196 PRG 919/107/749/Creen-Da
State Library of South Australia Creen-Da Donation 1993 14 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Creen-Da is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScreenE. b35397287 PRG 919/107/753/Creen-Da
State Library of South Australia Crescent Donation 1993 17 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Crescent is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Landsat. b35396830 PRG 919/107/730/Crescent
State Library of South Australia Crescent-1 Donation 1993 29 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Crescent-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GardenSph. b35397032 PRG 919/107/741/Crescent-1
State Library of South Australia Crosswind Donation 1992 27 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Crosswind is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPMOONS. b35389011 PRG 919/107/332/Crosswind
State Library of South Australia Crystal-1 Donation 1992 11 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Crystal-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Crystal-2. b3538878x PRG 919/107/320/Crystal-1
State Library of South Australia Crystal-2 Donation 1992 13 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Crystal-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Crystal-1. b35388778 PRG 919/107/320/Crystal-2
State Library of South Australia Cube Donation 1992 22 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Cube is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Double. b35389989 PRG 919/107/382/Cube
State Library of South Australia Current work of Robin Petterd Donation from Australian Network of Art and Technology 2006 1 DVD, Robin PETTERD Video compilation of current work by Robin Petterd (DVD), collected by the Australian Network for Art and Technology (ANAT). Compiles video of 'Brush of Liquid', 'Moments of Grey', 'Strokes', and 'Dropping' (3.05). b35177603 BRG 391/267/1
State Library of South Australia Currents Donation 1992 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Currents is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as V-scape. b35388390 PRG 919/107/299/Currents
State Library of South Australia Currents-1 Donation 1993 17 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Currents-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FloraBrot. b35395369 PRG 919/107/654/Currents-1
State Library of South Australia Cyber Ritual Donation from Australian Network of Art and Technology 1990 00:25:00 1 videocassette , sound, stereo, VHS, colour 13mm CYBER DADA, Paul GAFFNEY A collection of various Cyber Dada works and performances. Cyber Dada was created with the plea for us to 'digitize the world'. Video/FX./Computer Animation & Graphics. ANAT # CYB 90.01 b35254683 BRG 391/F-36
State Library of South Australia CyberDada Donation from Australian Network of Art and Technology 1990 00:34:00 1 videocassette , sound, stereo, VHS, colour 13mm Troy INNOCENT, Dale NASON, Ollie OLSEN A collection of earlier works by Melbourne artist Troy Innocent, created as part of the CyberDada movement of the early 1990s. ANAT # INO 90.01 b35348525 BRG 391/F-207
State Library of South Australia D'CÜKOO Donation from Australian Network of Art and Technology 1992 00:07:00 1 videocassette , sound, stereo, VHS, colour 13mm D'CÜKOO Short video profile of cybertribal world-funk ensemble, D'CuCKOO, an all-female percussion group who invent and build their own electronic instruments. Includes interviews and live performances. Video. ANAT # DCU 92.01 b35254695 BRG 391/F-37
State Library of South Australia D1 Donation 1991 14 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI D1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as D2. b35387440 PRG 919/107/262/D1
State Library of South Australia D2 Donation 1991 14 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI D2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as D1. b35387452 PRG 919/107/262/D2
State Library of South Australia DANCER Donation 1991 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DANCER is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as as OOO1. b35386319 PRG 919/107/205/DANCER
State Library of South Australia DBLESPIKE Donation 1988 7 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DBLESPIKE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLSPIKE1, fullspike, and FULLMAND. b35381978 PRG 919/107/34/DBLESPIKE
State Library of South Australia DECOR Donation 1988 4 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DECOR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELTREE, TREorigMnd, and ISLAND3. b35382041 PRG 919/107/36/DECOR
State Library of South Australia DECOR Donation 1988 4 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DECOR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELTREE, TREorigMnd, and ISLAND3. b35382090 PRG 919/107/37/DECOR
State Library of South Australia DES1GN Donation 1988 25 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DES1GN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HELEN, BAUHAUS4, and REFLECT. b35382703 PRG 919/107/69/DES1GN
State Library of South Australia DIAGONL Donation 1990 18 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIAGONL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as inGARDEN, and DIAGONL1. b35380263 PRG 919/107/17/DIAGONL
State Library of South Australia DIAGONL1 Donation 1990 18 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIAGONL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as inGARDEN, and DIAGONL. b35380275 PRG 919/107/17/DIAGONL1
State Library of South Australia DIAGONL3 Donation 1990 19 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIAGONL3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIAGONL4, DIAGONL6, and DIAGONL5. b35380299 PRG 919/107/18/DIAGONL3
State Library of South Australia DIAGONL4 Donation 1990 20 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIAGONL4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIAGONL3, DIAGONL6, and DIAGONL5. b35380287 PRG 919/107/18/DIAGONL4
State Library of South Australia DIAGONL5 Donation 1990 17 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIAGONL5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIAGONL4, DIAGONL6, and DIAGONL3. b35380317 PRG 919/107/18/DIAGONL5
State Library of South Australia DIAGONL6 Donation 1990 20 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIAGONL6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIAGONL4, DIAGONL3, and DIAGONL5. b35380305 PRG 919/107/18/DIAGONL6
State Library of South Australia DIAMOND Donation 1988 8 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIAMOND is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DOUBLDIMN3, DOUBLDIMN2, and DOUBLDIMN1. b35384372 PRG 919/107/119/DIAMOND
State Library of South Australia DIAMOND Donation 1988 8 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIAMOND is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SYMBOLS, SYMBOLS2, and SYMBOLS1. b35384396 PRG 919/107/120/DIAMOND
State Library of South Australia DIAMOND Donation 1988 8 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIAMOND is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LORD2, RINBOTRIAN, and WINDOW. b35385248 PRG 919/107/807/DIAMOND
State Library of South Australia DIMNDGATE2 Donation 1988 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIMNDGATE2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIMNDGATE4, and DIMNDGATE3. b3538234x PRG 919/107/48/DIMNDGATE2
State Library of South Australia DIMNDGATE3 Donation 1988 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIMNDGATE3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIMNDGATE4, and DIMNDGATE2. b35382326 PRG 919/107/48/DIMNDGATE3
State Library of South Australia DIMNDGATE4 Donation 1988 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIMNDGATE4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIMNDGATE2, and DIMNDGATE3 b35382338 PRG 919/107/48/DIMNDGATE4
State Library of South Australia DIMOND Donation 1988 5 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIMOND is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MEANJIN2, MEANJIN3, and MEANJIN4. b3538329x PRG 919/107/89/DIMOND
State Library of South Australia DIMOND-o Donation 1992 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIMOND-o is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapcloud. b35389047 PRG 919/107/333/DIMOND-o
State Library of South Australia DIMONDSPHR Donation 1988 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DIMONDSPHR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERECROS, GATE, and ARCHblue2. b35382314 PRG 919/107/47/DIMONDSPHR
State Library of South Australia DOUBLDIMN1 Donation 1988 4 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DOUBLDIMN1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DOUBLDIMN3, DIAMOND, and DOUBLDIMN2. b35384384 PRG 919/107/119/DOUBLDIMN1
State Library of South Australia DOUBLDIMN2 Donation 1988 4 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DOUBLDIMN2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DOUBLDIMN3, DIAMOND, and DOUBLDIMN1. b35384359 PRG 919/107/119/DOUBLDIMN2
State Library of South Australia DOUBLDIMN3 Donation 1988 4 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DOUBLDIMN3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DOUBLDIMN2, DIAMOND, and DOUBLDIMN1. b35384360 PRG 919/107/119/DOUBLDIMN3
State Library of South Australia DOUBLE Donation 1991 4 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DOUBLE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DOUBLE-1. b35387397 PRG 919/107/259/DOUBLE
State Library of South Australia DOUBLE-1 Donation 1991 13 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DOUBLE-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DOUBLE. b35387385 PRG 919/107/259/DOUBLE-1
State Library of South Australia DOUBLE-2 Donation 1991 14 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DOUBLE-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DOUBLE-3. b35387373 PRG 919/107/258/DOUBLE-2
State Library of South Australia DOUBLE-3 Donation 1991 14 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DOUBLE-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DOUBLE-2. b35387361 PRG 919/107/258/DOUBLE-3
State Library of South Australia DOUBLESPIN Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DOUBLESPIN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERESPIN, SIXSPIN, and COLOURSPIN. b3538296x PRG 919/107/79/DOUBLESPIN
State Library of South Australia DOUBLEa Donation 1991 14 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DOUBLEa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDEL4d. b3538735x PRG 919/107/257/DOUBLEa
State Library of South Australia DROPS Donation 1988 11 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DROPS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as STRIPTONE, STRIPBLUE, and SPIRAL. b3538458x PRG 919/107/129/DROPS
State Library of South Australia Dal Donation 1992 16 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Dal is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Dala. b35390451 PRG 919/107/406/Dal
State Library of South Australia Dala Donation 1992 12 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Dala is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Dal. b35390463 PRG 919/107/406/Dala
State Library of South Australia Dali Donation 1992 16 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Dali is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Quixot2. b35390839 PRG 919/107/425/Dali
State Library of South Australia Dalobelisk Donation 1992 19 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Dalobelisk is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Print. b35390669 PRG 919/107/416/Dalobelisk
State Library of South Australia Dance of Death, The Donation from Australian Network of Art and Technology 1994 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Peter CHARUK Documentation of an interactive CD-ROM 'book', comprised of computer manipulated imagery and its inclusion in an installation by the artist. Video/FX/Computer Imagery. ANAT # CHA 94.01 b35254567 BRG 391/F-24
State Library of South Australia Data Knitting Motherload Project / The Body Ophelia Creative Development Donation from Australian Network of Art and Technology 2003 1 videocassette , stereo, VHS, colour 13mm Catherine FARGHER Data Knitting Motherload Project / The Body Ophelia Creative Development by Catherine Fargher. ANAT # N029 b35359997 BRG 391/F-259
State Library of South Australia Dazwischen Donation from Australian Network of Art and Technology 1992 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Katrin BUTT Video performance highlighting the anxieties of supermarket shopping. Video/FX. ANAT # BUT 92.01 b3525449x BRG 391/F-17
State Library of South Australia Decibel Donation from Australian Network of Art and Technology 1997 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Chris CAINES, Henry MILLER A rough cut of an experimental short featuring layered imagery and effects, accompanying a spoken word piece by Henry Miller. Video/FX. ANAT # CAI 97.02 b35254531 BRG 391/F-21
State Library of South Australia Decoy Donation from Australian Network of Art and Technology 1993 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Derek KRECKLER Short narrative centering on the dangerous undertaking of a rocky, seaside pursuit. Video/FX. ANAT # KRE 93.01 b35255195 BRG 391/F-87
State Library of South Australia Delta Drive Donation from Australian Network of Art and Technology 1997 00:03:00 1 videocassette , sound, stereo, VHS, colour 13mm Monica CORDUFF, Lyvern MYI The psychadelic adventures of Delta Drive. A Devolved Grant project of ANAT. Video / FX. ANAT # COR 97.01 b3525466x BRG 391/F-34
State Library of South Australia Delta-1 Donation 1993 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Delta-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Delta2. b35395631 PRG 919/107/669/Delta-1
State Library of South Australia Delta2 Donation 1993 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Delta2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Delta-1. b35395643 PRG 919/107/669/Delta2
State Library of South Australia Demo Donation from Australian Network of Art and Technology 1995 1 3.5 inch floppy disk, 13 electronic files, Russell MILLEDGE Second disk of Russell Milledge, containing a demo application, with images from works, including Agri performance 1995. Also includes a CV. b35177548 BRG 391/236/2
State Library of South Australia Demo CD Donation from Australian Network of Art and Technology 1996 1999 00:07:00 1 audio disc , digital, CD audio 12 cm. Amelia BARDEN Demo CD of Amelia Barden, held at Australian Network for Art and Technology (ANAT) comprising audio files for assorted productions and installations. Includes audio commissioned for choreographer Sandra Parker (1996), for animation by Nag Vladermersky and Susi Allender (1998), for Horned Moon Productions (1997), for Simon Barley (1998), and for Andrew McQualter (1998). See BRG 391/F-123 for a videorecording 'Rise' with music by Amelia Barden. b35112153 BRG 391/21
State Library of South Australia Demo Reel by Origin Group Donation from Australian Network of Art and Technology 1988 2 December 1 videocassette (U-matic) , Demo Reel by Origin Group. ANAT # N001 b35355219 BRG 391/F-229
State Library of South Australia Design portfolio data CDs by Adam Dormand Donation from Australian Network of Art and Technology [approximately 2000] 2 Data CDs, electronic files, Adam DORMAND Design portfolio data CDs by Adam Dormand submitted to the Australian Network for Art and Technology (ANAT). b35154500 BRG 391/88/1-2
State Library of South Australia Desktop Icons 1.0 Donation from Australian Network of Art and Technology 2001 01:15:00 1 videocassette , sound, stereo, VHS, colour 13mm NEW MEDIA SCOTLAND A collection of short digital films and videos by Scottish and international artists, exploring the cross over of popular culture, media and new creative technologies. The programme explores moving image culture authored and designed on (and sometimes for) people's desktops. Desktop Icons is a New Media Scotland touring programme curated by Iliyana Nedkova (0.00.30-1.15.14). and New Media Scotland's second touring programme collection of moving image works authored and designed on (and sometimes for) people's desktops, again curated by Iliyana Nedkova (1.15.52-2.38.17). ANAT # DES 01.01 b35342572 BRG 391/F-198
State Library of South Australia Diamond Necklace Affair, The Donation from Australian Network of Art and Technology 1991 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm Barbara CAMPBELL Documentation of a performance by Campbell, an esoteric exploration of the female experience. Video/FX. ANAT # CAM 91.01 b35254543 BRG 391/F-22
State Library of South Australia Digital Galleries Donation from Australian Network of Art and Technology Date of production not identified 1 videocassette , sound, stereo, VHS, colour 13mm , Rand WETHERWAX Digital Galleries (Private Demo). ANAT # 228 b35255894 BRG 391/F-157
State Library of South Australia Digital Shadows / Stick Shun Dominoes / Fair Wear - fashion / No sweatshop label Donation from Australian Network of Art and Technology 2002 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm Kylie WILKINSON Digital Shadows / Stick Shun Dominoes / Fair Wear - fashion / No sweatshop label. Video Protestors. ANAT # W 232.00 b35255948 BRG 391/F-162
State Library of South Australia Digital files of Anita Kocsis Donation from Australian Network of Art and Technology [Approximately 1996] 1 Syquest Disk, electronic files, Anita KOCSIS Syquest Disk of Anita Kocsis, collected by the Australian Network for Art and Technology (ANAT). b35177469 BRG 391/194/1
State Library of South Australia Digital files of Jun-Ann Lam Donation from Australian Network of Art and Technology [Approximately 1996] 1 Syquest Disk, electronic files, Jun-Ann LAM Syquest Disk of Jun-Ann Lam, collected by the Australian Network for Art and Technology (ANAT). b35177512 BRG 391/200/1
State Library of South Australia Digital files of Rick Vermey Donation from Australian Network of Art and Technology [Approximately 1994] 1 Zip disk, x electronic files, Rick VERMEY Digital files of Rick Vermey (Zip disk), containing a movie and photoshop picture files, collected by the Australian Network for Art and Technology (ANAT). b35177664 BRG 391/337/1
State Library of South Australia DimondGREY Donation 1993 12 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DimondGREY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DimondRED. b35394249 PRG 919/107/589/DimondGREY
State Library of South Australia DimondRED Donation 1993 12 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DimondRED is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DimondGREY. b35394250 PRG 919/107/589/DimondRED
State Library of South Australia DimondRedA Donation 1992 28 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DimondRedA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBldg1. b35393555 PRG 919/107/562/DimondRedA
State Library of South Australia Dimonde Donation 1993 11 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Dimonde is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapuno67d. b35394584 PRG 919/107/609/Dimonde
State Library of South Australia Direction Donation from Australian Network of Art and Technology 2002 00:43:00 1 videocassette , stereo, VHS, colour 13mm Tina GONSALVES Videos from the Loss series by Tina Gonsalves. ANAT # N023 b35359808 BRG 391/F-253
State Library of South Australia Discs-3x3 Donation 1992 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Discs-3x3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as VEIL. b35389576 PRG 919/107/361/Discs-3x3
State Library of South Australia Distance Intro Donation from Australian Network of Art and Technology 1995 1 3.5 inch floppy disk, 11 electronic files, Russell MILLEDGE First disk of Russell Milledge, containing a viewer for the 'Distance between worlds' movie to play, and Read Me/CV. b3537312x BRG 391/236/1
State Library of South Australia Documentation Donation from Australian Network of Art and Technology 2003 00:03:00 1 videocassette , sound, stereo, VHS, colour 13mm Alex DAVIES Documentation of three Alex Davies installations: Filter Feeder (2002), CELL (2003) and 'Body Spin'(2001). Video. ANAT # DAV 03.01 b35254701 BRG 391/F-38
State Library of South Australia Documentation of 'Mill Irvina' and 'Sharkfeet' Donation from Australian Network of Art and Technology 1998 1 3.5 inch floppy disk, electronic files, John GRECH Documentation of 'Mill Irvina' and 'Sharkfeet' (3.5 inch floppy disk), containing a html webpage for 'Mill Irvina' and image files, and image files from 'Sharkfeed'. See BRG 391/130 for ANAT artist file of John Grech. b3542798x BRG 391/371
State Library of South Australia Documentation of recent video work Donation from Australian Network of Art and Technology 2004 1 DVD, Daniel CROOKS Daniel Crooks video work featuring videos presented at ACMI, Sherman Galleries, Museum of Contemporary Art, and Centre for Contemporary Photography. Also includes website links to C.V. and contact details. b35457065 BRG 391/390
State Library of South Australia Documentation: John Grech & Friends Donation from Australian Network of Art and Technology 1996 00:11:00 1 videocassette , sound, stereo, VHS, colour 13mm John GRECH Excerpts from two intermedia performance works by Sydney writer and artist John Grech ('Isolations' and 'Images from the Underworld') and documentation of an intermedia installation ('Angels & the City'). Video. ANAT # GRE 96.01 b35254920 BRG 391/F-60
State Library of South Australia Dokumentation H.O.E.-TV Donation from Australian Network of Art and Technology 1990 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Vito ORAZEM, Thomas LüCK Interactive Holographic Installation. ANAT # 174 b35255377 BRG 391/F-105
State Library of South Australia Domus Donation 1992 14 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Domus is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ancient. b35392071 PRG 919/107/488/Domus
State Library of South Australia Don-Q Donation 1992 16 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Don-Q is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Don-Q1. b35390475 PRG 919/107/407/Don-Q
State Library of South Australia Don-Q1 Donation 1992 16 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Don-Q1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Don-Q. b35390487 PRG 919/107/407/Don-Q1
State Library of South Australia Door Donation 1992 23 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Door is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Circular. b35391546 PRG 919/107/460/Door
State Library of South Australia DotsBlu10 Donation 1993 4 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DotsBlu10 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DotsBlu11. b35394511 PRG 919/107/606/DotsBlu10
State Library of South Australia DotsBlu11 Donation 1993 4 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DotsBlu11 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DotsBlu10. b35394523 PRG 919/107/606/DotsBlu11
State Library of South Australia DotsBlu6 Donation 1993 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DotsBlu6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DotsBlu7. b35394420 PRG 919/107/600/DotsBlu6
State Library of South Australia DotsBlu7 Donation 1994 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DotsBlu7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DotsBlu6. b35397950 PRG 919/107/600/DotsBlu7
State Library of South Australia DotsBlu8 Donation 1993 4 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DotsBlu8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DotsBlu9. b35394493 PRG 919/107/605/DotsBlu8
State Library of South Australia DotsBlu9 Donation 1993 4 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI DotsBlu9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DotsBlu8. b3539450x PRG 919/107/605/DotsBlu9
State Library of South Australia Dotsphere Donation 1993 16 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Dotsphere is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Compose68. b35394626 PRG 919/107/611/Dotsphere
State Library of South Australia Double Donation 1992 30 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Double is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cube. b35389977 PRG 919/107/382/Double
State Library of South Australia Double-1 Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Double-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AboEnne. b35391200 PRG 919/107/443/Double-1
State Library of South Australia Double2 Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Double2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Double2a. b35391157 PRG 919/107/441/Double2
State Library of South Australia Double2a Donation 1992 11 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Double2a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Double2. b35391169 PRG 919/107/441/Double2a
State Library of South Australia Double2a Donation 1992 8 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Double2a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Double2b. b35391212 PRG 919/107/444/Double2a
State Library of South Australia Double2b Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Double2b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Double2a. b35391224 PRG 919/107/444/Double2b
State Library of South Australia Dressages Informatiques Donation from Australian Network of Art and Technology 1989 1 3.5 inch floppy disk, electronic files, Claude MAILLARD Dressages Informatiques (3.5 inch floppy disk) by Claude Maillard and Tibor Papp, collected by the Australian Network for Art and Technology (ANAT), includes 3 Dressage folders, including an application and PAP files. b35426317 BRG 391/365
State Library of South Australia Drip / The Hoisties Donation from Australian Network of Art and Technology 1990 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm Robin BEST, Rebecca YOUNG Two works in progress: 'Drip' is the journey of a drop of water from a dripping tap, while 'The Hoisties' is a 3D animated model of a crane. 3D Computer Animation (Wireframe). 1/2 speed. ANAT # BES 90.02 b35254464 BRG 391/F-14
State Library of South Australia Drops Donation 1992 17 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Drops is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Greenscape. b35392228 PRG 919/107/496/Drops
State Library of South Australia Drops1 Donation 1992 17 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Drops1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Sprinewt. b35392253 PRG 919/107/497/Drops1
State Library of South Australia Duo Donation 1992 21 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Duo is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Trio. b35391571 PRG 919/107/462/Duo
State Library of South Australia EARTHMOON Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EARTHMOON is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CHINESE3, EARTHMOON2, and EARTHMOON1. b35380809 PRG 919/107/52/EARTHMOON
State Library of South Australia EARTHMOON1 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EARTHMOON1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CHINESE3, EARTHMOON2, and EARTHMOON. b35380779 PRG 919/107/52/EARTHMOON1
State Library of South Australia EARTHMOON2 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EARTHMOON2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CHINESE3, EARTHMOON1, and EARTHMOON. b35380792 PRG 919/107/52/EARTHMOON2
State Library of South Australia EASTMANDL Donation 1991 17 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EASTMANDL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EASTMNDL1. b35387622 PRG 919/107/272/EASTMANDL
State Library of South Australia EASTMNDL1 Donation 1991 18 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EASTMNDL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EASTMANDL. b35387634 PRG 919/107/272/EASTMNDL1
State Library of South Australia EIGHT Donation 1992 8 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EIGHT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Sphere-5. b35388560 PRG 919/107/309/EIGHT
State Library of South Australia EIGHT Donation 1992 8 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EIGHT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Sphere-5. b35388572 PRG 919/107/310/EIGHT
State Library of South Australia ELLIPSE2 Donation 1988 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ELLIPSE2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FULLCIR1, VERTIKAL, and COLUMNSPHE. b35383343 PRG 919/107/90/ELLIPSE2
State Library of South Australia EPILOGO Donation 1991 24 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MNDLNEW1. b35387166 PRG 919/107/246A/EPILOGO
State Library of South Australia EPILOGO1 Donation 1991 25 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO2. b35386940 PRG 919/107/237/EPILOGO1
State Library of South Australia EPILOGO10 Donation 1991 28 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO10 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO11. b35387099 PRG 919/107/244/EPILOGO10
State Library of South Australia EPILOGO11 Donation 1991 28 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO11 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO10. b35387087 PRG 919/107/244/EPILOGO11
State Library of South Australia EPILOGO2 Donation 1991 23 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO1. b35386952 PRG 919/107/237/EPILOGO2
State Library of South Australia EPILOGO3 Donation 1991 10 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO5a. b35387105 PRG 919/107/245/EPILOGO3
State Library of South Australia EPILOGO4a Donation 1991 23 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO4a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35387178 PRG 919/107/247/EPILOGO4a
State Library of South Australia EPILOGO4b Donation 1991 22 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO4b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO5c. b3538721x PRG 919/107/250/EPILOGO4b
State Library of South Australia EPILOGO5a Donation 1991 29 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO5a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO3. b35387117 PRG 919/107/245/EPILOGO5a
State Library of South Australia EPILOGO5c Donation 1991 22 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO5c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO4b. b35387208 PRG 919/107/250/EPILOGO5c
State Library of South Australia EPILOGO6 Donation 1991 27 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO7. b35387051 PRG 919/107/242/EPILOGO6
State Library of South Australia EPILOGO6a Donation 1991 24 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO6a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPITOWER. b35386988 PRG 919/107/239/EPILOGO6a
State Library of South Australia EPILOGO7 Donation 1991 25 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGUS3. b35387038 PRG 919/107/241/EPILOGO7
State Library of South Australia EPILOGO7 Donation 1991 18 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO6. b3538704x PRG 919/107/242/EPILOGO7
State Library of South Australia EPILOGO8 Donation 1991 10 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO9. b35387075 PRG 919/107/243/EPILOGO8
State Library of South Australia EPILOGO8A Donation 1991 24 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO8A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO9A. b35386964 PRG 919/107/238/EPILOGO8A
State Library of South Australia EPILOGO9 Donation 1991 27 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO8. b35387063 PRG 919/107/243/EPILOGO9
State Library of South Australia EPILOGO9A Donation 1991 24 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGO9A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO8A. b35386976 PRG 919/107/238/EPILOGO9A
State Library of South Australia EPILOGOS Donation 1991 29 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGOS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGOS2. b35387191 PRG 919/107/248/EPILOGOS
State Library of South Australia EPILOGOS2 Donation 1991 29 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGOS2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGOS. b3538718x PRG 919/107/248/EPILOGOS2
State Library of South Australia EPILOGUS Donation 1991 25 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGUS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGUS1A. b35387002 PRG 919/107/240/EPILOGUS
State Library of South Australia EPILOGUS1A Donation 1991 25 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGUS1A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGUS. b35387014 PRG 919/107/240/EPILOGUS1A
State Library of South Australia EPILOGUS3 Donation 1991 25 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGUS3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO7 b35387026 PRG 919/107/241/EPILOGUS3
State Library of South Australia EPILOGbasi Donation 1990 6 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPILOGbasi is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO. b35381516 PRG 919/107/246A/EPILOGbasi
State Library of South Australia EPITOWER Donation 1991 23 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EPITOWER is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EPILOGO6a. b3538699x PRG 919/107/239/EPITOWER
State Library of South Australia ESCHERLENS Donation 1988 12 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ESCHERLENS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MNDLNEW1. b35385121 PRG 919/107/147/ESCHERLENS
State Library of South Australia EX Donation 1992 1 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EX is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as shadow1. b35388225 PRG 919/107/290/EX
State Library of South Australia EYESCAPE Donation 1988 11 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI EYESCAPE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GARDENRED and ATTRACT. b35382405 PRG 919/107/56/EYESCAPE
State Library of South Australia Echos Donation from Australian Network of Art and Technology 1992 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Leigh HOBBA, Henri CHOPIN An experimental short by Leigh Hobba in collaboration with Henri Chopin, examining issues of abstract colonialism and it's effect on the world at large. Video/FX. ANAT # HOB 92.01 b35255031 BRG 391/F-71
State Library of South Australia Eddy Donation 1992 17 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Eddy is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Eddy-4. b35391388 PRG 919/107/452/Eddy
State Library of South Australia Eddy-2 Donation 1992 17 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Eddy-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shrine. b35391406 PRG 919/107/453/Eddy-2
State Library of South Australia Eddy-3 Donation 1992 17 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Eddy-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image62a. b35391352 PRG 919/107/451/Eddy-3
State Library of South Australia Eddy-4 Donation 1992 17 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Eddy-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Eddy. b35391376 PRG 919/107/452/Eddy-4
State Library of South Australia Eddy-68 Donation 1993 9 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Eddy-68 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3b1. b35394328 PRG 919/107/593/Eddy-68
State Library of South Australia Edited Video Works: 2000-03 Donation from Australian Network of Art and Technology 2003 00:14:00 1 videocassette , stereo, VHS, colour 13mm Jemima WYMAN A selection of Wyman's video performance works from 2000 - 2003. ANAT # WYM 03.01 b3535494x BRG 391/F-228
State Library of South Australia Egyptian Shoulders Donation from Australian Network of Art and Technology 1994 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Kathy SMITH Demonstration of an animated work comprising oil portraits of the shoulders of ancient egyptians. Video/Oils/2D Computer Animation. ANAT # SMI 94.01 b35255560 BRG 391/F-124
State Library of South Australia Elasticity and Volume Donation from Australian Network of Art and Technology 1998 1 videocassette, sound, stereo, VHS, colour 13mm (1/2 inch), Ben ANDERSON Elasticity and Volume [tape recorded over / blank]. ANAT # 46 b35254361 BRG 391/F-4
State Library of South Australia Elective Physiognomies Donation from Australian Network of Art and Technology 1996 1 3.5 inch floppy disk, electronic files, John TONKIN Elective Physiognomies by John Tonkin (3.5 inch floppy disk), collected by the Australian Network for Art and Technology (ANAT). Disk contains an interactive application called Elective Physiognomies, which allows a user to read and judge faces, with analysis of the data. See BRG 391/326 for ANAT artist file. 2 copies. b3542641x BRG 391/367
State Library of South Australia Electronic Fine Art show Donation from Australian Network of Art and Technology 1994 1 3.5 inch floppy disk, 9 electronic files, Imre BADONSKI Zipp Art slideshow by Imre (Imi) Badonski. Images are presented in a Quicktime slide show when accessing the application. b35462760 BRG 391/372
State Library of South Australia Elixir Donation 1992 3 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Elixir is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen02. b35390190 PRG 919/107/393/Elixir
State Library of South Australia Empyrean: Soft skinned space Donation from Australian Network of Art and Technology 2003 1 DVD, Melinda RACKHAM Empyrean DVD includes assorted videos with sound effects of the multi-user animated installation, including credits. b35456668 BRG 391/388
State Library of South Australia Emulsed loop Donation from Australian Network of Art and Technology 1995 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Bruno KOENIG Emulsed loop [sound recording]. b35333522 BRG 391/195/2
State Library of South Australia Entrance Donation 1992 13 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Entrance is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Entrance1. b35391297 PRG 919/107/448/Entrance
State Library of South Australia Entrance1 Donation 1992 14 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Entrance1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Entrance. b35391303 PRG 919/107/448/Entrance1
State Library of South Australia Epileptograph: The Internal Memory Donation from Australian Network of Art and Technology 1995 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm Isabelle DELMOTTE Epileptograph is a long term project based on the personal experiences of the artist, which aims to provide an audio-visual exploration of sensations experienced leading to the regaining of consciousness after a generalised epileptic seizure. Short stand-alone version with titles and credits. Video/FX/Computer Graphics. ANAT # DEL 95.01 b35254737 BRG 391/F-41
State Library of South Australia Epileptograph: The Internal Memory (Loop) Donation from Australian Network of Art and Technology 1995 01:00:00 1 videocassette , sound, stereo, VHS, colour 13mm Isabelle DELMOTTE Epileptograph is a long term project based on the personal experiences of the artist, which aims to provide an audio-visual exploration of sensations experienced leading to the regaining of consciousness after a generalised epileptic seizure. One hour looped repeater version for gallery showing with no titles or credits. Video/FX/Computer Graphics. Two copies. ANAT # DEL 95.02 b35254749 BRG 391/F-42
State Library of South Australia Epileptograph: The Internal Memory (Loop) S-VHS Donation from Australian Network of Art and Technology 1995 01:00:00 1 videocassette , sound, stereo, VHS, colour 13mm Isabelle DELMOTTE Epileptograph is a long term project based on the personal experiences of the artist, which aims to provide an audio-visual exploration of sensations experienced leading to the regaining of consciousness after a generalised epileptic seizure. One hour looped repeater version for gallery showing with no titles or credits. Video/FX/Computer Graphics. S-VHS. ANAT # DEL 95.03 b35254750 BRG 391/F-43
State Library of South Australia Escape of the Solstice Voyeur/the BATTLEFIELD/ Peace Car through Europe Donation from Australian Network of Art and Technology 1990 00:14:00 1 videocassette , sound, stereo, VHS, colour 13mm Arthur WICKS Escape of the Solstice Voyeur/the BATTLEFIELD/ Peace Car through Europe. Installation/Drama performance. ANAT # 230 b35255912 BRG 391/F-159
State Library of South Australia Eurovision Donation from Australian Network of Art and Technology 2001 00:20:00 1 videocassette , sound, stereo, VHS, colour 13mm Linda WALLACE Eurovision video by Linda Wallace, which screened at assorted festivals. b35329397 BRG 391/344/1
State Library of South Australia Event for Video Shadow, Automatic Arm and Third Hand Donation from Australian Network of Art and Technology 1988 00:30:00 1 videocassette , sound, stereo, VHS, colour 13mm STELARC Video documentation of a performance event at the Caulfield Arts Complex in August 1988, featuring Stelarc's 'third arm' and a 'video shadow', which replicated, fragmented and synthesized movement. Video/FX. ANAT # STE 88.01 b35255596 BRG 391/F-127
State Library of South Australia Excerpt from 'Junkelan' and support material for Mark Cain Donation from Australian Network of Art and Technology 1995 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Leigh SMITH Excerpt from 'Junkelan' and support material for Mark Cain. Mark Cain co-composer of Junkelan plays winds and percussion with NOVA Ensemble (Recorded at ABC Studios Perth). Also includes support material for Mark Cain & Leigh Smith - 'Expanded performance gesture of acoustic instruments' for Art Research and Development Fund [See BRG 391/F-19 for videorecording]. b35335257 BRG 391/309/3
State Library of South Australia Excerpts & Line Tests Donation from Australian Network of Art and Technology [Approximately 1995] 00:03:00 1 videocassette , sound, stereo, VHS, colour 13mm Ben HARTNETT Excerpts and line tests by Ben Hartnett. Hand drawn 2D animation. ANAT # HAR ??.01 b35255006 BRG 391/F-68
State Library of South Australia Excerpts from Mandala works Donation from Australian Network of Art and Technology 1995 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm Keith ARMSTRONG Support materials for a funding application, including a short demonstration of the 'Mandala' virtual world authoring software, interviews and excerpts from two 'Mandala' based works, 'Escolas De Sambas' and 'Uncertain Circle'. Video/Computer Imagery. ANAT # ARM 95.01 b35254397 BRG 391/F-7
State Library of South Australia Expanded Performance Gesture of Acoustic Instruments Donation from Australian Network of Art and Technology 1996 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Mark CAIN, Leigh SMITH Improvisations and proof of concept trials as support material for an ANAT Art Research & Development Grant application investigating the acoustic capabilities of instruments, using virtual reality and signal processing technologies to enable and encourage simultaneous, collaborative interaction between performers. ANAT # CAI 96.01 b35254518 BRG 391/F-19
State Library of South Australia Eye of the Wind Donation from Australian Network of Art and Technology 1996 00:17:00 1 videocassette , sound, stereo, VHS, colour 13mm ETP Experimental video featuring music, dance and lots of fireworks. Video/FX. ANAT # ETP 96.01 b35254841 BRG 391/F-52
State Library of South Australia EyeFi: Video Art Performance Donation from Australian Network of Art and Technology 2002 00:02:00 1 videocassette , sound, stereo, VHS, colour 13mm EYEFI, Helen CLEMENS, Nick DEACON Documentation of a VJ/live video art performance, submitted as support material for ANAT's Trickster Masterclass 2002. Two copies. Video/FX. ANAT # EYE 02.01 b35254853 BRG 391/F-53
State Library of South Australia FACTORY Donation 1990 26 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FACTORY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CATHEDRA, INSIDE, and FACTORY1. b35381310 PRG 919/107/122/FACTORY
State Library of South Australia FACTORY1 Donation 1990 26 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FACTORY1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CATHEDRA, INSIDE, and FACTORY. b35381280 PRG 919/107/122/FACTORY1
State Library of South Australia FERNPIC Donation 1988 9 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FERNPIC is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as COLORFERN, MOONFERN, and GOLDFERNS. b35384517 PRG 919/107/127/FERNPIC
State Library of South Australia FERNPIC Donation 1988 9 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FERNPIC is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CAVE, CAVESPHERS, and SPINNER. b35385406 PRG 919/107/834/FERNPIC
State Library of South Australia FLOAT-2 Donation 1992 30 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLOAT-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Rococo. b3538945x PRG 919/107/355/FLOAT-2
State Library of South Australia FLOAT-3 Donation 1992 30 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLOAT-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLOAT-4. b35389369 PRG 919/107/350/FLOAT-3
State Library of South Australia FLOAT-4 Donation 1992 1 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLOAT-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLOAT-3. b35389357 PRG 919/107/350/FLOAT-4
State Library of South Australia FLOAT1 Donation 1990 31 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLOAT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SURVEYORS, TETHA5, and SURVEYORS1. b3538136x PRG 919/107/124/FLOAT1
State Library of South Australia FLOATLENS Donation 1990 3 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLOATLENS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDLBLACK, and FMLYPORTER. b35381462 PRG 919/107/146/FLOATLENS
State Library of South Australia FLORA Donation 1991 19 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLORA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLORA5. b35385947 PRG 919/107/184/FLORA
State Library of South Australia FLORA1 Donation 1991 19 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLORA1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ANGLES. b3538640x PRG 919/107/209/FLORA1
State Library of South Australia FLORA2 Donation 1991 28 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLORA2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLORA3. b35385960 PRG 919/107/185/FLORA2
State Library of South Australia FLORA3 Donation 1991 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLORA3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLORA2. b35385972 PRG 919/107/185/FLORA3
State Library of South Australia FLORA4 Donation 1991 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLORA4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS1/2. b35385923 PRG 919/107/183/FLORA4
State Library of South Australia FLORA5 Donation 1991 20 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLORA5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLORA. b35385959 PRG 919/107/184/FLORA5
State Library of South Australia FLORAL Donation 1991 19 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLORAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRLGLOBE. b35385996 PRG 919/107/186/FLORAL
State Library of South Australia FLORAPASTL Donation 1991 19 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLORAPASTL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRLFORST b35386460 PRG 919/107/212/FLORAPASTL
State Library of South Australia FLOWERPLAN Donation 1988 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FLOWERPLAN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NEWONE and NEWTWO. b35382363 PRG 919/107/49/FLOWERPLAN
State Library of South Australia FLY TV Showreel: ABC Digital Youth Television Donation from Australian Network of Art and Technology 2002 00:11:00 1 videocassette , sound, stereo, VHS, colour 13mm AUSTRALIAN BROADCASTING COMMISSION Showreel for the ABC's digital youth channel FLY TV, featuring clips from a variety of specially created youth orientated television content (including music & lifestyle shows, animation and short documentaries/current affairs programming. Video/FX/2D & 3D Animation. ANAT # FLY 02.01 b35347600 BRG 391/F-200
State Library of South Australia FMLYPORTR Donation 1988 10 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FMLYPORTR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLOATLENS, and MANDLBLACK. b35385078 PRG 919/107/146/FMLYPORTR
State Library of South Australia FOLDS Donation 1988 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FOLDS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ABSTR and FOLDS1. b35382715 PRG 919/107/70/FOLDS
State Library of South Australia FOLDS Donation 1988 31 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FOLDS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FRAGILE. b3538542x PRG 919/107/835/FOLDS
State Library of South Australia FOLDS1 Donation 1990 13 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FOLDS1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FOLDS and ABSTR. b35381115 PRG 919/107/70/FOLDS1
State Library of South Australia FRAGILE Donation 1988 7 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FRAGILE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FOLDS. b35385431 PRG 919/107/835/FRAGILE
State Library of South Australia FRAGILE1 Donation 1988 7 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fragile1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Hybrit1 and Sunset. b35381590 PRG 919/107/1A/FRAGILE1
State Library of South Australia FRAME Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FRAME is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHEREGOLD. b35380706 PRG 919/107/46/FRAME
State Library of South Australia FS-3a Donation 1992 8 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FS-3a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Grain-1b. b35393683 PRG 919/107/569/FS-3a
State Library of South Australia FS-3b Donation 1992 8 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FS-3b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FS-3c. b35393713 PRG 919/107/570/FS-3b
State Library of South Australia FS-3c Donation 1992 8 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FS-3c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FS-3b. b35393701 PRG 919/107/570/FS-3c
State Library of South Australia FULLCIR1 Donation 1988 8 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FULLCIR1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ELLIPSE2, VERTIKAL, and COLUMNSPHE. b35383331 PRG 919/107/90/FULLCIR1
State Library of South Australia FULLMAND Donation 1988 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FULLMAND is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLSPIKE1, fullspike, and DBLESPIKE. b3538198x PRG 919/107/34/FULLMAND
State Library of South Australia Fan Donation 1993 3 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fan is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Centr-O. b35395448 PRG 919/107/658/Fan
State Library of South Australia Feeping Creatures Donation from Australian Network of Art and Technology 1997 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Rodney BERRY Video documentation of 'Feeping Creatures', an interactive virtual environment formed via a synthetic ecology which makes sound and video out of the evolution of artificial organisms. 3D Computer Animation. Two copies. ANAT # BER 97.01 b35254440 BRG 391/F-12
State Library of South Australia Fermat Donation 1993 2 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat-A. b35396568 PRG 919/107/717/Fermat
State Library of South Australia Fermat-A Donation 1993 21 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat-A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat. b3539657x PRG 919/107/717/Fermat-A
State Library of South Australia Fermat-C Donation 1993 2 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat-C is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat-D. b35396647 PRG 919/107/721/Fermat-C
State Library of South Australia Fermat-C Donation 1993 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat-C is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat-D. b35397068 PRG 919/107/742/Fermat-C
State Library of South Australia Fermat-D Donation 1993 4 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat-D is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat-C. b35396659 PRG 919/107/721/Fermat-D
State Library of South Australia Fermat-D Donation 1993 5 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat-D is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat-C. b35397056 PRG 919/107/742/Fermat-D
State Library of South Australia Fermat-E Donation 1993 4 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat-E is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat-F. b35397081 PRG 919/107/743/Fermat-E
State Library of South Australia Fermat-F Donation 1993 4 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat-F is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat-E. b3539707x PRG 919/107/743/Fermat-F
State Library of South Australia Fermat-ao Donation 1993 1 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat-ao is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat-b. b35396611 PRG 919/107/719/Fermat-ao
State Library of South Australia Fermat-b Donation 1993 2 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat-b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat-ao. b3539660x PRG 919/107/719/Fermat-b
State Library of South Australia Fermat1.4 Donation 1993 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat1.4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermcross. b35396593 PRG 919/107/718/Fermat1.4
State Library of South Australia Fermat2x Donation 1993 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermat2x is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermati1. b35396623 PRG 919/107/720/Fermat2x
State Library of South Australia Fermati1 Donation 1993 2 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermati1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat2x. b35396635 PRG 919/107/720/Fermati1
State Library of South Australia Fermcross Donation 1993 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fermcross is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fermat1.4. b35396581 PRG 919/107/718/Fermcross
State Library of South Australia Field Donation 1992 16 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Field is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Field-o. b35392204 PRG 919/107/495/Field
State Library of South Australia Field-o Donation 1992 16 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Field-o is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Field. b35392216 PRG 919/107/495/Field-o
State Library of South Australia Figures Donation 1993 29 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Figures is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandecntr. b35395588 PRG 919/107/665/Figures
State Library of South Australia Figures-S Donation 1993 4 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Figures-S is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaptree2. b35396337 PRG 919/107/705/Figures-S
State Library of South Australia Figures3 Donation 1993 29 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Figures3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen-O . b3539612x PRG 919/107/695/Figures3
State Library of South Australia Figures3a Donation 1993 25 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Figures3a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Relatives3. b35396787 PRG 919/107/728/Figures3a
State Library of South Australia Fill Donation 1993 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Fill is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Singular. b35396878 PRG 919/107/732/Fill
State Library of South Australia Fine Line Donation from Australian Network of Art and Technology 1996 9 October 1 videocassette , stereo, VHS, colour 13mm John COULTER Fine Line by John Coulter at the Great Hall, Arts Centre, Christchurch. ANAT # N018 b3535849x BRG 391/F-248
State Library of South Australia Five Water Drops Donation from Australian Network of Art and Technology 1996 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm Misako SUGIYAMA Interactive Water Installation. ANAT # 206 b35255675 BRG 391/F-135
State Library of South Australia Five Water Drops Donation from Australian Network of Art and Technology 1996 00:03:00 1 videocassette , sound, stereo, VHS, colour 13mm Misako SUGIYAMA Drops on eye/Video and C.G. effects. ANAT # 207 b35255687 BRG 391/F-136
State Library of South Australia FloatKilim Donation 1991 14 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FloatKilim is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen2a. b35387415 PRG 919/107/260/FloatKilim
State Library of South Australia Floatrise Donation 1992 13 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Floatrise is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cenrte-7a. b35392745 PRG 919/107/522/Floatrise
State Library of South Australia Floatrise1 Donation 1992 21 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Floatrise1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentreO. b35392782 PRG 919/107/524/Floatrise1
State Library of South Australia Flora-red Donation 1994 11 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Flora-red is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spiralwave. b35398231 PRG 919/107/806/Flora-red
State Library of South Australia FloraBrot Donation 1993 7 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FloraBrot is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Currents-1. b35395370 PRG 919/107/654/FloraBrot
State Library of South Australia Floral Donation 1993 18 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Floral is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GardenSphr. b35396982 PRG 919/107/738/Floral
State Library of South Australia Flower Donation 1992 12 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Flower is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Frequency. b3539108x PRG 919/107/437/Flower
State Library of South Australia Folio and artwork examples Donation from Australian Network of Art and Technology 1994 1 3.5 inch floppy disk, 15 electronic files, Dave CUBBY Disk 1 of Dave Cubby, containing a Folio of artworks. Includes KPT Quickshow to display 3 artworks: 'Boring', 'Drowning Man Green weed', and 'Mandelbrot Raised'. b35372953 BRG 391/69/1
State Library of South Australia Footprints on Korea Donation from Australian Network of Art and Technology 1995 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Solrun HOAAS An abstract travelogue, documentary and dance performance concerning life and marriage in Korea. From 'Interventions' a segment on SBS-TV's Eat Carpet programme. Video/FX. ANAT # HOA 95.01 b3525502x BRG 391/F-70
State Library of South Australia Form Donation 1992 10 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Form is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 5-9. b35388821 PRG 919/107/322/Form
State Library of South Australia Forma Donation 1993 19 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Forma is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tokamak. b35397445 PRG 919/107/761/Forma
State Library of South Australia Forte Donation 1993 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Forte is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WindowA. b35396854 PRG 919/107/731/Forte
State Library of South Australia Forum presentation about Gordon Bennett Donation from Australian Network of Art and Technology [Approximately 2000] 1 videocassette , sound, stereo, VHS, black and white 13mm An address/lecture by 'Emmett'(?) at a forum about the artist Gordon Bennett. ANAT # 38 b35349116 BRG 391/F-199
State Library of South Australia FourCross Donation 1992 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FourCross is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FourCross1. b35388274 PRG 919/107/293/FourCross
State Library of South Australia FourCross1 Donation 1992 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FourCross1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FourCross. b35388286 PRG 919/107/293/FourCross1
State Library of South Australia FracImage Donation 1991 18 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FracImage is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JULIA1, JULIA and FracImage2. b35388110 PRG 919/107/856/FracImage
State Library of South Australia FracImage2 Donation 1991 18 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI FracImage2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JULIA1, JULIA and FracImage. b35388109 PRG 919/107/856/FracImage2
State Library of South Australia Fractal Flesh (Split Body: Voltage In / Voltage Out) Donation from Australian Network of Art and Technology 1995 00:27:00 1 videocassette , sound, stereo, VHS, colour 13mm STELARC Documentation of an internet body upload performance, exploring and extending the concept of the human body and it's interactions with technology via human-machine and actual-virtual interfaces. Program lasts 1 3mins12secs and is looped twice. Video/FX/2D & 3D Computer Animation. ANAT # STE 95.01 b35255638 BRG 391/F-131
State Library of South Australia Frame by Frame / Crowdseen Donation from Australian Network of Art and Technology 1992 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm Brad MILLER, Jason GEE Two works by Brad Miller, utilizing rapid-fire editing and various video manipulation techniques to provide commentaries on the impact of modern society on the human condition. ANAT # MIL 92.01 b35348872 BRG 391/F-212
State Library of South Australia Frequency Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Frequency is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Flower. b35391078 PRG 919/107/437/Frequency
State Library of South Australia GAME1 Donation 1988 26 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GAME1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GAME4, GAME5, and GAME2. b35381887 PRG 919/107/32/GAME1
State Library of South Australia GAME2 Donation 1988 26 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GAME2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GAME4, GAME5, and GAME1. b35381917 PRG 919/107/32/GAME2
State Library of South Australia GAME4 Donation 1988 26 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GAME4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GAME1, GAME5, and GAME2. b35381899 PRG 919/107/32/GAME4
State Library of South Australia GAME5 Donation 1988 26 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GAME5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GAME4, GAME1, and GAME2. b35381905 PRG 919/107/32/GAME5
State Library of South Australia GAMERED3 Donation 1988 27 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GAMERED3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GAMERED33, GAMERED4, and GAMERED6. b35381875 PRG 919/107/31/GAMERED3
State Library of South Australia GAMERED33 Donation 1988 29 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GAMERED33 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GAMERED4, GAMERED3, and GAMERED6. b35381863 PRG 919/107/31/GAMERED33
State Library of South Australia GAMERED4 Donation 1988 15 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GAMERED4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GAMERED33, GAMERED3, and GAMERED6. b35381851 PRG 919/107/31/GAMERED4
State Library of South Australia GAMERED6 Donation 1990 12 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GAMERED6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GAMERED33, GAMERED4, and GAMERED3. b3538055x PRG 919/107/31/GAMERED6
State Library of South Australia GARDENBLUE Donation 1988 23 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GARDENBLUE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLMANDLENS, POLLOCK, and POLLOCKSPH. b35382028 PRG 919/107/35/GARDENBLUE
State Library of South Australia GARDENMOON Donation 1990 18 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GARDENMOON is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUESUN, SANDWATER, and CURRENTS. b35381425 PRG 919/107/133/GARDENMOON
State Library of South Australia GARDENRED Donation 1988 22 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GARDENRED is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EYESCAPE and ATTRACT. b35382417 PRG 919/107/56/GARDENRED
State Library of South Australia GATE Donation 1988 17 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GATE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUECARPT1, CATHEDRAL, and BLUECARPET. b35384013 PRG 919/107/109/GATE
State Library of South Australia GATE Donation 1988 11 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GATE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERECROS, ARCHblue2, and DIMONDSPHR b35382302 PRG 919/107/47/GATE
State Library of South Australia GATE Donation 1988 11 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GATE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CENTREHALF and HEXAGON. b35382594 PRG 919/107/63/GATE
State Library of South Australia GATEGREY Donation 1988 12 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GATEGREY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ORIENT and CHINESE1. b35382120 PRG 919/107/38/GATEGREY
State Library of South Australia GATEGREY Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GATEGREY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GOLDMAUVE, RENE, and REDGOLMURL. b35380895 PRG 919/107/55/GATEGREY
State Library of South Australia GATEGREY1 Donation 1988 9 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GATEGREY1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35383525 PRG 919/107/96/GATEGREY1
State Library of South Australia GEOMANDEL Donation 1988 31 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMANDEL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMANDEL1, GEOMANDEL3, and GEOMANDEL2. b35382508 PRG 919/107/60/GEOMANDEL
State Library of South Australia GEOMANDEL1 Donation 1988 17 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMANDEL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMANDEL2, GEOMANDEL3, and GEOMANDEL. b35382491 PRG 919/107/60/GEOMANDEL1
State Library of South Australia GEOMANDEL2 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMANDEL2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMANDEL1, GEOMANDEL3, and GEOMANDEL. b35380950 PRG 919/107/60/GEOMANDEL2
State Library of South Australia GEOMANDEL3 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMANDEL3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMANDEL1, GEOMANDEL2, and GEOMANDEL. b35380962 PRG 919/107/60/GEOMANDEL3
State Library of South Australia GEOMETRIC Donation 1988 29 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRIC1 and GEOMETRIC0. b3538248x PRG 919/107/59/GEOMETRIC
State Library of South Australia GEOMETRIC0 Donation 1988 11 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC0 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRIC1 and GEOMETRIC. b35382466 PRG 919/107/59/GEOMETRIC0
State Library of South Australia GEOMETRIC1 Donation 1988 29 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRIC0 and GEOMETRIC. b35382478 PRG 919/107/59/GEOMETRIC1
State Library of South Australia GEOMETRIC1 Donation 1988 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRIC2, GEOMETRIC3, and GEOMETRIC4. b35385340 PRG 919/107/832/GEOMETRIC1
State Library of South Australia GEOMETRIC2 Donation 1988 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRIC1, GEOMETRIC3, and GEOMETRIC4. b35385352 PRG 919/107/832/GEOMETRIC2
State Library of South Australia GEOMETRIC3 Donation 1988 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRIC1, GEOMETRIC2, and GEOMETRIC4. b35385339 PRG 919/107/832/GEOMETRIC3
State Library of South Australia GEOMETRIC4 Donation 1988 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRIC1, GEOMETRIC2, and GEOMETRIC3. b35385327 PRG 919/107/832/GEOMETRIC4
State Library of South Australia GEOMETRIC5 Donation 1988 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRIC7 and GEOMETRIC6. b35382442 PRG 919/107/57/GEOMETRIC5
State Library of South Australia GEOMETRIC6 Donation 1988 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRIC5 and GEOMETRIC7. b35382454 PRG 919/107/57/GEOMETRIC6
State Library of South Australia GEOMETRIC7 Donation 1988 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRIC5 and GEOMETRIC6. b35382430 PRG 919/107/57/GEOMETRIC7
State Library of South Australia GEOMETRIC9 Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRIC9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHEREGOL, OK16i, and SPHERE2. b35380937 PRG 919/107/58/GEOMETRIC9
State Library of South Australia GEOMETRO Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GEOMETRO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HOURGLS1 and 2MOONPLNET. b35380718 PRG 919/107/50/GEOMETRO
State Library of South Australia GOLD Donation 1988 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GOLD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HIBRID, VERTICPATT, and MURAL. b35383987 PRG 919/107/108/GOLD
State Library of South Australia GOLD Donation 1990 21 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GOLD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT2, and BROT1. b35380548 PRG 919/107/27/GOLD
State Library of South Australia GOLDFERNS Donation 1988 10 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GOLDFERNS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FERNPIC, MOONFERN, and COLORFERN. b35384530 PRG 919/107/127/GOLDFERNS
State Library of South Australia GOLDMAUVE Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GOLDMAUVE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RENE, GATEGREY, and REDGOLMURL. b35380883 PRG 919/107/55/GOLDMAUVE
State Library of South Australia GOLDREDFLO Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GOLDREDFLO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNRISE1, ARCHblue, and SQUARSHADO. b35380834 PRG 919/107/54/GOLDREDFLO
State Library of South Australia GOLDSPHER2 Donation 1988 18 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GOLDSPHER2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BIGBROTHER, GOLDSPHERS, and BROT1. b35382168 PRG 919/107/42/GOLDSPHER2
State Library of South Australia GOLDSPHERS Donation 1988 12 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GOLDSPHERS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GOLDSPHER2, BIGBROTHER, and BROT1. b35382181 PRG 919/107/42/GOLDSPHERS
State Library of South Australia GOLDSUN Donation 1988 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GOLDSUN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNBLUE, ABSTRACT89, and GOLDSUN. b35384876 PRG 919/107/140/GOLDSUN
State Library of South Australia GREEEN Donation 1991 25 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GREEEN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GREEN1. b35386526 PRG 919/107/215/GREEEN
State Library of South Australia GREEN Donation 1991 1 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GREEN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TREE. b35386800 PRG 919/107/229/GREEN
State Library of South Australia GREEN1 Donation 1991 25 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GREEN1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and GREEEN. b35386514 PRG 919/107/215/GREEN1
State Library of South Australia GREENPLNT Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GREENPLNT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUSPENDGL3, GREENPLNT1, and SUSPENDGL2. b35380810 PRG 919/107/53/GREENPLNT
State Library of South Australia GREENPLNT1 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GREENPLNT1is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GREENPLNT, SUSPENDGL3, and SUSPENDGL2. b35380822 PRG 919/107/53/GREENPLNT1
State Library of South Australia GREENSUN Donation 1988 27 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GREENSUN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNBLUE, ABSTRACT89, and GOLDSUN. b35384852 PRG 919/107/140/GREENSUN
State Library of South Australia GREENcity Donation 1992 20 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GREENcity is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as neon. b35389114 PRG 919/107/338/GREENcity
State Library of South Australia Game Donation 1993 30 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Game is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Game-1. b35396957 PRG 919/107/737/Game
State Library of South Australia Game-1 Donation 1993 19 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Game-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Game. b35396969 PRG 919/107/737/Game-1
State Library of South Australia Game-2 Donation 1993 28 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Game-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Game-3. b35397020 PRG 919/107/740/Game-2
State Library of South Australia Game-3 Donation 1993 28 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Game-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Game-2. b35397019 PRG 919/107/740/Game-3
State Library of South Australia GardenOz Donation 1993 7 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GardenOz is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GardenOz-1. b35396994 PRG 919/107/739/GardenOz
State Library of South Australia GardenOz-1 Donation 1993 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GardenOz-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GardenOz. b35397007 PRG 919/107/739/GardenOz-1
State Library of South Australia GardenSph Donation 1993 29 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GardenSph is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Crescent-1. b35397044 PRG 919/107/741/GardenSph
State Library of South Australia GardenSphr Donation 1993 18 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GardenSphr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Floral. b35396970 PRG 919/107/738/GardenSphr
State Library of South Australia Gardenwall Donation 1992 23 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Gardenwall is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spacegardn. b35391492 PRG 919/107/458/Gardenwall
State Library of South Australia GardnWall Donation 1993 15 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GardnWall is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Gardnwal-1. b35397160 PRG 919/107/747/GardnWall
State Library of South Australia Gardnwal-1 Donation 1993 15 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Gardnwal-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Gardnwall. b35397159 PRG 919/107/747/Gardnwal-1
State Library of South Australia Garth Paine Installations Donation from Australian Network of Art and Technology [Approximately 2000] 1 Data DVD, 45 electronic files, Garth C. PAINE Garth Paine installations DVD, containing moving image, assorted papers and PHD, and images from 'Endangered Sounds'. b35177597 BRG 391/259/1
State Library of South Australia Genesis IV / A Visceral Moment Donation from Australian Network of Art and Technology 1993 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Fabian ASTORE A pair of short experimental artworks by video and multimedia artist Fabian Astore. ANAT # AST 93.01 b35340617 BRG 391/F-182
State Library of South Australia Gerhard Hillman's promo reel for master projection class Donation from Australian Network of Art and Technology 2003 2004 1 DVD, Gerhard HILLMAN Gerhard Hillman's promo reel for master projection class, collected by the Australian Network for Art and Technology (ANAT). Includes a title menu 'Naturesface', and a promo reel of assorted video work (4.31) and manipulations. b35177445 BRG 391/153
State Library of South Australia Ghost Towns DVD by Alexandra Gillespie Donation from Australian Network of Art and Technology [approximately 2005] 1 DVD, Alexandra GILLESPIE Ghost Towns DVD by Alexandra Gillespie, collected by the Australian Network for Art and Technology (ANAT). Contains 2 copies of Ghost Towns video with effects and soundtrack. b35245219 BRG 391/123/1
State Library of South Australia Giftbox Donation 1993 5 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Giftbox is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtcorner. b35395059 PRG 919/107/637/Giftbox
State Library of South Australia Giftbox1 Donation 1993 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Giftbox1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Giftbox2. b35395205 PRG 919/107/645/Giftbox1
State Library of South Australia Giftbox2 Donation 1993 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Giftbox2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Giftbox1. b35395199 PRG 919/107/645/Giftbox2
State Library of South Australia Giftbox2 Donation 1993 8 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Giftbox2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b3539755x PRG 919/107/818/Giftbox2
State Library of South Australia GlasBldg2a Donation 1992 22 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlasBldg2a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlasBldg3a. b35393452 PRG 919/107/557/GlasBldg2a
State Library of South Australia GlasBldg3a Donation 1992 22 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlasBldg3a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlasBldg2a. b35393440 PRG 919/107/557/GlasBldg3a
State Library of South Australia GlasBldgA Donation 1992 22 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlasBldgA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlasBldgB. b35393488 PRG 919/107/559/GlasBldgA
State Library of South Australia GlasBldgB Donation 1992 22 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlasBldgB is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlasBldgA. b3539349x PRG 919/107/559/GlasBldgB
State Library of South Australia GlassBld Donation 1992 22 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBld is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBld-A. b35393427 PRG 919/107/556/GlassBld
State Library of South Australia GlassBld-A Donation 1992 22 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBld-A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBld. b35393439 PRG 919/107/556/GlassBld-A
State Library of South Australia GlassBldg0 Donation 1992 15 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBldg0 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtCentrF. b35393567 PRG 919/107/563/GlassBldg0
State Library of South Australia GlassBldg1 Donation 1992 5 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBldg1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ooooCa. b35393282 PRG 919/107/549/GlassBldg1
State Library of South Australia GlassBldg1 Donation 1992 23 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBldg1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DimondRedA. b35393543 PRG 919/107/562/GlassBldg1
State Library of South Australia GlassBldg2 Donation 1992 21 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBldg2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBldg3. b35393476 PRG 919/107/558/GlassBldg2
State Library of South Australia GlassBldg3 Donation 1992 21 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBldg3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBldg2. b35393464 PRG 919/107/558/GlassBldg3
State Library of South Australia GlassBldg4 Donation 1992 22 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBldg4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBldg5. b35393415 PRG 919/107/555/GlassBldg4
State Library of South Australia GlassBldg5 Donation 1992 22 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBldg5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBldg4. b35393403 PRG 919/107/555/GlassBldg5
State Library of South Australia GlassBldg7 Donation 1992 13 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBldg7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBldg8. b3539321x PRG 919/107/545/GlassBldg7
State Library of South Australia GlassBldg8 Donation 1992 13 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI GlassBldg8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBldg7. b35393208 PRG 919/107/545/GlassBldg8
State Library of South Australia Glasshous1 Donation 1992 2 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Glasshous1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Glasshouse. b35393026 PRG 919/107/536/Glasshous1
State Library of South Australia Glasshouse Donation 1992 2 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Glasshouse is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Glasshous1. b35393038 PRG 919/107/536/Glasshouse
State Library of South Australia Globe-1 Donation 1992 23 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Globe-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Globe-4. b35393646 PRG 919/107/567/Globe-1
State Library of South Australia Globe-2 Donation 1992 9 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Globe-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Manjumpa. b35393245 PRG 919/107/547/Globe-2
State Library of South Australia Globe-3b Donation 1992 9 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Globe-3b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Manjump. b35393221 PRG 919/107/546/Globe-3b
State Library of South Australia Globe-4 Donation 1992 28 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Globe-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Globe-1. b35393658 PRG 919/107/567/Globe-4
State Library of South Australia Gold Donation 1992 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Gold is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Labra-1. b35388870 PRG 919/107/325/Gold
State Library of South Australia Grain Donation 1992 16 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Grain is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Grain-1. b35391339 PRG 919/107/450/Grain
State Library of South Australia Grain-1 Donation 1992 16 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Grain-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Grain. b35391340 PRG 919/107/450/Grain-1
State Library of South Australia Grain-1b Donation 1992 7 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Grain-1b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FS-3a. b35393695 PRG 919/107/569/Grain-1b
State Library of South Australia Grain-2 Donation 1993 14 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Grain-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen1. b35397603 PRG 919/107/838/Grain-2
State Library of South Australia Grain-3 Donation 1993 13 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Grain-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Grain-4. b35395126 PRG 919/107/641/Grain-3
State Library of South Australia Grain-4 Donation 1993 14 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Grain-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Grain-3. b35395114 PRG 919/107/641/Grain-4
State Library of South Australia Grain-5 Donation 1993 17 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Grain-5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Julia-O. b35395102 PRG 919/107/640/Grain-5
State Library of South Australia Grave of My Own Undressing Donation from Australian Network of Art and Technology 1997 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Chris FORTESCUE Video documentation of an installation exhibition by Fortescue at Artspace, Sydney in 1997. The installation comprised nine televisions, scattered loosely on the floor, providing snippets of an otherwise staccato narrative and mused on the way we consume information in a mass media age. Video/Text. ANAT # FOR 97.01 b35254877 BRG 391/F-55
State Library of South Australia Gravita Donation 1992 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Gravita is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Gravito. b35389084 PRG 919/107/335/Gravita
State Library of South Australia Gravitation Off Donation from Australian Network of Art and Technology 2003 00:12:00 1 videocassette , sound, stereo, VHS, colour 13mm A short documentary featuring highlights of the 'flying laboratory' of art, science, performance, movement and music in parabolic zero gravity, shot at high altitude on board a Russian space agency aircraft. Presented by The Arts Catalyst, Science-Art Agency and Projekt Atol. Commissioned for the 4th Art Outsiders festival - space art exhibition, 1 Oct - 9 Nov 2003. Maison Europeenne de la Photographie, Paris France. English with French subtitles. Video. ANAT # GRA 03.01 b35348355 BRG 391/F-204
State Library of South Australia Gravito Donation 1992 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Gravito is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Gravita b35389072 PRG 919/107/335/Gravito
State Library of South Australia Graviton Donation 1992 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Graviton is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereHIf1. b35390359 PRG 919/107/401/Graviton
State Library of South Australia Greenscape Donation 1992 17 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Greenscape is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Drops. b3539223x PRG 919/107/496/Greenscape
State Library of South Australia Grid-3c Donation 1993 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Grid-3c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton-3e. b35395278 PRG 919/107/649/Grid-3c
State Library of South Australia H Donation 1992 29 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-1. b35392964 PRG 919/107/533/H
State Library of South Australia H-1 Donation 1992 30 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H. b35392976 PRG 919/107/533/H-1
State Library of South Australia H-1a Donation 1992 31 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-1a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-1b. b3539299x PRG 919/107/534/H-1a
State Library of South Australia H-1b Donation 1992 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-1b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-1a. b35392988 PRG 919/107/534/H-1b
State Library of South Australia H-2 Donation 1992 29 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-2ab. b35392939 PRG 919/107/531/H-2
State Library of South Australia H-2ab Donation 1992 2 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-2ab is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-2. b35392927 PRG 919/107/531/H-2ab
State Library of South Australia H-2abc Donation 1992 2 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-2abc is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-2abd. b35393130 PRG 919/107/541/H-2abc
State Library of South Australia H-2abd Donation 1992 2 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-2abd is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-2abc. b35393129 PRG 919/107/541/H-2abd
State Library of South Australia H-3 Donation 1992 30 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-4. b35393002 PRG 919/107/535/H-3
State Library of South Australia H-3a Donation 1992 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-3a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-3b. b35393063 PRG 919/107/538/H-3a
State Library of South Australia H-3b Donation 1992 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-3b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-3a. b35393075 PRG 919/107/538/H-3b
State Library of South Australia H-4 Donation 1992 30 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-3. b35393014 PRG 919/107/535/H-4
State Library of South Australia H-bl-w Donation 1992 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-bl-w is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-bl-wh. b35392952 PRG 919/107/532/H-bl-w
State Library of South Australia H-bl-wh Donation 1992 31 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI H-bl-wh is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as H-bl-w. b35392940 PRG 919/107/532/H-bl-wh
State Library of South Australia HALL Donation 1990 28 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HALL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TETHA3, TETHA2, and TETHA1. b35381358 PRG 919/107/123/HALL
State Library of South Australia HELEN Donation 1988 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HELEN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as REFLECT, BAUHAUS4, and DES1GN. b35382685 PRG 919/107/69/HELEN
State Library of South Australia HEXAGON Donation 1988 13 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HEXAGON is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CENTREHALF and GATE. b35382600 PRG 919/107/63/HEXAGON
State Library of South Australia HEXAGON1 Donation 1988 13 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HEXAGON1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HEXAGON3, HEXAGON2, and HEXAGON4. b35382570 PRG 919/107/62/HEXAGON1
State Library of South Australia HEXAGON2 Donation 1988 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HEXAGON2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HEXAGON3, HEXAGON4, and HEXAGON1. b35382569 PRG 919/107/62/HEXAGON2
State Library of South Australia HEXAGON3 Donation 1988 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HEXAGON3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HEXAGON4, HEXAGON2, and HEXAGON1. b35382557 PRG 919/107/62/HEXAGON3
State Library of South Australia HEXAGON4 Donation 1988 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HEXAGON4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HEXAGON3, HEXAGON2, and HEXAGON1. b35382545 PRG 919/107/62/HEXAGON4
State Library of South Australia HEXAGON6 Donation 1988 18 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HEXAGON6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HEXAGON9, HEXAGON7, and HEXAGON8. b3538251x PRG 919/107/61/HEXAGON6
State Library of South Australia HEXAGON7 Donation 1988 18 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HEXAGON7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HEXAGON9, HEXAGON6, and HEXAGON8. b35382521 PRG 919/107/61/HEXAGON7
State Library of South Australia HEXAGON8 Donation 1988 18 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HEXAGON8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HEXAGON9, HEXAGON7, and HEXAGON6. b35382533 PRG 919/107/61/HEXAGON8
State Library of South Australia HEXAGON9 Donation 1990 4 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HEXAGON9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HEXAGON6, HEXAGON7, and HEXAGON8. b35380974 PRG 919/107/61/HEXAGON9
State Library of South Australia HIBRID Donation 1988 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HIBRID is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MURAL, VERTICPATT, and GOLD. b35383963 PRG 919/107/108/HIBRID
State Library of South Australia HIGHBIRD Donation 1988 29 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HIGHBIRD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BALL1, BALL, and BALL2. b3538461x PRG 919/107/130/HIGHBIRD
State Library of South Australia HORISPATT Donation 1988 12 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HORISPATT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRIMAUVE and 2TRIASCAPE. b35383653 PRG 919/107/100/HORISPATT
State Library of South Australia HOURGLS1 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HOURGLS1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GEOMETRO and 2MOONPLNET. b3538072x PRG 919/107/50/HOURGLS1
State Library of South Australia HOUSE Donation 1988 28 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HOUSE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ANALOG, grid1, and TWINSPHRS. b35384724 PRG 919/107/137/HOUSE
State Library of South Australia HYBRIT1 Donation 1988 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Hybrit1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Sunset and Fragile1. b35381577 PRG 919/107/1A/HYBRIT1
State Library of South Australia Habitat Donation 1993 12 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Habitat is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Visit. b35395850 PRG 919/107/680/Habitat
State Library of South Australia Halfsphre Donation 1992 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Halfsphre is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ovalblack. b35390189 PRG 919/107/392/Halfsphre
State Library of South Australia Harmonics Donation 1992 5 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Harmonics is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as A-basic. b35391923 PRG 919/107/481/Harmonics
State Library of South Australia HeraldYap Donation 1992 2 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI HeraldYap is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapoctops. b3538993x PRG 919/107/380/HeraldYap
State Library of South Australia Hey Iko Donation from Australian Network of Art and Technology 2002 00:30:00 1 videocassette , sound, stereo, VHS, colour 13mm Sean HEALY A sample of Healy's VJ work in which he blends live action video with photographs, digital graphics, 2D & 3D animation, and video manipulation. Application video for ANAT's Trickster Masterclass in Video Jamming. Video/2D & 3D computer graphics/FX. ANAT # HEA 02.01 b35255018 BRG 391/F-69
State Library of South Australia High Tech Culture Donation from Australian Network of Art and Technology 1994 00:09:00 1 videocassette , sound, stereo, VHS, colour 13mm OMNI FILMS Doco./ V.R. as Art. ANAT # 173 b35255365 BRG 391/F-104
State Library of South Australia Hold Donation 1992 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Hold is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplane-4. b35392411 PRG 919/107/505/Hold
State Library of South Australia Holiday Camp: How is your liberation bound up with mine? Donation from Australian Network of Art and Technology 2002 00:48:00 1 videocassette , sound, stereo, VHS, colour 13mm TALLSTOREEZ PRODUCTIONZ Centering on the Easter 2002 outbreak from Woomera Detention Centre in South Australia, this documentary traces the links between indigenous dispossession, genocide and the incarceration of refugees and explores the implications of a mandatory detention system and the ongoing reinforcement of national borders. Produced by Drive-by Shooting and Tallstoreez Productionz. Video/FX. [See ZV 1003 for access]. ANAT # HOL 02.01 b35348367 BRG 391/F-205
State Library of South Australia Holographic Tendencies Donation from Australian Network of Art and Technology 1992 00:07:00 1 videocassette , sound, stereo, VHS, colour 13mm Julie MARTIN Video version of a work combining holography and computer imagery which was performed as a multimedia piece at the Sydney Opera House during the 1992 Sydney Festival. Video/2D & 3D Computer Animation. ANAT # MAR 92.01 b35255213 BRG 391/F-89
State Library of South Australia Horsiespin Donation from Australian Network of Art and Technology Date of production not identified 00:22:00 1 videocassette , sound, stereo, VHS, colour 13mm Barbara WULFF Horsiespin Animation video. C.G. 2-D Animation/stills and Video. ANAT # 234 b35255961 BRG 391/F-164
State Library of South Australia IM- Donation 1992 18 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI IM- is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as IM-a. b35389655 PRG 919/107/365/IM-
State Library of South Australia IM-29 Donation 1992 18 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI IM-29 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as IM-29a. b3538962x PRG 919/107/364/IM-29
State Library of South Australia IM-29a Donation 1992 18 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI IM-29a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as IM-29. b35389631 PRG 919/107/364/IM-29a
State Library of South Australia IM-a Donation 1992 18 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI IM-a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as IM-. b35389643 PRG 919/107/365/IM-a
State Library of South Australia INSECT Donation 1988 22 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI INSECT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT1, and INSECT1. b35381796 PRG 919/107/28/INSECT
State Library of South Australia INSECT1 Donation 1988 22 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI INSECT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as INSECT, and BROT1. b35381814 PRG 919/107/28/INSECT1
State Library of South Australia INSIDE Donation 1990 26 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI INSIDE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CATHEDRA, FACTORY1, and FACTORY. b35381309 PRG 919/107/122/INSIDE
State Library of South Australia IN_GARDEN Donation 1991 31 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI IN_GARDEN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as IN_GARDEN1. b35386770 PRG 919/107/228/IN_GARDEN
State Library of South Australia IN_GARDEN1 Donation 1991 31 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI IN_GARDEN1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as IN_GARDEN. b35386782 PRG 919/107/228/IN_GARDEN1
State Library of South Australia IN_GARDEN2 Donation 1991 31 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI IN_GARDEN2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as IN_GARDEN3. b35386769 PRG 919/107/227/IN_GARDEN2
State Library of South Australia IN_GARDEN3 Donation 1991 31 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI IN_GARDEN3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as IN_GARDEN2. b35386757 PRG 919/107/227/IN_GARDEN3
State Library of South Australia ISEA 1996 Report Donation from Australian Network of Art and Technology 1996 1 3.5 inch floppy disk, electronic files, John POTTS International Symposium on Electronic Arts 1996 report by John Potts (3.5 inch floppy disk), collected by the Australian Network for Art and Technology (ANAT). Disk contains multiple reports, including ISEA96, artist's reports (Brad Miller, Simone Hockley, Stelarc, Clendinning, David McDowell, Francesca da Rimini, and Grant Noble), and newsletters. b3542722x BRG 391/368
State Library of South Australia ISLAND Donation 1988 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ISLAND is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK24, LOOK25, and LETRS1. b3538315x PRG 919/107/85/ISLAND
State Library of South Australia ISLAND3 Donation 1988 1 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ISLAND3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELTREE, DECOR, and TREorigMnd. b35382065 PRG 919/107/36/ISLAND3
State Library of South Australia ISLAND3 Donation 1988 1 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ISLAND3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELTREE, DECOR, and TREorigMnd. b35382107 PRG 919/107/37/ISLAND3
State Library of South Australia Ideogram Donation 1992 25 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ideogram is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Seal-2. b35390621 PRG 919/107/414/Ideogram
State Library of South Australia Ideogram1 Donation 1992 27 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ideogram1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Landscape. b35390591 PRG 919/107/413/Ideogram1
State Library of South Australia Image22 Donation 1992 15 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Image22 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image23. b35394171 PRG 919/107/840/Image22
State Library of South Australia Image22a Donation 1993 4 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Image22a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Image22b. b35396908 PRG 919/107/734/Image22a
State Library of South Australia Image22b Donation 1993 6 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Image22b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Image22a. b3539691x PRG 919/107/734/Image22b
State Library of South Australia Image22c Donation 1993 28 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Image22c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35396921 PRG 919/107/735/Image22c
State Library of South Australia Image61 Donation 1994 25 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Image61 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton4b. b3539819x PRG 919/107/804/Image61
State Library of South Australia Images by Sam de Silva Donation from Australian Network of Art and Technology 1996 1 3.5 inch floppy disk, 7 electronic files, Sam DE SILVA JPEG images by Sam de Silva, collected by the Australian Network for Art and Technology (ANAT). Images are digital illustrations of a rotor, grid, books, and clothesline. 2 copies. b35177639 BRG 391/304/1
State Library of South Australia Images from Continental Drift and Machine Dreams Donation from Australian Network of Art and Technology 1990 1 videocassette (U-matic) , Jill SCOTT Selected images from Continental Drift and Machine Dreams (documenting previous work). ANAT # N037 b35355566 BRG 391/F-241
State Library of South Australia Imperial Message, The Donation from Australian Network of Art and Technology 1992 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Jim GIBSON A computer animation based on the parable by Franz Kafka on the futility of communication. Computer Animation & Graphics. ANAT # GIB 92.01 b35254907 BRG 391/F-58
State Library of South Australia Impresion1 Donation 1992 3 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Impresion1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Impression. b35390797 PRG 919/107/423/Impresion1
State Library of South Australia Impression Donation 1992 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Impression is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Impresion1. b35390803 PRG 919/107/423/Impression
State Library of South Australia In Habit/The meat in your body Donation from Australian Network of Art and Technology 1994 00:07:00 1 videocassette , sound, stereo, VHS, colour 13mm John TONKIN In Habit/The meat in your body. Interactive Video Installation. ANAT # 215 b35255766 BRG 391/F-144
State Library of South Australia Indefinable Moods Donation from Australian Network of Art and Technology 1997 00:03:00 1 videocassette , sound, stereo, VHS, colour 13mm Kathy SMITH Work in progress of an animated short exploring dreams, symbols, and natural landscape, growing from research into the combining of 2D oil painted sequences and 3D forms. Oils/Video/FX/2D & 3D Animation. ANAT # SMI 97.01 b35255572 BRG 391/F-125
State Library of South Australia Information Wars: The Hacktivists Donation from Australian Network of Art and Technology 2001 00:54:00 1 videocassette , sound, stereo, VHS, colour 13mm Journey into the depths of the Internet and beyond to meet hacktivists: geeky activists one click away from a virtual political revolution. This documentary explores the exponential growth in anticapitalist activism around the world and the new modes of protest available via the Internet."" Recorded direct from ABC-TV broadcast on 01/05/2002. ANAT # INF 01.01 b35348422 BRG 391/F-206
State Library of South Australia Inscape Donation 1992 26 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Inscape is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as way-light. b35388626 PRG 919/107/312/Inscape
State Library of South Australia Inscape1 Donation 1992 1 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Inscape1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Inscape2. b35388766 PRG 919/107/319/Inscape1
State Library of South Australia Inscape2 Donation 1992 1 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Inscape2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Inscape1. b35388754 PRG 919/107/319/Inscape2
State Library of South Australia Interactive 7 Donation from Australian Network of Art and Technology [Approximately 1996] 1 3.5 inch floppy disk, 23 electronic files, Interactive 7 3.5 inch floppy disk. b35433322 BRG 391/376
State Library of South Australia Interactive Architecture Works: 1991-1993 Donation from Australian Network of Art and Technology 1993 00:12:00 1 videocassette , sound, stereo, VHS, colour 13mm Christian MOELLER Video documentation of a series of Interactive Architecture works by German artist Christian Moeller, created from 1991-93. ANAT # MOE 93.01 b35348884 BRG 391/F-213
State Library of South Australia Interactive Games Donation from Australian Network of Art and Technology 1994 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm Simone LINDHOUT A collection of interactive game works created by Lindhout between 1991-94, in her role as graphic designer in the Interactives department of Sydney's Powerhouse Museum. ANAT # LIN 94.01 b35348690 BRG 391/F-210
State Library of South Australia Interactive Graphics: Showreel/Advertisements Donation from Australian Network of Art and Technology 1986 00:12:00 1 videocassette , sound, stereo, VHS, colour 13mm FUTURE ENTERPRISES Showreel of Interactive Graphics' animation, industrial design, broadcast title design and advertising graphics, followed by television advertisements featuring their work. Video/Computer Animation & Graphics/FX. ANAT # FUT 86.01 b35254889 BRG 391/F-56
State Library of South Australia Interview with Clifford Frith Donation from Australian Network of Art and Technology [Approximately 2000] 00:33:00 1 videocassette , sound, stereo, VHS, colour 13mm Interviews with Clifford Frith and Joan Brassil, and footage of assorted artworks and sculpture. ANAT # 38 b35349050 BRG 391/F-202
State Library of South Australia Invocation Donation from Australian Network of Art and Technology 1994 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm Linda WALLACE Installation / Video /Documentation. ANAT # 225 b35255869 BRG 391/F-154
State Library of South Australia Itten/ln the Light Donation from Australian Network of Art and Technology 1990 00:20:00 1 videocassette , sound, stereo, VHS, colour 13mm Csaba SZAMOSY Restitutio in Integrum Ab Initio. 2-D and 3-D C.G. and Video. ANAT # 209 b35255705 BRG 391/F-138
State Library of South Australia JAVA Donation 1991 16 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JAVA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as J_BLUGRN b35386472 PRG 919/107/213/JAVA
State Library of South Australia JEWELL Donation 1988 23 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JEWELL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JEWELL1, JEWELL2, and WOMBAT. b35383872 PRG 919/107/106/JEWELL
State Library of South Australia JEWELL1 Donation 1988 23 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JEWELL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JEWELL, JEWELL2, and WOMBAT. b35383902 PRG 919/107/106/JEWELL1
State Library of South Australia JEWELL2 Donation 1988 23 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JEWELL2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JEWELL1, JEWELL, and WOMBAT. b35383884 PRG 919/107/106/JEWELL2
State Library of South Australia JULIA Donation 1991 18 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JULIA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JULIA1, FracImage2 and FracImage. b35388080 PRG 919/107/856/JULIA
State Library of South Australia JULIA1 Donation 1991 18 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JULIA1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JULIA, FracImage2 and FracImage. b35388092 PRG 919/107/856/JULIA1
State Library of South Australia JULIE Donation 1988 27 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JULIE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TAPESTRY1 and COLUMN. b35382892 PRG 919/107/77/JULIE
State Library of South Australia JULIE-orig Donation 1988 24 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JULIE-orig is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JULIE2, JULIE1, and TAPESTRY5. b35382922 PRG 919/107/78/JULIE-orig
State Library of South Australia JULIE1 Donation 1988 24 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JULIE1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JULIE2, JULIE-orig, and TAPESTRY5. b35382909 PRG 919/107/78/JULIE1
State Library of South Australia JULIE2 Donation 1988 24 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JULIE2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JULIE1, JULIE-orig, and TAPESTRY5. b35382910 PRG 919/107/78/JULIE2
State Library of South Australia J_BLUGRN Donation 1991 16 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI J_BLUGRN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JAVA. b35386484 PRG 919/107/213/J_BLUGRN
State Library of South Australia Jawpan / Techno Digesto Fetishism Donation from Australian Network of Art and Technology 1992 00:09:00 1 videocassette , sound, stereo, VHS, colour 13mm Troy INNOCENT Two works by CyberDada video/animation artist Troy Innocent. ANAT # INO 92.01 b35348549 BRG 391/F-208
State Library of South Australia Julia-O Donation 1992 24 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Julia-O is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Grain-5. b35394067 PRG 919/107/640/Julia-O
State Library of South Australia Julia-a Donation 1993 17 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Julia-a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Julia-b. b35395552 PRG 919/107/664/Julia-a
State Library of South Australia Julia-b Donation 1993 18 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Julia-b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Julia-a. b35395564 PRG 919/107/664/Julia-b
State Library of South Australia Julia2 Donation 1992 27 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Julia2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Julia3. b35393622 PRG 919/107/566/Julia2
State Library of South Australia Julia2 Donation 1993 12 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Julia2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pasiak-1. b35396349 PRG 919/107/706/Julia2
State Library of South Australia Julia3 Donation 1992 27 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Julia3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Julia2 b35393634 PRG 919/107/566/Julia3
State Library of South Australia Julia74-O Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Julia74-O is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397561 PRG 919/107/819/Julia74-O
State Library of South Australia Julia74-a Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Julia74-a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397731 PRG 919/107/853/Julia74-a
State Library of South Australia Julia74-b Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Julia74-b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397743 PRG 919/107/854/Julia74-b
State Library of South Australia JuliaGem Donation 1992 27 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI JuliaGem is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtex-3. b35393610 PRG 919/107/565/JuliaGem
State Library of South Australia KILIM Donation 1988 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI KILIM is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OVALSPHERE, SIGN, and OVAL. b3538170x PRG 919/107/19/KILIM
State Library of South Australia KILIM1 Donation 1988 18 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI KILIM1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SIGN1, and SPHRETREE. b35381723 PRG 919/107/20/KILIM1
State Library of South Australia KNT III Roman Donation from Australian Network of Art and Technology [Approximately 1996] 1 3.5 inch floppy disk, electronic files, Jun-Ann LAM KNT III Roman (3.5 inch floppy disk), of Jun-Ann Lam, containing a previous publication and images from 'the Yellow Peril Virus', collected by the Australian Network for Art and Technology (ANAT). b35191296 BRG 391/200/2
State Library of South Australia KROS Donation 1991 14 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI KROS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BULLINGRDN. b35386204 PRG 919/107/197/KROS
State Library of South Australia Kaddish Donation from Australian Network of Art and Technology 1991 00:25:00 1 videocassette , sound, stereo, VHS, colour 13mm Richard KOSTELANETZ A video component of Kostelanetz' 'Kaddish' cycle, a series of works in various forms (text/audio/video) based on recordings of the Kaddish, a prayer for the dead commonly considered the most poetic text in Jewish liturgy. Recordings were collected of clergy and laypersons from around the world, highlighting the many accents of the Jewish diaspora. The video work features these traditional Hebrew readings with an English translation appearing as on-screen text. Text/FX. ANAT # KOS 91.01 b35255183 BRG 391/F-86
State Library of South Australia Kernella Donation 1993 29 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Kernella is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spinno-1c. b3539562x PRG 919/107/668/Kernella
State Library of South Australia Key Donation 1993 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Key is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Key1. b35395096 PRG 919/107/639/Key
State Library of South Australia Key1 Donation 1993 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Key1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Key. b35395084 PRG 919/107/639/Key1
State Library of South Australia KleyLyap Donation 1992 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI KleyLyap is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as KleyLyapo. b35389333 PRG 919/107/349/KleyLyap
State Library of South Australia KleyLyapo Donation 1992 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI KleyLyapo is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as KleyLyapo. b35389345 PRG 919/107/349/KleyLyapo
State Library of South Australia Kolumn-1 Donation 1992 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Kolumn-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Kolumn-2. b35389874 PRG 919/107/377/Kolumn-1
State Library of South Australia Kolumn-2 Donation 1992 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Kolumn-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Kolumn-1. b35389886 PRG 919/107/377/Kolumn-2
State Library of South Australia Krystal Donation 1993 13 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Krystal is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton8. b35395394 PRG 919/107/655/Krystal
State Library of South Australia LAND1 Donation 1991 15 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LAND1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LAND6. b35387518 PRG 919/107/266/LAND1
State Library of South Australia LAND2 Donation 1991 22 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LAND2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PLANT. b35387609 PRG 919/107/271/LAND2
State Library of South Australia LAND3 Donation 1991 25 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LAND3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LAND4. b3538752x PRG 919/107/267/LAND3
State Library of South Australia LAND4 Donation 1991 25 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LAND4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LAND3. b35387531 PRG 919/107/267/LAND4
State Library of South Australia LAND6 Donation 1991 25 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LAND6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LAND1. b35387506 PRG 919/107/266/LAND6
State Library of South Australia LANDA-14 Donation 1993 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDA-14 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDA-4. b35395904 PRG 919/107/684/LANDA-14
State Library of South Australia LANDA-19 Donation 1993 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDA-19 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDA-27. b35395965 PRG 919/107/687/LANDA-19
State Library of South Australia LANDA-2 Donation 1993 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDA-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDA-30. b35395941 PRG 919/107/686/LANDA-2
State Library of South Australia LANDA-21 Donation 1993 7 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDA-21 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDA-22. b35395989 PRG 919/107/688/LANDA-21
State Library of South Australia LANDA-22 Donation 1993 7 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDA-22 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDA-21. b35395990 PRG 919/107/688/LANDA-22
State Library of South Australia LANDA-27 Donation 1993 7 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDA-27 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDA-19. b35395977 PRG 919/107/687/LANDA-27
State Library of South Australia LANDA-30 Donation 1993 7 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDA-30 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDA-2. b35395953 PRG 919/107/686/LANDA-30
State Library of South Australia LANDA-4 Donation 1993 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDA-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDA-14. b35395916 PRG 919/107/684/LANDA-4
State Library of South Australia LANDA-5 Donation 1993 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDA-5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDA-6. b3539593x PRG 919/107/685/LANDA-5
State Library of South Australia LANDA-6 Donation 1993 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDA-6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDA-5. b35395928 PRG 919/107/685/LANDA-6
State Library of South Australia LANDO Donation 1991 23 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDO1. b35387695 PRG 919/107/275/LANDO
State Library of South Australia LANDO1 Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LANDO1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LANDO. b35387683 PRG 919/107/275/LANDO1
State Library of South Australia LENS Donation 1988 10 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LENS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TREE, ALTARO, and NAVIGATOR. b35383562 PRG 919/107/97/LENS
State Library of South Australia LENS2MANDL Donation 1988 9 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LENS2MANDL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as REDMANDEL, BLUEMANDEL, and LENSMANDEL. b3538377x PRG 919/107/103/LENS2MANDL
State Library of South Australia LENSESCHER Donation 1988 12 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LENSESCHER is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ESCHERLENS, MANDELBLUE, and MANDELRED. b35385091 PRG 919/107/147/LENSESCHER
State Library of South Australia LENSMANDEL Donation 1988 9 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LENSMANDEL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LENS2MANDL, BLUEMANDEL, and REDMANDEL. b35383793 PRG 919/107/103/LENSMANDEL
State Library of South Australia LETRS1 Donation 1988 7 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LETRS1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ISLAND, LOOK25, and LOOK24. b35383173 PRG 919/107/85/LETRS1
State Library of South Australia LETTERS Donation 1988 3 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LETTERS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRL, BOOKBROT, and STAR. b35383860 PRG 919/107/105/LETTERS
State Library of South Australia LINE64-3 Donation 1991 26 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LINE64-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT77, lines64-2, and lines64-1. b35387154 PRG 919/107/246/LINE64-3
State Library of South Australia LINESPACE Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LINESPACE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PLANETS, 4SPHERES2, and 4SPHERES. b35380652 PRG 919/107/43/LINESPACE
State Library of South Australia LOOK10 Donation 1988 9 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK10 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK6, LOOK7, and LOOK8. b35384165 PRG 919/107/114/LOOK10
State Library of South Australia LOOK11 Donation 1988 9 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK11 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK16, LOOK15, and LOOK13. b35384190 PRG 919/107/115/LOOK11
State Library of South Australia LOOK13 Donation 1988 10 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK13 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK16, LOOK15, and LOOK11. b35384220 PRG 919/107/115/LOOK13
State Library of South Australia LOOK15 Donation 1988 10 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK15 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK16, LOOK11, and LOOK13. b35384219 PRG 919/107/115/LOOK15
State Library of South Australia LOOK16 Donation 1988 11 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK16 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK11, LOOK15, and LOOK13. b35384207 PRG 919/107/115/LOOK16
State Library of South Australia LOOK18 Donation 1988 11 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK18 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK21, LOOK19, and LOOK20. b35384293 PRG 919/107/117/LOOK18
State Library of South Australia LOOK18 Donation 1988 11 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK18 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK21, LOOK19, and LOOK20. b35384311 PRG 919/107/118/LOOK18
State Library of South Australia LOOK19 Donation 1988 11 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK19 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK18, LOOK21, and LOOK20. b3538430x PRG 919/107/117/LOOK19
State Library of South Australia LOOK19 Donation 1988 11 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK19 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK18, LOOK21, and LOOK20. b35384323 PRG 919/107/118/LOOK19
State Library of South Australia LOOK2 Donation 1988 7 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK4, LOOK3, and LOOK5. b35384244 PRG 919/107/116/LOOK2
State Library of South Australia LOOK20 Donation 1988 12 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK20 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK18, LOOK19, and LOOK21. b35384281 PRG 919/107/117/LOOK20
State Library of South Australia LOOK20 Donation 1988 12 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK20 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK18, LOOK19, and LOOK21. b35384347 PRG 919/107/118/LOOK20
State Library of South Australia LOOK21 Donation 1988 12 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK21 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK18, LOOK19, and LOOK20. b3538427x PRG 919/107/117/LOOK21
State Library of South Australia LOOK21 Donation 1988 12 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK21 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK18, LOOK19, and LOOK20. b35384335 PRG 919/107/118/LOOK21
State Library of South Australia LOOK24 Donation 1988 12 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK24 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ISLAND, LOOK25, and LETRS1. b35383148 PRG 919/107/85/LOOK24
State Library of South Australia LOOK25 Donation 1988 13 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK25 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ISLAND, LOOK24, and LETRS1. b35383161 PRG 919/107/85/LOOK25
State Library of South Australia LOOK3 Donation 1988 7 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK2, LOOK4, and LOOK5. b35384268 PRG 919/107/116/LOOK3
State Library of South Australia LOOK30 Donation 1988 15 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK30 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SNAIL, LOOK31, and ORNATE. b35384141 PRG 919/107/113/LOOK30
State Library of South Australia LOOK31 Donation 1988 17 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK31 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SNAIL, ORNATE, and LOOK30. b3538413x PRG 919/107/113/LOOK31
State Library of South Australia LOOK4 Donation 1988 8 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK2, LOOK3, and LOOK5. b35384232 PRG 919/107/116/LOOK4
State Library of South Australia LOOK5 Donation 1988 8 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK2, LOOK3, and LOOK4. b35384256 PRG 919/107/116/LOOK5
State Library of South Australia LOOK6 Donation 1988 8 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK6, LOOK7, and LOOK8. b35384177 PRG 919/107/114/LOOK6
State Library of South Australia LOOK7 Donation 1988 8 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MNDLNEW1. b35384189 PRG 919/107/114/LOOK7
State Library of South Australia LOOK8 Donation 1988 9 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LOOK8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LOOK6, LOOK7, and LOOK10. b35384153 PRG 919/107/114/LOOK8
State Library of South Australia LORD2 Donation 1989 18 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LORD2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TEMPLE, NAVIGATOR, and SPHERE. b35379595 PRG 919/107/104/LORD2
State Library of South Australia LORD2 Donation 1993 20 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LORD2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tokamak-3. b3539738x PRG 919/107/758/LORD2
State Library of South Australia LORD2 Donation 1989 18 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LORD2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RINBOTRIAN, DIAMOND, and WINDOW. b35379674 PRG 919/107/807/LORD2
State Library of South Australia LORE Donation 1990 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LORE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LORE3, LORE1, and LORE2. b35381073 PRG 919/107/68/LORE
State Library of South Australia LORE1 Donation 1990 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LORE1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LORE, LORE3, and LORE2. b35381085 PRG 919/107/68/LORE1
State Library of South Australia LORE2 Donation 1990 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LORE2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LORE, LORE1, and LORE3. b35381097 PRG 919/107/68/LORE2
State Library of South Australia LORE3 Donation 1990 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LORE3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LORE, LORE1, and LORE2. b35381061 PRG 919/107/68/LORE3
State Library of South Australia LYA-PEAK Donation 1992 13 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYA-PEAK is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAP-LAND. b35389667 PRG 919/107/366/LYA-PEAK
State Library of South Australia LYAP-3 Donation 1994 6 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAP-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAP-4. b35397937 PRG 919/107/597/LYAP-3
State Library of South Australia LYAP-4 Donation 1994 6 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAP-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAP-3. b35397949 PRG 919/107/597/LYAP-4
State Library of South Australia LYAP-HALF Donation 1992 13 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAP-HALF is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPx2. b35389175 PRG 919/107/341/LYAP-HALF
State Library of South Australia LYAP-INVRT Donation 1992 28 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAP-INVRT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPSCAPE. b35388808 PRG 919/107/321/LYAP-INVRT
State Library of South Australia LYAP-LAND Donation 1992 13 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAP-LAND is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYA-PEAK. b35389679 PRG 919/107/366/LYAP-LAND
State Library of South Australia LYAP74-5 Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAP74-5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397548 PRG 919/107/817/LYAP74-5
State Library of South Australia LYAP74-6a Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAP74-6a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397664 PRG 919/107/846/LYAP74-6a
State Library of South Australia LYAPLANT Donation 1993 4 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPLANT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pasiak-2. b35396283 PRG 919/107/703/LYAPLANT
State Library of South Australia LYAPLANT Donation 1993 4 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPLANT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pasiak-2. b35396313 PRG 919/107/704/LYAPLANT
State Library of South Australia LYAPMOONS Donation 1992 27 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPMOONS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Crosswind. b35389023 PRG 919/107/332/LYAPMOONS
State Library of South Australia LYAPSCAPE Donation 1992 28 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPSCAPE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAP-INVRT. b35388791 PRG 919/107/321/LYAPSCAPE
State Library of South Australia LYAPUNO67c Donation 1993 8 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPUNO67c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPUNO67t. b35394675 PRG 919/107/614/LYAPUNO67c
State Library of South Australia LYAPUNO67t Donation 1993 8 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPUNO67t is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPUNO67c. b35394663 PRG 919/107/614/LYAPUNO67t
State Library of South Australia LYAPUNOV-b Donation 1993 1 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPUNOV-b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Carptspace. b35394456 PRG 919/107/602/LYAPUNOV-b
State Library of South Australia LYAPUNOV-c Donation 1993 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPUNOV-c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapunov-d. b35394407 PRG 919/107/599/LYAPUNOV-c
State Library of South Australia LYAPUNOV-d Donation 1993 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPUNOV-d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPUNOV-e. b35394596 PRG 919/107/610/LYAPUNOV-d
State Library of South Australia LYAPUNOV-e Donation 1993 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPUNOV-e is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPUNOV-d. b35394602 PRG 919/107/610/LYAPUNOV-e
State Library of South Australia LYAPcloud1 Donation 1992 20 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPcloud1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPclouds. b35389217 PRG 919/107/343/LYAPcloud1
State Library of South Australia LYAPclouds Donation 1992 20 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPclouds is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPcloud1. b35389229 PRG 919/107/343/LYAPclouds
State Library of South Australia LYAPx2 Donation 1992 13 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYAPx2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAP-HALF. b35389187 PRG 919/107/341/LYAPx2
State Library of South Australia LYRE32 Donation 1988 25 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYRE32 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYRE33, LYRE35, and LYRE34. b35385145 PRG 919/107/148/LYRE32
State Library of South Australia LYRE32 Donation 1988 25 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYRE32 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYRE33, LYRE35, and LYRE34. b35383112 PRG 919/107/84/LYRE32
State Library of South Australia LYRE33 Donation 1988 25 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYRE33 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYRE32, LYRE35, and LYRE34. b35385157 PRG 919/107/148/LYRE33
State Library of South Australia LYRE33 Donation 1988 25 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYRE33 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYRE32, LYRE35, and LYRE34. b35383100 PRG 919/107/84/LYRE33
State Library of South Australia LYRE34 Donation 1988 25 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYRE34 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYRE32, LYRE35, and LYRE33. b35385169 PRG 919/107/148/LYRE34
State Library of South Australia LYRE34 Donation 1988 25 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYRE34 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYRE32, LYRE35, and LYRE33. b35383136 PRG 919/107/84/LYRE34
State Library of South Australia LYRE35 Donation 1988 27 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYRE35 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYRE32, LYRE33, and LYRE34. b35385133 PRG 919/107/148/LYRE35
State Library of South Australia LYRE35 Donation 1988 27 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYRE35 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPECIAL. b35385443 PRG 919/107/836/LYRE35
State Library of South Australia LYRE35 Donation 1988 27 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LYRE35 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYRE32, LYRE33, and LYRE34. b35383124 PRG 919/107/84/LYRE35
State Library of South Australia Labra Donation 1992 10 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Labra is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ornam. b35388699 PRG 919/107/316/Labra
State Library of South Australia Labra-1 Donation 1992 19 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Labra-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Gold. b35388882 PRG 919/107/325/Labra-1
State Library of South Australia Lace3 Donation 1992 23 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lace3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lace4. b35388468 PRG 919/107/302/Lace3
State Library of South Australia Lace4 Donation 1992 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lace4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lace3. b35388456 PRG 919/107/302/Lace4
State Library of South Australia Lacrimosa Donation from Australian Network of Art and Technology 1993 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Csaba SZAMOSY Lacrimosa. C.G. Animation and Video ANAT # 210 b35255717 BRG 391/F-139
State Library of South Australia Landed, Cactus & (H20)3 Donation from Australian Network of Art and Technology 1996 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm ENVIRONMENTALLY RECYCLED THEATRE Showreel for Sydney-based performance group 'erth' who utilise creative costume design, puppetry and sculpture in roaming performances at festivals and events as well as in their own theatre productions. Features highlights of three performances Landed, Cactus and (H20)3. 'erth' now operates under the name Erth Visual & Physical Inc. Video/FX. ANAT # ERT 96.01 b3525483x BRG 391/F-51
State Library of South Australia Landsat Donation 1993 18 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Landsat is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Crescent. b35396829 PRG 919/107/730/Landsat
State Library of South Australia Landscape Donation 1992 27 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Landscape is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ideogram1. b35390608 PRG 919/107/413/Landscape
State Library of South Australia Lantern Donation 1992 4 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lantern is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandecent. b35390268 PRG 919/107/396/Lantern
State Library of South Australia Lantern1 Donation 1992 4 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lantern1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ovalblac. b35390499 PRG 919/107/408/Lantern1
State Library of South Australia Laser Eyes, Automatic Arm & Third Hand Donation from Australian Network of Art and Technology 1990 00:44:00 1 videocassette , sound, stereo, VHS, colour 13mm STELARC Video documentation of another 'Amplified Body' performance, this time at the Experimental Art Foundation, Adelaide in March 1990. Video/FX. ANAT # STE 90.01 b35255614 BRG 391/F-129
State Library of South Australia Lecture on arts and politics Donation from Australian Network of Art and Technology [Approximately 2000] 00:22:00 1 videocassette , stereo, VHS, black and white 13mm Lecture on arts and politics, and discussion time, speaker unknown. Poor quality videorecording. ANAT # N014 b35358415 BRG 391/F-244
State Library of South Australia Lecture on arts history and politics Donation from Australian Network of Art and Technology [Approximately 1998] 00:15:00 1 videocassette , stereo, VHS, black and white 13mm Lecture on arts and politics and criticism. Poor quality videorecording. ANAT # N036 b35360690 BRG 391/F-264
State Library of South Australia Lectures on arts history Donation from Australian Network of Art and Technology [Approximately 1998] 01:02:00 1 videocassette , stereo, VHS, black and white 13mm Lectures on arts history, speakers unknown. Poor quality videorecording. ANAT # N031 b35360033 BRG 391/F-261
State Library of South Australia Lectures on arts history and politics Donation from Australian Network of Art and Technology [Approximately 1998] 01:02:00 1 videocassette , stereo, VHS, black and white 13mm Lectures on arts history and politics. Poor quality videorecording. One speaker unknown and one speaker possibly Simon Hunt (also known as Pauline Pantsdown). ANAT # N032 b35360069 BRG 391/F-262
State Library of South Australia Light Instrument Technology Ensemble project excerpts Donation from Australian Network of Art and Technology 1996 00:20:00 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Stuart Raphael FAVILLA, Joanne CANNON Light Instrument Technology Ensemble project, featuring excerpts from 4 tracks. b35332827 BRG 391/104/3
State Library of South Australia Little Bits Frameset Donation from Australian Network of Art and Technology 1997 1 3.5 inch floppy disk, 15 electronic files, Lisa BEILBY Little Bits Frameset html page, containing images of assorted artworks that can be navigated from the index page. b35327200 BRG 391/27/1
State Library of South Australia Lyap-OA Donation 1993 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap-OA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap-OO. b35396726 PRG 919/107/725/Lyap-OA
State Library of South Australia Lyap-OO Donation 1993 1 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap-OO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap-OA. b35396738 PRG 919/107/725/Lyap-OO
State Library of South Australia Lyap-arch Donation 1992 14 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap-arch is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Plumage. b3539125x PRG 919/107/446/Lyap-arch
State Library of South Australia Lyap-d76 Donation 1993 29 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap-d76 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapunov-e. b35394481 PRG 919/107/604/Lyap-d76
State Library of South Australia Lyap16a Donation 1992 14 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap16a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap17a. b35392174 PRG 919/107/493/Lyap16a
State Library of South Australia Lyap17 Donation 1992 14 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap17 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image11. b35394183 PRG 919/107/842/Lyap17
State Library of South Australia Lyap17a Donation 1992 14 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap17a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap16a. b35392162 PRG 919/107/493/Lyap17a
State Library of South Australia Lyap17b Donation 1992 14 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap17b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap17c. b35392150 PRG 919/107/492/Lyap17b
State Library of South Australia Lyap17c Donation 1992 14 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap17c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap17b. b35392149 PRG 919/107/492/Lyap17c
State Library of South Australia Lyap3-4 Donation 1993 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap3-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spinno-1. b35395497 PRG 919/107/661/Lyap3-4
State Library of South Australia Lyap36 Donation 1992 15 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap36 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap36a. b35391418 PRG 919/107/454/Lyap36
State Library of South Australia Lyap36a Donation 1992 16 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap36a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap36. b3539142x PRG 919/107/454/Lyap36a
State Library of South Australia Lyap37a Donation 1992 15 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap37a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap37b. b35391431 PRG 919/107/455/Lyap37a
State Library of South Australia Lyap37b Donation 1992 15 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap37b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap37a. b35391443 PRG 919/107/455/Lyap37b
State Library of South Australia Lyap4 Donation 1993 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spinno-1a. b35395539 PRG 919/107/663/Lyap4
State Library of South Australia Lyap74-7a Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyap74-7a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397676 PRG 919/107/847/Lyap74-7a
State Library of South Australia Lyapcloud Donation 1992 26 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapcloud is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIMOND-o. b35389035 PRG 919/107/333/Lyapcloud
State Library of South Australia Lyapcrstal Donation 1993 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapcrstal is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap6. b35396702 PRG 919/107/724/Lyapcrstal
State Library of South Australia Lyapdoor Donation 1994 3 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapdoor is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Vega-O. b35398103 PRG 919/107/771/Lyapdoor
State Library of South Australia Lyaphedge Donation 1993 26 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaphedge is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaptree. b35394699 PRG 919/107/616/Lyaphedge
State Library of South Australia Lyapillar Donation 1992 5 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapillar is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapillar1. b35391765 PRG 919/107/472/Lyapillar
State Library of South Australia Lyapillar1 Donation 1992 5 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapillar1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapillar. b35391777 PRG 919/107/472/Lyapillar1
State Library of South Australia Lyapillar2 Donation 1992 10 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapillar2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pair. b35391868 PRG 919/107/477/Lyapillar2
State Library of South Australia Lyapillar3 Donation 1992 11 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapillar3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pleatsphr. b35392186 PRG 919/107/494/Lyapillar3
State Library of South Australia Lyaplanet Donation 1992 27 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaplanet is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Carlyap2. b35391674 PRG 919/107/467/Lyaplanet
State Library of South Australia Lyapleg Donation 1992 6 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapleg is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen<>2 b35389801 PRG 919/107/373/Lyapleg
State Library of South Australia Lyaplego1 Donation 1992 7 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaplego1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramda2. b35389746 PRG 919/107/370/Lyaplego1
State Library of South Australia Lyapo Donation 1992 26 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapo is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as lace-2. b3538850x PRG 919/107/304/Lyapo
State Library of South Australia Lyapoctops Donation 1992 2 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapoctops is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HeraldYap. b35389941 PRG 919/107/380/Lyapoctops
State Library of South Australia Lyapol-1 Donation 1993 26 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaptres1. b35396180 PRG 919/107/698/Lyapol-1
State Library of South Australia Lyapol-2 Donation 1993 30 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-3. b35396076 PRG 919/107/692/Lyapol-2
State Library of South Australia Lyapol-3 Donation 1993 30 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-2. b35396064 PRG 919/107/692/Lyapol-3
State Library of South Australia Lyapol-4 Donation 1993 2 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-5. b35396222 PRG 919/107/700/Lyapol-4
State Library of South Australia Lyapol-5 Donation 1993 2 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-4. b35396234 PRG 919/107/700/Lyapol-5
State Library of South Australia Lyapol-6 Donation 1993 26 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-6a. b35396106 PRG 919/107/694/Lyapol-6
State Library of South Australia Lyapol-6a Donation 1993 24 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-6a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-6. b35396118 PRG 919/107/694/Lyapol-6a
State Library of South Australia Lyapol-6aa Donation 1993 1 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-6aa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-6ab. b35396246 PRG 919/107/701/Lyapol-6aa
State Library of South Australia Lyapol-6ab Donation 1993 1 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-6ab is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-6aa. b35396258 PRG 919/107/701/Lyapol-6ab
State Library of South Australia Lyapol-6b Donation 1993 3 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-6b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-6c. b35396167 PRG 919/107/697/Lyapol-6b
State Library of South Australia Lyapol-6c Donation 1993 3 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-6c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-6b. b35396179 PRG 919/107/697/Lyapol-6c
State Library of South Australia Lyapol-6d Donation 1993 25 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-6d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-6e. b35396209 PRG 919/107/699/Lyapol-6d
State Library of South Australia Lyapol-6e Donation 1993 25 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-6e is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-6d. b35396210 PRG 919/107/699/Lyapol-6e
State Library of South Australia Lyapol-6f Donation 1993 26 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-6f is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-6g. b35396040 PRG 919/107/691/Lyapol-6f
State Library of South Australia Lyapol-6g Donation 1993 25 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapol-6g is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-6f. b35396052 PRG 919/107/691/Lyapol-6g
State Library of South Australia Lyaporder Donation 1992 14 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaporder is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaporder1. b35391285 PRG 919/107/447/Lyaporder
State Library of South Australia Lyaporder1 Donation 1992 14 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaporder1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaporder. b35391273 PRG 919/107/447/Lyaporder1
State Library of South Australia Lyapreflct Donation 1992 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapreflct is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Carlyap31a. b35391650 PRG 919/107/466/Lyapreflct
State Library of South Australia Lyaprmd Donation 1992 18 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaprmd is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaprmd-1. b35389904 PRG 919/107/378/Lyaprmd
State Library of South Australia Lyaprmd-1 Donation 1992 18 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaprmd-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaprmd. b35389898 PRG 919/107/378/Lyaprmd-1
State Library of South Australia Lyapshore Donation 1992 24 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapshore is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shore. b35391510 PRG 919/107/459/Lyapshore
State Library of South Australia Lyaptempla Donation 1994 5 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaptempla is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaptemple. b35398334 PRG 919/107/822/Lyaptempla
State Library of South Australia Lyaptemple Donation 1994 5 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaptemple is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaptempla. b35398346 PRG 919/107/822/Lyaptemple
State Library of South Australia Lyaptotem Donation 1992 27 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaptotem is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ripple. b35391790 PRG 919/107/473/Lyaptotem
State Library of South Australia Lyaptree Donation 1993 26 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaptree is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaphedge. b35394687 PRG 919/107/616/Lyaptree
State Library of South Australia Lyaptree2 Donation 1993 3 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaptree2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Figures-S. b35396325 PRG 919/107/705/Lyaptree2
State Library of South Australia LyaptreePL Donation 1993 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LyaptreePL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LyaptreePR. b35396374 PRG 919/107/707/LyaptreePL
State Library of South Australia LyaptreePL Donation 1993 8 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LyaptreePL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b3539769x PRG 919/107/849/LyaptreePL
State Library of South Australia LyaptreePR Donation 1993 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LyaptreePR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LyaptreePL. b35396362 PRG 919/107/707/LyaptreePR
State Library of South Australia LyaptreePR Donation 1993 9 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI LyaptreePR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397688 PRG 919/107/848/LyaptreePR
State Library of South Australia Lyaptrees Donation 1993 3 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaptrees is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaptrees1. b35396155 PRG 919/107/696/Lyaptrees
State Library of South Australia Lyaptrees1 Donation 1993 3 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaptrees1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaptrees. b35396143 PRG 919/107/696/Lyaptrees1
State Library of South Australia Lyaptres1 Donation 1993 3 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyaptres1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapol-1. b35396192 PRG 919/107/698/Lyaptres1
State Library of South Australia Lyapuno67d Donation 1993 21 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapuno67d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Dimonde. b35394572 PRG 919/107/609/Lyapuno67d
State Library of South Australia Lyapunov-d Donation 1993 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapunov-d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPUNOV-c. b35394419 PRG 919/107/599/Lyapunov-d
State Library of South Australia Lyapunov-e Donation 1993 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapunov-e is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b3539447x PRG 919/107/603/Lyapunov-e
State Library of South Australia Lyapuscape Donation 1993 29 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyapuscape is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton6+7. b35395606 PRG 919/107/667/Lyapuscape
State Library of South Australia Lyascape Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyascape is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyascape-1. b35388316 PRG 919/107/295/Lyascape
State Library of South Australia Lyascape-1 Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Lyascape-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyascape. b35388328 PRG 919/107/295/Lyascape-1
State Library of South Australia Lycette Bros. efolio Donation from Australian Network of Art and Technology 2004 May 1 Data CD, 689 electronic files, LYCETTE BROS. Lycette Brothers efolio (Data CD) collected by the Australian Network for Art and Technology (ANAT). Contains a html index and associated files of the works of John and Mark Lycette between 1993-2003. b35177524 BRG 391/214/1
State Library of South Australia M-W-dmnd Donation 1992 7 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI M-W-dmnd is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as COLUMN3. b35389795 PRG 919/107/372/M-W-dmnd
State Library of South Australia MAND-el Donation 1992 26 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MAND-el is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RococoBLU. b35388511 PRG 919/107/305/MAND-el
State Library of South Australia MANDEL3 Donation 1991 31 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDEL3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as window2. b35387294 PRG 919/107/254/MANDEL3
State Library of South Australia MANDEL4 Donation 1991 1 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDEL4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDEL4a. b35387312 PRG 919/107/255/MANDEL4
State Library of South Australia MANDEL4a Donation 1991 1 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDEL4a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDEL4. b35387300 PRG 919/107/255/MANDEL4a
State Library of South Australia MANDEL4b Donation 1991 2 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDEL4b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDEL4c. b35387324 PRG 919/107/256/MANDEL4b
State Library of South Australia MANDEL4c Donation 1991 3 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDEL4c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDEL4b. b35387336 PRG 919/107/256/MANDEL4c
State Library of South Australia MANDEL4d Donation 1991 3 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDEL4d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DOUBLEa. b35387348 PRG 919/107/257/MANDEL4d
State Library of South Australia MANDELBLU2 Donation 1988 7 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELBLU2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELBLUE, ROSEMANDEL, and BLUMANDL3X. b35383756 PRG 919/107/102/MANDELBLU2
State Library of South Australia MANDELBLUE Donation 1988 7 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELBLUE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUMANDL3X, ROSEMANDEL, and MANDELBLU2. b35383732 PRG 919/107/102/MANDELBLUE
State Library of South Australia MANDELBLUE Donation 1988 9 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELBLUE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LENSESCHER, MANDELRED, and ESCHERLENS. b3538511x PRG 919/107/147/MANDELBLUE
State Library of South Australia MANDELEYE Donation 1992 20 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELEYE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDESPHR. b35389370 PRG 919/107/351/MANDELEYE
State Library of South Australia MANDELFGR Donation 1990 24 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELFGR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELFIG. b35381553 PRG 919/107/681/MANDELFGR
State Library of South Australia MANDELFIG Donation 1990 23 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELFIG is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELFGR. b35381541 PRG 919/107/681/MANDELFIG
State Library of South Australia MANDELFRM Donation 1988 3 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELFRM is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandecntr. b35385212 PRG 919/107/666/MANDELFRM
State Library of South Australia MANDELNEW Donation 1988 7 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELNEW is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MNDLNEW1. b35381942 PRG 919/107/33/MANDELNEW
State Library of South Australia MANDELRED Donation 1988 9 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELRED is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LENSESCHER, ESCHERLENS, and MANDELBLUE. b35385108 PRG 919/107/147/MANDELRED
State Library of South Australia MANDELSKY Donation 1988 11 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELSKY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ATLAS, CITY, and SAILS. b35385297 PRG 919/107/830/MANDELSKY
State Library of South Australia MANDELTREE Donation 1988 3 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELTREE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DECOR, TREorigMnd, and ISLAND3. b3538203x PRG 919/107/36/MANDELTREE
State Library of South Australia MANDELTREE Donation 1988 3 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELTREE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DECOR, TREorigMnd, and ISLAND3. b35382077 PRG 919/107/37/MANDELTREE
State Library of South Australia MANDELmag Donation 1992 20 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELmag is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELmin. b35389412 PRG 919/107/353/MANDELmag
State Library of South Australia MANDELmin Donation 1992 31 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELmin is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELmag. b35389424 PRG 919/107/353/MANDELmin
State Library of South Australia MANDELmin1 Donation 1992 31 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDELmin1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as reflex. b35389400 PRG 919/107/352/MANDELmin1
State Library of South Australia MANDESPHR Donation 1992 20 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDESPHR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELEYE. b35389382 PRG 919/107/351/MANDESPHR
State Library of South Australia MANDLBLACK Donation 1988 10 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDLBLACK is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLOATLENS, and FMLYPORTER. b3538508x PRG 919/107/146/MANDLBLACK
State Library of South Australia MANDLFLOAT Donation 1988 10 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDLFLOAT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as S, RUG, SPRITE, and smandel. b35385261 PRG 919/107/826/MANDLFLOAT
State Library of South Australia MANDLgreen Donation 1992 20 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDLgreen is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandeltotm. b35388304 PRG 919/107/294/MANDLgreen
State Library of South Australia MANDLrainb Donation 1992 19 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MANDLrainb is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandelvas1. b35388122 PRG 919/107/283/MANDLrainb
State Library of South Australia MASKA Donation 1991 19 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MASKA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as garden-C. b35387889 PRG 919/107/288/MASKA
State Library of South Australia MEANJIN Donation 1988 2 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MEANJIN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TEMPLE3, MEANJIN1, and TEMPLECOMP. b35384475 PRG 919/107/126/MEANJIN
State Library of South Australia MEANJIN1 Donation 1988 3 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MEANJIN1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MEANJIN, TEMPLE3, and TEMPLECOMP. b35384487 PRG 919/107/126/MEANJIN1
State Library of South Australia MEANJIN2 Donation 1988 3 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MEANJIN2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIMOND, MEANJIN3, and MEANJIN4. b35383318 PRG 919/107/89/MEANJIN2
State Library of South Australia MEANJIN3 Donation 1988 4 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MEANJIN3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MEANJIN2, DIMOND, and MEANJIN4. b3538332x PRG 919/107/89/MEANJIN3
State Library of South Australia MEANJIN4 Donation 1988 4 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MEANJIN4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MEANJIN2, MEANJIN3, and DIMOND. b35383306 PRG 919/107/89/MEANJIN4
State Library of South Australia MESSENGENE Donation 1991 22 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MESSENGENE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as VISITOR. b35385583 PRG 919/107/165/MESSENGENE
State Library of South Australia MESSENGER Donation 1991 23 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MESSENGER is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MESSENGER1. b35385595 PRG 919/107/166/MESSENGER
State Library of South Australia MESSENGER1 Donation 1991 21 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MESSENGER1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MESSENGER. b35385601 PRG 919/107/166/MESSENGER1
State Library of South Australia MINARET Donation 1991 19 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MINARET is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MINARET1. b35386678 PRG 919/107/223/MINARET
State Library of South Australia MINARET1 Donation 1991 19 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MINARET1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MINARET. b3538668x PRG 919/107/223/MINARET1
State Library of South Australia MINARET2 Donation 1991 25 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MINARET2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MINARET3. b35386241 PRG 919/107/199/MINARET2
State Library of South Australia MINARET3 Donation 1991 18 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MINARET3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MINARET2 b3538623x PRG 919/107/199/MINARET3
State Library of South Australia MIRROROOM Donation 1988 1 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MIRROROOM is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLCROS, SPHRESTRPS, and STRIPES. b35381760 PRG 919/107/25/MIRROROOM
State Library of South Australia MMM Donation 1992 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MMM is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as W-W. b35391005 PRG 919/107/433/MMM
State Library of South Australia MNDLCROS Donation 1988 21 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MNDLCROS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MIRROROOM, SPHRESTRPS, and STRIPES [See also PRG 919/107/33-34, 135, 182, 225 for MNDL variations]. b35381759 PRG 919/107/25/MNDLCROS
State Library of South Australia MNDLEJUNGL Donation 1991 17 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MNDLEJUNGL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLOCKI. b3538590x PRG 919/107/182/MNDLEJUNGL
State Library of South Australia MNDLEJUNGL Donation 1991 19 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MNDLEJUNGL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALCRL. b35386721 PRG 919/107/225/MNDLEJUNGL
State Library of South Australia MNDLNEW1 Donation 1988 7 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MNDLNEW1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MANDELNEW. b35381930 PRG 919/107/33/MNDLNEW1
State Library of South Australia MNDLSPIKE1 Donation 1988 7 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MNDLSPIKE1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as fullspike, DBLESPIKE and FULLMAND. b35381954 PRG 919/107/34/MNDLSPIKE1
State Library of South Australia MNDLTRE20 Donation 1988 2 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MNDLTRE20 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLTRE20A, BAUHAUS2, and BAUHAUS1. b35384694 PRG 919/107/135/MNDLTRE20
State Library of South Australia MNDLTRE20A Donation 1988 2 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MNDLTRE20A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLTRE20, BAUHAUS2, and BAUHAUS1. b35384682 PRG 919/107/135/MNDLTRE20A
State Library of South Australia MONUMENT Donation 1988 14 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MONUMENT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUECIRCLE, MONUMENT1, and MONUMENT2. b35383574 PRG 919/107/98/MONUMENT
State Library of South Australia MONUMENT1 Donation 1988 14 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MONUMENT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUECIRCLE, MONUMENT, and MONUMENT2. b35383598 PRG 919/107/98/MONUMENT1
State Library of South Australia MONUMENT2 Donation 1988 12 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MONUMENT2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRAL, ORCHID, and NGHTORCHID. b35384062 PRG 919/107/110/MONUMENT2
State Library of South Australia MONUMENT2 Donation 1988 14 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MONUMENT2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUECIRCLE, MONUMENT1, and MONUMENT. b35383604 PRG 919/107/98/MONUMENT2
State Library of South Australia MOONFERN Donation 1988 10 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MOONFERN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FERNPIC, COLORFERN, and GOLDFERNS. b35384529 PRG 919/107/127/MOONFERN
State Library of South Australia MURAL Donation 1988 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MURAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HIBRID, VERTICPATT, and GOLD. b35383951 PRG 919/107/108/MURAL
State Library of South Australia Machine Donation 1992 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Machine is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Machine1. b35390426 PRG 919/107/404/Machine
State Library of South Australia Machine1 Donation 1992 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Machine1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Machine. b35390414 PRG 919/107/404/Machine1
State Library of South Australia Man-0 Donation 1992 20 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Man-0 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Man-1. b35388547 PRG 919/107/308/Man-0
State Library of South Australia Man-1 Donation 1992 20 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Man-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Man-0. b35388535 PRG 919/107/308/Man-1
State Library of South Australia Manbaroque Donation 1991 7 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Manbaroque is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandelvase. b35387828 PRG 919/107/282/Manbaroque
State Library of South Australia MandCASTLE Donation 1992 6 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MandCASTLE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MandelLogo. b35388158 PRG 919/107/286/MandCASTLE
State Library of South Australia MandeFgr Donation 1993 1 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MandeFgr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MandeFgr-1. b35395692 PRG 919/107/672/MandeFgr
State Library of South Australia MandeFgr-1 Donation 1993 1 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MandeFgr-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MandeFgr. b35395709 PRG 919/107/672/MandeFgr-1
State Library of South Australia MandeTRIO Donation 1993 30 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MandeTRIO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MandeTRIOa. b35396039 PRG 919/107/690/MandeTRIO
State Library of South Australia MandeTRIOa Donation 1993 30 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MandeTRIOa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MandeTRIO. b35396027 PRG 919/107/690/MandeTRIOa
State Library of South Australia MandeTRIOb Donation 1993 30 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MandeTRIOb is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Corner. b35396003 PRG 919/107/689/MandeTRIOb
State Library of South Australia Mandecent Donation 1992 4 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandecent is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lantern. b35390256 PRG 919/107/396/Mandecent
State Library of South Australia Mandecenta Donation 1992 20 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandecenta is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Structre. b35389862 PRG 919/107/376/Mandecenta
State Library of South Australia Mandecenti Donation 1992 15 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandecenti is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandecento. b35389965 PRG 919/107/381/Mandecenti
State Library of South Australia Mandecento Donation 1992 24 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandecento is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandecenti. b35389953 PRG 919/107/381/Mandecento
State Library of South Australia Mandecentr Donation 1993 3 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandecentr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Figures. b35395576 PRG 919/107/665/Mandecentr
State Library of South Australia Mandecentr Donation 1992 12 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandecentr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PHOTOreg15. b35394110 PRG 919/107/813/Mandecentr
State Library of South Australia Mandecntr Donation 1988 3 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandecntr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELFRM. b35385200 PRG 919/107/666/Mandecntr
State Library of South Australia Mandeforst Donation 1991 11 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandeforst is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandelend. b35388006 PRG 919/107/828/Mandeforst
State Library of South Australia MandelLogo Donation 1992 21 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MandelLogo is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MandCASTLE. b3538816x PRG 919/107/286/MandelLogo
State Library of South Australia Mandelbro Donation 1992 23 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandelbro is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandelbro1. b35389199 PRG 919/107/342/Mandelbro
State Library of South Australia Mandelbro1 Donation 1992 29 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandelbro1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandelbro. b35389205 PRG 919/107/342/Mandelbro1
State Library of South Australia Mandelbro1 Donation 1992 3 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandelbro1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandelbro2. b35394146 PRG 919/107/827/Mandelbro1
State Library of South Australia Mandelbro2 Donation 1992 4 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandelbro2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandelbro1. b35394158 PRG 919/107/827/Mandelbro2
State Library of South Australia Mandelcat Donation 1992 19 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandelcat is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PortalRED b35388134 PRG 919/107/284/Mandelcat
State Library of South Australia Mandelend Donation 1991 11 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandelend is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandeforst. b35388018 PRG 919/107/828/Mandelend
State Library of South Australia Mandelmap Donation 1988 4 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandelmap is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35385224 PRG 919/107/802/Mandelmap
State Library of South Australia Mandeltota Donation 1992 19 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandeltota is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandeltoto. b35389515 PRG 919/107/358/Mandeltota
State Library of South Australia Mandeltotm Donation 1992 19 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandeltotm is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDLgreen. b35388298 PRG 919/107/294/Mandeltotm
State Library of South Australia Mandeltoto Donation 1992 19 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandeltoto is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandeltota. b35389503 PRG 919/107/358/Mandeltoto
State Library of South Australia Mandelvas1 Donation 1991 11 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandelvas1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDLrainb. b35387841 PRG 919/107/283/Mandelvas1
State Library of South Australia Mandelvase Donation 1991 11 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandelvase is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Manbaroque. b3538783x PRG 919/107/282/Mandelvase
State Library of South Australia Mandl-ALB Donation 1993 11 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandl-ALB is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Albers. b35395898 PRG 919/107/683/Mandl-ALB
State Library of South Australia MandlALB-1 Donation 1993 11 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MandlALB-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MandlALB-2. b35395874 PRG 919/107/682/MandlALB-1
State Library of South Australia MandlALB-2 Donation 1993 11 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MandlALB-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MandlALB-1. b35395862 PRG 919/107/682/MandlALB-2
State Library of South Australia Mandlgardn Donation 1994 4 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandlgardn is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Web-sphre. b35398292 PRG 919/107/810/Mandlgardn
State Library of South Australia Mandlgardn Donation 1994 4 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandlgardn is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35398395 PRG 919/107/829/Mandlgardn
State Library of South Australia Mandlshor Donation 1994 11 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandlshor is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandlshore. b35398218 PRG 919/107/805/Mandlshor
State Library of South Australia Mandlshore Donation 1994 11 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mandlshore is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandlshor. b3539822x PRG 919/107/805/Mandlshore
State Library of South Australia Mando Donation 1992 15 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mando is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mando-INV. b35388717 PRG 919/107/317/Mando
State Library of South Australia Mando-INV Donation 1992 26 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mando-INV is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mando b35388729 PRG 919/107/317/Mando-INV
State Library of South Australia Mangreen Donation 1992 10 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mangreen is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mangreen1. b35393348 PRG 919/107/552/Mangreen
State Library of South Australia Mangreen1 Donation 1992 11 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mangreen1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mangreen. b3539335x PRG 919/107/552/Mangreen1
State Library of South Australia Manjump Donation 1992 9 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Manjump is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Globe-3b. b35393233 PRG 919/107/546/Manjump
State Library of South Australia Manjumpa Donation 1992 9 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Manjumpa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Globe-2. b35393257 PRG 919/107/547/Manjumpa
State Library of South Australia Marble Donation 1993 27 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Marble is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritsph4a. b35394985 PRG 919/107/634/Marble
State Library of South Australia Mary's Scars Animation Donation from Australian Network of Art and Technology 1991 1 3.5 inch floppy disk, electronic files, Linda DEMENT Mary's Scars Animation. b35462772 BRG 391/373
State Library of South Australia Mauve Donation 1992 23 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mauve is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Board. b35392861 PRG 919/107/528/Mauve
State Library of South Australia Mauve-1 Donation 1992 10 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mauve-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mauve-2. b35393191 PRG 919/107/544/Mauve-1
State Library of South Australia Mauve-2 Donation 1992 20 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Mauve-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mauve-1. b3539318x PRG 919/107/544/Mauve-2
State Library of South Australia Memory Plains Returning Donation from Australian Network of Art and Technology 2003 1 videocassette , stereo, VHS, colour 13mm Adam NASH Memory Plains Returning video capture. ANAT # N025 b3535995x BRG 391/F-255
State Library of South Australia Messenger1 Donation 1993 8 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Messenger1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397639 PRG 919/107/843/Messenger1
State Library of South Australia Meta Donation from Australian Network of Art and Technology 1996 00:27:00 1 digital audio tape , digital, magnetic, stereo 7.3 x 5.4 cm, 3.8 mm tape Damian CASTALDI 'Meta' produced by Damian Castaldi for ANAT 1996, containing 6 tracks. b35332748 BRG 391/48/2
State Library of South Australia Metraform ecstasis DVD Donation from Australian Network of Art and Technology 2003 1 DVD, Jonathan DUCKWORTH Metraform ecstasis DVD by Jonathan Duckworth collected by the Australian Network for Art and Technology (ANAT). Includes the Metraform visuals, and 2 documentaries on Metraform Ecstasis and the virtual reality technology used. b35159790 BRG 391/91/1
State Library of South Australia Middriffini Donation from Australian Network of Art and Technology 1993 00:19:00 1 videocassette , sound, stereo, VHS, colour 13mm Sabrina SCHMID Midriffini. C.G. Animation and 16mm Animation. ANAT # 186 b35255493 BRG 391/F-117
State Library of South Australia Millenium Meanderings Donation from Australian Network of Art and Technology 1992 00:35:00 1 videocassette , sound, stereo, VHS, colour 13mm Phil DENCH Two works involving Phil Dench and Jill Smith, who went on to form Hedus (Metamorphosis), a company which develop, design and supply a range of 3D scanning products and services to entertainment, industrial design and health care industries around the world. ANAT # DEN 92.01 b35342237 BRG 391/F-197
State Library of South Australia Mind Virus Phase Two Disk One Donation from Australian Network of Art and Technology [Approximately 1998] 1 3.5 inch floppy disk, x electronic files, MIND VIRUS Mind Virus Phase Two Disk One (3.5 inch floppy disk) b35221847 BRG 391/238b
State Library of South Australia Mind Virus Phase Two Disk Two Donation from Australian Network of Art and Technology [Approximately 1998] 1 3.5 inch floppy disk, x electronic files, MIND VIRUS Mind Virus Phase Two Disk One (3.5 inch floppy disk) b35221847 BRG 391/238b
State Library of South Australia Mira Donation from Australian Network of Art and Technology 1985 00:11:00 1 videocassette , sound, stereo, VHS, colour 13mm Laura BIANCHINI Performance for one dancer and a computer in real time. Choreography by Sahlan Momo, music by Michelangelo Lupone. Video. ANAT # BIA 85.01 b35254476 BRG 391/F-15
State Library of South Australia Mobility in an Artificial City Donation from Australian Network of Art and Technology 1996 00:13:00 1 videocassette , sound, stereo, VHS, colour 13mm Margie MEDLIN Video documentation (1996) of an installation work which originated from the design of an artificial city, built using computerised images and positioned on the border between the first and third world. In this city, complex architectural spaces and a choreographic overlay collude to elucidate the differing emotional states of the urban environment. Video/Dance/3D & 2D Computer Animation. ANAT # MED 96.01 b35255250 BRG 391/F-93
State Library of South Australia Mobility in an Artificial City Donation from Australian Network of Art and Technology 1997 00:25:00 1 videocassette , sound, stereo, VHS, colour 13mm Margie MEDLIN Video documentation (1997) of an installation work which originated from the design of an artificial city, built using computerised images and positioned on the border between the first and third world. In this city, complex architectural spaces and a choreographic overlay collude to elucidate the differing emotional states of the urban environment. Video/Dance/3D & 2D Computer Animation. ANAT # MED 97.01 b35255262 BRG 391/F-94
State Library of South Australia ModeX Donation 1993 26 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ModeX is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape5. b35396088 PRG 919/107/693/ModeX
State Library of South Australia Molten Godhead / Tomb of Terror Donation from Australian Network of Art and Technology 1996 1997 00:26:00 1 videocassette , sound, stereo, VHS, colour 13mm Ben BLAKEBROUGH, TRICLOPS INTERNATIONAL, Miles VAN DORSSEN Live Perf. Steelwork. Industry technology. Lighting. ANAT # 217 b3525578x BRG 391/F-146
State Library of South Australia Monarch84 Donation 1993 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Monarch84 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TimeGate2. b35394432 PRG 919/107/601/Monarch84
State Library of South Australia MoonLyap Donation 1993 5 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MoonLyap is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MoonLyap-1. b35395655 PRG 919/107/670/MoonLyap
State Library of South Australia MoonLyap-1 Donation 1993 4 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MoonLyap-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MoonLyap. b35395667 PRG 919/107/670/MoonLyap-1
State Library of South Australia MoonLyap2 Donation 1993 4 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MoonLyap2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT-20ad. b35395680 PRG 919/107/671/MoonLyap2
State Library of South Australia MoonLyap3 Donation 1993 27 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MoonLyap3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MoonLyap4. b35395515 PRG 919/107/662/MoonLyap3
State Library of South Australia MoonLyap4 Donation 1993 27 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI MoonLyap4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MoonLyap3. b35395527 PRG 919/107/662/MoonLyap4
State Library of South Australia Moonbow Donation 1993 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moonbow is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Sunbow. b35394882 PRG 919/107/629/Moonbow
State Library of South Australia Moonlyap-5 Donation 1993 4 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moonlyap-5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as cabba. b35395771 PRG 919/107/676/Moonlyap-5
State Library of South Australia Moonlyap-a Donation 1993 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moonlyap-a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spinno. b3539545x PRG 919/107/659/Moonlyap-a
State Library of South Australia Moth Donation 1992 27 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moth is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moth-1. b35390530 PRG 919/107/410/Moth
State Library of South Australia Moth-1 Donation 1992 22 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moth-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moth. b35390542 PRG 919/107/410/Moth-1
State Library of South Australia Moth-2 Donation 1992 24 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moth-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moth-3. b35390566 PRG 919/107/411/Moth-2
State Library of South Australia Moth-3 Donation 1992 24 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moth-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moth-2. b35390554 PRG 919/107/411/Moth-3
State Library of South Australia Moth-4 Donation 1992 24 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moth-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moth-5. b35390864 PRG 919/107/426/Moth-4
State Library of South Australia Moth-5 Donation 1992 24 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moth-5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moth-4. b35390852 PRG 919/107/426/Moth-5
State Library of South Australia Moth-6 Donation 1992 27 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moth-6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moth-7. b35390529 PRG 919/107/409/Moth-6
State Library of South Australia Moth-7 Donation 1992 27 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Moth-7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moth-6. b35390517 PRG 919/107/409/Moth-7
State Library of South Australia Movatar - Cybercultures Donation from Australian Network of Art and Technology 2000 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm STELARC Documentation of the first performance of the Movatar project at CYBERCULTURES in Sydney, August 2000. Movatar is an avatar imbued with an artificial intelligence that makes it somewhat autonomous and operational, which is able to perform in the real world by accessing a physical body. Title looped three times [actual tape end: 0.16.11 ]. Video/Interactive Electriod Installation. ANAT # STE 00.01 b35255626 BRG 391/F-130
State Library of South Australia Multimedia: Industry Programs Donation from Australian Network of Art and Technology [Approximately 1994] 00:19:00 1 videocassette , sound, stereo, VHS, colour 13mm An Australian Commonwealth Government promotional video, providing an overview of programs offered by the Department of Industry, Science and Technology which are relevant to multimedia developers. ANAT # MUL 94.01 b35348896 BRG 391/F-214
State Library of South Australia Murmur Donation from Australian Network of Art and Technology [Approximately 2006] 00:08:00 1 videocassette , stereo, VHS, colour 13mm Kate MATTHEWS Murmur, hand-drawn digitally composited animation. Presented at the Next Wave Festival, Melbourne. ANAT # N017 b35358488 BRG 391/F-247
State Library of South Australia Museum / Infected Process / Uptoyou / DRXi / J.Score Donation from Australian Network of Art and Technology 1993 00:23:00 1 videocassette , sound, stereo, VHS, colour 13mm K.P. LUDWIG JOHN Works of German artist K.P. Ludwig Johns, including video and effects, C.G. montages, and interactive installations. ANAT # KPL 93.01 b35348665 BRG 391/F-209
State Library of South Australia Music produced as a result of an Art Research and Development Fund grant from ANAT Donation from Australian Network of Art and Technology 1993 00:52:00 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Warren BURT Music produced as a result of an Art Research and Development Fund grant from ANAT. Side A contains Five More Improvisations for Movements and Concrete and Electronic Sounds (with tuning forks and accordion). Side B contains Eight Microtonal Piano Etudes (from the complete set of 39). b35133120 BRG 391/42/2
State Library of South Australia My Memory Your Past Donation from Australian Network of Art and Technology 1994 00:02:00 1 videocassette , sound, stereo, VHS, colour 13mm Moira CORBY A metaphorical journey through the life and works of medieval visionary, philosopher and theologian, Hildegarde Von Bingen (Saint Hildegarde). 2D & 3D Computer Animation. (NB: This work is looped three times.) ANAT # COR 94.01 b35254646 BRG 391/F-32
State Library of South Australia My chromosomes and Interview with body_manufacture Donation from Australian Network of Art and Technology 2002 00:11:00 1 videocassette , stereo, VHS, colour 13mm Peta CLANCY My chromosomes and Interview with body_manufacture by Peta Clancy. ANAT # N028 b35359985 BRG 391/F-258
State Library of South Australia NAVIGATOR Donation 1988 29 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NAVIGATOR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TEMPLE, LORD2, and SPHERE. b3538380x PRG 919/107/104/NAVIGATOR
State Library of South Australia NAVIGATOR Donation 1988 12 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NAVIGATOR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TREE, ALTARO, and LENS. b35383537 PRG 919/107/97/NAVIGATOR
State Library of South Australia NEON-1 Donation 1992 17 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NEON-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ATRIUM. b35389710 PRG 919/107/368/NEON-1
State Library of South Australia NEW Donation 1991 26 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NEW is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NEW1. b3538654x PRG 919/107/216/NEW
State Library of South Australia NEW1 Donation 1991 26 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NEW1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NEW. b35386538 PRG 919/107/216/NEW1
State Library of South Australia NEWONE Donation 1988 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NEWONE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLOWERPLAN and NEWTWO. b35382351 PRG 919/107/49/NEWONE
State Library of South Australia NEWTWO Donation 1988 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NEWTWO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLOWERPLAN and NEWONE. b35382375 PRG 919/107/49/NEWTWO
State Library of South Australia NGHTORCHID Donation 1988 22 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NGHTORCHID is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRAL, ORCHID, and MONUMENT2. b35384037 PRG 919/107/110/NGHTORCHID
State Library of South Australia NIGHTDAY Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NIGHTDAY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CHINESEORCHD and CHINESE7. b35380767 PRG 919/107/51/NIGHTDAY
State Library of South Australia NIGHTDAY1 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Nightday1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Nightday3, OK7colr2, and OK7colr3. b35380020 PRG 919/107/9/NIGHTDAY1
State Library of South Australia NIGHTDAY3 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Nightday3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Nightday1, OK7colr2, and OK7colr3. b35380007 PRG 919/107/9/NIGHTDAY3
State Library of South Australia Neo Metro Time ride (proposal) Donation from Australian Network of Art and Technology 1996 00:24:00 1 videocassette , sound, stereo, VHS, colour 13mm Damian CASTALDI, Maria STUKOFF Ascousmatic interactive installation C.G.I. To Sound Design. 08:38-11:16. ANAT # 205 b35255663 BRG 391/F-134
State Library of South Australia Net Donation 1993 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Net is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Acorn. b35397305 PRG 919/107/754/Net
State Library of South Australia Net-a Donation 1993 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Net-a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScreenRd. b35397330 PRG 919/107/756/Net-a
State Library of South Australia NetRed Donation 1993 15 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NetRed is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Acorno. b35397172 PRG 919/107/748/NetRed
State Library of South Australia Neton-67 Donation 1992 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Neton-67 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton4-21. b35392496 PRG 919/107/509/Neton-67
State Library of South Australia New Media Lab Application and documentation Donation from Australian Network of Art and Technology 2005 1 Data CD, 9 electronic files, Trish ADAMS Trish Adams New Media Lab Application and documentation, including 5 images of installation and 4 accompanying audio files. b35457119 BRG 391/393
State Library of South Australia NewPattern Donation 1992 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewPattern is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewTree2. b35390906 PRG 919/107/428/NewPattern
State Library of South Australia NewTree-1 Donation 1992 8 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewTree-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewTree2. b35390967 PRG 919/107/431/NewTree-1
State Library of South Australia NewTree2 Donation 1992 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewTree2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewPattern. b3539089x PRG 919/107/428/NewTree2
State Library of South Australia NewTree2 Donation 1992 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewTree2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewTree-1. b35390955 PRG 919/107/431/NewTree2
State Library of South Australia NewTree2 Donation 1992 7 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewTree2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewTree3. b35391315 PRG 919/107/449/NewTree2
State Library of South Australia NewTree3 Donation 1992 12 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewTree3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewTree2. b35391327 PRG 919/107/449/NewTree3
State Library of South Australia Newplane-4 Donation 1992 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplane-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Hold. b3539240x PRG 919/107/505/Newplane-4
State Library of South Australia Newplanet0 Donation 1992 2 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplanet0 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplanet9. b35392460 PRG 919/107/508/Newplanet0
State Library of South Australia Newplanet1 Donation 1992 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplanet1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplanet2. b35392435 PRG 919/107/506/Newplanet1
State Library of South Australia Newplanet2 Donation 1992 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplanet2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplanet1. b35392423 PRG 919/107/506/Newplanet2
State Library of South Australia Newplanet3 Donation 1992 23 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplanet3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplanet4. b35392320 PRG 919/107/501/Newplanet3
State Library of South Australia Newplanet4 Donation 1992 23 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplanet4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplanet3. b35392332 PRG 919/107/501/Newplanet4
State Library of South Australia Newplanet5 Donation 1992 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplanet5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplanet6. b35392307 PRG 919/107/500/Newplanet5
State Library of South Australia Newplanet6 Donation 1992 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplanet6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplanet5. b35392319 PRG 919/107/500/Newplanet6
State Library of South Australia Newplanet7 Donation 1992 24 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplanet7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplanet8. b35392629 PRG 919/107/516/Newplanet7
State Library of South Australia Newplanet8 Donation 1992 3 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplanet8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplanet7. b35392630 PRG 919/107/516/Newplanet8
State Library of South Australia Newplanet9 Donation 1992 2 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newplanet9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newplanet0. b35392472 PRG 919/107/508/Newplanet9
State Library of South Australia Newt-Eve Donation 1992 17 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newt-Eve is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton4e. b35393397 PRG 919/107/554/Newt-Eve
State Library of South Australia Newt-Rose Donation 1993 7 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newt-Rose is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtonDBLE. b35395321 PRG 919/107/652/Newt-Rose
State Library of South Australia Newt15-68 Donation 1992 28 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newt15-68 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3cc. b3539402x PRG 919/107/586/Newt15-68
State Library of South Australia NewtCentr Donation 1992 25 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtCentr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtCentre. b35392885 PRG 919/107/529/NewtCentr
State Library of South Australia NewtCentr1 Donation 1992 17 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtCentr1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtCentr2. b35392770 PRG 919/107/523/NewtCentr1
State Library of South Australia NewtCentr2 Donation 1992 17 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtCentr2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtCentr1. b35392769 PRG 919/107/523/NewtCentr2
State Library of South Australia NewtCentrA Donation 1992 26 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtCentrA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtCentrB. b35392903 PRG 919/107/530/NewtCentrA
State Library of South Australia NewtCentrB Donation 1992 25 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtCentrB is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtCentrA. b35392915 PRG 919/107/530/NewtCentrB
State Library of South Australia NewtCentrD Donation 1992 13 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtCentrD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ooooBa. b35393518 PRG 919/107/560/NewtCentrD
State Library of South Australia NewtCentrF Donation 1992 15 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtCentrF is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBldg0. b35393579 PRG 919/107/563/NewtCentrF
State Library of South Australia NewtCentre Donation 1992 26 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtCentre is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtCentr. b35392897 PRG 919/107/529/NewtCentre
State Library of South Australia NewtCyborg Donation 1993 8 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtCyborg is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b3539772x PRG 919/107/852/NewtCyborg
State Library of South Australia Newtcorner Donation 1993 6 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtcorner is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Giftbox. b35395047 PRG 919/107/637/Newtcorner
State Library of South Australia Newtcybora Donation 1992 8 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtcybora is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtcyborg. b35392514 PRG 919/107/510/Newtcybora
State Library of South Australia Newtcyborg Donation 1992 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtcyborg is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtcybora. b35392502 PRG 919/107/510/Newtcyborg
State Library of South Australia Newtex Donation 1993 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtex is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtexFin. b35394900 PRG 919/107/630/Newtex
State Library of South Australia Newtex-1 Donation 1992 30 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtex-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtex-2. b35393580 PRG 919/107/564/Newtex-1
State Library of South Australia Newtex-1a Donation 1993 8 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtex-1a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397718 PRG 919/107/851/Newtex-1a
State Library of South Australia Newtex-2 Donation 1992 30 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtex-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtex-1. b35393592 PRG 919/107/564/Newtex-2
State Library of South Australia Newtex-3 Donation 1992 30 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtex-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JuliaGem. b35393609 PRG 919/107/565/Newtex-3
State Library of South Australia Newtex-D Donation 1993 4 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtex-D is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtex-T. b35394936 PRG 919/107/631/Newtex-D
State Library of South Australia Newtex-T Donation 1993 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtex-T is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtex-D. b35394924 PRG 919/107/631/Newtex-T
State Library of South Australia Newtex74-1 Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtex74-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397706 PRG 919/107/850/Newtex74-1
State Library of South Australia NewtexFin Donation 1993 2 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtexFin is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtex. b35394912 PRG 919/107/630/NewtexFin
State Library of South Australia Newtflora Donation 1992 31 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtflora is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtonoA. b35394055 PRG 919/107/625/Newtflora
State Library of South Australia Newtflora1 Donation 1992 31 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtflora1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton2-b. b35394043 PRG 919/107/615/Newtflora1
State Library of South Australia Newtgarde Donation 1992 6 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtgarde is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtgarde1. b3539271x PRG 919/107/520/Newtgarde
State Library of South Australia Newtgarde1 Donation 1992 6 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtgarde1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtgarde. b35392708 PRG 919/107/520/Newtgarde1
State Library of South Australia Newtgarde2 Donation 1992 5 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtgarde2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtgarde3. b35392617 PRG 919/107/515/Newtgarde2
State Library of South Australia Newtgarde3 Donation 1992 6 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtgarde3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtgarde2. b35392605 PRG 919/107/515/Newtgarde3
State Library of South Australia Newtgardn Donation 1992 22 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtgardn is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtgardn1. b35393877 PRG 919/107/578/Newtgardn
State Library of South Australia Newtgardn1 Donation 1992 22 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtgardn1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtgardn. b35393865 PRG 919/107/578/Newtgardn1
State Library of South Australia Newtgardn2 Donation 1992 22 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtgardn2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtgardn3. b3539397x PRG 919/107/583/Newtgardn2
State Library of South Australia Newtgardn3 Donation 1992 23 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtgardn3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtgardn2. b35393968 PRG 919/107/583/Newtgardn3
State Library of South Australia Newto5orig Donation 1992 28 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newto5orig is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton5a. b35392290 PRG 919/107/499/Newto5orig
State Library of South Australia Newton-3e Donation 1993 27 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton-3e is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Grid-3c. b3539528x PRG 919/107/649/Newton-3e
State Library of South Australia Newton-3g Donation 1993 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton-3g is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton-3h. b35395308 PRG 919/107/650/Newton-3g
State Library of South Australia Newton-3h Donation 1993 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton-3h is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton-3g. b35395291 PRG 919/107/650/Newton-3h
State Library of South Australia Newton1 Donation 1993 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SqCircle-3. b35394377 PRG 919/107/596/Newton1
State Library of South Australia Newton11 Donation 1992 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton11 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton11a. b35392538 PRG 919/107/511/Newton11
State Library of South Australia Newton11a Donation 1992 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton11a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton11. b35392526 PRG 919/107/511/Newton11a
State Library of South Australia Newton11aa Donation 1992 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton11aa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton11ab. b35392551 PRG 919/107/512/Newton11aa
State Library of South Australia Newton11ab Donation 1992 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton11ab is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton11aa. b3539254x PRG 919/107/512/Newton11ab
State Library of South Australia Newton11ac Donation 1992 11 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton11ac is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton11ad. b35392678 PRG 919/107/518/Newton11ac
State Library of South Australia Newton11ad Donation 1992 11 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton11ad is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton11ac. b35392666 PRG 919/107/518/Newton11ad
State Library of South Australia Newton13 Donation 1992 10 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton13 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Reflected. b35393324 PRG 919/107/551/Newton13
State Library of South Australia Newton1a Donation 1993 8 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton1a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton8. b35394262 PRG 919/107/590/Newton1a
State Library of South Australia Newton2-b Donation 1994 6 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton2-b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtflora1. b35397962 PRG 919/107/615/Newton2-b
State Library of South Australia Newton2a Donation 1993 26 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton2a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen22. b35394870 PRG 919/107/628/Newton2a
State Library of South Australia Newton3 Donation 1993 24 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SqareCirc2. b35394201 PRG 919/107/587/Newton3
State Library of South Australia Newton3 Donation 1993 24 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SqareCirc2. b35394237 PRG 919/107/588/Newton3
State Library of South Australia Newton3b Donation 1993 3 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3bB. b35395242 PRG 919/107/647/Newton3b
State Library of South Australia Newton3b1 Donation 1993 24 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3b1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Eddy-68. b35394316 PRG 919/107/593/Newton3b1
State Library of South Australia Newton3b67 Donation 1992 30 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3b67 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3c67. b35394018 PRG 919/107/585/Newton3b67
State Library of South Australia Newton3bB Donation 1993 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3bB is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3b. b35395230 PRG 919/107/647/Newton3bB
State Library of South Australia Newton3ba Donation 1992 19 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3ba is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3bb. b35393798 PRG 919/107/574/Newton3ba
State Library of South Australia Newton3bb Donation 1992 18 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3bb is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3ba. b35393786 PRG 919/107/574/Newton3bb
State Library of South Australia Newton3bb Donation 1992 21 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3bb is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3bc. b35393804 PRG 919/107/575/Newton3bb
State Library of South Australia Newton3bc Donation 1992 21 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3bc is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3bb. b35393816 PRG 919/107/575/Newton3bc
State Library of South Australia Newton3c67 Donation 1992 30 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3c67 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3b67. b35394006 PRG 919/107/585/Newton3c67
State Library of South Australia Newton3ca Donation 1992 28 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3ca is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3cb. b35393932 PRG 919/107/581/Newton3ca
State Library of South Australia Newton3cb Donation 1992 28 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3cb is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3ca. b35393920 PRG 919/107/581/Newton3cb
State Library of South Australia Newton3cc Donation 1994 6 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3cc is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newt15-68. b35397925 PRG 919/107/586/Newton3cc
State Library of South Australia Newton3d67 Donation 1993 3 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton3d67 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen76a. b35394298 PRG 919/107/592/Newton3d67
State Library of South Australia Newton4-21 Donation 1992 24 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton4-21 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Neton-67. b35392484 PRG 919/107/509/Newton4-21
State Library of South Australia Newton4b Donation 1994 12 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton4b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Image61. b35398206 PRG 919/107/804/Newton4b
State Library of South Australia Newton4c Donation 1992 1 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton4c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton4d. b35393762 PRG 919/107/573/Newton4c
State Library of South Australia Newton4d Donation 1992 1 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton4d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton4c. b35393774 PRG 919/107/573/Newton4d
State Library of South Australia Newton4e Donation 1992 17 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton4e is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newt-Eve. b35393385 PRG 919/107/554/Newton4e
State Library of South Australia Newton4e Donation 1992 1 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton4e is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton4f. b35393749 PRG 919/107/572/Newton4e
State Library of South Australia Newton4f Donation 1992 17 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton4f is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton4e. b35393750 PRG 919/107/572/Newton4f
State Library of South Australia Newton5a Donation 1992 22 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton5a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newto5orig. b35392289 PRG 919/107/499/Newton5a
State Library of South Australia Newton5b Donation 1992 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton5b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton5d. b35392356 PRG 919/107/502/Newton5b
State Library of South Australia Newton5c Donation 1992 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton5c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton5de. b35392368 PRG 919/107/503/Newton5c
State Library of South Australia Newton5c Donation 1992 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton5c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton5de. b35392393 PRG 919/107/504/Newton5c
State Library of South Australia Newton5d Donation 1992 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton5d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton5b. b35392344 PRG 919/107/502/Newton5d
State Library of South Australia Newton5de Donation 1992 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton5de is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton5c. b3539237x PRG 919/107/503/Newton5de
State Library of South Australia Newton5de Donation 1992 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton5de is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton5c. b35392381 PRG 919/107/504/Newton5de
State Library of South Australia Newton6 Donation 1993 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton7. b35395400 PRG 919/107/656/Newton6
State Library of South Australia Newton6+7 Donation 1993 29 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton6+7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapuscape. b3539559x PRG 919/107/667/Newton6+7
State Library of South Australia Newton68Ls Donation 1992 28 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton68Ls is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton68d. b35393956 PRG 919/107/582/Newton68Ls
State Library of South Australia Newton68d Donation 1992 28 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton68d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton68Ls. b35393944 PRG 919/107/582/Newton68d
State Library of South Australia Newton68f Donation 1992 27 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton68f is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton68y. b35393907 PRG 919/107/580/Newton68f
State Library of South Australia Newton68o Donation 1992 28 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton68o is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton68q. b35393981 PRG 919/107/584/Newton68o
State Library of South Australia Newton68q Donation 1992 30 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton68q is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton68o. b35393993 PRG 919/107/584/Newton68q
State Library of South Australia Newton68v Donation 1992 27 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton68v is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton68w. b35393889 PRG 919/107/579/Newton68v
State Library of South Australia Newton68w Donation 1992 27 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton68w is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton68v. b35393890 PRG 919/107/579/Newton68w
State Library of South Australia Newton68y Donation 1992 28 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton68y is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton68f. b35393919 PRG 919/107/580/Newton68y
State Library of South Australia Newton6a Donation 1993 28 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton6a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton6b. b35394833 PRG 919/107/626/Newton6a
State Library of South Australia Newton6b Donation 1993 28 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton6b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton6a. b35394821 PRG 919/107/626/Newton6b
State Library of South Australia Newton7 Donation 1993 10 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton6. b35395412 PRG 919/107/656/Newton7
State Library of South Australia Newton7a Donation 1993 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton7a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b3539531x PRG 919/107/651/Newton7a
State Library of South Australia Newton7a Donation 1993 3 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton7a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton7b. b35395436 PRG 919/107/657/Newton7a
State Library of South Australia Newton7ac Donation 1993 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton7ac is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape5bb. b3539710x PRG 919/107/744/Newton7ac
State Library of South Australia Newton7b Donation 1993 3 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton7b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton7a. b35395424 PRG 919/107/657/Newton7b
State Library of South Australia Newton8 Donation 1992 11 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton1a. b35394031 PRG 919/107/590/Newton8
State Library of South Australia Newton8 Donation 1993 12 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newton8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Krystal. b35395382 PRG 919/107/655/Newton8
State Library of South Australia NewtonDBLE Donation 1993 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtonDBLE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newt-Rose. b35395333 PRG 919/107/652/NewtonDBLE
State Library of South Australia NewtonSP Donation 1993 6 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtonSP is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Optic. b35395229 PRG 919/107/646/NewtonSP
State Library of South Australia NewtonSP-1 Donation 1993 7 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtonSP-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtonSP-2. b35395011 PRG 919/107/635/NewtonSP-1
State Library of South Australia NewtonSP-2 Donation 1993 8 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtonSP-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtonSP-1. b3539500x PRG 919/107/635/NewtonSP-2
State Library of South Australia NewtonSP-4 Donation 1993 8 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtonSP-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NiceTomb. b35395035 PRG 919/107/636/NewtonSP-4
State Library of South Australia Newtono Donation 1993 23 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtono is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtscape1. b35394341 PRG 919/107/594/Newtono
State Library of South Australia Newtono1 Donation 1993 4 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtono1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtono2. b35394286 PRG 919/107/591/Newtono1
State Library of South Australia Newtono2 Donation 1993 12 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtono2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtono1. b35394274 PRG 919/107/591/Newtono2
State Library of South Australia NewtonoA Donation 1993 14 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtonoA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtflora. b3539481x PRG 919/107/625/NewtonoA
State Library of South Australia NewtonoC Donation 1993 14 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtonoC is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtonoD. b35394717 PRG 919/107/617/NewtonoC
State Library of South Australia NewtonoD Donation 1993 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtonoD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtonoC. b35394705 PRG 919/107/617/NewtonoD
State Library of South Australia Newtpaisle Donation 1993 28 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtpaisle is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtpaislo. b35394857 PRG 919/107/627/Newtpaisle
State Library of South Australia Newtpaislo Donation 1993 28 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtpaislo is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtpaisle. b35394845 PRG 919/107/627/Newtpaislo
State Library of South Australia NewtplaneO Donation 1992 23 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtplaneO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtplaneY b35392459 PRG 919/107/507/NewtplaneO
State Library of South Australia NewtplaneY Donation 1992 10 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NewtplaneY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtplaneO. b35392447 PRG 919/107/507/NewtplaneY
State Library of South Australia Newtscape1 Donation 1993 4 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtscape1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtono. b3539433x PRG 919/107/594/Newtscape1
State Library of South Australia Newtvase Donation 1992 5 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtvase is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtvase-1. b35392654 PRG 919/107/517/Newtvase
State Library of South Australia Newtvase-1 Donation 1992 5 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Newtvase-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newtvase. b35392642 PRG 919/107/517/Newtvase-1
State Library of South Australia NiceTomb Donation 1993 8 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI NiceTomb is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtonSP-4. b35395023 PRG 919/107/636/NiceTomb
State Library of South Australia Night Sky Donation from Australian Network of Art and Technology 1995 00:32:00 1 videocassette , sound, stereo, VHS, colour 13mm John CONOMOS Excerpts from the video component of Conomos' Night Sky installation, a three channel video piece providing a poetic meditation on the history of languages, of film, of art and stories of the artist and his family. Video/FX/Text. ANAT # CON 95.01 b35254609 BRG 391/F-28
State Library of South Australia Nonabor Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Nonabor is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as AboFrame. b35391145 PRG 919/107/440/Nonabor
State Library of South Australia Nude Traversing the Yarra Donation from Australian Network of Art and Technology 1990 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Robin BEST, Mark SHIELDS Video documentation of a neon sculpture installation on Melbourne's South Bank, produced for the 1990 Australian Sculpture Triennial. Video by Mark Sheilds. Video/Stills/FX. ANAT # BES 90.01 b35254452 BRG 391/F-13
State Library of South Australia NxT Multimedia Symposium Donation from Australian Network of Art and Technology 1999 00:52:00 1 videocassette , sound, stereo, VHS, colour 13mm Documentation of the 1999 NxT Multimedia Symposium in Darwin which aimed to show artists from the Northern Territory how new media technologies have the potential to enhance their work and broaden their markets. Includes interviews with artists and guest speakers. Video/FX/Computer Animation. Produced by Shimmering Productions / Mana Films from the Symposium in Darwin (Sep 30 - Oct 4 1999). ANAT # NXT 99.01 b35349128 BRG 391/F-218
State Library of South Australia O-1 Donation 1992 7 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O-2. b35391819 PRG 919/107/474/O-1
State Library of South Australia O-2 Donation 1992 7 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O-1. b35391807 PRG 919/107/474/O-2
State Library of South Australia O-3 Donation 1992 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O-4. b35391820 PRG 919/107/475/O-3
State Library of South Australia O-4 Donation 1992 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O-3. b35391832 PRG 919/107/475/O-4
State Library of South Australia O4 Donation 1992 31 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O5. b35390694 PRG 919/107/418/O4
State Library of South Australia O5 Donation 1992 31 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O4. b35390700 PRG 919/107/418/O5
State Library of South Australia O6 Donation 1992 1 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O7. b3539075x PRG 919/107/421/O6
State Library of South Australia O6A Donation 1992 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O6A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TriObelisk. b35391029 PRG 919/107/434/O6A
State Library of South Australia O6B Donation 1992 3 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O6B is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O6B-invrt. b35390748 PRG 919/107/420/O6B
State Library of South Australia O6B-invrt Donation 1992 3 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O6B-invrt is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O6B. b35390736 PRG 919/107/420/O6B-invrt
State Library of South Australia O7 Donation 1992 1 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI O7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O6. b35390761 PRG 919/107/421/O7
State Library of South Australia OK1 Donation 1988 24 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16a, OK3, and OK2. b35381668 PRG 919/107/15/OK1
State Library of South Australia OK10 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK10 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16Frame, OK14A, and OK8colr. b35380044 PRG 919/107/10/OK10
State Library of South Australia OK13 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK13 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK15, and OK8b. b35380226 PRG 919/107/16/OK13
State Library of South Australia OK13A Donation 1990 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK13A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WATERCOLR3, CATHEDRAL, and ABSTR3. b35381243 PRG 919/107/121/OK13A
State Library of South Australia OK14 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK14 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16b, OK16, and OK16c. b35380172 PRG 919/107/14/OK14
State Library of South Australia OK14A Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK14A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16Frame, OK8colr, and OK10. b35380068 PRG 919/107/10/OK14A
State Library of South Australia OK15 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK15 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK13, and OK8b. b35380238 PRG 919/107/16/OK15
State Library of South Australia OK16 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK16 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK14, OK16b, and OK16c. b35380196 PRG 919/107/14/OK16
State Library of South Australia OK16FRAME Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK16Frame is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK10, OK14A, and OK8colr. b35380032 PRG 919/107/10/OK16FRAME
State Library of South Australia OK16a Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK16a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK3, OK1, and OK2. b35380214 PRG 919/107/15/OK16a
State Library of South Australia OK16b Donation 1990 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK16b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK14, OK16, and OK16c. b35380184 PRG 919/107/14/OK16b
State Library of South Australia OK16c Donation 1990 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK16c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK14, OK16b, and OK16. b35380202 PRG 919/107/14/OK16c
State Library of South Australia OK16d Donation 1990 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK16d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16f, OK16h, and Woven4. b35380093 PRG 919/107/12/OK16d
State Library of South Australia OK16f Donation 1990 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK16f is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16d, OK16h, and Woven4. b3538010x PRG 919/107/12/OK16f
State Library of South Australia OK16h Donation 1990 14 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK16h is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16d, OK16f, and Woven4. b35380111 PRG 919/107/12/OK16h
State Library of South Australia OK16i Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK16i is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHEREGOL, GEOMETRIC9, and SPHERE2. b35380913 PRG 919/107/58/OK16i
State Library of South Australia OK2 Donation 1988 24 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16a, OK3, and OK1. b3538167x PRG 919/107/15/OK2
State Library of South Australia OK3 Donation 1988 24 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16a, OK1, and OK2. b35381656 PRG 919/107/15/OK3
State Library of South Australia OK7colr Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK7colr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CHINESMNDL, OK7colr1, and OK9colr. b35380160 PRG 919/107/13/OK7colr
State Library of South Australia OK7colr1 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK7colr1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CHINESMNDL, OK9colr, and OK7colr. b35380159 PRG 919/107/13/OK7colr1
State Library of South Australia OK7colr2 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK7colr2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Nightday1, Nightday3, and OK7colr3. b35379996 PRG 919/107/9/OK7colr2
State Library of South Australia OK7colr3 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK7colr3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Nightday1, Nightday3, and OK7colr2. b35380019 PRG 919/107/9/OK7colr3
State Library of South Australia OK8B Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK8b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK15, and OK13. b3538024x PRG 919/107/16/OK8B
State Library of South Australia OK8colr Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK8colr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16Frame, OK14A, and OK10. b35380056 PRG 919/107/10/OK8colr
State Library of South Australia OK9colr Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OK9colr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CHINESMNDL, OK7colr1, and OK7colr. b35380135 PRG 919/107/13/OK9colr
State Library of South Australia OO Donation 1991 20 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OO1/2. b35386009 PRG 919/107/187/OO
State Library of South Australia OO Donation 1992 3 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OO-1. b35390724 PRG 919/107/419/OO
State Library of South Australia OO-1 Donation 1992 3 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OO-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OO. b35390712 PRG 919/107/419/OO-1
State Library of South Australia OO-2 Donation 1992 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OO-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OO-3. b3539092x PRG 919/107/429/OO-2
State Library of South Australia OO-3 Donation 1992 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OO-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OO-2. b35390918 PRG 919/107/429/OO-3
State Library of South Australia OO1/2 Donation 1991 18 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OO1/2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MNDLNEW1. b35386010 PRG 919/107/187/OO1.2
State Library of South Australia OOO-2 Donation 1992 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OOO-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OOO-3. b35390931 PRG 919/107/430/OOO-2
State Library of South Australia OOO-3 Donation 1992 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OOO-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OOO-2. b35390943 PRG 919/107/430/OOO-3
State Library of South Australia OOO-4 Donation 1992 29 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OOO-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OOO-5. b35390773 PRG 919/107/422/OOO-4
State Library of South Australia OOO-5 Donation 1992 29 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OOO-5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OOO-4. b35390785 PRG 919/107/422/OOO-5
State Library of South Australia OOO1 Donation 1991 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OOO1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Dancer. b35386320 PRG 919/107/205/OOO1
State Library of South Australia OOOA Donation 1994 22 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OOOA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OOOB. b35398061 PRG 919/107/769/OOOA
State Library of South Australia OOOB Donation 1994 22 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OOOB is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OOOA. b35398073 PRG 919/107/769/OOOB
State Library of South Australia OOOO Donation 1991 20 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OOOO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OOOO1. b35386137 PRG 919/107/194/OOOO
State Library of South Australia OOOO1 Donation 1991 26 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OOOO1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OOOO. b35386149 PRG 919/107/194/OOOO1
State Library of South Australia OOOO3 Donation 1991 21 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OOOO3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERICAL. b35386058 PRG 919/107/190/OOOO3
State Library of South Australia OO_BLUE Donation 1991 20 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OO_BLUE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OO_BLUE2. b35386186 PRG 919/107/196/OO_BLUE
State Library of South Australia OO_BLUE2 Donation 1991 20 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OO_BLUE2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OO_BLUE. b35386174 PRG 919/107/196/OO_BLUE2
State Library of South Australia ORCHID Donation 1988 22 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ORCHID is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRAL, NGHTORCHID, and MONUMENT2. b35384050 PRG 919/107/110/ORCHID
State Library of South Australia ORIENT Donation 1988 4 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ORIENT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GATEGREY and CHINESE1. b35382119 PRG 919/107/38/ORIENT
State Library of South Australia ORIENTAL Donation 1988 25 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ORIENTAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TAPESTRY, TAPESTRY1, and TAPESTRY2. b35385054 PRG 919/107/145/ORIENTAL
State Library of South Australia ORIGBROT Donation 1988 28 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ORIGBROT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ORIGBROT1, RUG and BUBLEBROT. b35384086 PRG 919/107/111/ORIGBROT
State Library of South Australia ORIGBROT Donation 1988 28 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ORIGBROT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT1, BROT2, and BROT. b35384992 PRG 919/107/143/ORIGBROT
State Library of South Australia ORIGBROT1 Donation 1988 28 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ORIGBROT1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ORIGBROT, RUG and BUBLEBROT. b35384074 PRG 919/107/111/ORIGBROT1
State Library of South Australia ORNATE Donation 1988 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ORNATE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SNAIL, LOOK31, and LOOK30. b35384116 PRG 919/107/113/ORNATE
State Library of South Australia OVAL Donation 1988 15 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OVAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SIGN, KILIM, and OVALSPHERE. b35381711 PRG 919/107/19/OVAL
State Library of South Australia OVALSPHERE Donation 1988 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OVALSPHERE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SIGN, KILIM, and OVAL. b35381693 PRG 919/107/19/OVALSPHERE
State Library of South Australia OXOX-1 Donation 1993 24 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OXOX-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PUTTA. b35397238 PRG 919/107/751/OXOX-1
State Library of South Australia OXOXcen Donation 1994 11 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OXOXcen is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Columnsphr. b35398000 PRG 919/107/763/OXOXcen
State Library of South Australia Offcentre Donation 1992 11 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Offcentre is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cenrte-7. b3539268x PRG 919/107/519/Offcentre
State Library of South Australia Offcntre2 Donation 1992 8 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Offcntre2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Offcntre3. b35392563 PRG 919/107/513/Offcntre2
State Library of South Australia Offcntre3 Donation 1992 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Offcntre3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Offcntre2. b35392575 PRG 919/107/513/Offcntre3
State Library of South Australia Optic Donation 1993 20 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Optic is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtonSP. b35395217 PRG 919/107/646/Optic
State Library of South Australia Optics Donation 1992 4 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Optics is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Artefact1. b35390219 PRG 919/107/394/Optics
State Library of South Australia Ornam Donation 1992 10 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ornam is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Labra. b35388705 PRG 919/107/316/Ornam
State Library of South Australia Oval Donation 1992 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Oval is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Beetles-2. b35390372 PRG 919/107/402/Oval
State Library of South Australia Oval Donation 1992 26 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Oval is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Vega. b35391455 PRG 919/107/456/Oval
State Library of South Australia Ovalblac Donation 1992 5 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ovalblac is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lantern1. b35390505 PRG 919/107/408/Ovalblac
State Library of South Australia Ovalblack Donation 1992 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ovalblack is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Halfsphre. b35390177 PRG 919/107/392/Ovalblack
State Library of South Australia Ovalblack1 Donation 1992 5 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ovalblack1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Symbol. b35390165 PRG 919/107/391/Ovalblack1
State Library of South Australia Ovalblack2 Donation 1992 4 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ovalblack2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ovalblack3. b35390438 PRG 919/107/405/Ovalblack2
State Library of South Australia Ovalblack3 Donation 1992 5 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ovalblack3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ovalblack2. b3539044x PRG 919/107/405/Ovalblack3
State Library of South Australia Overburial Donation from Australian Network of Art and Technology [Approximately 1998] 1 3.5 inch floppy disk, 9 electronic files, Peter MORSE Disk containing Overburial by Peter Morse, collected by the Australian Network for Art and Technology (ANAT). b35177573 BRG 391/247/3
State Library of South Australia Overburial disk 2 Donation from Australian Network of Art and Technology 1996 1 3.5 inch floppy disk, 11 electronic files, Peter MORSE Disk containing Overburial part 2 by Peter Morse, collected by the Australian Network for Art and Technology (ANAT). The Read Me document explains that this was part of a project worked on with Jun-Ann Lam and Glenn Rogers. b35375942 BRG 391/247/4
State Library of South Australia OverpasBL2 Donation 1992 22 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OverpasBL2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OverpassPL. b35391558 PRG 919/107/461/OverpasBL2
State Library of South Australia OverpasINV Donation 1992 23 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OverpasINV is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Overpass. b35391649 PRG 919/107/465/OverpasINV
State Library of South Australia Overpass Donation 1992 20 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Overpass is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OverpasINV. b35391637 PRG 919/107/465/Overpass
State Library of South Australia OverpassBR Donation 1992 22 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OverpassBR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Carlyap. b35391613 PRG 919/107/464/OverpassBR
State Library of South Australia OverpassPL Donation 1992 21 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI OverpassPL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OverpasBL2. b3539156x PRG 919/107/461/OverpassPL
State Library of South Australia PAGODA21 Donation 1991 12 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PAGODA21 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SKYGRDN. b35386022 PRG 919/107/188/PAGODA21
State Library of South Australia PALETFUL Donation 1991 5 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PALETFUL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TESTPALET and PALET_15. b35387981 PRG 919/107/801/PALETFUL
State Library of South Australia PALET_15 Donation 1991 4 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PALET_15 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TESTPALET and PALETFUL. b35387993 PRG 919/107/801/PALET_15
State Library of South Australia PEAK Donation 1991 1 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PEAK is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PEAK1. b35386848 PRG 919/107/231/PEAK
State Library of South Australia PEAK1 Donation 1991 1 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PEAK1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PEAK. b35386836 PRG 919/107/231/PEAK1
State Library of South Australia PHOTOreg15 Donation 1992 4 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PHOTOreg15 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandecentr. b35394122 PRG 919/107/813/PHOTOreg15
State Library of South Australia PIN3 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PIN3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERES10, SPHERES9, and SPHERES8. b35382260 PRG 919/107/45/PIN3
State Library of South Australia PIN3GREEN Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PIN3GREEN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 3P1N1, PINTRANGL1, and TRIANGLPIN. b35382752 PRG 919/107/73/PIN3GREEN
State Library of South Australia PINK2 Donation 1990 18 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pink2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pinkeye1, Vase, and Vase4. b35379789 PRG 919/107/1/PINK2
State Library of South Australia PINKEYE1 Donation 1990 18 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pinkeye1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pink2, Vase, and Vase4. b35379753 PRG 919/107/1/PINKEYE1
State Library of South Australia PINKEYE2 Donation 1990 19 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pinkeye2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pinkeye5, Pinkeye8, and Pinkeye3. b35379820 PRG 919/107/2/PINKEYE2
State Library of South Australia PINKEYE3 Donation 1990 19 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pinkeye3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pinkeye5, Pinkeye8, and Pinkeye2. b35379790 PRG 919/107/2/PINKEYE3
State Library of South Australia PINKEYE5 Donation 1990 19 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pinkeye5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pinkeye3, Pinkeye8, and Pinkeye2. b35379807 PRG 919/107/2/PINKEYE5
State Library of South Australia PINKEYE8 Donation 1990 15 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pinkeye8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pinkeye5, Pinkeye3, and Pinkeye2. b35379819 PRG 919/107/2/PINKEYE8
State Library of South Australia PINTRANGL1 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PINTRANGL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 3P1N1, PIN3GREEN, and TRIANGLPIN. b35382776 PRG 919/107/73/PINTRANGL1
State Library of South Australia PINTRANGL2 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PINTRANGL2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CENTRE, PINTRANGL3, and PINTRANGL4. b35382818 PRG 919/107/74/PINTRANGL2
State Library of South Australia PINTRANGL3 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PINTRANGL3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CENTRE, PINTRANGL2, and PINTRANGL4. b3538279x PRG 919/107/74/PINTRANGL3
State Library of South Australia PINTRANGL4 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PINTRANGL4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CENTRE, PINTRANGL2, and PINTRANGL3. b3538282x PRG 919/107/74/PINTRANGL4
State Library of South Australia PLANETA Donation 1990 20 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PLANETA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PLANETA3, PLANETA2, and PLANETA1. b35381036 PRG 919/107/67/PLANETA
State Library of South Australia PLANETA1 Donation 1990 24 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PLANETA1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PLANETA, PLANETA2, and PLANETA3. b3538105x PRG 919/107/67/PLANETA1
State Library of South Australia PLANETA2 Donation 1990 24 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PLANETA2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PLANETA, PLANETA3, and PLANETA1. b35381048 PRG 919/107/67/PLANETA2
State Library of South Australia PLANETA3 Donation 1990 25 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PLANETA3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PLANETA, PLANETA2, and PLANETA1. b35381024 PRG 919/107/67/PLANETA3
State Library of South Australia PLANETGRDN Donation 1991 14 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PLANETGRDN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS6. b35386939 PRG 919/107/235A/PLANETGRDN
State Library of South Australia PLANETMAKE Donation 1988 19 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PLANETMAKE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CREST1 and CREST. b35385017 PRG 919/107/144/PLANETMAKE
State Library of South Australia PLANETS Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PLANETS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LINESPACE, 4SPHERES2, and 4SPHERES. b35380664 PRG 919/107/43/PLANETS
State Library of South Australia PLANT Donation 1991 22 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PLANT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LAND2. b35387610 PRG 919/107/271/PLANT
State Library of South Australia POLLOCK Donation 1988 5 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI POLLOCK is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLMANDLENS, POLLOCKSPH, and GARDENBLUE. b35382004 PRG 919/107/35/POLLOCK
State Library of South Australia POLLOCKSPH Donation 1988 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI POLLOCKSPH is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLMANDLENS, POLLOCK, and GARDENBLUE. b35382016 PRG 919/107/35/POLLOCKSPH
State Library of South Australia PROTO Donation 1988 15 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PROTO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PROTO1, PROT2, and PROTO3. b35382855 PRG 919/107/76/PROTO
State Library of South Australia PROTO1 Donation 1988 15 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PROTO1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PROTO2, PROTO, and PROTO3. b35382843 PRG 919/107/76/PROTO1
State Library of South Australia PROTO2 Donation 1988 15 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PROTO2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PROTO1, PROTO, and PROTO3. b35382831 PRG 919/107/76/PROTO2
State Library of South Australia PROTO3 Donation 1988 15 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PROTO3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PROTO1, PROTO, and PROTO2. b35382867 PRG 919/107/76/PROTO3
State Library of South Australia PUT Donation 1993 23 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PUT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tokamaka. b35397251 PRG 919/107/752/PUT
State Library of South Australia PUTTA Donation 1993 23 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PUTTA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OXOX-1. b3539724x PRG 919/107/751/PUTTA
State Library of South Australia Pair Donation 1992 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pair is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapillar2. b3539187x PRG 919/107/477/Pair
State Library of South Australia Pair1-76 Donation 1993 24 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pair1-76 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as . b35394808 PRG 919/107/624/Pair1-76
State Library of South Australia Pair2-76 Donation 1993 24 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pair2-76 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35394791 PRG 919/107/623/Pair2-76
State Library of South Australia Panos Couros and Lisa O'Neill Donation from Australian Network of Art and Technology 1995 00:07:00 1 videocassette , sound, stereo, VHS, colour 13mm Panos COUROS, Lisa O'NEILL Excerpts from three works O'Neill's performance of 'Sweet Yeti' and her choreography of 'Chasing Crabs Strung Tightly by Negative Vines' and Couros' sound-piece 'A Noise of Worms'. Video/FX. ANAT # COU 95.01 b35341646 BRG 391/F-193
State Library of South Australia Papyrus Donation 1992 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Papyrus is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Beads. b35391881 PRG 919/107/478/Papyrus
State Library of South Australia Paradise Tossed Donation from Australian Network of Art and Technology 1992 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm Jill SCOTT Paradise tossed. 3-D Animation (C.G). ANAT # 188 b35255511 BRG 391/F-119
State Library of South Australia Pasiak-1 Donation 1993 26 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pasiak-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Julia2. b35396350 PRG 919/107/706/Pasiak-1
State Library of South Australia Pasiak-1 Donation 1993 8 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pasiak-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pasiak-2. b3539643x PRG 919/107/710/Pasiak-1
State Library of South Australia Pasiak-2 Donation 1993 4 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pasiak-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPLANT. b35396295 PRG 919/107/703/Pasiak-2
State Library of South Australia Pasiak-2 Donation 1993 4 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pasiak-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYAPLANT. b35396301 PRG 919/107/704/Pasiak-2
State Library of South Australia Pasiak-2 Donation 1993 8 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pasiak-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pasiak-1. b35396428 PRG 919/107/710/Pasiak-2
State Library of South Australia Past work of Sean O'Connell Donation from Australian Network of Art and Technology 2006 1 DVD, Sean O'CONNELL Past work of Sean O'Connell (DVD) collected by the Australian Network for Art and Technology (ANAT), including 1 video of assorted visual and kinetic works (2.58). b35177585 BRG 391/254/1
State Library of South Australia Pattern Donation 1992 7 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pattern is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pattern1. b35390104 PRG 919/107/388/Pattern
State Library of South Australia Pattern Donation 1994 23 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pattern is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRI-4. b35398164 PRG 919/107/773/Pattern
State Library of South Australia Pattern-1 Donation 1994 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pattern-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tripattern. b35398036 PRG 919/107/767/Pattern-1
State Library of South Australia Pattern1 Donation 1992 17 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pattern1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pattern. b35390098 PRG 919/107/388/Pattern1
State Library of South Australia Pebbles Donation 1993 28 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pebbles is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pebbles1. b3539674x PRG 919/107/726/Pebbles
State Library of South Australia Pebbles1 Donation 1993 28 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pebbles1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pebbles. b35396751 PRG 919/107/726/Pebbles1
State Library of South Australia Peep Show Donation from Australian Network of Art and Technology 1999 1 videocassette , stereo, VHS, colour 13mm Donna HEWITT Peep Show by Donna Hewitt, which used source materials from two areas: 1. interviews with female vocalists who perform in bands, and 2. an endoscopy of the composer's vocal cords. ANAT # N019 b35358518 BRG 391/F-249
State Library of South Australia Performance with Object for the Expiation of Guilt Donation from Australian Network of Art and Technology 1997 00:12:00 1 videocassette , sound, stereo, VHS, colour 13mm Gordon BENNETT Two versions of Bennett's multimedia/performance, which addresses the ongoing oppression of Indigenous Australians. ANAT # BEN 97.01 b35341105 BRG 391/F-187
State Library of South Australia Peter Morse CV Donation from Australian Network of Art and Technology 1996 1 3.5 inch floppy disk, 10 electronic files, Peter MORSE Disk contains Peter Morse CV interactive self-expanding archive. The CV was created using Aladdin Systems 'Stuffit Deluxe'. b3517755x BRG 391/247/1
State Library of South Australia Phantastic City excerpts Donation from Australian Network of Art and Technology 1998 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape John GRECH Phantastic City excerpts [sound recording], received by ANAT in 1998. b35333443 BRG 391/130/1
State Library of South Australia Photo68reg Donation 1992 1 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Photo68reg is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Wave. b35394092 PRG 919/107/812/Photo68reg
State Library of South Australia Photocopy Art proposal Donation from Australian Network of Art and Technology 1986 1987 1 3.5 inch floppy disk, 4 electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Proposal for a National Photocopy Art exhibition, endorsed by the Australian Centre for Art & Technology. Includes correspondence to Jack Coetsier and Steve Lang of Toshiba, and Sue Gordon of the Australia Council (3.5 inch floppy disk). b35439208 BRG 391/381
State Library of South Australia Pink Donation 1992 25 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pink is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as septa. b3538928x PRG 919/107/346/Pink
State Library of South Australia Pipeline Improv. Donation from Australian Network of Art and Technology 1992 00:09:00 1 videocassette , sound, stereo, VHS, colour 13mm Leigh HOBBA Documentation of an improv workshop of the Pipeline Ensemble, of which Hobba is a member. Video. ANAT # HOB 92.02 b35255043 BRG 391/F-72
State Library of South Australia Piramdi2 Donation 1992 6 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Piramdi2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Piramdo2. b35389825 PRG 919/107/374/Piramdi2
State Library of South Australia Piramdo2 Donation 1992 6 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Piramdo2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Piramdi2. b35389837 PRG 919/107/374/Piramdo2
State Library of South Australia Plant Donation 1992 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Plant is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Plant-1. b35389552 PRG 919/107/360/Plant
State Library of South Australia Plant-1 Donation 1992 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Plant-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Plant. b35389540 PRG 919/107/360/Plant-1
State Library of South Australia Plastic Donation 1992 20 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Plastic is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Plastic-1. b3539383x PRG 919/107/576/Plastic
State Library of South Australia Plastic-1 Donation 1992 21 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Plastic-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Plastic. b35393828 PRG 919/107/576/Plastic-1
State Library of South Australia Plastic-3 Donation 1992 21 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Plastic-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Plastic-4. b35393841 PRG 919/107/577/Plastic-3
State Library of South Australia Plastic-4 Donation 1992 21 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Plastic-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Plastic-3. b35393853 PRG 919/107/577/Plastic-4
State Library of South Australia Pleat Donation 1992 7 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pleat is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pleat-Y. b35392046 PRG 919/107/487/Pleat
State Library of South Australia Pleat-Y Donation 1992 8 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pleat-Y is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pleat. b35392058 PRG 919/107/487/Pleat-Y
State Library of South Australia Pleatsphr Donation 1992 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pleatsphr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereRED. b35392022 PRG 919/107/486/Pleatsphr
State Library of South Australia Pleatsphr Donation 1992 8 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pleatsphr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapillar3. b35392198 PRG 919/107/494/Pleatsphr
State Library of South Australia Pleatsphre Donation 1992 12 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pleatsphre is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pleatsphry. b35392125 PRG 919/107/491/Pleatsphre
State Library of South Australia Pleatsphry Donation 1992 8 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pleatsphry is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pleatsphre. b35392137 PRG 919/107/491/Pleatsphry
State Library of South Australia Plumage Donation 1992 14 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Plumage is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap-arch. b35391261 PRG 919/107/446/Plumage
State Library of South Australia Plumage68 Donation 1992 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Plumage68 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Plumage68a. b3539190x PRG 919/107/479/Plumage68
State Library of South Australia Plumage68a Donation 1992 6 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Plumage68a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Plumage68. b35391911 PRG 919/107/479/Plumage68a
State Library of South Australia Poly12a Donation 1993 20 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Poly12a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Poly12b. b35397494 PRG 919/107/766/Poly12a
State Library of South Australia Poly12b Donation 1993 21 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Poly12b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Poly12a. b35397482 PRG 919/107/766/Poly12b
State Library of South Australia Portal Donation 1992 21 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Portal is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Portal1. b35388146 PRG 919/107/285/Portal
State Library of South Australia Portal1 Donation 1991 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Portal1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Portal. b35387865 PRG 919/107/285/Portal1
State Library of South Australia PortalRED Donation 1991 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PortalRED is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandelcat. b35387853 PRG 919/107/284/PortalRED
State Library of South Australia Post Occupancy by Alexandra Gillespie Donation from Australian Network of Art and Technology 2005 1 DVD, Alexandra GILLESPIE Post Occupancy - The Architect has Left the Building DVD by Alexandra Gillespie, collected by the Australian Network for Art and Technology (ANAT). The DVD documents a collaboration with Cox Rayner Architects at the Institute of Modern Art, Brisbane, featuring 6 multimedia items. Includes 4 videos, a presentation of still images, and an audio soundtrack. The DVD was packaged in the same case as 'Ghost Towns' (BRG 391/123/1). b35154858 BRG 391/123/2
State Library of South Australia Post-Nuclear Art Donation from Australian Network of Art and Technology 1984 00:19:00 1 videocassette , sound, stereo, VHS, colour 13mm David DE COSTA-SILVA Two interviews with the artist, who discusses his concepts, methods and works of art. Video/FX. ANAT # DEC 84.01 b35254725 BRG 391/F-40
State Library of South Australia Preparation of the Bride Donation from Australian Network of Art and Technology [Approximately 1990] 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Leah IRVING Experimental short exploring how we prepare ourselves, and our loved ones, for the most important moments of our lives. Video. ANAT # IRV 90s.01 b35255134 BRG 391/F-81
State Library of South Australia Presentation Donation from Australian Network of Art and Technology 1993 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Midge ALLOM Documentation of two performance rituals, a collaboration between Allom (a Visual Arts (Scuplture) student at Queensland University of Technology) and theological students at St. Francis' College [See BRG 391/3 for artist file]. ANAT # ALL 93.01 b3525435x BRG 391/F-3
State Library of South Australia Press Donation 1994 8 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Press is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tripatern. b35398176 PRG 919/107/803/Press
State Library of South Australia Primal Debug Donation from Australian Network of Art and Technology 1997 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Lynne SANDERSON, Peter. SANSOM Primal Debug. 3-D C.G. Animation [sound by Peter Sansom]. ANAT # 185 b35255481 BRG 391/F-116
State Library of South Australia Print Donation 1992 27 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Print is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Dalobelisk. b35390657 PRG 919/107/416/Print
State Library of South Australia Prism Donation 1992 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Prism is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Sphaeros. b3539304x PRG 919/107/537/Prism
State Library of South Australia Prisma Donation 1992 3 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Prisma is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen2. b35393154 PRG 919/107/542/Prisma
State Library of South Australia Project examples for ANAT Donation from Australian Network of Art and Technology 1994 1 3.5 inch floppy disk, 5 electronic files, Anita KOCSIS Disk of Anita Kocsis, containing project examples for the Australian Network for Art and Technology (ANAT). Images include 'Jellyfish/fish scene', 'organism 1', 'micro seastar and organism', 'untitled', and 'micro/bug'. b35177470 BRG 391/194/2
State Library of South Australia Projection art support data CD Donation from Australian Network of Art and Technology [approximately 2000] 1 Data CD, electronic files, Brian DEGGER Projection art support data CD by Brian Degger for the Australian Network for Art and Technology (ANAT). Disk contains 1 video broken into 2 parts. Part 1 (1.59) is a video montage of assorted manipulated scenes with an experimental sound track. Part 2 (0.25) is a video montage of assorted manipulated scenes with a musical sound track. b3515441x BRG 391/79/1
State Library of South Australia Promotional documentary Donation from Australian Network of Art and Technology 1991 00:11:00 1 videocassette , sound, stereo, VHS, colour 13mm AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY A promotional documentary focusing on ANAT's 1991 National Summer School at the Advanced Technologies Application Centre. Includes excerpts from lectures by tutoring artists and examples of work created by participants. The tutors use the computers with the students and demonstrate the use of various techniques. Technologies explained and used during the film include video/3D and 2D animation, Amiga and Commodore Amiga computers, scanners, surveillance cameras, computer graphics, 3D objects and video interactive technologies. 4 copies. ANAT # ANA 91.01 b35337953 BRG 391/F-171
State Library of South Australia PyraSphr Donation 1992 18 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI PyraSphr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyram-Col. b35389916 PRG 919/107/379/PyraSphr
State Library of South Australia Pyram-Col Donation 1992 20 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyram-Col is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PyraSphr. b35389928 PRG 919/107/379/Pyram-Col
State Library of South Australia Pyramda2 Donation 1992 18 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramda2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaplego1. b35389758 PRG 919/107/370/Pyramda2
State Library of South Australia Pyramide Donation 1992 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramide is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramidi. b3538900x PRG 919/107/331/Pyramide
State Library of South Australia Pyramidi Donation 1992 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramidi is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramide. b35388997 PRG 919/107/331/Pyramidi
State Library of South Australia Pyramido Donation 1992 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramido is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Rug-2. b35388973 PRG 919/107/330/Pyramido
State Library of South Australia Pyramids Donation 1992 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramids is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramidz. b35389266 PRG 919/107/345/Pyramids
State Library of South Australia Pyramidy1 Donation 1992 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramidy1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramidy2. b35388894 PRG 919/107/326/Pyramidy1
State Library of South Australia Pyramidy1a Donation 1992 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramidy1a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramidy2a. b35388924 PRG 919/107/327/Pyramidy1a
State Library of South Australia Pyramidy2 Donation 1992 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramidy2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramidy1. b35388900 PRG 919/107/326/Pyramidy2
State Library of South Australia Pyramidy2a Donation 1992 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramidy2a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramidy1a. b35388912 PRG 919/107/327/Pyramidy2a
State Library of South Australia Pyramidy3 Donation 1992 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramidy3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramidy4. b35388936 PRG 919/107/328/Pyramidy3
State Library of South Australia Pyramidy4 Donation 1992 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramidy4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramidy3. b35388948 PRG 919/107/328/Pyramidy4
State Library of South Australia Pyramidy5 Donation 1992 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramidy5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramidy6. b35388961 PRG 919/107/329/Pyramidy5
State Library of South Australia Pyramidy6 Donation 1992 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramidy6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramidy5. b3538895x PRG 919/107/329/Pyramidy6
State Library of South Australia Pyramidz Donation 1992 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Pyramidz is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramids. b35389254 PRG 919/107/345/Pyramidz
State Library of South Australia Q.E.D. Donation from Australian Network of Art and Technology 1992 00:19:00 1 videocassette , sound, stereo, VHS, colour 13mm Annebarbe KAU, Joachim KREBS, Keith ORMAND Documentation of a multimedia dance performance, where movement is captured by a series of video cameras and the images are then displayed on monitors all over the performance space, mixed with preexisting video material. Video production by Annebarbe Kau, choreography by Keith Ormand, music by Joachim Krebs. Video/FX. ANAT # KAU 92.01 b35255171 BRG 391/F-85
State Library of South Australia QTVR scenes from 3D animation works in progress Donation from Australian Network of Art and Technology [Approximately 1995] 1 3.5 inch floppy disk, x electronic files, David MCDOWELL QTVR scenes from 3D animation works in progress 'PHANTAMsex/schemeland' (Disk 1). b35221902 BRG 391/229/2/1
State Library of South Australia QTVR scenes from 3D animation works in progress Donation from Australian Network of Art and Technology [Approximately 1995] 1 3.5 inch floppy disk, x electronic files, David MCDOWELL QTVR scenes from 3D animation works in progress 'PHANTAMsex/schemeland' (Disk 2). b35221914 BRG 391/229/2/2
State Library of South Australia Quartet Donation 1992 26 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Quartet is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as QuartetINV. b35388171 PRG 919/107/287/Quartet
State Library of South Australia QuartetINV Donation 1992 27 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI QuartetINV is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Quartet. b35388183 PRG 919/107/287/QuartetINV
State Library of South Australia Quixot2 Donation 1992 15 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Quixot2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Dali. b35390840 PRG 919/107/425/Quixot2
State Library of South Australia RAINB Donation 1992 19 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RAINB is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image29cc. b35389151 PRG 919/107/340/RAINB
State Library of South Australia RAMs (Reflection: Abstractions and Memory Structures Part 1) Donation from Australian Network of Art and Technology 1994 00:09:00 1 videocassette , sound, stereo, VHS, colour 13mm Peter DE LORENZO Documentation of a work in progress comprised of 2D computer animation and image manipulation. Work plays twice. ANAT # DEL 94.01 b35254762 BRG 391/F-44
State Library of South Australia RAMs (Reflection: Abstractions and Memory Structures Part 1) Donation from Australian Network of Art and Technology 1994 00:13:00 1 videocassette , sound, stereo, VHS, colour 13mm Peter DE LORENZO Final version of an experimental short combining 2D computer animation and image manipulation. Video/Stills/Computer Imagery. ANAT # DEL 94.02 b35254774 BRG 391/F-45
State Library of South Australia REDBLUETRI Donation 1988 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI REDBLUETRI is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNRISE and SUNRISE1. b35384438 PRG 919/107/125/REDBLUETRI
State Library of South Australia REDGOLD Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI REDGOLD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SEPIAGOLD, BLUEGOLD, and REDGOLD1. b35384955 PRG 919/107/142/REDGOLD
State Library of South Australia REDGOLD1 Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI REDGOLD1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SEPIAGOLD, BLUEGOLD, and REDGOLD. b3538492x PRG 919/107/142/REDGOLD1
State Library of South Australia REDGOLMURL Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI REDGOLMURL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GOLDMAUVE, GATEGREY, and RENE. b35380901 PRG 919/107/55/REDGOLMURL
State Library of South Australia REDMANDEL Donation 1988 9 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI REDMANDEL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LENS2MANDL, BLUEMANDEL, and LENSMANDEL. b35383768 PRG 919/107/103/REDMANDEL
State Library of South Australia REFLECT Donation 1988 25 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI REFLECT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HELEN, BAUHAUS4, and DES1GN. b35382673 PRG 919/107/69/REFLECT
State Library of South Australia RENE Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RENE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GOLDMAUVE, GATEGREY, and REDGOLMURL. b35380871 PRG 919/107/55/RENE
State Library of South Australia RINBOTRIAN Donation 1988 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RINBOTRIAN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LORD2, DIAMOND, and WINDOW. b35385236 PRG 919/107/807/RINBOTRIAN
State Library of South Australia RING Donation 1991 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RING is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as flatO. b35386605 PRG 919/107/219/RING
State Library of South Australia RISE Donation 1991 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RISE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RISEblue. b35386587 PRG 919/107/218/RISE
State Library of South Australia RISEblue Donation 1991 17 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RISEblue is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RISE. b35386575 PRG 919/107/218/RISEblue
State Library of South Australia RIVER1 Donation 1988 18 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RIVER1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SNAIL1, CENTRALL, and RIVER2. b35383045 PRG 919/107/82/RIVER1
State Library of South Australia RIVER2 Donation 1988 19 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RIVER2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SNAIL1, RIVER1, and CENTRALL. b35383057 PRG 919/107/82/RIVER2
State Library of South Australia ROSEMANDEL Donation 1988 6 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ROSEMANDEL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELBLUE, BLUMANDL3X, and MANDELBLU2. b35383744 PRG 919/107/102/ROSEMANDEL
State Library of South Australia RUBY Donation 1991 22 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RUBY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RUBY3. b35387567 PRG 919/107/269/RUBY
State Library of South Australia RUBY1 Donation 1991 22 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RUBY1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RUBY2. b35387555 PRG 919/107/268/RUBY1
State Library of South Australia RUBY2 Donation 1991 22 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RUBY2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RUBY1. b35387543 PRG 919/107/268/RUBY2
State Library of South Australia RUBY3 Donation 1991 22 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RUBY3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RUBY. b35387579 PRG 919/107/269/RUBY3
State Library of South Australia RUG Donation 1988 23 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RUG is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ORIGBROT, ORIGBROT1 and BUBLEBROT. b35384098 PRG 919/107/111/RUG
State Library of South Australia RUG Donation 1988 13 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RUG is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDLFLOAT, S, SPRITE, and smandel. b35385273 PRG 919/107/826/RUG
State Library of South Australia Raibow-F Donation 1992 13 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Raibow-F is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen1. b35394134 PRG 919/107/825/Raibow-F
State Library of South Australia Rain Shadow Donation from Australian Network of Art and Technology 1997 01:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Chris CAINES Experimental short, funded by the AFC and screened at the Berlin Film Festival and on SBS. Video/FX/Text/2D Computer Graphics. ANAT # CAI 97.01 b3525452x BRG 391/F-20
State Library of South Australia Rainbow-A Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Rainbow-A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RainbowFl. b35391108 PRG 919/107/438/Rainbow-A
State Library of South Australia RainbowFl Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RainbowFl is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Rainbow-A. b35391091 PRG 919/107/438/RainbowFl
State Library of South Australia RainbowFl Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RainbowFl is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RainbowFlo. b35391170 PRG 919/107/442/RainbowFl
State Library of South Australia RainbowFlo Donation 1992 13 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RainbowFlo is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RainbowFl. b35391182 PRG 919/107/442/RainbowFlo
State Library of South Australia Rapt Donation from Australian Network of Art and Technology 1998 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Justine COOPER Utilizing Magnetic Resonance Imaging (MRI) Scans, Cooper maps every inch of her body, inside and out, producing a work in which the human body is continually reconstructed and recontextualised. MRI Scans/Video/FX/3D Computer Animation. ANAT # COO 98.01 b35254622 BRG 391/F-30
State Library of South Australia Re-Skin application Donation from Australian Network of Art and Technology 2003 2006 1 Data CD, 10 electronic files, Clem BAKER-FINCH Application for Re-Skin at Australian Network for Art and Technology (ANAT) Data CD, containing 10 images of artworks and installations, including 'Bill', 'Domain 2005', 'Mementos', and 'Shelf Life'. b35112116 BRG 391/17/1
State Library of South Australia Re-Skin application Donation from Australian Network of Art and Technology 1996 1 DVD, Ben DENHAM Application for Re-Skin Data CD at Australian Network for Art and Technology (ANAT) by Ben Denham. b35154469 BRG 391/84
State Library of South Australia Re:move Borders 2001 Donation from Australian Network of Art and Technology 2001 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Two works by the now-defunct Melbourne-based collective who questioned concepts of 'borders' and 'nations' via experimental attempts to bring about social change. ANAT # NAS 02.01 b35349025 BRG 391/F-217
State Library of South Australia ReSkin Application of Catherine Truman Donation from Australian Network of Art and Technology 2006 1 Data CD, 6 electronic files, Catherine TRUMAN ReSkin Application by Catherine Truman submitted to the Australian Network for Art and Technology (ANAT). Includes a Powerpoint presentation, CV, and reSkin infosheet. b35177652 BRG 391/331/1
State Library of South Australia ReSkin Application of Elliat Rich Donation from Australian Network of Art and Technology 2006 1 Data CD, 16 electronic files (JPEG, DOC, MOV, PDF), Elliat RICH ReSkin Application by Elliat Rich submitted to the Australian Network for Art and Technology (ANAT). Disk include project images, Mercury Light video, CV and artist statements. b35177615 BRG 391/284/1
State Library of South Australia Real Yes Happening Now Donation from Australian Network of Art and Technology 1998 00:01:00 1 videocassette , sound, stereo, VHS, colour 13mm Timothy MOORE Documentation of 'Real Yes Happening Now', a video performance and 'Domestic Video Installation', a work in progress using domestic appliances. Video/Stills/FX. ANAT # MOO 98.01 b35255286 BRG 391/F-96
State Library of South Australia Red76 Donation 1993 22 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Red76 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35394754 PRG 919/107/620/Red76
State Library of South Australia RedCentre Donation 1992 19 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentre is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentre1. b35393270 PRG 919/107/548/RedCentre
State Library of South Australia RedCentre1 Donation 1992 15 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentre1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentre. b35393269 PRG 919/107/548/RedCentre1
State Library of South Australia RedCentre2 Donation 1992 18 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentre2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentre3. b35392812 PRG 919/107/525/RedCentre2
State Library of South Australia RedCentre3 Donation 1992 16 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentre3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentre2. b35392800 PRG 919/107/525/RedCentre3
State Library of South Australia RedCentre4 Donation 1992 15 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentre4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentre5. b35392848 PRG 919/107/527/RedCentre4
State Library of South Australia RedCentre5 Donation 1992 16 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentre5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentre4. b3539285x PRG 919/107/527/RedCentre5
State Library of South Australia RedCentre6 Donation 1992 17 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentre6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentre7. b35392721 PRG 919/107/521/RedCentre6
State Library of South Australia RedCentre7 Donation 1992 17 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentre7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentre6. b35392733 PRG 919/107/521/RedCentre7
State Library of South Australia RedCentre8 Donation 1992 19 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentre8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentre9. b35392836 PRG 919/107/526/RedCentre8
State Library of South Australia RedCentre9 Donation 1992 19 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentre9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RedCentre8. b35392824 PRG 919/107/526/RedCentre9
State Library of South Australia RedCentreO Donation 1992 15 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RedCentreO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Floatrise1. b35392794 PRG 919/107/524/RedCentreO
State Library of South Australia Reflecta Donation 1992 2 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Reflecta is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Building. b35390815 PRG 919/107/424/Reflecta
State Library of South Australia Reflected Donation 1992 11 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Reflected is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton13. b35393336 PRG 919/107/551/Reflected
State Library of South Australia Relatives3 Donation 1993 29 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Relatives3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Figures3a. b35396799 PRG 919/107/728/Relatives3
State Library of South Australia Relief Donation 1992 7 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Relief is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Relief-O. b35391844 PRG 919/107/476/Relief
State Library of South Australia Relief-O Donation 1992 3 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Relief-O is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Relief. b35391856 PRG 919/107/476/Relief-O
State Library of South Australia Rememberence of Things Past Donation from Australian Network of Art and Technology 1992 00:01:00 1 videocassette , sound, stereo, VHS, colour 13mm Moira CORBY Work in progress excerpts. 3D Computer Animation Stills. ANAT # COR 92.01 b35254658 BRG 391/F-33
State Library of South Australia Remote Controlled Suspension Donation from Australian Network of Art and Technology 1987 00:18:00 1 videocassette , sound, stereo, VHS, colour 13mm STELARC Video documentation of a live performance event at Brisbane's Museum of Contemporary Art in August 1997, featuring Stelarc having hooks peirced through his skin and attached to wires before suspending himself and moving around the space above the audience via a handheld remote control. Video/FX. ANAT # STE 87.01 b35255584 BRG 391/F-126
State Library of South Australia Resistance is Character Forming Donation from Australian Network of Art and Technology 2001 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Brent GRAYBURN Experimental short featuring a digitally altered boy's journey through the city. (Video also includes test footage for 2002's 'Alice' video experiment: 0.04.50 - 0.09.1 5). Video/FX. ANAT # GRA 01.01 b35254944 BRG 391/F-62
State Library of South Australia Retarded Eye Screening Compilation Donation from Australian Network of Art and Technology 1991 1995 01:00:00 1 videocassette , sound, stereo, VHS, colour 13mm Retarded Eye Screening Compilation. Features: Nude Eel, Johnny, Blatter, Metholyte, etc. ANAT # 179 b35255420 BRG 391/F-110
State Library of South Australia Rhythmic Donation 1992 6 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Rhythmic is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Rhythmic1. b35392587 PRG 919/107/514/Rhythmic
State Library of South Australia Rhythmic1 Donation 1992 6 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Rhythmic1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Rhythmic. b35392599 PRG 919/107/514/Rhythmic1
State Library of South Australia Riflessi (Reflex) Donation from Australian Network of Art and Technology [Approximately 1990] 1 videocassette (U-matic) , Ida GEROSA Riflessi (Reflex). ANAT # N008 b35355517 BRG 391/F-236
State Library of South Australia Ripple Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Ripple is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyaptotem. b35391789 PRG 919/107/473/Ripple
State Library of South Australia Rise Donation from Australian Network of Art and Technology 1998 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm Emma SLEATH, Amelia BARDEN A short experimental documentary exploring and celebrating cultural diversity and the lives of inhabitants of a Melbourne high-rise apartment block. Produced for the Victoria College of the Arts in association with the Australian Film Commission. Film/FX. ANAT # SLE 98.01 b35255559 BRG 391/F-123
State Library of South Australia Rise Donation 1992 28 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Rise is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen04. b3539027x PRG 919/107/397/Rise
State Library of South Australia Rococo Donation 1991 12 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Rococo is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLOAT-2. b35387956 PRG 919/107/355/Rococo
State Library of South Australia RococoBLU Donation 1991 12 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI RococoBLU is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MAND-el. b35387890 PRG 919/107/305/RococoBLU
State Library of South Australia Rug Donation 1992 15 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Rug is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Rug-1. b35388730 PRG 919/107/318/Rug
State Library of South Australia Rug-1 Donation 1992 16 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Rug-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Rug. b35388742 PRG 919/107/318/Rug-1
State Library of South Australia Rug-2 Donation 1992 16 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Rug-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pyramido. b35388985 PRG 919/107/330/Rug-2
State Library of South Australia Running Dog (Territory Stateline) Donation from Australian Network of Art and Technology 2005 2 September 00:04:00 1 videocassette , stereo, VHS, colour 13mm Bronwyn WRIGHT Running Dog segment on 'Territory Stateline' (ABC TV). 2 copies. ANAT # N013 b35358385 BRG 391/F-243
State Library of South Australia S Donation 1989 31 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI S is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDLFLOAT, RUG, SPRITE, and smandel. b35379686 PRG 919/107/826/S
State Library of South Australia S-building Donation 1994 29 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI S-building is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as S-pattern. b35398097 PRG 919/107/770/S-building
State Library of South Australia S-pattern Donation 1994 29 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI S-pattern is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as S-building. b35398085 PRG 919/107/770/S-pattern
State Library of South Australia S-ymbol Donation 1993 27 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI S-ymbol is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Squeeze. b35397366 PRG 919/107/757/S-ymbol
State Library of South Australia S-ymbol-1 Donation 1993 27 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI S-ymbol-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as S-ymbol-2. b35397457 PRG 919/107/764/S-ymbol-1
State Library of South Australia S-ymbol-2 Donation 1993 28 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI S-ymbol-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as S-ymbol-1. b35397469 PRG 919/107/764/S-ymbol-2
State Library of South Australia SAILS Donation 1988 11 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SAILS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ATLAS, CITY, and MANDELSKY. b35385315 PRG 919/107/830/SAILS
State Library of South Australia SAILS3 Donation 1988 21 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SAILS3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SAILS5, SAILS4, and SAILS6. b35384839 PRG 919/107/139/SAILS3
State Library of South Australia SAILS4 Donation 1988 21 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SAILS4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SAILS5, SAILS6, and SAILS3. b35384827 PRG 919/107/139/SAILS4
State Library of South Australia SAILS5 Donation 1988 21 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SAILS5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SAILS6, SAILS4, and SAILS3. b35384815 PRG 919/107/139/SAILS5
State Library of South Australia SAILS6 Donation 1988 21 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SAILS6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SAILS5, SAILS4, and SAILS3. b35384803 PRG 919/107/139/SAILS6
State Library of South Australia SAILS7 Donation 1988 3 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SAILS7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SpiralRoom, SAILS8, and SPHERE. b35384542 PRG 919/107/128/SAILS7
State Library of South Australia SAILS8 Donation 1988 5 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SAILS8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SpiralRoom, SAILS7, and SPHERE. b35384554 PRG 919/107/128/SAILS8
State Library of South Australia SANDWATER Donation 1990 23 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SANDWATER is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BLUESUN, GARDENMOON, and CURRENTS. b35381401 PRG 919/107/133/SANDWATER
State Library of South Australia SATELITES Donation 1992 19 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SATELITES is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CIRCLE. b3538959x PRG 919/107/362/SATELITES
State Library of South Australia SEAMANDEL Donation 1991 28 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SEAMANDEL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SEAMANDEL1. b35385455 PRG 919/107/30/SEAMANDEL
State Library of South Australia SEAMANDEL Donation 1988 13 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SEAMANDEL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BUBLEBROT and BROT1. b35383458 PRG 919/107/93/SEAMANDEL
State Library of South Australia SEAMANDEL1 Donation 1991 28 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SEAMANDEL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SEAMANDEL. b35385467 PRG 919/107/30/SEAMANDEL1
State Library of South Australia SEPIAGOLD Donation 1988 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SEPIAGOLD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as REDGOLD1, BLUEGOLD, and REDGOLD. b35384931 PRG 919/107/142/SEPIAGOLD
State Library of South Australia SHEMANI Donation 1991 16 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SHEMANI is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35386046 PRG 919/107/189/SHEMANI
State Library of South Australia SHORE Donation 1991 28 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SHORE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WAIST. b35386824 PRG 919/107/230/SHORE
State Library of South Australia SIGGRAPH 1988 Donation from Australian Network of Art and Technology 1988 01:59:00 1 videocassette , sound, stereo, VHS, colour 13mm ASSOCIATION FOR COMPUTING MACHINERY A collection of Interactive Installation highlights and Video Art presented in the Art Show Exhibition Area at the 1998 SIGGRAPH Conference in Atlanta, Georgia. SIGGRAPH is the Association for Computing Machinery's Special Interest Group on Graphics and Interactive Techniques. ANAT # SUG 88.01 b35341592 BRG 391/F-192
State Library of South Australia SIGN Donation 1988 15 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SIGN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OVALSPHERE, KILIM, and OVAL. b35381681 PRG 919/107/19/SIGN
State Library of South Australia SIGN1 Donation 1988 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SIGN1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHRETREE, and KILIM1. b35381735 PRG 919/107/20/SIGN1
State Library of South Australia SIGNS Donation 1990 24 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SIGNS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BAU2000, SIGNS2 and SIGNS1. b35380354 PRG 919/107/21/SIGNS
State Library of South Australia SIGNS1 Donation 1990 24 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SIGNS1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BAU2000, SIGNS2 and SIGNS. b35380342 PRG 919/107/21/SIGNS1
State Library of South Australia SIGNS2 Donation 1990 24 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SIGNS2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BAU2000, SIGNS1 and SIGNS. b35380329 PRG 919/107/21/SIGNS2
State Library of South Australia SIXSPIN Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SIXSPIN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERESPIN, DOUBLESPIN, and COLOURSPIN. b35382946 PRG 919/107/79/SIXSPIN
State Library of South Australia SKYGRDN Donation 1991 13 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SKYGRDN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PAGODA21. b35386034 PRG 919/107/188/SKYGRDN
State Library of South Australia SNAIL Donation 1988 23 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SNAIL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ORNATE, LOOK31, and LOOK30. b35384128 PRG 919/107/113/SNAIL
State Library of South Australia SNAIL1 Donation 1988 13 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SNAIL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CENTRALL, RIVER1, and RIVER2. b35383033 PRG 919/107/82/SNAIL1
State Library of South Australia SOUNDFORK Donation 1988 5 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SOUNDFORK is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as COTTAGE and BROT2001. b3538184x PRG 919/107/29/SOUNDFORK
State Library of South Australia SPECIAL Donation 1989 20 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPECIAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LYRE35. b35379716 PRG 919/107/836/SPECIAL
State Library of South Australia SPHERE Donation 1988 11 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TEMPLE, LORD2, and NAVIGATOR. b35383823 PRG 919/107/104/SPHERE
State Library of South Australia SPHERE Donation 1988 23 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SpiralRoom, SAILS8, and SAILS7. b35384566 PRG 919/107/128/SPHERE
State Library of South Australia SPHEREC2 Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHEREC2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHEREGOL, GEOMETRIC9, and OK16i b35380949 PRG 919/107/58/SPHEREC2
State Library of South Australia SPHERECROS Donation 1988 10 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERECROS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ARCHblue2, GATE, and DIMONDSPHR b35382296 PRG 919/107/47/SPHERECROS
State Library of South Australia SPHEREGOL Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHEREGOL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16i, GEOMETRIC9, and SPHERE2. b35380925 PRG 919/107/58/SPHEREGOL
State Library of South Australia SPHEREGOLD Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHEREGOLD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FRAME. b3538069x PRG 919/107/46/SPHEREGOLD
State Library of South Australia SPHEREMND Donation 1991 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHEREMND is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TOTEMPOL. b35386228 PRG 919/107/198/SPHEREMND
State Library of South Australia SPHEREMNDL Donation 1991 21 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHEREMNDL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CARPTGLOBE. b35386666 PRG 919/107/222/SPHEREMNDL
State Library of South Australia SPHERES10 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERES10 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERES9, PIN3, and SPHERES8. b35382259 PRG 919/107/45/SPHERES10
State Library of South Australia SPHERES3 Donation 1988 8 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERES3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERES7, SPHERES5, and SPHERES6. b35382223 PRG 919/107/44/SPHERES3
State Library of South Australia SPHERES4 Donation 1988 8 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spheres4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35381644 PRG 919/107/8/SPHERES4
State Library of South Australia SPHERES5 Donation 1988 8 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERES5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERES7, SPHERES3, and SPHERES6. b35382211 PRG 919/107/44/SPHERES5
State Library of South Australia SPHERES6 Donation 1988 8 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERES6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERES7, SPHERES5, and SPHERES3. b35382235 PRG 919/107/44/SPHERES6
State Library of South Australia SPHERES7 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERES7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERES5, SPHERES3, and SPHERES6. b3538220x PRG 919/107/44/SPHERES7
State Library of South Australia SPHERES8 Donation 1988 11 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERES8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERES10, PIN3, and SPHERES9. b35382272 PRG 919/107/45/SPHERES8
State Library of South Australia SPHERES9 Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERES9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERES10, PIN3, and SPHERES8. b35382247 PRG 919/107/45/SPHERES9
State Library of South Australia SPHERESPIN Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERESPIN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SIXSPIN, DOUBLESPIN, and COLOURSPIN. b35382958 PRG 919/107/79/SPHERESPIN
State Library of South Australia SPHERICAL Donation 1991 20 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERICAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OOOO3. b3538606x PRG 919/107/190/SPHERICAL
State Library of South Australia SPHERICAL3 Donation 1991 21 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERICAL3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TOTEM. b35386095 PRG 919/107/192/SPHERICAL3
State Library of South Australia SPHERICALO Donation 1991 14 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHERICALO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35385509 PRG 919/107/161/SPHERICALO
State Library of South Australia SPHRESTRPS Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHRESTRPS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MIRROROOM, MNDLCROS, and STRIPES. b35381772 PRG 919/107/25/SPHRESTRPS
State Library of South Australia SPHRETREE Donation 1988 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPHRETREE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SIGN1, and KILIM1. b35381747 PRG 919/107/20/SPHRETREE
State Library of South Australia SPIKESUSP Donation 1988 7 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIKESUSP is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLNEW1 and MANDELNEW. b35381929 PRG 919/107/33/SPIKESUSP
State Library of South Australia SPINNER Donation 1988 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPINNER is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CAVE, FERNPIC, and CAVESPHERS. b35385418 PRG 919/107/834/SPINNER
State Library of South Australia SPINNER Donation 1988 31 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPINNER is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPINNER1, SPINNER2, and SPINNER3. b35383410 PRG 919/107/92/SPINNER
State Library of South Australia SPINNER1 Donation 1988 1 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPINNER1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPINNER, SPINNER2, and SPINNER3. b35383422 PRG 919/107/92/SPINNER1
State Library of South Australia SPINNER2 Donation 1988 1 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPINNER2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPINNER1, SPINNER, and SPINNER3. b35383434 PRG 919/107/92/SPINNER2
State Library of South Australia SPINNER3 Donation 1988 1 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPINNER3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPINNER1, SPINNER2, and SPINNER. b35383446 PRG 919/107/92/SPINNER3
State Library of South Australia SPINNERO Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPINNERO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPINNERO1, SPINNERO3, and SPINNERO2. b35383070 PRG 919/107/83/SPINNERO
State Library of South Australia SPINNERO1 Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPINNERO1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPINNERO, SPINNERO3, and SPINNERO2. b35383069 PRG 919/107/83/SPINNERO1
State Library of South Australia SPINNERO2 Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPINNERO2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPINNERO, SPINNERO3, and SPINNERO1. b35383094 PRG 919/107/83/SPINNERO2
State Library of South Australia SPINNERO3 Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPINNERO3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPINNERO, SPINNERO1, and SPINNERO2. b35383082 PRG 919/107/83/SPINNERO3
State Library of South Australia SPIRADIAM Donation 1988 5 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRADIAM is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALDOTS, SPIRAL, and ALBERS. b3538301x PRG 919/107/81/SPIRADIAM
State Library of South Australia SPIRAL Donation 1988 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NGHTORCHID, ORCHID, and MONUMENT2. b35384049 PRG 919/107/110/SPIRAL
State Library of South Australia SPIRAL Donation 1989 18 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DROPS, STRIPBLUE, and STRIPTONE. b35379613 PRG 919/107/129/SPIRAL
State Library of South Australia SPIRAL Donation 1991 12 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TAPESTRY. b35385522 PRG 919/107/162/SPIRAL
State Library of South Australia SPIRAL Donation 1991 15 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CARLOST. b35385546 PRG 919/107/163/SPIRAL
State Library of South Australia SPIRAL Donation 1988 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALDOTS, ALBERS, and SPIRADIAM. b35383008 PRG 919/107/81/SPIRAL
State Library of South Australia SPIRAL1 Donation 1988 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRAL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 3SPIRALS, SPIRLBRONZ, and BRONZE. b35384785 PRG 919/107/138/SPIRAL1
State Library of South Australia SPIRAL1 Donation 1988 21 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRAL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALA, SPIRALS1, and SPIRALS. b35383276 PRG 919/107/88/SPIRAL1
State Library of South Australia SPIRALA Donation 1991 16 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALA1. b35385613 PRG 919/107/167/SPIRALA
State Library of South Australia SPIRALA Donation 1988 21 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALS1, SPIRAL1, and SPIRALS. b35383264 PRG 919/107/88/SPIRALA
State Library of South Australia SPIRALA1 Donation 1991 17 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALA1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MNDLNEW1. b35385625 PRG 919/107/167/SPIRALA1
State Library of South Australia SPIRALA2 Donation 1991 17 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALA2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALA3. b35385558 PRG 919/107/164/SPIRALA2
State Library of South Australia SPIRALA3 Donation 1991 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALA3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALA2. b3538556x PRG 919/107/164/SPIRALA3
State Library of South Australia SPIRALCRL Donation 1991 19 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALCRL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLEJUNGL. b3538671x PRG 919/107/225/SPIRALCRL
State Library of South Australia SPIRALDOTS Donation 1988 6 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALDOTS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ALBERS, SPIRAL, and SPIRADIAM. b35382995 PRG 919/107/81/SPIRALDOTS
State Library of South Australia SPIRALI Donation 1991 13 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALI is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALIA. b35385704 PRG 919/107/171/SPIRALI
State Library of South Australia SPIRALI1 Donation 1991 13 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALI1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALI2. b35385650 PRG 919/107/169/SPIRALI1
State Library of South Australia SPIRALI2 Donation 1991 13 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALI2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRAL1. b35385662 PRG 919/107/169/SPIRALI2
State Library of South Australia SPIRALIA Donation 1991 13 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALIA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALI. b35385698 PRG 919/107/171/SPIRALIA
State Library of South Australia SPIRALIC Donation 1991 13 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALIC is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALIK. b35385686 PRG 919/107/170/SPIRALIC
State Library of South Australia SPIRALIK Donation 1991 13 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALIK is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALIC. b35385674 PRG 919/107/170/SPIRALIK
State Library of South Australia SPIRALIKA Donation 1991 13 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALIKA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALrefl. b35386289 PRG 919/107/203/SPIRALIKA
State Library of South Australia SPIRALS Donation 1988 22 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALA, SPIRAL1, and SPIRALS1. b35383288 PRG 919/107/88/SPIRALS
State Library of South Australia SPIRALS1 Donation 1988 23 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALS1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALA, SPIRAL1, and SPIRALS. b35383252 PRG 919/107/88/SPIRALS1
State Library of South Australia SPIRALref2 Donation 1991 14 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALref2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALref3. b35385649 PRG 919/107/168/SPIRALref2
State Library of South Australia SPIRALref3 Donation 1991 14 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALref3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALref2. b35385637 PRG 919/107/168/SPIRALref3
State Library of South Australia SPIRALrefl Donation 1991 13 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRALrefl is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRALIKA. b35386277 PRG 919/107/203/SPIRALrefl
State Library of South Australia SPIRLBRONZ Donation 1988 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRLBRONZ is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 3SPIRALS, SPIRAL1, and BRONZE. b35384761 PRG 919/107/138/SPIRLBRONZ
State Library of South Australia SPIRLFORST Donation 1991 18 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRLFORST is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLORAPASTL. b35386459 PRG 919/107/212/SPIRLFORST
State Library of South Australia SPIRLGLOBE Donation 1991 19 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPIRLGLOBE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLORAL. b35385984 PRG 919/107/186/SPIRLGLOBE
State Library of South Australia SPRITE Donation 1989 8 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPRITE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDLFLOAT, RUG, SPRITE, and S. b35379698 PRG 919/107/826/SPRITE
State Library of South Australia SQUARSHADO Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SQUARSHADO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNRISE1, ARCHblue, and GOLDREDFLO. b3538086x PRG 919/107/54/SQUARSHADO
State Library of South Australia STAR Donation 1988 3 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI STAR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRL, BOOKBROT, and LETTERS. b35383835 PRG 919/107/105/STAR
State Library of South Australia STRIPBLUE Donation 1988 11 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI STRIPBLUE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DROPS, STRIPTONE, and SPIRAL. b35384591 PRG 919/107/129/STRIPBLUE
State Library of South Australia STRIPES Donation 1988 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI STRIPES is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MIRROROOM, MNDLCROS, and SPHRESTRPS. b35381784 PRG 919/107/25/STRIPES
State Library of South Australia STRIPTONE Donation 1988 11 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI STRIPTONE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DROPS, STRIPBLUE, and SPIRAL. b35384578 PRG 919/107/129/STRIPTONE
State Library of South Australia SUNBLUE Donation 1988 28 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUNBLUE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GREENSUN, ABSTRACT89, and GOLDSUN. b35384840 PRG 919/107/140/SUNBLUE
State Library of South Australia SUNBLUE Donation 1988 29 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUNBLUE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNBLUE1, SUNYELLOW, and ABC. b3538363x PRG 919/107/99/SUNBLUE
State Library of South Australia SUNBLUE1 Donation 1988 29 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUNBLUE1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNYELLOW, SUNBLUE, and ABC. b35383628 PRG 919/107/99/SUNBLUE1
State Library of South Australia SUNRISE Donation 1988 21 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUNRISE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as REDBLUETRI and SUNRISE1. b3538444x PRG 919/107/125/SUNRISE
State Library of South Australia SUNRISE1 Donation 1988 21 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUNRISE1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNRISE and REDBLUETRI. b35384451 PRG 919/107/125/SUNRISE1
State Library of South Australia SUNRISE1 Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUNRISE1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GOLDREDFLO, ARCHblue, and SQUARSHADO. b35380846 PRG 919/107/54/SUNRISE1
State Library of South Australia SUNRISES1 Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Sunrises1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Sunrises2. b3538007x PRG 919/107/11/SUNRISES1
State Library of South Australia SUNRISES2 Donation 1990 7 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Sunrises2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Sunrises1. b35380081 PRG 919/107/11/SUNRISES2
State Library of South Australia SUNSET Donation 1988 21 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Sunset is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Hybrit1 and Fragile1. b35381589 PRG 919/107/1A/SUNSET
State Library of South Australia SUNYELLOW Donation 1988 29 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUNYELLOW is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUNBLUE1, SUNBLUE, and ABC. b35383616 PRG 919/107/99/SUNYELLOW
State Library of South Australia SURVEYORS Donation 1990 31 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SURVEYORS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLOAT1, TETHA5, and SURVEYORS1. b35381371 PRG 919/107/124/SURVEYORS
State Library of South Australia SURVEYORS1 Donation 1990 31 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SURVEYORS1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLOAT1, TETHA5, and SURVEYORS. b35381395 PRG 919/107/124/SURVEYORS1
State Library of South Australia SUSPENDGL1 Donation 1988 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUSPENDGL1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUSPENDGLD. b35382612 PRG 919/107/65/SUSPENDGL1
State Library of South Australia SUSPENDGL2 Donation 1988 12 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUSPENDGL2is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GREENPLNT, GREENPLNT1, and SUSPENDGL3. b35382399 PRG 919/107/53/SUSPENDGL2
State Library of South Australia SUSPENDGL3 Donation 1988 12 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUSPENDGL3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GREENPLNT, GREENPLNT1, and SUSPENDGL2. b35382387 PRG 919/107/53/SUSPENDGL3
State Library of South Australia SUSPENDGLD Donation 1988 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SUSPENDGLD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SUSPENDGL1. b35382624 PRG 919/107/65/SUSPENDGLD
State Library of South Australia SWIRL Donation 1988 3 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as STAR, BOOKBROT, and LETTERS. b35383847 PRG 919/107/105/SWIRL
State Library of South Australia SWIRLO Donation 1991 3 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ANGLES. b35385716 PRG 919/107/172/SWIRLO
State Library of South Australia SWIRLPLNT Donation 1991 18 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLPLNT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as CARLSWIRLS. b35385741 PRG 919/107/173/SWIRLPLNT
State Library of South Australia SWIRLS Donation 1991 3 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ALTAR. b35385820 PRG 919/107/178/SWIRLS
State Library of South Australia SWIRLS1/2 Donation 1991 27 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS1/2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLORA4. b35385935 PRG 919/107/183/SWIRLS1.2
State Library of South Australia SWIRLS10 Donation 1991 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS10 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS11. b35385807 PRG 919/107/177/SWIRLS10
State Library of South Australia SWIRLS11 Donation 1991 27 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS11 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS10. b35385819 PRG 919/107/177/SWIRLS11
State Library of South Australia SWIRLS13 Donation 1991 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS13 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35385790 PRG 919/107/176/SWIRLS13
State Library of South Australia SWIRLS4 Donation 1991 10 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS5. b35385753 PRG 919/107/174/SWIRLS4
State Library of South Australia SWIRLS5 Donation 1991 13 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS4. b35385765 PRG 919/107/174/SWIRLS5
State Library of South Australia SWIRLS6 Donation 1991 24 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PLANETGRDN. b35386927 PRG 919/107/235A/SWIRLS6
State Library of South Australia SWIRLS7 Donation 1991 2 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TROPHY3. b35387257 PRG 919/107/252/SWIRLS7
State Library of South Australia SWIRLS7a Donation 1991 24 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS7a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS7b. b35387221 PRG 919/107/251/SWIRLS7a
State Library of South Australia SWIRLS7b Donation 1991 24 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS7b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS7a. b35387233 PRG 919/107/251/SWIRLS7b
State Library of South Australia SWIRLS8 Donation 1991 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS9. b35385789 PRG 919/107/175/SWIRLS8
State Library of South Australia SWIRLS9 Donation 1991 6 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLS9 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS8. b35385777 PRG 919/107/175/SWIRLS9
State Library of South Australia SWIRLSred Donation 1991 3 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLSred is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLopen. b35385844 PRG 919/107/179/SWIRLSred
State Library of South Australia SWIRLSstri Donation 1991 3 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLSstri is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLset. b35385893 PRG 919/107/181/SWIRLSstri
State Library of South Australia SWIRLblue Donation 1991 3 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLblue is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLgold. b35385868 PRG 919/107/180/SWIRLblue
State Library of South Australia SWIRLgold Donation 1991 3 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLgold is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLblue. b3538587x PRG 919/107/180/SWIRLgold
State Library of South Australia SWIRLopen Donation 1991 3 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLopen is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLSred. b35385856 PRG 919/107/179/SWIRLopen
State Library of South Australia SWIRLset Donation 1991 3 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SWIRLset is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLstri. b35385881 PRG 919/107/181/SWIRLset
State Library of South Australia SYMBOLS Donation 1988 10 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SYMBOLS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIAMOND, SYMBOLS2, and SYMBOLS1. b35384402 PRG 919/107/120/SYMBOLS
State Library of South Australia SYMBOLS1 Donation 1988 7 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SYMBOLS1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SYMBOLS, SYMBOLS2, and DIAMOND. b35384426 PRG 919/107/120/SYMBOLS1
State Library of South Australia SYMBOLS2 Donation 1988 7 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SYMBOLS2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SYMBOLS, DIAMOND, and SYMBOLS1. b35384414 PRG 919/107/120/SYMBOLS2
State Library of South Australia Sample Footage Donation from Australian Network of Art and Technology 2001 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Joel ZIKA Sample Footage. 2-D and 3-D C.G. and Video. ANAT # 236 b35255985 BRG 391/F-166
State Library of South Australia Save Your Planet Donation from Australian Network of Art and Technology 1994 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Martin FISHER, Peter DICKSON The Plant Harlem presents the Rock Odyssey 'Save Your Planet' performed by The Merchants of Venice, written by Peter Dickson & Martin Fisher"" [Sound recording]. Was included in a boxed pack with an illustrated story booklet. b35332840 BRG 391/106/2b
State Library of South Australia Schape2 Donation 1993 1 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Schape2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT-20. b35395813 PRG 919/107/678/Schape2
State Library of South Australia ScreSpher1 Donation 1993 25 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreSpher1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScreSphere. b35394730 PRG 919/107/618/ScreSpher1
State Library of South Australia ScreSpher2 Donation 1993 25 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreSpher2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScreSpher3. b35394778 PRG 919/107/621/ScreSpher2
State Library of South Australia ScreSpher3 Donation 1993 25 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreSpher3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScreSpher2. b35394766 PRG 919/107/621/ScreSpher3
State Library of South Australia ScreSphere Donation 1993 25 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreSphere is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScreSpher1. b35394729 PRG 919/107/618/ScreSphere
State Library of South Australia Screen-O Donation 1993 29 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen-O is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Figures3. b35396131 PRG 919/107/695/Screen-O
State Library of South Australia Screen-X Donation 1993 20 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen-X is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen-Xa. b35395357 PRG 919/107/653/Screen-X
State Library of South Australia Screen-Xa Donation 1993 20 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen-Xa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen-X. b35395345 PRG 919/107/653/Screen-Xa
State Library of South Australia Screen01 Donation 1992 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen01 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritefill. b3539030x PRG 919/107/398/Screen01
State Library of South Australia Screen02 Donation 1992 23 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen02 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Elixir. b35390207 PRG 919/107/393/Screen02
State Library of South Australia Screen04 Donation 1992 27 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen04 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Rise. b35390281 PRG 919/107/397/Screen04
State Library of South Australia Screen1 Donation 1992 26 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen2. b35388523 PRG 919/107/306/Screen1
State Library of South Australia Screen1 Donation 1992 17 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen2. b35390888 PRG 919/107/427/Screen1
State Library of South Australia Screen1 Donation 1994 27 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Raibow-F. b35398383 PRG 919/107/825/Screen1
State Library of South Australia Screen1 Donation 1993 14 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Grain-2. b35397597 PRG 919/107/838/Screen1
State Library of South Australia Screen2 Donation 1991 10 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen1. b35387907 PRG 919/107/306/Screen2
State Library of South Australia Screen2 Donation 1992 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen1. b35390876 PRG 919/107/427/Screen2
State Library of South Australia Screen2 Donation 1992 3 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Prisma. b35393142 PRG 919/107/542/Screen2
State Library of South Australia Screen22 Donation 1993 14 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen22 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton2a. b35394869 PRG 919/107/628/Screen22
State Library of South Australia Screen2a Donation 1991 14 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen2a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FloatKilim. b35387403 PRG 919/107/260/Screen2a
State Library of South Australia Screen2b Donation 1991 14 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen2b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as screen2c. b35387439 PRG 919/107/261/Screen2b
State Library of South Australia Screen76a Donation 1993 24 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen76a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3d67. b35394304 PRG 919/107/592/Screen76a
State Library of South Australia Screen76a Donation 1993 31 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen76a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MNDLNEW1. b35394353 PRG 919/107/595/Screen76a
State Library of South Australia Screen<>2 Donation 1992 5 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screen<>2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapleg. b35389813 PRG 919/107/373/Screen_2
State Library of South Australia ScreenE Donation 1993 19 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreenE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Creen-Da. b35397202 PRG 919/107/749/ScreenE
State Library of South Australia ScreenE Donation 1993 19 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreenE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Creen-Da. b35397275 PRG 919/107/753/ScreenE
State Library of South Australia ScreenEr Donation 1993 24 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreenEr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tokamat-2. b3539741x PRG 919/107/760/ScreenEr
State Library of South Australia ScreenG-V Donation 1993 17 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreenG-V is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScreenG-Va. b35396775 PRG 919/107/727/ScreenG-V
State Library of South Australia ScreenG-Va Donation 1993 25 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreenG-Va is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScreenG-V. b35396763 PRG 919/107/727/ScreenG-Va
State Library of South Australia ScreenO76 Donation 1993 22 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreenO76 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35394638 PRG 919/107/612/ScreenO76
State Library of South Australia ScreenRd Donation 1993 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScreenRd is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Net-A. b35397342 PRG 919/107/756/ScreenRd
State Library of South Australia Screeno Donation 1992 29 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screeno is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screeno1. b35391753 PRG 919/107/471/Screeno
State Library of South Australia Screeno1 Donation 1992 29 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Screeno1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screeno. b35391741 PRG 919/107/471/Screeno1
State Library of South Australia ScrenFloat Donation 1994 3 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ScrenFloat is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 68basic-3. b35398255 PRG 919/107/808/ScrenFloat
State Library of South Australia Script Donation 1994 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Script is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Web-basic. b35398358 PRG 919/107/823/Script
State Library of South Australia Sea of Ice (Arctic Shipwreck) Donation from Australian Network of Art and Technology 2003 00:07:00 1 videocassette , sound, stereo, VHS, colour 13mm STRAIGHT TO VIDEO (MUSICAL GROUP) Music video. A series of urban and rural landscapes accompanying a live instrumental performance by Adelaide band Straight toVideo. Produced & edited by Jack Grieve, Paul Sloan and Marcin Kobylecki. Video/FX. ANAT # STR 03.01 b3525564x BRG 391/F-132
State Library of South Australia Seajul Donation 1992 26 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Seajul is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cat-knight. b3539352x PRG 919/107/561/Seajul
State Library of South Australia Seal Donation 1992 8 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Seal is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Seal-1. b35390128 PRG 919/107/389/Seal
State Library of South Australia Seal-1 Donation 1992 9 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Seal-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Seal. b35390116 PRG 919/107/389/Seal-1
State Library of South Australia Seal-2 Donation 1992 25 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Seal-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ideogram. b3539061x PRG 919/107/414/Seal-2
State Library of South Australia Second International Symposium on Electronic Art (S.I.S.E.A.) Donation from Australian Network of Art and Technology 1990 1 3.5 inch floppy disk, 37 electronic files, AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY Disk containing papers relating to the Second International Symposium on Electronic Art, including reports, and administrative and funding papers. (3.5 inch floppy disk). b35439270 BRG 391/384
State Library of South Australia Selected interactive works of Danielle Wilde Donation from Australian Network of Art and Technology 2006 1 Data CD, 1 electronic file, Danielle WILDE Selected interactive works of Danielle Wilde (Data CD), collected by the Australian Network for Art and Technology (ANAT). Disk contains 1 video of selected interactive works from between 1997-2006. b35177676 BRG 391/355/1
State Library of South Australia Self Manipulations 2002 Donation from Australian Network of Art and Technology 2002 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm Wade MARYNOWSKY Marynowsky performs real time video/audio manipulation using custom built software. Video/FX. ANAT # MAR 02.01 b35255225 BRG 391/F-90
State Library of South Australia Shape Donation 1993 18 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape-1. b35395722 PRG 919/107/673/Shape
State Library of South Australia Shape-1 Donation 1993 18 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape. b35395710 PRG 919/107/673/Shape-1
State Library of South Australia Shape3 Donation 1993 8 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape4. b35396891 PRG 919/107/733/Shape3
State Library of South Australia Shape3a Donation 1993 3 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3b. b35395758 PRG 919/107/675/Shape3a
State Library of South Australia Shape3a Donation 1993 3 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3b. b35396933 PRG 919/107/736/Shape3a
State Library of South Australia Shape3b Donation 1993 4 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3a. b3539576x PRG 919/107/675/Shape3b
State Library of South Australia Shape3b Donation 1993 29 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3c. b35396465 PRG 919/107/712/Shape3b
State Library of South Australia Shape3b Donation 1993 3 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3a. b35396945 PRG 919/107/736/Shape3b
State Library of South Australia Shape3c Donation 1993 4 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3d. b35395837 PRG 919/107/679/Shape3c
State Library of South Australia Shape3c Donation 1993 29 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3b. b35396477 PRG 919/107/712/Shape3c
State Library of South Australia Shape3d Donation 1993 4 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3c. b35395825 PRG 919/107/679/Shape3d
State Library of South Australia Shape3d Donation 1993 18 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3d is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3e. b35396490 PRG 919/107/713/Shape3d
State Library of South Australia Shape3e Donation 1993 29 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3e is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3d. b35396489 PRG 919/107/713/Shape3e
State Library of South Australia Shape3f Donation 1993 31 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3f is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3g. b3539626x PRG 919/107/702/Shape3f
State Library of South Australia Shape3f Donation 1993 29 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3f is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3g. b35396453 PRG 919/107/711/Shape3f
State Library of South Australia Shape3g Donation 1993 18 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3g is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3f. b35396271 PRG 919/107/702/Shape3g
State Library of South Australia Shape3g Donation 1993 29 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape3g is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3f. b35396441 PRG 919/107/711/Shape3g
State Library of South Australia Shape4 Donation 1993 13 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape3. b3539688x PRG 919/107/733/Shape4
State Library of South Australia Shape5 Donation 1993 26 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ModeX. b3539609x PRG 919/107/693/Shape5
State Library of South Australia Shape5 Donation 1993 16 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape5a. b35396386 PRG 919/107/708/Shape5
State Library of South Australia Shape5a Donation 1993 25 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape5a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape5. b35396398 PRG 919/107/708/Shape5a
State Library of South Australia Shape5ab Donation 1993 25 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape5ab is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape5ac. b35396416 PRG 919/107/709/Shape5ab
State Library of South Australia Shape5ac Donation 1993 25 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape5ac is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shape5ab. b35396404 PRG 919/107/709/Shape5ac
State Library of South Australia Shape5bb Donation 1993 25 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shape5bb is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton7ac. b35397093 PRG 919/107/744/Shape5bb
State Library of South Australia Shapy Donation 1993 1 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shapy is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shapy-1. b35395746 PRG 919/107/674/Shapy
State Library of South Australia Shapy-1 Donation 1993 5 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shapy-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Shapy. b35395734 PRG 919/107/674/Shapy-1
State Library of South Australia Shimmeeshok Showreel Donation from Australian Network of Art and Technology 2003 00:11:00 1 videocassette , stereo, VHS, colour 13mm Linda Lou MURPHY Shimmeeshok Showreel, which produced assorted performance and moving image projects. Members included Linda Lou Murphy, Yoko Kajio, Ali Baker, and Bel Geitz. ANAT # N027 b35359973 BRG 391/F-257
State Library of South Australia Shock in the Ear Donation from Australian Network of Art and Technology 1997 00:13:00 1 videocassette , sound, stereo, VHS, colour 13mm Norie NEUMARK Video documentation of 'Shock in the Ear', a CD-ROM-based interactive sound installation exhibited at Artspace Sydney in 1997 and exploring concepts and experiences of shock. Video. Two copies. ANAT # NEU 97.01 b3525533x BRG 391/F-101
State Library of South Australia Shore Donation 1992 24 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shore is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapshore. b35391522 PRG 919/107/459/Shore
State Library of South Australia Show Reel Donation from Australian Network of Art and Technology 1991 00:12:00 1 videocassette , sound, stereo, VHS, colour 13mm Csaba SZAMOSY Show reel for the 3rd Internaional Summer Academy, 'Computer and Art '91', Zurich School of Design. C.G. 2-D Animation/stills and Video. ANAT # 211 b35255729 BRG 391/F-140
State Library of South Australia Show Reel Donation from Australian Network of Art and Technology 2001 00:13:00 1 videocassette , sound, stereo, VHS, colour 13mm TESSERACT RESEARCH LABORATORIES Live performance, video installation and original music. Tesseract Research Laboratories was founded by Cindi Drennan and Justin Maynard in 1997. ANAT # 212 b35255730 BRG 391/F-141
State Library of South Australia Show Reel Donation from Australian Network of Art and Technology 2002 00:07:00 1 videocassette , sound, stereo, VHS, colour 13mm Dylan VOLKHARDT Showreel. Video and effects. ANAT # 222 b35255833 BRG 391/F-151
State Library of South Australia Show Reel Donation from Australian Network of Art and Technology 1995 00:55:00 1 videocassette , sound, stereo, VHS, colour 13mm Monica CORDUFF, Lyvern MYI A collection of individual and collaborative productions by Lyvem Myi and Monica Corduff. ANAT # MYI 95.01 b35348999 BRG 391/F-215
State Library of South Australia Show Reel -Heliograph Donation from Australian Network of Art and Technology 1998 00:14:00 1 videocassette , sound, stereo, VHS, colour 13mm Sarah NEVILLE Showreel for choreographer and Artistic Director of Heliograph, Sarah Neville. Comprised chiefly of excerpts from various multimedia-enhanced dance performances, this showreel features the following works: InsectSpace (1998), ARCHEA/One Big Stop (1997), Heliograph (1998), Lisku (1998). Video/FX. ANAT # NEV 98.01 b35255353 BRG 391/F-103
State Library of South Australia Show Reel by Origin Group Donation from Australian Network of Art and Technology 1991 2 December 1 videocassette (U-matic) , Demo Reel by Origin Group. ANAT # N004 b35355463 BRG 391/F-232
State Library of South Australia Show reel Donation from Australian Network of Art and Technology 2002 00:14:00 1 videocassette , stereo, VHS, colour 13mm James GEURTS Recent experimental videos (showreel) by James Guerts. ANAT # N024 b35359948 BRG 391/F-254
State Library of South Australia Showcase Donation from Australian Network of Art and Technology 1990 00:54:00 1 videocassette , sound, stereo, VHS, colour 13mm Troy INNOCENT, CYBER DADA, Dale NASON, Ollie OLSEN Includes T. lnnocent, D. Nason & C. Wright. Three characters (named 'X', 'Y' & 'Z') enter a laundromat and proceed to dance and explore the space before being washed and hung out to dry. 3D Computer Animation. ANAT # 214 b35255754 BRG 391/F-143
State Library of South Australia Showreel Donation from Australian Network of Art and Technology 2004 1 videocassette, sound, stereo, VHS, colour 13mm (1/2 inch), Ronald LOVE Showreel of Ronald Love, including content from PAKAM (Pilbara and Kimberley Aboriginal Media). 2 copies. b35155735 BRG 391/211
State Library of South Australia Showreel Donation from Australian Network of Art and Technology 1996 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Nicholas John HORE Showreel for Nick Hore, member of the Post Arrivalists, a Sydney based performance/arts/music collective. Video/FX/3D & 2D Animation. ANAT # HOR 96.01 b35255067 BRG 391/F-74
State Library of South Australia Showreel Donation from Australian Network of Art and Technology 2003 00:11:00 1 videocassette , sound, stereo, VHS, colour 13mm Scott HORSCROFT Showreel for Sydney-based sound artist, composer and producer Scott Horscroft, featuring live performances, exhibition documentation and an excerpt from Horscroft's appearance on SBS Television's Subsonics series. Video. ANAT # HOR 03.01 b35255079 BRG 391/F-75
State Library of South Australia Showreel Donation from Australian Network of Art and Technology 1995 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Stephen JONES Showreel for Stephen Jones, including excerpts from 'Jetlag' [1990], an entirely electronically generated music video for Severed Heads (of which Jones was a sometime member) 'Vision Stream' [1995], a segment in the '...and yet interventions' collaboration with Dance Exchange for SBS TV and 'Big Car (Retread Mix)' [1991], another music video for Severed Heads. Video/FX/Computer Generated Imagery. ANAT # JON 95.01 b35255158 BRG 391/F-83
State Library of South Australia Showreel Donation from Australian Network of Art and Technology 2003 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Wendy WILKINS, Wesley HILL Showreel for Brisbane based collaborative duo Wendy Wilkins and Wesley Hill, featuring video excerpts and documentation of exhibitions and installations. Video. ANAT # WIL 03.01 b35255936 BRG 391/F-161
State Library of South Australia Showreel Donation from Australian Network of Art and Technology 2000 00:09:00 1 videocassette , stereo, VHS, colour 13mm Irina GOUNDORTSEVA Video content of Irina Goundortseva, including Showreel (1 min), 'Cog' (7 min), and 'Insatiable'. ANAT # N020 b3535852x BRG 391/F-250
State Library of South Australia Showreel Donation from Australian Network of Art and Technology [Approximately 2000] 00:03:00 1 videocassette , stereo, VHS, colour 13mm Catherine JONES Showreel: 'catgURL' and 'Steel Fracture'. ANAT # N026 b35359961 BRG 391/F-256
State Library of South Australia Showreel 1995 Donation from Australian Network of Art and Technology 1995 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Anna BAZZI Showreel for Anna Bazzi, a producer/director who aims to ""tap into the conciousness of the broader Australian society through the arts and through the knowledge, experiences and needs of NESB women and so called minority groups."" Video/Stills/FX. ANAT # BAZ 95.01 b35254439 BRG 391/F-11
State Library of South Australia Showreel 2000-2002 Donation from Australian Network of Art and Technology 2002 1 videocassette , stereo, VHS, colour 13mm Helen OMAND Showreel of Helen Omand, including 'Up front and naked', 'Cow 33', 'Rapt', and 'Chemical Sea'. ANAT # N021 b35358543 BRG 391/F-251
State Library of South Australia Showreel of Louise Pascale Donation from Australian Network of Art and Technology [approximately 2005] 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm Louise PASCALE Australian Network for Art and Technology (ANAT) artist file of Louise Pascale comprising a showreel (1 videocassette). b35156259 BRG 391/263
State Library of South Australia Shrine Donation 1992 17 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Shrine is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Eddy-2. b3539139x PRG 919/107/453/Shrine
State Library of South Australia Sie Mehr Die Andere. Diese Sie Weniger Donation from Australian Network of Art and Technology 1991 1 videocassette (U-matic) , Marten VON GESA Sie Mehr Die Andere. Diese Sie Weniger. ANAT # N011 b35355542 BRG 391/F-239
State Library of South Australia Signal Donation 1992 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Signal is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Signals. b35389539 PRG 919/107/359/Signal
State Library of South Australia Signals Donation 1992 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Signals is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Signal. b35389527 PRG 919/107/359/Signals
State Library of South Australia Singer songwriter performing in a bar Donation from Australian Network of Art and Technology [Approximately 2000] 00:32:00 1 videocassette , stereo, VHS, black and white 13mm Singer songwriter performing on an acoustic guitar in a bar, with a supporting musician on bass guitar. ANAT # N035 b35360653 BRG 391/F-263
State Library of South Australia Singular Donation 1993 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Singular is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Fill. b35396866 PRG 919/107/732/Singular
State Library of South Australia Siren Song Donation from Australian Network of Art and Technology 1992 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Tony MACGREGOR, Nigel HELYER Siren Song by Nigel Helyer [sound recording]. A cassettalogue co-produced by Nigel Helyer and Tony MacGregor. Co-published by Sonic Objects : Sonic Architecture and the Art Gallery of New South Wales. b35333492 BRG 391/151/3
State Library of South Australia Skies Donation from Australian Network of Art and Technology 1998 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Don RITTER Skies. Interactive Video Installation. ANAT # 181 b35255444 BRG 391/F-112
State Library of South Australia Skyharp (Demo) Donation from Australian Network of Art and Technology 1991 00:13:00 1 videocassette , sound, stereo, VHS, colour 13mm Kristi ALLIK, Robert MULDER Documentation of an installation at the Little Cataraqui Creek Conservation Area in Kingston, Ontario (Canada), which creates soundscapes from the interaction between various natural elements. Includes interviews with the artists and documentation of 'Eulogy for an Elmtree', a performance for elm tree and synthesizers. ANAT # ALL 91.01 b35254348 BRG 391/F-2
State Library of South Australia Software for R&D project at ANAT Donation from Australian Network of Art and Technology 1993 1 3.5 inch floppy disk, electronic files, Warren BURT Disk containing software (Sound Canvas) for R&D project at ANAT. Includes a final report on the 1993 grant, indicating that, ""the project was to write software for the control of algorithmic musical composition."". See BRG 391/42/2 for sound recordings. b35133107 BRG 391/42/1
State Library of South Australia Somalia Yellow (6) Vignettes Donation from Australian Network of Art and Technology 1997 00:15:00 1 videocassette , sound, stereo, VHS, colour 13mm Allan Harding MACKAY A series of six vignettes derived from source footage shot in March 1993 during the artist's Civilian Artists assignment with the Canadian Armed Forces as part of the United Nations led intervention into Somalia. The vignettes juxtapose high tech military might and machinery with scenes and moments of everyday life in Somalia. Video / FX. ANAT # MAC 97.01 b35255201 BRG 391/F-88
State Library of South Australia Sophie Donation from Australian Network of Art and Technology 1992 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm Lisa ROBERTS, Carmel BIRD Sophie. C.G. 2-D Animation. ANAT # 182 b35255456 BRG 391/F-113
State Library of South Australia Sound recordings of Brendon Palmer Donation from Australian Network of Art and Technology [approximately 1996] 1 audiocassette , analog, magnetic, stereo 10 x 6.5 cm, 3.8 mm tape Brendon PALMER Sound recordings of Brendon Palmer. b35156235 BRG 391/261
State Library of South Australia Sound works Donation from Australian Network of Art and Technology 1996 00:24:00 1 videocassette , sound, stereo, VHS, colour 13mm Ed OSBORN Sound works 1992-96 of Ed Osborn, including 'Parabolica', 'Blindfield', 'Red Lens', 'Groundswell', 'Last Call', and 'Zaku Zaku'. b35329373 BRG 391/256/2
State Library of South Australia Sounding Images Donation from Australian Network of Art and Technology 1989 00:54:00 1 videocassette , sound, stereo, VHS, colour 13mm Barry SCHRADER Sounding Images. C.G. 2-D Animation. ANAT # 187 b3525550x BRG 391/F-118
State Library of South Australia Soundtrack for an Empty Dollspace Donation from Australian Network of Art and Technology 1998 1 audio disc, digital, CD audio 12 cm., Soundtrack for an Empty Dollspace was used in an exhibition program, complementing 'Foldback', a forum held by ANAT in 1998. The audio was a collaboration between Francesca da Rimini, Ricardo Dominguez, and Michael Grimm, and made in 1997. b35451889 BRG 391/387
State Library of South Australia SpaceGate Donation 1993 8 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SpaceGate is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TriCubes. b35394389 PRG 919/107/598/SpaceGate
State Library of South Australia Spacecross Donation 1992 29 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spacecross is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Wave1. b3539173x PRG 919/107/470/Spacecross
State Library of South Australia Spacegardn Donation 1992 25 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spacegardn is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Gardenwall. b35391509 PRG 919/107/458/Spacegardn
State Library of South Australia Sphaeros Donation 1992 3 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Sphaeros is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Prism. b35393051 PRG 919/107/537/Sphaeros
State Library of South Australia SpherBLRD1 Donation 1992 10 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SpherBLRD1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereFIN. b35392010 PRG 919/107/485/SpherBLRD1
State Library of South Australia SpherGate1 Donation 1993 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SpherGate1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereGate. b35394547 PRG 919/107/607/SpherGate1
State Library of South Australia Sphere-3D Donation 1992 7 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Sphere-3D is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Sphere-3Da. b35394080 PRG 919/107/800/Sphere-3D
State Library of South Australia Sphere-3Da Donation 1992 7 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Sphere-3Da is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Sphere-3D. b35394079 PRG 919/107/800/Sphere-3Da
State Library of South Australia Sphere-5 Donation 1992 8 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Sphere-5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EIGHT. b35388559 PRG 919/107/309/Sphere-5
State Library of South Australia Sphere-5 Donation 1992 8 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Sphere-5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EIGHT. b35388584 PRG 919/107/310/Sphere-5
State Library of South Australia SphereBLGR Donation 1992 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereBLGR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereBLRD. b35392113 PRG 919/107/490/SphereBLGR
State Library of South Australia SphereBLRD Donation 1992 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereBLRD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereBLGR. b35392101 PRG 919/107/490/SphereBLRD
State Library of South Australia SphereFIN Donation 1992 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereFIN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereBLRD1. b35392009 PRG 919/107/485/SphereFIN
State Library of South Australia SphereGLD Donation 1992 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereGLD is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereGRE. b35391996 PRG 919/107/484/SphereGLD
State Library of South Australia SphereGRE Donation 1992 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereGRE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereGLD. b35391984 PRG 919/107/484/SphereGRE
State Library of South Australia SphereGate Donation 1993 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereGate is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SpherGate1. b35394535 PRG 919/107/607/SphereGate
State Library of South Australia SphereHalf Donation 1992 28 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereHalf is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereShif. b35390347 PRG 919/107/400/SphereHalf
State Library of South Australia SphereHlf Donation 1992 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereHlf is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Beetles-O. b35390670 PRG 919/107/417/SphereHlf
State Library of South Australia SphereHlf1 Donation 1992 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereHlf1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Graviton. b35390360 PRG 919/107/401/SphereHlf1
State Library of South Australia SphereRED Donation 1992 9 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereRED is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pleatsphr. b35392034 PRG 919/107/486/SphereRED
State Library of South Australia SphereShif Donation 1992 28 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereShif is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereHalf. b35390335 PRG 919/107/400/SphereShif
State Library of South Australia SphereSqre Donation 1992 28 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereSqre is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereSqri. b35390311 PRG 919/107/399/SphereSqre
State Library of South Australia SphereSqri Donation 1992 28 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SphereSqri is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SphereSqre. b35390323 PRG 919/107/399/SphereSqri
State Library of South Australia Spider & Fly / Colour Photocopy Donation from Australian Network of Art and Technology 2002 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Dale NASON Excerpts from two works by VJ, multi-disciple artist, collage enthusiast, zine author and CyberDada pioneer, Dale Nason. Includes a series of art cards. ANAT # NAS 02.01 b35349001 BRG 391/F-216
State Library of South Australia Spinner Donation 1993 9 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SPINNER is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397652 PRG 919/107/845/Spinner
State Library of South Australia Spinner-1 Donation 1993 9 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spinner-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397524 PRG 919/107/815/Spinner-1
State Library of South Australia Spinno Donation 1993 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spinno is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moonlyap-a. b35395461 PRG 919/107/659/Spinno
State Library of South Australia Spinno-1 Donation 1993 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spinno-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap3-4. b35395503 PRG 919/107/661/Spinno-1
State Library of South Australia Spinno-1a Donation 1993 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spinno-1a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap4. b35395540 PRG 919/107/663/Spinno-1a
State Library of South Australia Spinno-1c Donation 1993 18 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spinno-1c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Kernella. b35395618 PRG 919/107/668/Spinno-1c
State Library of South Australia Spinno2 Donation 1993 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spinno2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spinno3. b35395485 PRG 919/107/660/Spinno2
State Library of South Australia Spinno3 Donation 1993 28 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spinno3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spinno2. b35395473 PRG 919/107/660/Spinno3
State Library of South Australia Spiral Animation Spontaneous Donation from Australian Network of Art and Technology 1994 00:16:00 1 videocassette , sound, stereo, VHS, colour 13mm Elizabeth EDWARDS 3D computer animation of a black and white, helix-like spiral. 3D Computer Animation. ANAT # EDW 94.01 b35254816 BRG 391/F-49
State Library of South Australia SpiralRoom Donation 1989 18 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SpiralRoom is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SAILS7, SAILS8, and SPHERE. b35379601 PRG 919/107/128/SpiralRoom
State Library of South Australia Spiralwave Donation 1994 12 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spiralwave is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Flora-red. b35398243 PRG 919/107/806/Spiralwave
State Library of South Australia Spoken Under Duress/Armoured Car in Berlin Donation from Australian Network of Art and Technology 1995 00:17:00 1 videocassette , sound, stereo, VHS, colour 13mm Arthur WICKS Spoken Under Duress/Armoured Car in Berlin. C.G. Animation and Video. ANAT # 229 b35255900 BRG 391/F-158
State Library of South Australia Sprinewt Donation 1992 19 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Sprinewt is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Drops1. b35392241 PRG 919/107/497/Sprinewt
State Library of South Australia Spritefil1 Donation 1992 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritefil1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritefil2. b35390037 PRG 919/107/385/Spritefil1
State Library of South Australia Spritefil2 Donation 1992 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritefil2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritefil1. b35390049 PRG 919/107/385/Spritefil2
State Library of South Australia Spritefil3 Donation 1992 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritefil3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritefil4. b35390013 PRG 919/107/384/Spritefil3
State Library of South Australia Spritefil4 Donation 1992 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritefil4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritefil3. b35390025 PRG 919/107/384/Spritefil4
State Library of South Australia Spritefila Donation 1992 22 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritefila is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritefilo. b35390001 PRG 919/107/383/Spritefila
State Library of South Australia Spritefill Donation 1992 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritefill is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen01. b35390293 PRG 919/107/398/Spritefill
State Library of South Australia Spritefilo Donation 1992 22 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritefilo is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritefila. b35389990 PRG 919/107/383/Spritefilo
State Library of South Australia Spritsph4a Donation 1993 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritsph4a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Marble. b35394997 PRG 919/107/634/Spritsph4a
State Library of South Australia Spritsphr2 Donation 1993 23 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritsphr2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritsphr3. b3539495x PRG 919/107/632/Spritsphr2
State Library of South Australia Spritsphr3 Donation 1993 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritsphr3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritsphr2. b35394948 PRG 919/107/632/Spritsphr3
State Library of South Australia Spritsphr4 Donation 1993 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritsphr4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritsphr5. b35394961 PRG 919/107/633/Spritsphr4
State Library of South Australia Spritsphr5 Donation 1993 29 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Spritsphr5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spritsphr4. b35394973 PRG 919/107/633/Spritsphr5
State Library of South Australia SqCircle-3 Donation 1993 7 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SqCircle-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton1. b35394365 PRG 919/107/596/SqCircle-3
State Library of South Australia SqCircle3 Donation 1993 8 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SqCircle3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397536 PRG 919/107/816/SqCircle3
State Library of South Australia SqareCirc2 Donation 1993 24 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SqareCirc2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3. b35394213 PRG 919/107/587/SqareCirc2
State Library of South Australia SqareCirc2 Donation 1993 24 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI SqareCirc2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Newton3. b35394225 PRG 919/107/588/SqareCirc2
State Library of South Australia Squeeze Donation 1993 27 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Squeeze is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as S-ymbol. b35397354 PRG 919/107/757/Squeeze
State Library of South Australia Squeeze-O Donation 1994 6 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Squeeze-O is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Acorn. b35398012 PRG 919/107/765/Squeeze-O
State Library of South Australia Still images Donation from Australian Network of Art and Technology 2005 1 Data CD, 9 electronic files, David MACKENZIE David Mackenzie still images from exhibitions and installations. b35457132 BRG 391/394
State Library of South Australia Stripsody - Supporting Video Donation from Australian Network of Art and Technology 1989 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm L. WALLEN L. Wallen and T. Brejzek supporting video. Live music/ Video installation. ANAT # 226 b35255870 BRG 391/F-155
State Library of South Australia Structre Donation 1992 5 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Structre is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandecenta. b35389850 PRG 919/107/376/Structre
State Library of South Australia StuffIt disk Donation from Australian Network of Art and Technology 1992 1994 1 3.5 inch floppy disk, 8 electronic files, Disk containing the application 'StuffIt Lite' to be used in conjunction with other disks from a computer based interactive drama project (3.5 inch floppy disk). b35440752 BRG 391/385/1
State Library of South Australia Subvert the Maleframe Donation from Australian Network of Art and Technology [Approximately 1990-1995] 00:11:00 1 videocassette , sound, stereo, VHS, colour 13mm DYKE PIRATE Video highlights of various 'chixcentric' performances by Dyke Pirate / Up Yours, accompanied by music by Non Bossy Possy. Video/FX. ANAT # DYK 90s.01 b35254804 BRG 391/F-48
State Library of South Australia Sudden Changes Donation from Australian Network of Art and Technology 1991 00:45:00 1 videocassette , sound, stereo, VHS, colour 13mm Liss FAIN, Michael MCNABB Documentation of a San Francisco performance of Liss Fain's 'Sudden Changes', a modern dance production created as a reaction to environmental loss and diminishment. Features the live computer- music of Michael McNabb. Video. ANAT # FAI 91.01 b35254865 BRG 391/F-54
State Library of South Australia Sunbow Donation 1993 16 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Sunbow is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moonbow. b35394894 PRG 919/107/629/Sunbow
State Library of South Australia Support Material Donation from Australian Network of Art and Technology 1998 00:07:00 1 videocassette , sound, stereo, VHS, colour 13mm Jeremy HYNES Live performance / video / VJ art from various events and projects. Support materials for Hynes' ANAT Conference & Workshop Fund proposal, 1998. Video / FX. ANAT # HYN 98.01 b35255092 BRG 391/F-77
State Library of South Australia Support Material Donation from Australian Network of Art and Technology 2005 1 Data CD, 306 electronic files, Danny DIAZ Support material by Danny Diaz and Laura White, including audio and moving image files. Files include content for web applications, including Flash and Shockwave. b35457211 BRG 391/391
State Library of South Australia Support Material Donation from Australian Network of Art and Technology [Approximately 2001] 1 Data CD, 31 electronic files, Christian THOMPSON Support material by Christian Thompson, including images and moving image files from exhibitions. b35457223 BRG 391/392
State Library of South Australia Support material Donation from Australian Network of Art and Technology [Approximately 2005] 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Vance GLYNN Support material of Vance Glynn, including a short documentary about some Pitjantjatjara boys. 2 copies. b35327303 BRG 391/125/2
State Library of South Australia Support material for ANAT Summer school application Donation from Australian Network of Art and Technology 1997 1 Data CD, 123 electronic files, Brian MARTIN Support material of Brian Martin (Data CD) for his ANAT Summer School application. Includes images, interactive videos and applications, a website link. Work titles include 'stride', 'orbs', 'gem', 'z', 'twiddle', and 'Breath'. b35177536 BRG 391/222/1
State Library of South Australia Suspicious Donation from Australian Network of Art and Technology 2000 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Brent GRAYBURN Experimental short in which the anxieties of the urban environment cause a man to 'self-drill'. Video/FX/Stop-Motion Animation. ANAT # GRA 00.01 b35254932 BRG 391/F-61
State Library of South Australia Sustenance Productions webpage Donation from Australian Network of Art and Technology 2002 2004 1 Data CD, 45 electronic files, Lynne SANDERSON Sustenance Productions webpage by Lynne Sanderson, on Data CD, collected by the Australian Network for Art and Technology (ANAT). Contains information and content on 'Somnolent fantasies', 'VJ-Club Visuals', 'Feedback Acceleration Laboratory', 'mutant!', and 'primal debug'. b35177627 BRG 391/296/1
State Library of South Australia Symbiosis Samba Donation from Australian Network of Art and Technology [Approximately 1990] 1 videocassette (U-matic) , Stuart RAMSDEN Symbiosis Samba. ANAT # N038 b35355578 BRG 391/F-242
State Library of South Australia SymbioticA in Arte Europe & ZDF German TV Donation from Australian Network of Art and Technology [Approximately 2007] 1 videocassette , stereo, VHS, colour 13mm SymbioticA in Arte Europe & ZDF German TV. SymbioticA was a research lab at the University of WA, co-founded by Stuart Bunt. ANAT # N015 b35358427 BRG 391/F-245
State Library of South Australia Symbol Donation 1992 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Symbol is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Ovalblack1. b35390153 PRG 919/107/391/Symbol
State Library of South Australia T'as Vu: A History of Sound, 3000 B.C. - 12.08.92 Donation from Australian Network of Art and Technology 1992 00:29:00 1 videocassette , sound, stereo, VHS, colour 13mm Leigh HOBBA, Henri CHOPIN Experimental video/sound collaborative performance. Video/Computer Imagery/FX. ANAT # HOB 92.03 b35255055 BRG 391/F-73
State Library of South Australia TAPESTRY Donation 1988 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TAPESTRY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TAPESTRY1, ORIENTAL, and TAPESTRY2. b35385042 PRG 919/107/145/TAPESTRY
State Library of South Australia TAPESTRY Donation 1991 11 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TAPESTRY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIRAL. b35385510 PRG 919/107/162/TAPESTRY
State Library of South Australia TAPESTRY1 Donation 1988 26 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TAPESTRY1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TAPESTRY, ORIENTAL, and TAPESTRY2. b35385030 PRG 919/107/145/TAPESTRY1
State Library of South Australia TAPESTRY1 Donation 1988 27 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TAPESTRY1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as COLUMN and JULIE. b35382879 PRG 919/107/77/TAPESTRY1
State Library of South Australia TAPESTRY2 Donation 1988 31 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TAPESTRY2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TAPESTRY, ORIENTAL, and TAPESTRY1. b35385066 PRG 919/107/145/TAPESTRY2
State Library of South Australia TAPESTRY5 Donation 1988 26 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TAPESTRY5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JULIE2, JULIE-orig, and JULIE1. b35382934 PRG 919/107/78/TAPESTRY5
State Library of South Australia TEMPLE Donation 1988 12 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TEMPLE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NAVIGATOR, LORD2, and SPHERE. b35383811 PRG 919/107/104/TEMPLE
State Library of South Australia TEMPLE Donation 1988 16 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TEMPLE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TEMPLE2, TEMPLE3, and TEMPLE1. b3538394x PRG 919/107/107/TEMPLE
State Library of South Australia TEMPLE1 Donation 1988 16 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TEMPLE1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TEMPLE2, TEMPLE3, and TEMPLE. b35383914 PRG 919/107/107/TEMPLE1
State Library of South Australia TEMPLE2 Donation 1988 16 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TEMPLE2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TEMPLE1, TEMPLE3, and TEMPLE. b35383926 PRG 919/107/107/TEMPLE2
State Library of South Australia TEMPLE3 Donation 1988 17 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TEMPLE3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TEMPLE2, TEMPLE1, and TEMPLE. b35383938 PRG 919/107/107/TEMPLE3
State Library of South Australia TEMPLE3 Donation 1988 16 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TEMPLE3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MEANJIN, MEANJIN1, and TEMPLECOMP. b35384463 PRG 919/107/126/TEMPLE3
State Library of South Australia TEMPLECOMP Donation 1988 17 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TEMPLECOMP is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MEANJIN, MEANJIN1, and TEMPLE3. b35384499 PRG 919/107/126/TEMPLECOMP
State Library of South Australia TESTPALET Donation 1991 5 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TESTPALET is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PALETFUL and PALET_15. b3538797x PRG 919/107/801/TESTPALET
State Library of South Australia TETHA1 Donation 1990 31 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TETHA1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TETHA3, TETHA2, and HALL. b35381322 PRG 919/107/123/TETHA1
State Library of South Australia TETHA2 Donation 1990 30 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TETHA2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TETHA3, TETHA1, and HALL. b35381346 PRG 919/107/123/TETHA2
State Library of South Australia TETHA3 Donation 1990 30 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TETHA3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TETHA1, TETHA2, and HALL. b35381334 PRG 919/107/123/TETHA3
State Library of South Australia TETHA5 Donation 1990 30 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TETHA5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as FLOAT1, SURVEYORS, and SURVEYORS1. b35381383 PRG 919/107/124/TETHA5
State Library of South Australia TETRADOUBL Donation 1990 25 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TETRADOUBL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TETRARFLC2, TETRARFLC3, and TETRASCAPE. b35381231 PRG 919/107/80/TETRADOUBL
State Library of South Australia TETRARFLC2 Donation 1990 29 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TETRARFLC2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TETRASCAPE, TETRARFLC3, and TETRADOUBL. b35381218 PRG 919/107/80/TETRARFLC2
State Library of South Australia TETRARFLC3 Donation 1990 29 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TETRARFLC3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TETRARFLC2, TETRASCAPE, and TETRADOUBL. b3538122x PRG 919/107/80/TETRARFLC3
State Library of South Australia TETRASCAPE Donation 1990 25 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TETRASCAPE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TETRARFLC2, TETRARFLC3, and TETRADOUBL. b35381206 PRG 919/107/80/TETRASCAPE
State Library of South Australia THREECOPOL Donation 1988 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI THREECOPOL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 3SPHERES, 3SPHERES1, and 3SPHERES2. b35382648 PRG 919/107/66/THREECOPOL
State Library of South Australia TIGER Donation 1991 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TIGER is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TIGER1. b35386162 PRG 919/107/195/TIGER
State Library of South Australia TIGER1 Donation 1991 13 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TIGER1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TIGER. b35386150 PRG 919/107/195/TIGER1
State Library of South Australia TISEA: 3rd international Symposium on Electronic Art Donation from Australian Network of Art and Technology 1992 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Promotional video for the 3rd International Symposium on Electronic Art in Sydney (November 1992). Video/Text/FX/Computer Animation. ANAT # TIS 92.01 b35352401 BRG 391/F-222
State Library of South Australia TOTEM Donation 1991 21 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TOTEM is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHERICAL3. b35386101 PRG 919/107/192/TOTEM
State Library of South Australia TOTEM1 Donation 1991 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TOTEM1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TOTEM2. b35386083 PRG 919/107/191/TOTEM1
State Library of South Australia TOTEM2 Donation 1991 21 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TOTEM2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TOTEM1. b35386071 PRG 919/107/191/TOTEM2
State Library of South Australia TOTEM3 Donation 1991 1 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TOTEM3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TOTEM4. b35386113 PRG 919/107/193/TOTEM3
State Library of South Australia TOTEM4 Donation 1991 22 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TOTEM4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TOTEM3. b35386125 PRG 919/107/193/TOTEM4
State Library of South Australia TOTEMPOL Donation 1991 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TOTEMPOL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPHEREMND. b35386216 PRG 919/107/198/TOTEMPOL
State Library of South Australia TOTEMred Donation 1991 22 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TOTEMred is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TROPHY2. b35386253 PRG 919/107/200/TOTEMred
State Library of South Australia TRANSFORMERS (documentation) Donation from Australian Network of Art and Technology 2002 00:03:00 1 videocassette , sound, stereo, VHS, colour 13mm Justine COOPER Documentation of a multi-channel DVD installation that takes the genetic sequence of 12 subjects and interweaves their signifiers of identity, both visual and oral, into a strikingly beautiful and complex layering that expresses both cultural and scientific systems. Documented by Lynne Sanderson at the Adelaide Biennial of Australian Art - Converge: Where art and science meet'. TRANSFORMERS was funded by ANAT's Scientific Serendipity Artist in Residence Programme. Video. ANAT # COO 02.01 b35254634 BRG 391/F-31
State Library of South Australia TRAVELCAT Donation 1991 2 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRAVELCAT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ASTROCAT. b35386411 PRG 919/107/210/TRAVELCAT
State Library of South Australia TREE Donation 1991 1 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TREE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GREEN. b35386794 PRG 919/107/229/TREE
State Library of South Australia TREE Donation 1988 14 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TREE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NAVIGATOR, ALTARO, and LENS. b35383549 PRG 919/107/97/TREE
State Library of South Australia TREEMAN Donation 1991 30 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TREEMAN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRIMETREE. b35386745 PRG 919/107/226/TREEMAN
State Library of South Australia TREorigMnd Donation 1988 2 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TREorigMnd is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELTREE, DECOR, and ISLAND3. b35382053 PRG 919/107/36/TREorigMnd
State Library of South Australia TREorigMnd Donation 1988 2 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TREorigMnd is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELTREE, DECOR, and ISLAND3. b35382089 PRG 919/107/37/TREorigMnd
State Library of South Australia TRI-1 Donation 1994 25 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRI-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Web-sphres. b35398279 PRG 919/107/809/TRI-1
State Library of South Australia TRI-2 Donation 1994 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRI-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 2TRI-1tri. b35398139 PRG 919/107/772/TRI-2
State Library of South Australia TRI-3 Donation 1994 26 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRI-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRI-4. b35398048 PRG 919/107/768/TRI-3
State Library of South Australia TRI-4 Donation 1994 26 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRI-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRI-3. b3539805x PRG 919/107/768/TRI-4
State Library of South Australia TRI-4 Donation 1994 26 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRI-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pattern. b35398152 PRG 919/107/773/TRI-4
State Library of South Australia TRIANGLPIN Donation 1988 9 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRIANGLPIN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 3P1N1, PINTRANGL1, and PIN3GREEN. b35382788 PRG 919/107/73/TRIANGLPIN
State Library of South Australia TRIASPHERE Donation 1988 8 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRIASPHERE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 2TRIANGLES, TRISPHRBLW, and 2TRI15. b35384657 PRG 919/107/132/TRIASPHERE
State Library of South Australia TRIMAUVE Donation 1988 10 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRIMAUVE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HORISPATT and 2TRIASCAPE. b35383665 PRG 919/107/100/TRIMAUVE
State Library of South Australia TRIMTREE Donation 1991 30 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRIMTREE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TREEMAN. b35386733 PRG 919/107/226/TRIMTREE
State Library of South Australia TRISPHRBLW Donation 1988 8 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TRISPHRBLW is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRIASPHERE, 2TRIANGLES, and 2TRI15. b35384669 PRG 919/107/132/TRISPHRBLW
State Library of South Australia TROPHY Donation 1991 14 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TROPHY is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TROPHY1. b35386502 PRG 919/107/214/TROPHY
State Library of South Australia TROPHY1 Donation 1991 13 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TROPHY1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TROPHY. b35386496 PRG 919/107/214/TROPHY1
State Library of South Australia TROPHY2 Donation 1991 20 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TROPHY2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MNDLNEW1. b35386265 PRG 919/107/200/TROPHY2
State Library of South Australia TROPHY3 Donation 1991 20 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TROPHY3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SWIRLS7. b35387245 PRG 919/107/252/TROPHY3
State Library of South Australia TWINSPHRS Donation 1988 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TWINSPHRS is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ANALOG, grid1, and HOUSE. b3538475x PRG 919/107/137/TWINSPHRS
State Library of South Australia Tag Music Donation from Australian Network of Art and Technology 1994 00:12:00 1 videocassette , sound, stereo, VHS, colour 13mm Jean Robert SEDANO A video demonstration of 'Tag Music', which utilises specially developed software to control and create synthesized sound via the video identification of various elements of a 'tag'. This video is SECAM and may be incomplete. Video/FX. ANAT # SED 94.01 b35255535 BRG 391/F-121
State Library of South Australia Talking Chair, The Donation from Australian Network of Art and Technology 1994 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Iain MOTT, Marc RASZEWSKI Documentation of an interactive sculpture acting as a listening environment for 3D sound, allowing participants to control the trajectory of sound through the space surrounding their body. Video/FX. ANAT # MOT 94.01 b35255298 BRG 391/F-97
State Library of South Australia Tango Donation from Australian Network of Art and Technology 1991 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Micheal M. HAMMERMAN It takes two to tango and there are at least two ways to tango. Video/Text/2D computer graphics/FX. ANAT # HAM 91.01 b35254981 BRG 391/F-66
State Library of South Australia Tapestro Donation 1992 12 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tapestro is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Buildin. b35392083 PRG 919/107/489/Tapestro
State Library of South Australia Television Interviews on Facial Reconstruction Donation from Australian Network of Art and Technology [Approximately 2000] 00:09:00 1 videocassette , sound, stereo, VHS, colour 13mm Meiya SUTISNO Sculpture/Forensic Anatomist/Facial Recon. ANAT # 208 b35255699 BRG 391/F-137
State Library of South Australia Texterritory Donation from Australian Network of Art and Technology [Approximately 2004] 1 DVD, Sheron WRAY Texterritory DVD by Sheron Wray with Fleeta Siegel, collected by the Australian Network for Art and Technology (ANAT). b35177688 BRG 391/359/1
State Library of South Australia The Agony and The Ecstasy Donation from Australian Network of Art and Technology 1992 00:11:00 1 videocassette , sound, stereo, VHS, colour 13mm John BARR A series of experimental shorts featuring digital abstractions of the human form, particularly the face. Video/FX. ANAT # BAR 92.01 b35254415 BRG 391/F-9
State Library of South Australia The Digital Garden (A Manifesto) Donation from Australian Network of Art and Technology 1993 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Ross Rudesch HARLEY Video documentation of an installation by Harley and Maher at Synthesis 6, The Bond Store, Sydney in 1992. The Digital Garden is an ongoing video computer-graphic project that focuses on the changing relations between natural and artificial environments. Video. ANAT # HAR 93.01 b35254993 BRG 391/F-67
State Library of South Australia The Fairy Donation from Australian Network of Art and Technology 1996 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Matt BATES A short film that provides a new twist to an old tale. Director/Writer: Matt Bates. Video/FX. ANAT # BAT 96.01 b35254427 BRG 391/F-10
State Library of South Australia The Field of Offering / Washing Up On The Shores of Atlantis Donation from Australian Network of Art and Technology 1995 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Rory CUBBY Two experimental shorts by Rory Cubby. See BRG 391/70/1 for a Mac floppy disk containing supporting concept images. ANAT # CUB 95.01 b35342213 BRG 391/F-195
State Library of South Australia The History of Luminous Motion Donation from Australian Network of Art and Technology 1993 1 videocassette (U-matic) , Chris CAINES The History of Luminous Motion. Support material for funding application. ANAT # N007 b35355505 BRG 391/F-235
State Library of South Australia The Light Room Donation from Australian Network of Art and Technology 2002 1 DVD, Hellen SKY The Light Room installation and performance by Company in Space (DVD) collected by the Australian Network for Art and Technology (ANAT). Contains 14 videos of performance art where the light is manipulating the space. b35177640 BRG 391/305/1
State Library of South Australia The Madding Cloud Donation from Australian Network of Art and Technology 1989 00:24:00 1 videocassette , sound, stereo, VHS, colour 13mm The Madding Cloud. Video/Film. ANAT # 235 b35255973 BRG 391/F-165
State Library of South Australia The Perfect Partner / The Infinite Tree Donation from Australian Network of Art and Technology 1994 1 videocassette (U-matic) , Lisa ROBERTS Animations to be used in 'The Perfect Dream' interactive sculpture. ANAT # N012 b35355554 BRG 391/F-240
State Library of South Australia The Pool Is Damned: A Trial by Video Donation from Australian Network of Art and Technology 1997 00:31:00 1 videocassette , sound, stereo, VHS, colour 13mm COMPANY IN SPACE, Garth C. PAINE Video documentation of a 1997 performance by Company In Space, who pioneer applications of new technology to movement. In this case, video conference technology is used to create an interactive performance experienced simultaneously around Australia. Video/Dance/FX. ANAT # COM 97.01 b35254592 BRG 391/F-27
State Library of South Australia The Tree Dream Donation from Australian Network of Art and Technology 2001 1 Data CD, x electronic files, Molly HANWITZ Digital artwork on a Data CD titled 'The Tree Dream' by Molly Hanwitz collected by the Australian Network for Art and Technology (ANAT). Disk requires Quicktime 5. b35155048 BRG 391/142
State Library of South Australia The Trojan Woman Donation from Australian Network of Art and Technology Production date not identified 00:10:00 1 videocassette , stereo, VHS, colour 13mm M. Constance BANGS, Madeline BARCHEVSKA, Don SLEPIAN A multimedia retelling of Euripides' Trojan Women, incorporating performance, computer animation, digital abstraction and visual effects. Rough cut with no sound. Video/FX/Stills/2D & 3D Animation. ANAT # BAN ??.01 b35254403 BRG 391/F-8
State Library of South Australia The Work of Art in the Age of Post Mechanical Reproduction Donation from Australian Network of Art and Technology 1990 03:20:00 1 videocassette , sound, stereo, VHS, colour 13mm AUSTRALIAN NETWORK FOR ART AND TECHNOLOGY ANAT (Australian Network for Art and Technology) Forum on the topic 'The Work of Art in the Age of Post Mechanical Reproduction'. ANAT # ANA 90.01 b35337898 BRG 391/F-170
State Library of South Australia Theorie der elektronischen Liebe (Theory of Electronic Love) Donation from Australian Network of Art and Technology 1992 00:30:00 1 videocassette , sound, stereo, VHS, colour 13mm Monika GRUTER Documentation of a two-channel video installation featuring kaleidoscopic, abstract imagery. Video/CG Images/FX. ANAT # GRU 92.01 b35254956 BRG 391/F-63
State Library of South Australia These are the days Donation from Australian Network of Art and Technology 1994 00:13:00 1 videocassette , sound, stereo, VHS, colour 13mm John TONKIN Documentation of a computer installation in which the endless flow of paper, accompanied by the sound of people counting, evokes the endless passing of time. 3D Computer Animation. ANAT # 216 b35255778 BRG 391/F-145
State Library of South Australia Thursday's Fictions Donation from Australian Network of Art and Technology 1996 01:14:00 1 videocassette , sound, stereo, VHS, colour 13mm Karen PEARLMAN, Richard James ALLEN Project is a hybrid tale of a woman named Thursday, who finds out she is going to be reincarnated as 'Tuesday'. Her attempt to cheat the cycle of reincarnation unleashes a terrible beauty that leaves the other 'days of the week' in turmoil. Thursday's Fictions comprises dance, theatre, music, poetry and performance art and a feature film version was completed in 2006. This video contains a documentary from SBS-TV's Imagine programme (0:00.10 -0:09.00) and a full stage performance of the work (0:09.03 - 1:14.00). ANAT # ALL 96.01 b35254336 BRG 391/F-1
State Library of South Australia Time-glass Donation 1992 17 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Time-glass is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Timeglass1. b35390396 PRG 919/107/403/Time-glass
State Library of South Australia TimeGate2 Donation 1993 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TimeGate2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Monarch84. b35394444 PRG 919/107/601/TimeGate2
State Library of South Australia Timeglass1 Donation 1992 21 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Timeglass1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Time-glass. b35390402 PRG 919/107/403/Timeglass1
State Library of South Australia Times up/Pit of Mechanical Horrors Donation from Australian Network of Art and Technology 1998 00:16:00 1 videocassette , sound, stereo, VHS, colour 13mm Ben BLAKEBROUGH, TRICLOPS INTERNATIONAL, Miles VAN DORSSEN Features Post Arrivalists from 0.16.00. A humourous exploration of the nature of alcohol advertising and sponsorship in the late-20th Century. Video/FX/2D & 3D Computer. ANAT # 218 b35255791 BRG 391/F-147
State Library of South Australia To Absent Friends Donation from Australian Network of Art and Technology 1990 00:55:00 1 videocassette , sound, stereo, VHS, colour 13mm Paula DAWSON Documentary exploring the conception, creation and exhibition of Paula Dawson's holographic installation 'To Absent Friends', which recreated an entire bar filled with holographic representation of memories. A Film Australia production, written and directed by Ronnie Taylor. Video/FX. ANAT # DAW 90.01 b35254713 BRG 391/F-39
State Library of South Australia To Nowhere, Is There Donation from Australian Network of Art and Technology 1993 00:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Robin PETTERD Support material. 2-D and 3-D C.G. and Video. ANAT # 177 b35255407 BRG 391/F-108
State Library of South Australia To Transmit the Screen Contents Donation from Australian Network of Art and Technology 1991 00:19:00 1 videocassette , sound, stereo, VHS, colour 13mm Christoph NEBEL A series of abstract works based around the processing and manipulation of screen images. Video/FX. ANAT # NEB 91.01 b35255316 BRG 391/F-99
State Library of South Australia Tokama Donation 1993 21 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tokama is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tokama-A. b35397214 PRG 919/107/750/Tokama
State Library of South Australia Tokama-A Donation 1993 21 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tokama-A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tokama. b35397226 PRG 919/107/750/Tokama-A
State Library of South Australia Tokamak Donation 1993 18 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tokamak is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Forma. b35397433 PRG 919/107/761/Tokamak
State Library of South Australia Tokamak-3 Donation 1993 20 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tokamak-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LORD2. b35397378 PRG 919/107/758/Tokamak-3
State Library of South Australia Tokamak-3a Donation 1993 24 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tokamak-3a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tokamak-4. b35397391 PRG 919/107/759/Tokamak-3a
State Library of South Australia Tokamak-4 Donation 1993 24 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tokamak-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Tokamak-3a. b35397408 PRG 919/107/759/Tokamak-4
State Library of South Australia Tokamaka Donation 1993 23 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tokamaka is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as PUT. b35397263 PRG 919/107/752/Tokamaka
State Library of South Australia Tokamat-2 Donation 1993 19 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tokamat-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ScreenEr. b35397421 PRG 919/107/760/Tokamat-2
State Library of South Australia Tokyo Welcome: The Doors Are Closing / Violence In Fish, The Donation from Australian Network of Art and Technology 1991 00:09:00 1 videocassette , sound, stereo, VHS, colour 13mm Anna MUNSTER, Synya KATHO Two digitally-altered video works by digital artist and media theorist Anna Munster, created in collaboration with Synya Katho, and exhibited at the Kawasaki City Museum, Japan. Video/FX. ANAT # MUN 91.01 b35255304 BRG 391/F-98
State Library of South Australia Tonescope Donation from Australian Network of Art and Technology 2002 00:07:00 1 videocassette , sound, stereo, VHS, colour 13mm Nick RITAR Tonescope. 3-D C.G. and Video effects. ANAT # 180 b35255432 BRG 391/F-111
State Library of South Australia Trans-lens Donation 1992 24 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Trans-lens is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Transtower. b35389308 PRG 919/107/347/Trans-lens
State Library of South Australia Transtower Donation 1992 24 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Transtower is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Trans-lens. b35389291 PRG 919/107/347/Transtower
State Library of South Australia Treasure Donation 1992 25 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Treasure is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Candelabra. b35389473 PRG 919/107/356/Treasure
State Library of South Australia TriCubes Donation 1993 6 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TriCubes is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SpaceGate. b35394390 PRG 919/107/598/TriCubes
State Library of South Australia TriObelisk Donation 1992 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI TriObelisk is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as O6A. b35391017 PRG 919/107/434/TriObelisk
State Library of South Australia Trickster - VJ VHS Submission Donation from Australian Network of Art and Technology 2002 00:16:00 1 videocassette , sound, stereo, VHS, colour 13mm Kirsten BRADLEY Sample of VJ work by Bradley, produced as a submission for ANAT's Trickster Masterclass in 2002. Video/FX/Computer Animation. ANAT # BRA 02.01 b35254488 BRG 391/F-16
State Library of South Australia Trio Donation 1992 22 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Trio is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Duo. b35391583 PRG 919/107/462/Trio
State Library of South Australia Tripatern Donation 1994 12 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tripatern is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Press. b35398188 PRG 919/107/803/Tripatern
State Library of South Australia Tripattern Donation 1994 27 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Tripattern is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pattern-1. b35398024 PRG 919/107/767/Tripattern
State Library of South Australia Typhoid Mary Donation from Australian Network of Art and Technology 1991 1 Data CD, 35 electronic files, Linda DEMENT Disk containing Typhoid Mary application and images, including animations, from ANAT National Summer School 1991. b35451865 BRG 391/386
State Library of South Australia Typhoid Mary / In My Gash Donation from Australian Network of Art and Technology 1992 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Linda DEMENT Video documentation of two works by Linda Dement, the interactive installation 'Typhoid Mary' and the CD-ROM animation 'In My Gash'. Video/FX/Computer Graphics. ANAT # DEM 92.01 b35254786 BRG 391/F-46
State Library of South Australia UFO-3 Donation 1992 13 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI UFO-3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as UFO-4. b3538864x PRG 919/107/313/UFO-3
State Library of South Australia UFO-4 Donation 1992 13 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI UFO-4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as UFO-3. b35388638 PRG 919/107/313/UFO-4
State Library of South Australia UFO-5 Donation 1992 13 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI UFO-5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as UFO-6. b35388651 PRG 919/107/314/UFO-5
State Library of South Australia UFO-6 Donation 1992 13 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI UFO-6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as UFO-5. b35388663 PRG 919/107/314/UFO-6
State Library of South Australia UFO-7 Donation 1992 13 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI UFO-7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as UFO-plain. b35388687 PRG 919/107/315/UFO-7
State Library of South Australia UFO-plain Donation 1992 13 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI UFO-plain is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as UFO-7. b35388675 PRG 919/107/315/UFO-plain
State Library of South Australia UTLC SA 1995: New Technologies Performance Project Donation from Australian Network of Art and Technology 1994 00:10:00 1 videocassette , sound, stereo, VHS, colour 13mm Video support material collated as part of an application in 1995 for the now-defunct Arts Programme of the United Trades and Labour Council of South Australia (UTLC SA, also known as SA Unions). ANAT # UTL 95.01 b35354938 BRG 391/F-225
State Library of South Australia Ubiquitous Intelligence Donation from Australian Network of Art and Technology 1997 00:14:00 1 videocassette , sound, stereo, VHS, colour 13mm BANFF CENTRE FOR THE ARTS A sample of the work of some of Canada's premier digital and new media creators, from artists to animators, game designers to fx wizards. Director/Editor: Jack Lauder. Producer: Sara Diamond. Video/FX. . ANAT # UBI 97.01 b35352425 BRG 391/F-223
State Library of South Australia Under The Covers Donation from Australian Network of Art and Technology 1996 00:17:00 1 videocassette , sound, stereo, VHS, colour 13mm Jon DRUMMOND Using camera, sound and editing experimentation, this short tales an unconventional peek under the covers of our everyday lives. Title plays twice: 0.00.00 - 0.08.27 (S-VHS) & 0.08.54 - 0.17.10 (VHS). Video/FX. ANAT # DRU 96.01 b35254798 BRG 391/F-47
State Library of South Australia Untitled Showreel Donation from Australian Network of Art and Technology [Approximately 2000] 00:13:00 1 videocassette , sound, stereo, VHS, colour 13mm Rye BARRY A collection of video works by Brisbane based artist Rye Barry. ANAT # BAR ??.01 b35341075 BRG 391/F-185
State Library of South Australia Urge '98 Cairns Donation from Australian Network of Art and Technology 1992 00:13:00 1 videocassette , sound, stereo, VHS, colour 13mm Video documentation of a 1998 performance of 'Urge', a surrealist ballet blurring the edges between dancer and musician, movement and sound, light and media. Video/FX. Directed by Leah Grycewicz. ANAT # URG 98.01 b35354896 BRG 391/F-224
State Library of South Australia V-scape Donation 1992 24 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI V-scape is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Currents. b35388407 PRG 919/107/299/V-scape
State Library of South Australia VASE Donation 1990 18 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Vase is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pinkeye1, Pink2, and Vase4. b35379765 PRG 919/107/1/VASE
State Library of South Australia VASE4 Donation 1990 17 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Vase4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pinkeye1, Pink2, and Vase. b35379777 PRG 919/107/1/VASE4
State Library of South Australia VEIL Donation 1992 23 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI VEIL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Discs-3x3. b35389564 PRG 919/107/361/VEIL
State Library of South Australia VERTICPATT Donation 1988 28 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI VERTICPATT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as HIBRID, MURAL, and GOLD. b35383975 PRG 919/107/108/VERTICPATT
State Library of South Australia VERTIKAL Donation 1988 11 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI VERTIKAL is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ELLIPSE2, FULLCIR1, and COLUMNSPHE. b35383355 PRG 919/107/90/VERTIKAL
State Library of South Australia VISITOR Donation 1991 22 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI VISITOR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MESSENGENE. b35385571 PRG 919/107/165/VISITOR
State Library of South Australia Vega Donation 1992 25 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Vega is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Oval. b35391467 PRG 919/107/456/Vega
State Library of South Australia Vega-1 Donation 1994 20 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Vega-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Vega-2. b35397974 PRG 919/107/762/Vega-1
State Library of South Australia Vega-2 Donation 1994 21 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Vega-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Vega-1. b35397986 PRG 919/107/762/Vega-2
State Library of South Australia Vega-O Donation 1994 22 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Vega-O is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapdoor. b35398115 PRG 919/107/771/Vega-O
State Library of South Australia Veranderungen Donation from Australian Network of Art and Technology 1991 00:13:00 1 videocassette , sound, stereo, VHS, colour 13mm Katrin BUTT Video performance exploring the notion of being trapped. Video/FX. ANAT # BUT 91.01 b35254506 BRG 391/F-18
State Library of South Australia Vid-Project Donation from Australian Network of Art and Technology 1993 00:20:00 1 videocassette , sound, stereo, VHS, colour 13mm Garry ANDREWS Artist showreel submitted as support material for ANAT Summer School 1 996. Contains short video portraits and documentation of painted works, qallery exhibitions and murals. Iris Media. Video/FX. ANAT # AND 93.01 b35254373 BRG 391/F-5
State Library of South Australia Video Portfolio Donation from Australian Network of Art and Technology 1994 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm David WOODLAND Video portfolio featuring commercials, performances, and animations. Puppetry/Animation/Video. ANAT # 233 b3525595x BRG 391/F-163
State Library of South Australia Video Work 1992 Donation from Australian Network of Art and Technology 1992 00:14:00 1 videocassette , sound, stereo, VHS, colour 13mm Material submitted to ANAT as part of an application for assistance from the Art Research and Development Fund, 1994. Video contains four short, experimental videos. See BRG 391/70/1 for a Mac floppy disk containing supporting concept images. ANAT # CUB 92.01 b35342171 BRG 391/F-194
State Library of South Australia Video documentation of Michael Yuen Donation from Australian Network of Art and Technology [Approximately 2006] 1 DVD, Michael YUEN Video documentation of Michael Yuen (DVD), collected by the Australian Network for Art and Technology (ANAT), including 'Sound/Light 2005', people interacting with an exhibition at Gallery Delacatessan, and sound and colour video work. b3517769x BRG 391/363/1
State Library of South Australia Video excerpts Donation from Australian Network of Art and Technology [Approximately 2000] 1 videocassette , stereo, VHS, colour 13mm Brigid BURKE Video excerpts of Brigid Burke. ANAT # N016 b35358439 BRG 391/F-246
State Library of South Australia Virtual Artists Promotional Clip Donation from Australian Network of Art and Technology 1993 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm Dave SAG, Jesse REYNOLDS Virtual artists promotional clip by Dave Sag and Jesse Reynolds. ANAT # 221 b35255821 BRG 391/F-150
State Library of South Australia Virtual Campus Donation from Australian Network of Art and Technology 1992 1994 1 3.5 inch floppy disk, electronic files, Disk containing 'Virtual Campus' and the application 'StuffIt Expander'. 'Virtual Campus' is a computer based interactive drama project (3.5 inch floppy disk). b35440776 BRG 391/385/2
State Library of South Australia Virtual Campus Donation from Australian Network of Art and Technology 1994 1 3.5 inch floppy disk, electronic files, Disk containing a demo of 'Virtual Campus', which is a computer based interactive drama project (3.5 inch floppy disk). b35440818 BRG 391/385/3
State Library of South Australia Virtual Campus demo 2 Donation from Australian Network of Art and Technology 1994 1 3.5 inch floppy disk, electronic files, Disk containing a demo of 'Virtual Campus', which is a computer based interactive drama project (3.5 inch floppy disk). b35440843 BRG 391/385/4
State Library of South Australia Virtual Reality at Carnegie Mellon's Studio for Creative Inquiry Donation from Australian Network of Art and Technology 1993 00:08:00 1 videocassette , sound, stereo, VHS, colour 13mm CARNEGIE MELLON UNIVERSITY Documentary exploring Carnegie Mellon's experiments with Networked Virtual Reality in their Studio for Creative Inquiry. Video/VR. ANAT # VIR 93.01 b35354926 BRG 391/F-226
State Library of South Australia Virtualities Donation from Australian Network of Art and Technology [Approximately 1996] 1 3.5 inch floppy disk, 10 electronic files, Marion HARPER, Peter HENNESSEY, Peter MORSE Disk contains Virtualities application by Peter Morse. Virtualities was an exhibition at Scienceworks Museum, at the Museum of Victoria in 1995 presented by Modern Image Makers Australia. The application/slideshow includes information about the artworks: '30 Words for the City' by John Colette, 'My memory your past' by Moira Corby, 'Cutometer' by Martine Corompt, 'Don't Shoot the Messenger' by Fractil and Middlebrot, 'Astroturf' by Ian Haig, 'Hack' by Ian Haig, 'M-Path: Museum of Pathology' by Peter Hennessey, 'Haiku Dada' by Felix Hude, 'The Mutant Genome Project - Genetic Manipulation Simulator by Patricia Piccinini, 'Industrial Vesper #11' by Irene Preebsting and Barry Brown. It was estimated that over 11500 peope attended the exhibition. b35177561 BRG 391/247/2
State Library of South Australia Visit Donation 1993 12 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Visit is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Habitat. b35395849 PRG 919/107/680/Visit
State Library of South Australia Vivarium Donation from Australian Network of Art and Technology 1993 00:12:00 1 videocassette , sound, stereo, VHS, colour 13mm Mahalya MIDDLEMIST, Sue-Ellen KOHLER A short dance film based on a series of movements and images which explore concepts concerning the performance of the female body in film and dance practice. Directed by Middlemist and Choreographed/Performed by Kohler (based on her solo dance performance, Hybrid -Turning the Body Inside Out). Video/FX. ANAT # MID 93.01 b35255274 BRG 391/F-95
State Library of South Australia Volcanic Eclipse Donation from Australian Network of Art and Technology 1992 00:14:00 1 videocassette , sound, stereo, VHS, colour 13mm JoAnn GILLERMAN Video documentation and description of Gillerman's Volcanic Eclipse interactive installation, inspired by a total solar eclipse and a volcanic eruption which both occurred in Hawaii on the same day in 1991. Includes excerpts from video. Video/FX/2D & 3D Computer Animation. ANAT # GIL 92.01 b35254919 BRG 391/F-59
State Library of South Australia Volumetric Display Devices Donation from Australian Network of Art and Technology 1995 00:05:00 1 videocassette , sound, stereo, VHS, colour 13mm Dennis Michael WILCOX Volumetric Display Devices. C.G. 2-D Animation/stills and Video. ANAT # 231 b35255924 BRG 391/F-160
State Library of South Australia Voyage Donation from Australian Network of Art and Technology 1995 01:04:00 1 videocassette , sound, stereo, VHS, colour 13mm Linda WALLACE 3-D Animation (C.G) / Stelarc / C.G. Images / Video. ANAT # 224 b35255857 BRG 391/F-153
State Library of South Australia W-W Donation 1992 6 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI W-W is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MMM. b35390992 PRG 919/107/433/W-W
State Library of South Australia WAIST Donation 1991 1 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WAIST is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SHORE. b35386812 PRG 919/107/230/WAIST
State Library of South Australia WATERCOLR3 Donation 1990 29 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WATERCOLR3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK13A, CATHEDRAL, and ABSTR3. b35381255 PRG 919/107/121/WATERCOLR3
State Library of South Australia WINDOW Donation 1988 11 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WINDOW is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as LORD2, DIAMOND, and RINBOTRIAN. b3538525x PRG 919/107/807/WINDOW
State Library of South Australia WINDOW-1 Donation 1991 31 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WINDOW-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as window. b35387270 PRG 919/107/253/WINDOW-1
State Library of South Australia WOMBAT Donation 1988 23 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WOMBAT is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as JEWELL1, JEWELL2, and JEWELL. b35383896 PRG 919/107/106/WOMBAT
State Library of South Australia WOVEN Donation 1988 6 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven3, Woven1, and Woven2. b35381632 PRG 919/107/3/WOVEN
State Library of South Australia WOVEN1 Donation 1988 7 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven3, Woven1, and Woven. b35381620 PRG 919/107/3/WOVEN1
State Library of South Australia WOVEN2 Donation 1988 7 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven3, Woven1, and Woven. b35381607 PRG 919/107/3/WOVEN2
State Library of South Australia WOVEN3 Donation 1988 7 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven2, Woven1, and Woven. b35381619 PRG 919/107/3/WOVEN3
State Library of South Australia WOVEN4 Donation 1990 6 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as OK16d, OK16f, and OK16h. b35380123 PRG 919/107/12/WOVEN4
State Library of South Australia WOVEN4 Donation 1990 15 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4B, Woven4A, and Woven4C. b35379960 PRG 919/107/7/WOVEN4
State Library of South Australia WOVEN4A Donation 1990 15 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4, Woven4A, and Woven4B. b35379972 PRG 919/107/7/WOVEN4A
State Library of South Australia WOVEN4A1 Donation 1990 16 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4A1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4A3, Woven4A2, and Woven4A4. b35379868 PRG 919/107/4/WOVEN4A1
State Library of South Australia WOVEN4A2 Donation 1990 16 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4A2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4A3, Woven4A4, and Woven4A1. b35379844 PRG 919/107/4/WOVEN4A2
State Library of South Australia WOVEN4A3 Donation 1990 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4A3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4A2, Woven4A4, and Woven4A1. b35379832 PRG 919/107/4/WOVEN4A3
State Library of South Australia WOVEN4A4 Donation 1990 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4A4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4A3, Woven4A2, and Woven4A1. b35379856 PRG 919/107/4/WOVEN4A4
State Library of South Australia WOVEN4A5 Donation 1990 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4A5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4A6, WovenBLW, and WovenBLW1. b35379935 PRG 919/107/6/WOVEN4A5
State Library of South Australia WOVEN4A6 Donation 1990 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4A6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WovenBLW, Woven4A5, and WovenBLW1. b35379911 PRG 919/107/6/WOVEN4A6
State Library of South Australia WOVEN4B Donation 1990 15 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4B is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4, Woven4A, and Woven4C. b35379959 PRG 919/107/7/WOVEN4B
State Library of South Australia WOVEN4C Donation 1990 15 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven4C is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4B, Woven4A, and Woven4. b35379984 PRG 919/107/7/WOVEN4C
State Library of South Australia WOVENBLW Donation 1990 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WovenBLW is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4A6, Woven4A5, and WovenBLW1. b35379923 PRG 919/107/6/WOVENBLW
State Library of South Australia WOVENBLW1 Donation 1990 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WovenBLW is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven4A6, WovenBLW, and Woven4A5. b35379947 PRG 919/107/6/WOVENBLW1
State Library of South Australia WOVENBLW2 Donation 1990 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WovenBLW2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WovenBLW3, WovenBLW4, and WovenBLW5, and has a white background. b35379893 PRG 919/107/5/WOVENBLW2
State Library of South Australia WOVENBLW3 Donation 1990 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WovenBLW3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WovenBLW4, WovenBLW2, and WovenBLW5, and has a white background. b3537987x PRG 919/107/5/WOVENBLW3
State Library of South Australia WOVENBLW4 Donation 1990 17 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WovenBLW4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WovenBLW3, WovenBLW2, and WovenBLW5, and has a white background. b35379881 PRG 919/107/5/WOVENBLW4
State Library of South Australia WOVENBLW5 Donation 1990 18 September 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WovenBLW5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WovenBLW3, WovenBLW4, and WovenBLW2, and has a colour background. b3537990x PRG 919/107/5/WOVENBLW5
State Library of South Australia Warning: Art Has Been Known to Stimulate Brain Cells Donation from Australian Network of Art and Technology 1999 00:35:00 1 videocassette , sound, stereo, VHS, colour 13mm FLUFFYSLIME PRODUCTIONS Hosted by Monski Mouse and her sidekick Snappy Thom, 'Warning...' is a TV talk show featuring an eclectic mix of music, film, theatre and subversive thought. A joint production of Fluffyslime Productions & ARTV. Directed by Lyvern Myi. Video includes short promo (00.12-05.52) & episode #5 (05.57-34.46). Video/FX. ANAT # WAR 03.01 b35354914 BRG 391/F-227
State Library of South Australia Warrior Donation 1992 26 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Warrior is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as X-I. b35391480 PRG 919/107/457/Warrior
State Library of South Australia Wave Donation 1992 31 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Wave is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Photo68reg. b35394109 PRG 919/107/812/Wave
State Library of South Australia Wave1 Donation 1992 31 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Wave1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Spacecross. b35391728 PRG 919/107/470/Wave1
State Library of South Australia Wavescape Donation 1992 15 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Wavescape is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Wavescape1. b35392265 PRG 919/107/498/Wavescape
State Library of South Australia Wavescape1 Donation 1992 15 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Wavescape1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Wavescape. b35392277 PRG 919/107/498/Wavescape1
State Library of South Australia Weaver Bray Donation from Australian Network of Art and Technology 1999 1 audio disc , digital, CD audio 12 cm. Adam DONOVAN Weaver Bray installation audio CD submitted to Australian Network for Art and Technology (ANAT). b35159820 BRG 391/87/1
State Library of South Australia Web Donation 1992 9 June 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Web is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BassRel. b35391054 PRG 919/107/436/Web
State Library of South Australia Web-1 Donation 1992 12 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Web-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Abo-Nonagn. b35391121 PRG 919/107/439/Web-1
State Library of South Australia Web-basic Donation 1994 18 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Web-basic is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Script. b3539836x PRG 919/107/823/Web-basic
State Library of South Australia Web-sphre Donation 1994 6 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Web-sphre is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Mandlgardn. b35398309 PRG 919/107/810/Web-sphre
State Library of South Australia Web-sphres Donation 1994 7 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Web-sphres is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as TRI-1. b35398280 PRG 919/107/809/Web-sphres
State Library of South Australia What To Name Your Baby Donation from Australian Network of Art and Technology 1993 1995 00:13:00 1 videocassette , sound, stereo, Pal, VHS, colour 13mm Karen PEARLMAN, TASDANCE, Richard James ALLEN Two Tasdance video dance works by Allen and Pearlman produced for Australian Television. ANAT # ALL 95.01 b35242085 BRG 391/F-169
State Library of South Australia What can the Artist do for Science?' (ANU -September 1990) Donation from Australian Network of Art and Technology 1990 00:57:00 1 videocassette , sound, stereo, VHS, colour 13mm Donna J. COX Documentation of a lecture delivered by American artist and academic Donna Cox at Australian National University (Canberra) in 1990. Video. ANAT # COX 90.01 b35254671 BRG 391/F-35
State Library of South Australia WindowA Donation 1993 14 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI WindowA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Forte. b35396842 PRG 919/107/731/WindowA
State Library of South Australia Winged Self Donation from Australian Network of Art and Technology 2006 1 videodisc (DVD) , sound, colour 12 cm. Ben BLAKEBROUGH Winged Self, Ben Blakebrough, documentary film by Steve Couri & Sarah King. Contains 1 video of Ben Blakebrough test flights where he is hovering above the ground in his flying machine. A version of this film can be viewed on Youtube (20 June 2022), which includes an audio backing track instead of the sound effects. b35112293 BRG 391/35/1
State Library of South Australia Works of Grant Stevens Donation from Australian Network of Art and Technology 2002 00:12:00 1 videocassette , sound, stereo, VHS, colour 13mm Grant STEVENS A series of works from Grant Stevens, a Brisbane-based artist whose video installations generally use text, image and sound to explore and critique the languages of popular culture. ANAT # STE 02.01 b35349165 BRG 391/F-221
State Library of South Australia Woven Donation 1993 28 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven-1. b35396817 PRG 919/107/729/Woven
State Library of South Australia Woven-1 Donation 1992 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven-2. b35393166 PRG 919/107/543/Woven-1
State Library of South Australia Woven-1 Donation 1993 19 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven. b35396805 PRG 919/107/729/Woven-1
State Library of South Australia Woven-2 Donation 1992 1 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven-1. b35393178 PRG 919/107/543/Woven-2
State Library of South Australia Woven-2a Donation 1992 2 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI Woven-2a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ooooA. b35393105 PRG 919/107/540/Woven-2a
State Library of South Australia Writer's Block Donation from Australian Network of Art and Technology 1994 01:06:00 1 videocassette , sound, stereo, VHS, colour 13mm Leon CMIELEWSKI An imaginative short film, reminiscent of the work of Czech filmmaker Jan Svankmajer, using a mix of live action performance and stop-motion animation to bring to life the self destructive imagination of a man with writer's block. Video/FX. ANAT # CMI 94.01 b35254579 BRG 391/F-25
State Library of South Australia X Donation 1991 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI X is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as XCLOSED. b35386551 PRG 919/107/217/X
State Library of South Australia X Donation 1990 23 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI X is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 2X, XX, and 3X. b35381176 PRG 919/107/75/X
State Library of South Australia X-I Donation 1992 26 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI X-I is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Warrior. b35391479 PRG 919/107/457/X-I
State Library of South Australia XCLOSED Donation 1991 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI XCLOSED is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as X. b35386563 PRG 919/107/217/XCLOSED
State Library of South Australia XX Donation 1991 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI XX is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as X, 2X, and 3X. b35385479 PRG 919/107/75/XX
State Library of South Australia XXX Donation 1991 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI XXX is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as XXXX. b35386708 PRG 919/107/224/XXX
State Library of South Australia XXXX Donation 1991 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI XXXX is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as XXX. b35386691 PRG 919/107/224/XXXX
State Library of South Australia XYZAP Computer Animation Donation from Australian Network of Art and Technology 1988 18 December 1 videocassette (U-matic) , XYZAP Computer Animation. ANAT # N002 b35355438 BRG 391/F-230
State Library of South Australia YOK-B Donation 1991 13 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOK-B is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as lollipop. b35387968 PRG 919/107/375/YOK-B
State Library of South Australia YOKE Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE7c. b35387701 PRG 919/107/276/YOKE
State Library of South Australia YOKE1 Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE2. b35387737 PRG 919/107/277/YOKE1
State Library of South Australia YOKE2 Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE1. b35387725 PRG 919/107/277/YOKE2
State Library of South Australia YOKE3 Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE4. b35387750 PRG 919/107/278/YOKE3
State Library of South Australia YOKE4 Donation 1991 8 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE3. b35387749 PRG 919/107/278/YOKE4
State Library of South Australia YOKE4a Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE4a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT77a. b35387646 PRG 919/107/273/YOKE4a
State Library of South Australia YOKE4b Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE4b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE4c. b35387774 PRG 919/107/279/YOKE4b
State Library of South Australia YOKE4c Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE4c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE4b. b35387762 PRG 919/107/279/YOKE4c
State Library of South Australia YOKE7 Donation 1991 8 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE8. b35387798 PRG 919/107/280/YOKE7
State Library of South Australia YOKE7a Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE7a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE7b. b35387816 PRG 919/107/281/YOKE7a
State Library of South Australia YOKE7b Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE7b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE7a. b35387804 PRG 919/107/281/YOKE7b
State Library of South Australia YOKE7c Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE7c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE. b35387713 PRG 919/107/276/YOKE7c
State Library of South Australia YOKE8 Donation 1991 9 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKE8 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKE7. b35387786 PRG 919/107/280/YOKE8
State Library of South Australia YOKspring Donation 1992 21 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI YOKspring is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as green-red. b35389436 PRG 919/107/354/YOKspring
State Library of South Australia balloon1 Donation 1992 25 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI balloon1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Balloon. b35391595 PRG 919/107/463/balloon1
State Library of South Australia cabba Donation 1993 18 May 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI cabba is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Moonlyap-5. b35395783 PRG 919/107/676/cabba
State Library of South Australia cactus Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI cactus is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as lace-c. b35388420 PRG 919/107/300/cactus
State Library of South Australia clouds-1 Donation 1992 31 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI clouds-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as clouds-2. b35390633 PRG 919/107/415/clouds-1
State Library of South Australia clouds-2 Donation 1992 31 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI clouds-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as clouds-1. b35390645 PRG 919/107/415/clouds-2
State Library of South Australia column Donation 1992 11 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI column is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as column1a. b35388857 PRG 919/107/324/column
State Library of South Australia column1a Donation 1992 26 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI column1a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as column. b35388869 PRG 919/107/324/column1a
State Library of South Australia cora-1 Donation 1992 23 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI cora-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Cora. b35388444 PRG 919/107/301/cora-1
State Library of South Australia default Donation 1988 4 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI default is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as fire and lace. b35385170 PRG 919/107/201/default
State Library of South Australia default Donation 1989 29 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI default is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MNDLNEW1. b35379662 PRG 919/107/202/default
State Library of South Australia fire Donation 1989 29 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI fire is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as default and lace. b35379625 PRG 919/107/201/fire
State Library of South Australia fire Donation 1989 29 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI fire is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as default and lace. b35379650 PRG 919/107/202/fire
State Library of South Australia flatO Donation 1991 16 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI flatO is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RING. b35386599 PRG 919/107/219/flatO
State Library of South Australia fullspike Donation 1988 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI fullspike is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MNDLSPIKE1, DBLESPIKE, and FULLMAND. b35381966 PRG 919/107/34/fullspike
State Library of South Australia garden-A Donation 1991 19 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI garden-A is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as garden-B. b35387919 PRG 919/107/307/garden-A
State Library of South Australia garden-B Donation 1991 19 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI garden-B is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as garden-A. b35387920 PRG 919/107/307/garden-B
State Library of South Australia garden-C Donation 1991 19 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI garden-C is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MASKA. b35387877 PRG 919/107/288/garden-C
State Library of South Australia globus Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI globus is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as globus1. b35388377 PRG 919/107/298/globus
State Library of South Australia globus1 Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI globus1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as globus. b35388389 PRG 919/107/298/globus1
State Library of South Australia green-red Donation 1992 24 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI green-red is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOKspring. b35389448 PRG 919/107/354/green-red
State Library of South Australia grid1 Donation 1988 28 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI grid1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ANALOG, HOUSE, and TWINSPHRS. b35384748 PRG 919/107/137/grid1
State Library of South Australia growth Donation 1992 31 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI growth is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as growth-1. b35388195 PRG 919/107/289/growth
State Library of South Australia growth-1 Donation 1992 31 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI growth-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as growth. b35388201 PRG 919/107/289/growth-1
State Library of South Australia image11 Donation 1991 16 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image11 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyap17. b35388079 PRG 919/107/842/image11
State Library of South Australia image13 Donation 1991 16 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image13 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image14. b35388055 PRG 919/107/839/image13
State Library of South Australia image14 Donation 1992 15 August 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image14 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image13. b3539416x PRG 919/107/839/image14
State Library of South Australia image23 Donation 1991 21 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image23 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image22. b35388067 PRG 919/107/840/image23
State Library of South Australia image26 Donation 1991 21 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image26 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image27. b35387944 PRG 919/107/336/image26
State Library of South Australia image26a Donation 1992 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image26a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image28a. b35388602 PRG 919/107/311/image26a
State Library of South Australia image27 Donation 1991 22 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image27 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image26. b35387932 PRG 919/107/336/image27
State Library of South Australia image27a Donation 1992 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image27a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image27b. b35389692 PRG 919/107/367/image27a
State Library of South Australia image27b Donation 1992 9 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image27b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image27a. b35389680 PRG 919/107/367/image27b
State Library of South Australia image27ca Donation 1992 22 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image27ca is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image27da. b3538931x PRG 919/107/348/image27ca
State Library of South Australia image27da Donation 1992 22 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image27da is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as SPIKESUSP and MNDLNEW1. b35389321 PRG 919/107/348/image27da
State Library of South Australia image28 Donation 1992 26 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image28 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image29bas. b35389102 PRG 919/107/337/image28
State Library of South Australia image28a Donation 1992 3 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image28a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image26a. b35388596 PRG 919/107/311/image28a
State Library of South Australia image29a Donation 1992 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image29a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image29b. b35389059 PRG 919/107/334/image29a
State Library of South Australia image29a Donation 1992 17 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image29a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image29b. b35389606 PRG 919/107/363/image29a
State Library of South Australia image29b Donation 1992 8 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image29b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image29a. b35389060 PRG 919/107/334/image29b
State Library of South Australia image29b Donation 1992 17 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image29b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image29a. b35389618 PRG 919/107/363/image29b
State Library of South Australia image29bas Donation 1992 2 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image29bas is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image28. b35389096 PRG 919/107/337/image29bas
State Library of South Australia image29cc Donation 1992 19 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image29cc is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as RAINB. b35389163 PRG 919/107/340/image29cc
State Library of South Australia image29f Donation 1992 26 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image29f is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image29g. b35389722 PRG 919/107/369/image29f
State Library of South Australia image29g Donation 1992 26 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image29g is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image29f. b35389734 PRG 919/107/369/image29g
State Library of South Australia image57b Donation 1992 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image57b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image57c. b35390050 PRG 919/107/386/image57b
State Library of South Australia image57c Donation 1992 25 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image57c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image57b. b35390062 PRG 919/107/386/image57c
State Library of South Australia image62a Donation 1992 15 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image62a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Eddy-3. b35391364 PRG 919/107/451/image62a
State Library of South Australia image64 Donation 1991 29 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image64 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image65. b35388043 PRG 919/107/837/image64
State Library of South Australia image65 Donation 1991 29 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI image65 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as image64. b35388031 PRG 919/107/837/image65
State Library of South Australia inCube Showreel Donation from Australian Network of Art and Technology 2001 00:13:00 1 videocassette , sound, stereo, VHS, colour 13mm INCUBE A sample of works by inCube, the Adelaide-based VJ's commissioned - as part of ANAT's New Media Curators Program - to develop and curate the Trickster program. Video/FX/Stills/2D & 3D Computer Animation. ANAT # INC 01.01 b35255110 BRG 391/F-79
State Library of South Australia inGARDEN Donation 1990 18 December 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI inGARDEN is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as DIAGONL, and DIAGONL1. b35380251 PRG 919/107/17/inGARDEN
State Library of South Australia lace Donation 1989 29 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lace is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as default and fire. b35379637 PRG 919/107/201/lace
State Library of South Australia lace Donation 1989 29 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lace is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as default and fire. b35379649 PRG 919/107/202/lace
State Library of South Australia lace Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lace is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as lace-1. b35388481 PRG 919/107/303/lace
State Library of South Australia lace-1 Donation 1992 21 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lace-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as lace. b3538847x PRG 919/107/303/lace-1
State Library of South Australia lace-2 Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lace-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapo. b35388493 PRG 919/107/304/lace-2
State Library of South Australia lace-c Donation 1992 23 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lace-c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as cactus. b35388419 PRG 919/107/300/lace-c
State Library of South Australia lines64-1 Donation 1991 26 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lines64-1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT77, lines64-2, and LINE64-3. b35387129 PRG 919/107/246/lines64-1
State Library of South Australia lines64-2 Donation 1991 26 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lines64-2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as BROT77, lines64-1, and LINE64-3. b35387142 PRG 919/107/246/lines64-2
State Library of South Australia lollipop Donation 1992 10 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lollipop is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as YOK-B. b35389849 PRG 919/107/375/lollipop
State Library of South Australia lyascape2 Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lyascape2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as lyascape3. b35388341 PRG 919/107/296/lyascape2
State Library of South Australia lyascape3 Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lyascape3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as lyascape2. b3538833x PRG 919/107/296/lyascape3
State Library of South Australia lyascape4 Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lyascape4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as lyascape5. b35388365 PRG 919/107/297/lyascape4
State Library of South Australia lyascape5 Donation 1992 25 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI lyascape5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as lyascape4. b35388353 PRG 919/107/297/lyascape5
State Library of South Australia m-cLYAP74b Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI m-cLYAP74b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. b35397512 PRG 919/107/814/m-cLYAP74b
State Library of South Australia masterclass Donation from Australian Network of Art and Technology 2002 00:49:00 1 videocassette , sound, stereo, VHS, colour 13mm Tara PATTENDEN 3-D C.G. and Video effects. ANAT # 175 b35255389 BRG 391/F-106
State Library of South Australia mc_lyap2 Donation 1993 5 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap4. b35397627 PRG 919/107/841/mc_lyap2
State Library of South Australia mc_lyap3 Donation 1993 10 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap3 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap4. b35396696 PRG 919/107/723/mc_lyap3
State Library of South Australia mc_lyap4 Donation 1993 10 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap3. b35396684 PRG 919/107/723/mc_lyap4
State Library of South Australia mc_lyap4 Donation 1993 6 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap4 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap2. b35397615 PRG 919/107/841/mc_lyap4
State Library of South Australia mc_lyap5 Donation 1993 6 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap6. b35396556 PRG 919/107/716/mc_lyap5
State Library of South Australia mc_lyap5 Donation 1993 10 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap5 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap6a. b35396672 PRG 919/107/722/mc_lyap5
State Library of South Australia mc_lyap6 Donation 1993 6 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap5. b35396544 PRG 919/107/716/mc_lyap6
State Library of South Australia mc_lyap6 Donation 1993 10 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap6 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Lyapcrstal. b35396714 PRG 919/107/724/mc_lyap6
State Library of South Australia mc_lyap6a Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap6a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap7. b35396519 PRG 919/107/714/mc_lyap6a
State Library of South Australia mc_lyap6a Donation 1993 10 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap6a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap5. b35396660 PRG 919/107/722/mc_lyap6a
State Library of South Australia mc_lyap7 Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap7 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap6a. b35396507 PRG 919/107/714/mc_lyap7
State Library of South Australia mc_lyap7a Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap7a is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap7b. b35396520 PRG 919/107/715/mc_lyap7a
State Library of South Australia mc_lyap7b Donation 1993 7 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mc_lyap7b is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as mc_lyap7a. b35396532 PRG 919/107/715/mc_lyap7b
State Library of South Australia mosaic Donation 1991 20 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI mosaic is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 2sphrsLine. b35387476 PRG 919/107/263/mosaic
State Library of South Australia neon Donation 1992 20 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI neon is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GREENcity. b35389126 PRG 919/107/338/neon
State Library of South Australia ooooA Donation 1992 2 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ooooA is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Woven-2a. b35393117 PRG 919/107/540/ooooA
State Library of South Australia ooooBa Donation 1992 11 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ooooBa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as NewtCentrD. b35393506 PRG 919/107/560/ooooBa
State Library of South Australia ooooBb Donation 1992 11 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ooooBb is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ooooBbc. b35393300 PRG 919/107/550/ooooBb
State Library of South Australia ooooBbc Donation 1992 11 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ooooBbc is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as ooooBb. b35393312 PRG 919/107/550/ooooBbc
State Library of South Australia ooooC Donation 1992 5 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ooooC is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as 10floor. b35393361 PRG 919/107/553/ooooC
State Library of South Australia ooooCa Donation 1992 5 November 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI ooooCa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as GlassBldg1. b35393294 PRG 919/107/549/ooooCa
State Library of South Australia piramidi2 Donation 1992 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI piramidi2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as scape. b35388833 PRG 919/107/323/piramidi2
State Library of South Australia pyramid-Fr Donation 1992 7 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI pyramid-Fr is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as pyramid-O. b35389771 PRG 919/107/371/pyramid-Fr
State Library of South Australia pyramid-O Donation 1992 6 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI pyramid-O is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as pyramid-Fr. b3538976x PRG 919/107/371/pyramid-O
State Library of South Australia reflex Donation 1992 30 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI reflex is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDELmin1. b35389394 PRG 919/107/352/reflex
State Library of South Australia scape Donation 1992 19 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI scape is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as piramidi2. b35388845 PRG 919/107/323/scape
State Library of South Australia screen2c Donation 1991 14 October 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI screen2c is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Screen2b. b35387427 PRG 919/107/261/screen2c
State Library of South Australia self-remembering home Donation from Australian Network of Art and Technology [Approximately 1998] 1 videocassette, sound, stereo, VHS, colour 13mm (1/2 inch), James VERDON Self-remembering home (Extremely poor condition). ANAT # 219 b35255808 BRG 391/F-148
State Library of South Australia self-remembering home Donation from Australian Network of Art and Technology 1998 00:06:00 1 videocassette , sound, stereo, VHS, colour 13mm James VERDON Documentation for 'Self-remembering home' Installation - Video-Stills-C.G.Animation. ANAT # 220 b3525581x BRG 391/F-149
State Library of South Australia septa Donation 1992 25 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI septa is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Pink. b35389278 PRG 919/107/346/septa
State Library of South Australia shadow Donation 1992 3 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI shadow is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as world. b35388262 PRG 919/107/292/shadow
State Library of South Australia shadow1 Donation 1992 1 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI shadow1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as EX. b35388213 PRG 919/107/290/shadow1
State Library of South Australia smandel Donation 1988 15 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI smandel is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as S, RUG, SPRITE, and MANDLFLOAT. b35385285 PRG 919/107/826/smandel
State Library of South Australia sphereBAR Donation 1992 30 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI sphereBAR is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as spheres2. b35389497 PRG 919/107/357/sphereBAR
State Library of South Australia spheres2 Donation 1992 31 January 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI spheres2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as sphereBAR. b35389485 PRG 919/107/357/spheres2
State Library of South Australia sqeeze Donation 1992 20 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI sqeeze is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as squezeRED. b3538914x PRG 919/107/339/sqeeze
State Library of South Australia squezeRED Donation 1992 20 February 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI squezeRED is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as sqeeze. b35389138 PRG 919/107/339/squezeRED
State Library of South Australia structr1 Donation 1992 6 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI structr1 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as structr2. b35388249 PRG 919/107/291/structr1
State Library of South Australia structr2 Donation 1992 6 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI structr2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as structr1. b35388237 PRG 919/107/291/structr2
State Library of South Australia way-light Donation 1992 1 March 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI way-light is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as Inscape. b35388614 PRG 919/107/312/way-light
State Library of South Australia window Donation 1991 30 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI window is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as WINDOW-1. b35387269 PRG 919/107/253/window
State Library of South Australia window2 Donation 1991 31 July 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI window2 is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as MANDEL3. b35387282 PRG 919/107/254/window2
State Library of South Australia world Donation 1992 1 April 3.5 inch floppy disk Józef Stanisław OSTOJA-KOTKOWSKI world is a pixel based artwork, created through computer programs on an Acorn Archimedes computer. A fractal generator may have been used, in conjunction with other software and assorted manipulation techniques to create a sequence of images or multiple iterations of the image design. It was included on the same disk as shadow. b35388250 PRG 919/107/292/world
University of New South Wales Library 2002 Biennale of Sydney :International Festival of Contemporary Art 2002 electronic resource - 1computer optical disc ;4 3/4 in. Biennale of Sydney Previewed inside CD-ROM: Latest details of the 2002 exhibition ; Participating Australian artists ; The Biennale of Sydney since 1973 ; Tips for planning your visit. 709.94/SYD/1
University of New South Wales Library 2005 Artexpress catalogue on CD-ROM: Visual Arts Higher School Certificate NSW 2005 electronic resource - 2 CD-ROMs :col. ;4 3/4 in. New South Wales Board of Studies Disc 1. Complete catalogue, all exhibitions -- disc 2. Film/video and animation artworks. "This two-CD set contains the only complete collection of the works of these remarkable young artists ..."--Container sleeve. 709.94/ART/15
University of New South Wales Library 2007 Artexpress catalogue on CD-ROM: Visual Arts Higher School Certificate NSW 2008 electronic resource - 2 CD-ROMs ;4 3/4 in. Title from disc label.;In one cardboard folder (30 cm.) New South Wales Board of Studies Disc 1. Complete catalogue, all exhibitions -- Disc 2. Film/video and animation artworks. 709.94/ART/17
University of New South Wales Library 40 years of the National Trust Journals 1961-2001 2003 electronic resource - 2 CD-ROMs :ill., ports. ;4 3/4 in. National Trust of Australia (N.S.W.) Title read as "National Trust Journals 1961-2001" printed on discs.;"Limited edition of 500". Disc 1 : Reflections, February 1998 - November 2001 ; Quarterlies, April 1991 - October 1997 ; Magazines, February 1976 - February 1991 ; Bulletins, May 1961 - July 1979 -- disc 2 : popular out of print publications : conference & seminar papers ; technical bulletins ; education kits ; Trust Alerts ; selected images from the National Trust Archives photographic collection. 720.994405/1
University of New South Wales Library >Badness: Wednesday September 11\02 2002 electronic resource - 1 computer optical disc ;4 3/4 in. Sean BYRNE, Josh HOLLIDAY Title from insert cover.; Josh Holliday, designer of CD-ROM. Interactive CD-ROM of exhibition of a variety of works of a number of artists, including Harriet Birks, Joshua Holliday, Justin Malinowski, Jack Feldstein, Leonnie Saavides, Jo-Ann Shaw, Michael Schiavello, Clary Akon, Caroline Zininsky, Andrew Bastian & Sean Byrne. Works included photography, film, painting and sculpture. 709.2/1
University of New South Wales Library A surrealist down under /James Gleeson 2003 00:50:00 videorecording - 1 videodisc (DVD) (50 min.) :sd., col. ;4 3/4 in. Geoffrey SYKES Film South This work explores the development, style and artistic influences of one of Australia's most prominent painters and includes a copy of the video "The artist as an evolving landscape," which was screened as part of exhibitions at the Art Gallery of New South Wales and the Art Gallery of South Australia, in 2003. 759.994/GLE/1
University of New South Wales Library Aboriginal art: yesterday and today 1996 00:27:00 videorecording - 1 videodisc (DVD) (27 min.) :sd., col. ;4 3/4 in. +notes (6 p., 30 cm.) Anthony STEELE, Kathleen O'BRIEN Image Link; Video Education Australasia Artists discussed: William Barak, Tommy McRae, Gabrielle Possum and Lin Onus. Discusses the work of artists William Barak, Tommy McRae, Gabrielle Possum and Lin Onus. The program looks particularly at bark painting and desert art. 709.94/AAA/27
University of New South Wales Library Aesthetics after Modernism 1982 01:03:00 sound recording - 1 cassette (63 min.) Peter FULLER Power Institute of Fine Arts Lecture delivered on April 5, 1982 in the Carslaw Theatre at the University of Sydney. Summary: English art critic Peter Fuller explains why he thinks the Modernist movement in art and architecture has been a dead end, while in the post-Modernist movement there are seeds of a Renaissance in Western art 701.17/1
University of New South Wales Library Animating Jukurrpa 2010 00:33:00 videorecording - 1 videodisc (DVD) (33 min.) :sd., col. ;4 3/4 in. Jason Japalijarri WOODS, Norbet Japaljarri MORRIS, Micah Japanangka WILLIAMS, Marissa Nangala BROWN, Renita Napanangka MCCORMACK, Danielle Napaljarri COLLINS Australia.Department of the Environment, Water, Heritage and the Arts; PAW Media and Communications "Viewer warning: This video contains images of Warlpiri people. Caution should be exercised in viewing, as some of these images may be of deceased persons"--container. "The Animating Jukurrpa series is a showcase of animations created through a project at PAW media and communcations. The animations here are a mix of stop motion and digitally created animation. Using storytelling modes from sand drawing to painting on canvas the animations combine traditional storytelling with new technologies in ways that delight the imagination as well as support language and culture"--container. 791.430994/141
University of New South Wales Library Animating reality: a collection of short films 2013 02:42:00 videorecording - 1 videodisc (162 min.) :sd., col. ;4 3/4 in. A Million Movies a Minute Title from disc label. 791.4334/24
University of New South Wales Library Art + soul: a personal journey into the world of Aboriginal art 2010 02:46:00 videorecording - 2 videodiscs (DVD) (166 min.) :sd., col. ;4 3/4 in. Warwick THORNTON, Hetti PERKINS Screen Australia; Hisbiscus Films; Screen NSW; Art Gallery of New South Wales; ABC; Australia Council for the Arts; Madman Entertainment (distributor) All three full length episodes of the television series Art + soul: Home and away, Dreams and nightmares, Bitter and sweet -- Original trailer -- The making of Art + soul. Hetti Perkins presents art + soul, a powerful and emotionally engaging television series about contemporary Aboriginal and Torres Strait Islander art, and the artists who create it. An Eastern Arrernte and Kalkadoon desert woman, Hetti is senior curator of Aboriginal and Torres Strait Islander art at the Art Gallery of New South Wales, daughter of political activist Charles Perkins and sister of filmmaker Rachel Perkins (First Australians, Bran Nue Dae). With great generosity, she shares her extraordinary knowledge of Aboriginal art, visiting the homes and studios of artists in remote desert communities, the tropical top end, and in urban environments. She also brings personal anecdotes to the fore, recalling her family's own story, and her father's legacy: "Art for me is a way for our people to share stories and allow a wider community to understand our history and us as a people."Past and present, tradition and modernity, the imagination and individual experiences of artists, converge. art + soul views Aboriginal and Torres Strait Islander art through a political prism, which allows for a richer appreciation of the artworks - and thereby of Aboriginal Australia and the life forces that underpin it. The series celebrates the survival and resilience of a whole culture." 791.43/673
University of New South Wales Library Art Unit : revolver : REDUX :Robert McDonald : Juilee Fryor, Sydney 1982-1985 2010 00:30:00 videorecording - 1 videodisc (30 min.) :sd., col. ;4 3/4 in. Juilee FRYOR, Tom ELLARD 709.22/257
University of New South Wales Library Art and kindness 1994 00:37:00 sound recording - 1 sound disc (36.09 min.) :digital, stereo. ;4 3/4in. Dave CUBBY Compact disc to accompany exhibition at First Draft Gallery, 30 November 1994 to 18 December 1994.;Project has been assisted by a University of New South Wales, College of Fine Art internal research grant, an innovative teaching award from the University of Newcastle, Centre for the Advancement of Learning and Teaching, and a Pat Corrigan Artists grant. 780.904/1
University of New South Wales Library Art shorts: art express - sculpture by the sea 2005 00:22:00 videorecording - 1 videodisc (DVD) (22 min.) :sd., col. ;4 3/4 in. + teacher notes (10 leaves ; 30 cm.). James MARSHALL, James BROWN Maxwell's Collections; Guiding Light Productions Title from disc.;Produced by Guiding Light Productions. Art Express in Process follows three Year 12 Visual Art students as they make, complete and submit their bodies of work for the HSC and then go on to enjoy the thrill of being exhibited in Art Express 2005, an annual event held at the Art Gallery of NSW.;In Sculpture by the Sea, three artists share their thoughts about art, sculpture and an iconic annual event which sees Bondi transformed for three weeks into the world's largest outdoor sculpture park. Follow the process as new works by Alexander Seton, Robert Hawkins and Ingrid Morley make the journey from studio to coastline. 709.94/400
University of New South Wales Library Artefacts of Australian experimental music 1930-1973 2007 sound recording - 1 sound disc (CD) :digital, mono., stereo. ;4 3/4 in. +1 booklet. Arthur CANTRILL, Jack ELLITT, Percy GRAINGER, Robert ROONEY, Bruce CLARKE, Val STEPHEN, Barry MCKIMM, Syd CLAYTON, Felix WERDER, Keith HUMBLE, Ron NAGORCKA Shame File Music Journey #1 excerpt / Jack Ellitt -- Free Music (Reed box, top and bottom ranks, thick) (1951) / Percy Grainger -- Wubbo music / Melbourne Dada Group -- Duo 3 / Robert Rooney -- Of spirally why, excerpt / Bruce Clarke -- Fireworks / Val Stephen -- Monotony for 8 trumpets / Barry McKimm -- Yehudi excerpt / Syd Clayton -- Soundtrack for Eikon / Arthur Cantrill -- Phsssst / Tully -- Oscussion excerpt / Felix Werder -- And tomorrow excerpt / Keith Humble -- Excerpt #2 / NIAGGRA -- Apathetic anomaly 2. Excerpt / Ron Nagorcka 786.74/19
University of New South Wales Library Artexpress: 2004 HSC 2004 electronic resource - 2 computer optical discs (4 3/4 in.). New South Wales Board of Studies System requirements: Microsoft Windows 98SE/ME/NT/2000/XP with 64MB RAM and Apple MacOS 9 and MacOSX10.2+ with at least 32 MB free RAM. Requires screen 1024 x 768 set to at least thousands of colours. Requires QuickTime v6.5 which is included on the disc. 709.94/ART/1
University of New South Wales Library Artists at work 2006 00:30:00 videorecording - 1 videodisc (30 min.) :sd., col. ;4 3/4 in. Kathy DRAYTON, Claire HEALY, Sean CORDEIRO ABC-TV (Australia) Off-air recording of ABC-TV broadcast October 24, 2006. Copied under Part VA of the Copyright Act. "Up and coming installation artists Claire Healy and Sean Cordeiro have come back to Sydney after two years on the international arts circuit and are revisiting Sean's parents' garage in suburban Sydney. What was once just leftover stuff, packed away in damp boxes while they travelled the world, will now become the centrepiece of their new work for the Art Gallery of New South Wales' annual sculpture exhibition - The Balnaves. Putting the stuff of ordinary life into art galleries is how Sean and Claire made their name in the contemporary art world. In their most famous work - the Cordial home Project - Claire and Sean pulled down a whole house, remade it into a compact sculpture and placed it in the middle of a gallery. The dense mass of bricks, wood and building materials made audiences rethink the nature of house and home and the all-consuming dream of real estate. They've got just three weeks to design and build a glasshouse big enough to hold all their stuff, then to stack it. As the wrong wood and the wrong perspex are delivered and their construction technique fails, you wonder whether they're going to finish in time. This program is an intimate and frank portrait of an artistic collaboration under pressure. We watch as Sean and Claire debate and argue over every aspect of the design, construction and mean of 'Self-Storage'. We see them at loggerheads and then we see them resolve their differences."--Website. 709.2/HEA/2
University of New South Wales Library Artists in focus 2002 Biennale of Sydney, international festival of contemporary art (the world may be fantastic) 00:29:00 videorecording - 1 videodisc (DVD) (29 min.) :sd., col. ;4 3/4 in. James MARSHALL, Bronwyn CLARK-COOLEE, Craig JUDD Biennale of Sydney Gain an insight into the energy and excitement of Australia's premier contemporary art event. Featuring interviews with 14 artists and curators plus a snapshot view of a world that may be fantastic, Artists in Focus reveals ideas about practice, imagination, issues and theories in contemporary art. 709.94/SYD/1
University of New South Wales Library Artists voices & visions: the public art program for Sydney Olympic Park 2005 00:40:00 videorecording - 1 videodisc (40 min.) :sd., col. ;4 3/4 in. Richard MORDAUNT, Diana BARBARA Coolamon Films This is a film about creating Australia's largest public art program. We follow the process by which artists were commissioned to make major artworks for the new Olympic sites. 709.944/9
University of New South Wales Library Artworks 1994 electronic resource - 1 computer disk :col. ;4 3/4 in. +index. John Hughes (producer); College of Fine Arts, University of New South Wales A collection of 98 slides on CD of artworks by the staff of the College of Fine Arts. 709.94/2
University of New South Wales Library Assembly 1995 01:13:00 sound recording - 1 sound disc (73 min.) :digital ;4 3/4 in. +notes. Australian Computer Music Association Compact disc.; Program notes (24 x 36 cm. folded to 12 x 12 cm.) supplied by the composers inserted in container. Bifurate / Tim Kreger (10:43) -- In the deep / Andrew Brown (4:15) -- Aspirance / Lawrence Harvey (8:30) --Influx / John Statter (4:45) -- Web / David Boyle (9:37) -- Silent nuraghi / Roger Dean (5:20) -- Physic / Rainer Linz/Brigid Burke (9:05) -- Dry choices /Gordon Monro (5:28) -- Mother piece / Ian Fredericks (15:20) 781.34/1
University of New South Wales Library Austral voices: for telegraph wires, tuning forks, computer driven piano, psaltery, whirly, cello, synthesizer and ruined piano 1990 01:08:00 sound recording - 1 sound disc (CD) (68 min.) :digital, stereo. ;4 3/4 in. New Albion Records NA028 CD.; Dedicated to Vincent Plush. Journey on the winds of time 1 / Alan Lamb --Fantasie / Alistair Riddell -- Cello chi / Sarah Hopkins --Three Inverse genera / Warren Burt -- Songs of the wind / Sara Hopkins -- Genesis / Ros Bandt --Butterfly's dream / Jeff Pressing --Nallan Void / Ross Bolleter. Lamb, Alan.Journey on the winds of time 1.;Riddell, Alistair Matthew,1955-Fantasie.;Hopkins, Sarah.Cello chi.;Burt, Warren,1949-.Three Inverse genera.;Hopkins, Sarah.Songs of the wind.;Bandt, Ros,(Rosalie)Genesis.;Pressing, Jeff.Butterfly's dream.;Bolleter, Ross.Nallan void. 786.74/16
University of New South Wales Library Australia - The Dreamtime 2000 00:30:00 videorecording - 1 videodisc (DVD) (30 min.) :sd., col. ;4 3/4 in. Catalyst Entertainment; Avenue Education (distributor) Dreamtime will take you back to a time when the landscape was inhabited by spirits and nature provided divine guidance for all aspects of daily life. 305.89915/764
University of New South Wales Library Battle of the brains 2006 01:48:00 videorecording - 1 videodisc (DVD) (108 min.) :sd., col. ;4 3/4 in. RM Films; Australian Broadcasting Corporation Follows a group of academically brilliant Australian teenagers working towards competing against the best science scholars in the world at the International Science Olympiads. 371.95/133
University of New South Wales Library Battler's ballad 1991 01:06:00 sound recording - 1 sound disc (CD) (65 min., 20 sec.) :digital ;4 3/4 in. +booklet. Keith MCKENRY Fanged Wombat Productions; National Library of Australia Battler's ballad. Jones' selection. Little sparrow. The Grog'n'Grumble steeplechase. Murrumbidgee flood. Scots of the Riverina. Wreck of the Dandenong. The mountain belle (tune). Nine miles from Gundagai. When the police force couldn't spell. Shearing in a bar. Christ was born in a shearing shed. Shearing boots. McArthur's fart. Jog along till shearing. What Bill Lewis told his grandson. Frank gardiner. Gumtree canoe. And pigs might fly. Caledonia. Holy Dan. The broken down squatter. The boss's wife. Sarah Sarah (tune). Flying Kate. Jacksons. 781.62/3
University of New South Wales Library Black & white 2001 electronic resource - 1 computer laser optical disc :sd., col. ;4 3/4 in. +1 installation guide (16 p.) +1 user manual (52 p.) Electronic Arts; Lionhead Studios People who need a god always get one. But they don't always get the god they bargained for. In Black & White you are summoned to a new world by one single prayer. Ultimately, it will be the combined belief of your worshippers that determines how powerful you become. For more info about this and other titles visit EA Games on the web at www.eagames.com; MA - restricted (15 years & over); medium level animated violence, adult themes. 794.8/1
University of New South Wales Library Black hole :transforming a forest into a coalmine. 2016 01:44:00 videorecording - 1 videodisc (DVD) (104 min.) :sound, color ;4 3/4 in. Joao Dujon PEREIRA Optical Alkemi Documentary depicting the campaign to save the last of Australia's Leard State Forest, a diverse and endangered woodland forest on the Liverpool Plain, from clearing for open-cut coal mines. It examines the future of coal, corporate responsibility and the rights governments afford to people vs corporations. 333.7/488
University of New South Wales Library Bliss 2006 00:11:00 videorecording - 1 videodisc (DVD) (11 min.) :sd., col. ;4 3/4 in. Fiona FOLEY Niagara Galleries (distributor) An 11 minute videography of poppy fields with overlayed text examining the consequences of opium supply for the Australian indigenous population at the time of early European settlement. 709.2/FOL/1
University of New South Wales Library Born in this skin 00:27:00 videorecording - 1 DVD (27 min.) :sd., col. ;4 3/4 in. Douglas WATKIN ABC-TV (Australia) Originally broadcast on ABC-TV, Apr. 19, 2009. Vernon Ah Kee is a portraitist, graphic and video artist. In 2009 Ah kee will become one of a select group of Australians whose work will be displayed on the most important visual arts stage in the world, the Venice Biennale. Ah Kee is a prolific Brisbane based artist. His work is provocative in the themes he tackles. He asks the question through his work "what is Indigenous art?" Ah Kee's large scale charcoal portraits of his family provide insights into past generations and Indigenous life in Queensland. 709.24/AHK/2
University of New South Wales Library Broken Hill - 2003 2003 00:13:00 videorecording - 1 videodisc (DVD) (13 min.) :sd., col. ;4 3/4 in. John HUGHES John Hughes (producer); College of Fine Arts, University of New South Wales Digital video and computer animation work by the staff and students of COFA, who visited Broken Hill in 2003 with the aim of capturing the landscape in digital art. Landscape animation [10 min.] /by Students of University of NSW College of Fine Arts -- Big shadow land [3 min.] /by J. E. Hughes. 791.433/25
University of New South Wales Library CA007 1996 sound recording - 2 sound discs :digital ;4 3/4 in. +programme notes. Clan Analogue A compilation of works by audio based electronic artists and sound composers from Clan Analogue, the electronic arts collective. Acid plastik / Krang--Zod / Telharmoneom--nTH /Barouche Landaus--Bill Reynolds bludges petrol & Tuna helper Radio Glove / Size--Hope Afro & Lost and Found /Atone--They're human & Way below zero / Area 51--Smokscreen / Infusion--Inner, interior, inside, internal / Nowzero--Planet of the apes / Soylent Green --Navaho & Morphogenesis / Nanotech--Booster /S.M.E.R.S.H.--In some cases, Don't you love me baby & Blue world / Holy Terra--Jooces / Dark Network--Spring & Jasm / Andy. Available from: Clan Analogue, P.O. Box A2384, Sydney South, NSW. 2000. 781.63/5
University of New South Wales Library COFA annual 2002 electronic resource - computer optical discs ;4 3/4 in. +1 folded sheet 67 x 50 cm. folded to 17 x 17 cm. COLLEGE OF FINE ARTS, UNIVERSITY OF NEW SOUTH WALES John Hughes (producer); College of Fine Arts, University of New South Wales Title from disc label. 709.94005/COF/1
University of New South Wales Library CUT 2003: Time based art graduate works 2003 01:47:00 videorecording - 3 videodiscs (DVD) (107 min.) :sd., col. ;4 3/4 in. Australian Film Institute; College of Fine Arts, University of New South Wales Disk 1. 1. Extenter / Jozz Scott ... [et al.] -- 2. Lacuna / Yasemin Cetin -- 3. Parallel lives / Azadeh Dalvand -- 4. Power station / Tina Peate -- 5. Peter and Tracey / Tillie Baker -- 6. Eyeing / Beryl Kwok -- 7. Mother media / Leonie Savvides ; Disk 2. 8. Un?! / Jo Jo Chuk, Beryl Kwok -- 9. Being02 / Mahta Manzouri -- 10. Drag / Pia Van Gelder -- 11. The match / Jimmy Toha -- 12. Muse / Alacoque Dash -- 13. Dragonhood / Mark Bradshaw -- 14. Changing trade / Monika Wheeler -- 15. Teleport / Wonil Lee ; Disk 3. 16. Bad signal / Matthias-David Huser -- 17. Motion picture / Anna Youlden -- 18. Art is hard / Tom McMullan 791.4530994/21
University of New South Wales Library Cerebellum 2002 electronic resource - 1 CD-ROM : ;4 3/4 in. +16 page booklet. Gary CARSLEY Performance Space (Sydney, N.S.W.) Title taken from Cerebellum booklet.;Includes the work of four artists:Charles Atlas, the Kingpins, Raw Sewerage and Monika Tichacek.;The Cerebellum catalogue includes: 16 page booklet, CD-ROM with both moving image and around 100 colour stills and essays by Gary Carsley, Rachel Kent and Rafael von Uslar. In November 2002 Performance Space in association with Sydney 2002 Gay Games presented Cerebellum. Transformations of the self through an art of public display were at the heart of these three video installations. Curated by artist Gary Carsley, Cerebellum enabled the creation of relationships between newly commissioned work by local artists and that of major international figures in the fields of drag performance and video. 709.94/7
University of New South Wales Library Chromatic mysteries: soundtracks 1963-2009 2010 sound recording - 1 sound disc (CD) :digital, stereo. ;4 3/4 in. +1 booklet. Arthur CANTRILL Shame File Music Compact disc.;Shame File Music: sham 054. Meteor Crater-Gosse Bluff -- Petunias -- Meditations (Fast Disc) -- 9 Image Film -- Waterfall (excerpt) -- Eikon -- Galaxy -- Home Movie-a Day in the Bush -- The Second Journey (to Uluru) (excerpt) -- The Room of Chromatic Mystery -- The City of Chromatic Dissolution (excerpt). 780.904/93
University of New South Wales Library Chronicles of the new human organism 2005 2010 00:50:00 videorecording - 1 videodisc (DVD) (50 min.) :sd., col. ;4 3/4 in. Ian HAIG Produced with the assistance of Australia Council for the Arts (Visual Arts and Music Boards) and Asialink; Shot on location in USA, New Zealand, Japan, Korea, Thailand and Australia. A sci-fi documentary --- part history, apocalyptic warning, contemporary spirits world, junk science, sect, nature documentary, post new age, futuristic vision, pseudo science, cult, mondo, recruitment, educational video - Discovery channel from another dimension. Exploring the extremes and the outer limits of human belief systems and the strangeness of the world around us. 778.59/28
University of New South Wales Library Class exercises 2003: SOMA 3603 Motion graphics and compositing 2003 03:00:00 videorecording - 3 videodiscs (DVD) (180 min.) :sd., col. ;4 3/4 in. John COLLETTE John Hughes (producer); College of Fine Arts, University of New South Wales A collection of class exercises from the course, SOMA 3603 Motion Graphics and Compositing. 700.285/17
University of New South Wales Library Clever island: technology and nature 1993 book - 17 p. :col. ill.; 24-53 cm. David DREW, Peter GOULDTHORPE Rigby Heinemann CIP confirmed.; For primary school students. 745.5/83
University of New South Wales Library Colour theory with Richard Bell 2013 03:20:00 videorecording - 1 videodisc (DVD) (8 x 25 min.) :sound, colour ;4 3/4 in. Richard BELL Special Broadcasting Service Corporation; National Indigenous Television Madman : SBS1557. In this new art series from NITV we look at new and developing communities and collectives that are producing contemporary work that reflects the up and coming artistic development within the creative indigenous community, that up until now has had little exposure to a wider society. Presenting the work of various artists from each state and territory, "Colour Theory" demonstrates the incredible range of indigenous artistic expression and practice. Featuring works in a variety of media, including painting on bark and canvas, sculpture, textiles, weaving, new media, photo media, printmaking installation, dance and music. Shot on location in the many beautiful and varied places around Australia, Each half hour episode will explore the Artist's affiliation with their Gallery or Art Centre, their connection to their country and how their culture inspires their modern form of art. Episode 1: Jake Nash: Set Designer Jacob Nash takes us back stage on Bangarra's dance performance "Terrain" - A timeless wonder and spiritual resonance of Lake Eyre. Collaborating with David Page and Frances Rings, Jake takes us to Lake Eyre where his audience are transported through the performance, choreography, sound and vision of his design -- Episode 2: Yhonnie Scarce: Glass Sculptor Yhonnie Scarce takes us on a journey to her country in Ceduna, South Australia where we visit the Nullabor Plains and discover her connection to Whale Dreaming. Back in her hometown in Melbourne and her glass blowing studio, Yhonnie shows us her methods of how she designs her highly sought after glass sculptures, we take a trip down funky Fitzroy where she finds many rare gems in stores which are off the beaten track, and check out the National Gallery of Victoria. --;Episode 3: Warwick Thornton: From winning the Cannes D'Or award for Best Feature Film to Documenta with his latest exhibition of Mother Courage, Warwick Thornton talks about his deep connection to country, Alice Springs and his view of social disintegration of Indigenous culture in a modern society. A rare insight to one of the country's most prestigious filmmakers turned photographer. --;Episode 4: Nici Cumpston: Lake Bonney provides Painter and Photographer, Nici Cumpston with the perfect landscape to capture with her camera and illustrate on massive canvases which are exhibited in the National Gallery in Canberra, Adelaide Art Gallery and the Adelaide Supreme Court. Barkindji woman, Nici captuers the images of the landscape and stagnant rivers and remains of tree stumps which symbolize a transition between life and death, Nici confronts issues of sustainability in a modern society and how this impacts a culture and people who were the custodians of these sacred places for thousands of years. --;Episode 5: Reko Rennie: Kamilaroi/Gamilaraay/Gummaroi man Reko Rennie was born in Melbourne in 1974. Receiving no formal training in the Arts, Colour Theory discovers how Reko's teenage affair with Graffiti and Street Art has shaped Reko into being a recognized Contemporary Aboriginal Artist. Commissioned by the City of Melbourne, Reko's work is splashed across our Southern City, as well as being recognized internationally in galleries. A fusion of traditional Aboriginal Art symbols and modern street art mediums and tools such as spray paint stenciling, we follow Reko in Melbourne and Walgett where he is connected to both areas and countries. --;Episode 6: Archie Moore: Sculptor and Musician Archie Moore opens his doors to the biblical works of art. Transforming bibles the from bound books to replica models of churches, Archie is On A Mission From God. Richard follows Archie who makes political statements of the Missions that are still standing in Australia, and visit Cherbourg Mission was produced as a part of his Mission from God exhibition. --;Episode 7: Vicky West: Staying true to tradition and her identity, Vicki collects kelp along the Tasmanian coast, which is used to weave her work and sculptures. Vicki takes us on a tour of the southern Island where she challenges the myth of extinction and weaves traditional art into the Tasmanian agriculture such as the Labyrinth in Launceston. --;Episode 8: Tony Albert: From Cardwell rainforest in Queensland, Tony Albert plays scrabble with political word play with his latest work "Pay Attention" which is apart of the National Art Gallery in Canberra's Indigenous Triennial collection. We get inside the mind of an artist who captures the essence of displacement, racism as well as alienation, and symbolizes these in paintings and sculptures. 709.94/AAA/241
University of New South Wales Library Comfort zone 19 July 2003: humor in everyday design 2003 00:54:00 sound recording - 1 sound disc (53:15 min.) ;4 3/4 in. Alan SAUNDERS Radio National (Australia) Whats̉ the last time you smiled, or even laughed out loud, when you saw a pepper grinder or a chair? Would you like the every day objects in your home to be more humourous? Or are you some one who prefers things to be strictly functional and devoid of useless ornamentation, for form to follow function. The Comfort Zone explores the subject of humour in everyday design. 745.4/1
University of New South Wales Library Conserving our national art 2005 00:24:00 videorecording - 1 videodisc (DVD) (24 min.) :sd., col. ;4 3/4 in. Australian National Gallery; Learning Essentials (distributor) This program examines Australia's largest gallery, The National Gallery of Australia, to view its art conservation laboratory in action. The role of art conservation is explored along with the processes used to conserve selected groups of works. The ideal methods of storage and display are detailed and professional conservators talk about the required training and skills to fulfil the job. 702.88/15
University of New South Wales Library Conversations with Australian artists Volume 1. Unseen forces 2003 00:53:00 videorecording - 1 videodisc (DVD) (ca. 53 min.) :sd., col. ;4 3/4 in. Hetti PERKINS, James MARSHALL, Edmund CAPON, George ALEXANDER Public Programmes Department, Art Gallery of New South Wales Vol. 1, Unseen forces, featured artists: John Olsen, Joyce Hinterding & David Haines, Ginger Riley Munduwalawala, Fiona Hall. This film is a beautiful and engaging collector's item, which explores the creative genius of some of Australia's most respected artists. 709.94/242
University of New South Wales Library Conversations: the Parallax Effect 2006 00:54:00 videorecording - 1 videodisc (DVD) (ca. 54 mins.) :sd., col. ;4 3/4 in. Scott MCQUIRE, Nikos PAPASTERGIADIS Zentrum für Kunst und Medientechnologie Karlsruhe.; iCinema Centre for Interactive Cinema Research, University of New South Wales About Conversations -- About iCinema -- Archival montage -- The ghosts -- Photogallery -- Links -- Split screen demonstration. 791.43/581
University of New South Wales Library Create : navigate 2001 electronic resource - 2 computer optical discs :sd., col. ;4 3/4 in. ; in container, 19 x 14 x 2 cm. John Hughes (producer); College of Fine Arts, University of New South Wales Disc 1. Capturing the roma -- Certifying identities -- Sound affect -- Tabula rasa -- The tea party -- Alian - Representation -- Surveil 1.02.;Disc 2. Boundaries -- Nothing in no man's land -- Fridgetopir -- DNA -- Conflict -- Feng shui -- Fairytales. A collection of multimedia art, produced by second year media and communications students, University of New South Wales. 776.7/1
University of New South Wales Library Critical inquiry in green 1997 01:12:00 sound recording - 1 sound disc (72 min., 53 sec.) :digital, stereo ;4 3/4 in. Tony OURSLER, Mike KELLEY, THE POETICS Compound Annex Records 781.63/POE/1
University of New South Wales Library Cross currents 1999 00:08:00 videorecording - 1 videodisc (DVD) (8 min.) :sd., col. ;4 3/4 in. Dennis DEL FAVERO, Tony MACGREGOR Zentrum für Kunst und Medientechnologie Karlsruhe.; iCinema Centre for Interactive Cinema Research, University of New South Wales "Shot on location in Berlin and the Former Yugoslavia, cross currents explores the traffic in human beings exploiting refugees who, lured to Berlin, find themselves forced to work as prostitutes. It reconstructs the events leading up to a police raid on a sex slave hotel in central Berlin during which a young Croatian prostitute escapes and her Serbian body guard is killed." 791.4530994/DEL/2
University of New South Wales Library D-tonate 2004 01:30:00 videorecording - 1 DVD (90 min.) :sd., col.; 4 3/4 in. +1 in-lay sheet D-FUSE Onedotzero; D-Fuse D-Tonate challenges the conventional music video format. Rough edits of D-Tonate were sent to musicians worldwide who produced soundtracks for the films. Nine films were created and re-interpreted in up to five versions which can be randomly accessed. 10 tracks [5 exclusive] feature international electronic musicians including Kid 606, Scanner, Ken Ishii + Funkstorung. With over 90 minutes of Multi-Angle films and Multi-Audio tracks utilising dynamic 3D space over 5:1 audio. D-Tonate pushes the boundaries of DVD technology creating a totally unique video experience. 791.453/1
University of New South Wales Library Deep sleep 2004 00:09:00 videorecording - 1 videodisc (DVD) (9 min.) :sd., b&w ;4 3/4 in. Dennis DEL FAVERO Centre for Interactive Cinema Research, University of New South Wales "Deep Sleep investigates the extraordinary events surrounding a psychiatric hospital in Sydney during the 1970s and its notorious insulin coma therapy during which patients were put to sleep for six weeks in order to remove painful memories."-- Cover. 791.4530994/DEL/4
University of New South Wales Library Dennis Del Favero: video folio 1994 - 2002 2004 videorecording - 1 videodisc (DVD) :sd., col. ;4 3/4 in. Dennis DEL FAVERO Contains: Pieta (1994) -- Cross Currents (1999) -- Requiem (1999) -- Angelo Nero (2001) -- Pentimento (2002) -- Sottovoce (2002). 791.4530994/DEL/6
University of New South Wales Library Digital media 2003 2003 02:00:00 videorecording - 1 videodisc (DVD) (120 min.) :sd., col. ;4 3/4 in. John COLLETTE Australian Film Institute; College of Fine Arts, University of New South Wales The 2003 reel highlights the work produced in the BDM degree. From over 60 final works, over a dozen represented here highlight the talent, diversity and application of the graduates in the areas of motion graphics, short film & animation. 700.285/16
University of New South Wales Library Digital portfolio 2006 electronic resource - 1 CD-ROM :s.d., col. ;4 3/4 in. Jessica PRESTON All files are in JPEG format 746.092/PRE/1
University of New South Wales Library Digital video 1, narratives 2004 - 1 videodisc :sd., col. ;4 3/4 in. John Hughes (producer); College of Fine Arts, University of New South Wales 700.285/83
University of New South Wales Library Djarn djarns 2005 00:26:00 videorecording - 1 videodisc (26 min.) :sd., col. ;4 3/4 in. Wayne BLAIR, Kylie DU FRESNE, Scott ANGELES, Hunter PAGE-LOCHARD, Blake HERCZOG, Ben MAZRA, Kerrod MELTON, Alexa MILLER, Lafe CHARLTON Off-air recording of SBS television broadcast 17/7/2005. Eleven-year-old Frankie Dollar is the leader of an Aboriginal dance group, the Djarn Djarns. They are in big demand today at the Cultural Centre, but Frankies is really in the doldrums because one year ago, to the day, his father died. Now he needs his friends more than ever. 791.43/478
University of New South Wales Library Driving with Richard 1992 00:50:00 videorecording - 1 videodisc (DVD) (50 min.) :sd., col. ;4 3/4 in. Andrew WISEMAN Australian Film Commission; Western Australian Film Council; Film Victoria; Ronin Films; Pericles Film Productions The story of a remarkable friendship between two women - Deirdre Croft and Carley Pukallis. Deirdre and Carley have provided support for each other for over six years as they cope with the trauma, hardship and enormous challenge of caring for their handicapped children - children with special needs. This documentary also tracks the recent history of these two women who reveal with candour and humour how their expectations about motherhood were altered and how they have created lifestyles that fulfil their own needs. 362.4043/6
University of New South Wales Library E-textiles: ventures - jacquard weaving 2000 electronic resource - 1 computer laser optical disc : sd., col. ; 4 3/4 in + notes (1 p.) + textile sample Centre des textiles contemporains de Montreal (CTCM) The disc is bilingual, hybrid and interactive and includes art works of an international travelling exhibition, information on the participating artists and works from 30 other artists who are using Jacquard technology. It contains three sections: a visual section, a theoretical section with texts from two authors and a technical section with information on the Jacquard technology and a short history. 746.14/1
University of New South Wales Library Electrofringe 2005 01:00:00 videorecording - 1 videodisc (DVD) (60 min.) :sd., col, ;4 3/4 in. Valley of the Winds; Australian Film Commission Electrofringe is a festival of digital, electronic and new media arts. It is dedicated to unearthing emergent forms, highlighting nascent trends and encouraging young and emerging artists to further explore technology and its creative possibilities. Australian Film Commission
University of New South Wales Library Essential sound effects of Australia 1994 01:05:00 sound recording - 1 sound disc (CD) (65 min.) :digital ;4 3/4 in. Essential Sound Effects Compact disc.;ESS SFX01.;Includes birds, crowd noises, transport, atmospheres, machinery, bells, siren, phones. 792.024/4
University of New South Wales Library Ethics in design & technology 1997 electronic resource - 1 computer laser optical disk ;4 3/4 in.+ 1 teacher's handbook (94 p.) Independent Commission Against Corruption, New South Wales 174/1
University of New South Wales Library Exoskeleton: Stelarc : cyborg frictions 1999 00:32:00 videorecording - 1 videodisc (DVD) (ca. 32 min.) :sd., col. ;4 3/4 in. STELARC, Dominik LANDWEHR, Rolf LUGINBUEHL Stelarc with F18 Diekmann Enterprises Six minute sequence repeated six times to make total running time of video 36 minutes. A videoed performance of Stelarc who is concerned with the extent to which technologies make possible a body that performs in excess of itself. In the post human performance of Exoskeleton, Stelarc externalises the "natural" motion of walking, becoming part of a corporeal conversation where the motions of his arms talk to the mechanical movements of the insect-robot legs, producing a body-machine of clumsy gargantuan proportions. 709.04074/STE/3
University of New South Wales Library Face project: motion graphics 2004 2004 00:20:00 videorecording - 1 videodisc (DVD) (ca. 20 min.) :sd., col. ;4 3/4 in. Australian Film Institute; College of Fine Arts, University of New South Wales 69 Examples of the SOMA 3603 Digital Video assignment 700.285/84
University of New South Wales Library Face: 1st assignment 2003 00:40:00 videorecording - 1 videodisc (DVD) (40 min.) :sd., col. ;4 3/4 in. John COLLETTE Australian Film Institute; College of Fine Arts, University of New South Wales Examples of the SART 3603 Digital Video assignment 700.285/14
University of New South Wales Library Films and installations 2006 01:00:00 videorecording - 1 videodisc (DVD) (60 min.) :sd., col. & b.& w. ;4 3/4 in. John Hobart HUGHES Films: The wind calls your name ; Removed ; Shiver. Installations: He who writes the text ; Woodmonk ; Monksing. Collection of film works, animations and installations of Hobart Hughes in 2005-2006. 791.4530994/HUG/1
University of New South Wales Library Final assignments 2003 00:40:00 videorecording - 1 videodisc (DVD) (40 min.) :sd., col. ;4 3/4 in. John COLLETTE Australian Film Institute; College of Fine Arts, University of New South Wales This archive represents the final assignments submitted for SOMA 3603: Digital Video 2 in 2002. They provide a good reference for what can be and is achieved in the course. 700.285/13
University of New South Wales Library First moves (Motion picture) :an experimental project carried out at Alexander Mackie C.A.E., Sydney, 1980. 1980 00:09:00 motion picture - 3 reels (3 min. each) : si., b&w; 16mm. ;+ notes David B. L. FINLAY School of Art, Alexander Mackie College of Advanced Education The project was initiated by David Finlay, Crafts Council of Australia Fellow, 1980;Participants: Vivienne Palmer, Nick Zaharias, Charlie Sheard, Anne Pollack, David Finlay, Joan Brassil, Paul Higgs;Technical advice and assistance: Peter Dallow;SUMMARY: Each film records one continually changing drawing on one sheet of paper, made by a group of people improvising in succession. CONTENTS: Film I; Film II; Titles 791.435/2
University of New South Wales Library Fragments in place: Australian installation artists at Brigham Young University Art Museum, Utah, USA, October 2003 - April 2004 2003 00:32:00 videorecording - 2 videodiscs (DVD-R) (32 min.) :sd., col. ;4/ 3/4 in. Bonita ELY, Campbell Ainsworth GREY, Claire ARMSTRONG, Noelene LUCAS, Anastasia REES Part 1 : Week 1: Installing (12 minutes) -- Part 2 : Week 2 : Installing & exhibition (20 minutes). 730.922/5
University of New South Wales Library Freaky loops: a co-release of 2SER-FM, 107.3, Clan Analogue, Cryogenesis, Elephant Tracks & Club Kooky 1999 sound recording - 2 sound discs :digital, stereo ;4 3/4 in. 2SER-FM (Radio station : Sydney, N.S.W.) Tracks collected by Gordon Finlayson, Arnya Tehira, Vaughan Healey, Sebastian Chan, Luke Dearnley, Seymour Butz & Gemma. 786.74/6
University of New South Wales Library Fundamentals of maintenance: Reading blueprints, Lesson Ten, Sketching 1993 00:15:00 videorecording - 1 videodisc (DVD) (15 min.) :sd., col. ;4 3/4 in. TPC Training Systems This program shows how to create and employ sketches. It introduces types of sketches and discusses orthographic, isometric, and perspective drawings. Part of a training course to teach students to read blueprints for systems and machinery in an industrial plant. 604.25/2
University of New South Wales Library Galleries on show 2005 00:23:00 videorecording - 1 videodisc (DVD) (23 min.) :sd., col. ;4 3/4 in. +1 teacher's notes. Sutton Gallery (Melbourne, Vic.); Heide Museum of Modern Art; Australian National Gallery; Learning Essentials (distributor) This program takes us inside three very different Australian galleries - the Sutton Gallery, the Heide Museum of Modern Art and the National Gallery - to gain a better understanding of how visual art is presented, promoted and marketed in Australia. 709.94/405
University of New South Wales Library Golden sandals: the art of Reg Mombassa 2007 00:26:00 videorecording - 1 videodisc (DVD) (26 min.) :sd., col. ;4 3/4 in. Tony GAILEY, Haydn KEENAN, Gai STEELE SBS Independent.; Smart St Films; Mambo; Mental as Anything Off-air recording of SBS broadcast May 2, 2007. Copied under Part VA of the Copyright Act.;Original production: Smart St Films Pty Ltd, c2006. "Chris O'Doherty, better known as Reg Mombassa, is a renowned rock star, artist and writer, who has influenced Australian culture for thirty years. From performing in his band, Mental As Anything, to Mambo designer, he has made two generations of people laugh, dance and wonder at the beauty of his creations. Golden Sandals not only offers a journey into the world of Mombassa and acts as a guide to appreciating his art, thoughts and life but it also reveals a side of Reg Mombassa few have seen - his delicate landscapes and extraordinary fine art." -- website. 709.2/MOM/1
University of New South Wales Library Gravity: sound/text/Resonant Voices 1997 sound recording - 1 sound disc :digital ;4 3/4 in +programme notes. Ali SMITH Wollongong City Gallery (N.S.W.) Compact disc. Resonant Voices are Ali Smith and Sandy Indlekofer-O'Sullivan, a collaborative partnership making performances, installations, and sound and text work for print and electronic forms. 709.22/1
University of New South Wales Library Green bush 2005 00:26:00 videorecording - 1 videodisc (26 min.) :sd., col. ;4 3/4 in. Warwick THORNTON, Kath SHELPER, David PAGE, Ted EGAN, Audrey MARTIN, Leo WAYNE Off-air recording of SBS television broadcast 10/7/2005. Over one heartbreaking night, radio DJ Kenny, discovers that his job at an Aboriginal radio station is about more than just playing music. He jokes that his programme is broadcast to a captive audience -- namely the local prison. 791.43/479
University of New South Wales Library Imagina trips: best of Imagina Festival 02-03 2004 02:25:00 videorecording - 1 videodisc (DVD) (145 min.) :sd., col. ;4 3/4 in. Talantis Films "Un voyage fantastique dans le virtuel". Collection of 30 computer animation short films. 791.433/63
University of New South Wales Library Impakt 2000 2000 00:37:00 sound recording - 1 sound disc (36 min. 47 sec.) :digital, stereo ;4 3/4 in IMPAKT ORGANISATION Impakt Festival IMP 01. Contents: Octrahedal spherical caffufle / Nonplace--Open / Dat Politics--Cosy veneer / Scanner--Swizzle / Ticklish--Pol XII.98 / Marcus Schmickler & Thomas Lehn-- Prototyp P / Alva Noto--Band / Frank Bretschneider. The CD contains mostly exclusive tracks by musicians who performed in the Glitch and Real / Not Real programs in the Impakt 2000 Festival. The CD, focusing on Impakt 2000, has been released on the occasion of Impakt's 10th Anniversary. 786.74/5
University of New South Wales Library In the event of amnesia the city will recall 1997 00:09:00 videorecording - 1 videodisc [DVD) [9 min?] :sd., [b&w?] ;4 3/4 in. Denis BEAUBOIS "Twelve sites with surveillance cameras installed were selected around Sydney to be the stage for 'In the event of amnesia'. Denis Beaubois visited these twelve sites over three days and attempted to engage with the 'electronic eye'. This video is the edited documentation of the events which took place at one of those sites." 709.2/BEA/1
University of New South Wales Library Interior with views 1976 00:05:00 videorecording - 1 videodisc (DVD) (5 min.) :sd., b&w. ;4 3/4 in. David PERRY "Interior with views" is a monotonous shot of a television set, which transmits still-images of bush, while teacups and pots are rearranged around it. The soundtrack is a muffled recording of birdcalls, and the clattering of teacups. The work seems to be an attempt to push the filmic medium to its limits, by denying its possibilities for movement and dramatic action. 709.2/PER/1
University of New South Wales Library Interlace: new work in video 2003 electronic resource - 1 computer laser optical disc :sd., video ;4 3/4 in. Shaun GLADWELL, Kate MURPHY, Emil GOH Performance Space (Sydney, N.S.W.) This CD-Rom also contains text and image documentation relating to the Video Spell series of exhibitions held at Performance Space during 2003 and 2004. Featured artists: Phil Dadson, Lea Donnan, Brent Grayburn, Richard Grayson, Lucas Ihlein, Brendan Lee, Angelica Mesiti, Margaret Morgan, Tom Nicholson, Sanja Pahoki and Ronnie van Hout.;Published on the occasion of the exhibition: Performance Space, Sydney, 28 May - 3 July, 2004.;Curator Blair French has written a series of essays that accompany each chapter of the CD-ROM. "All three artists utilise aspects of video's documentary functions along with its fluid formal qualities to explore performative elements of everyday life. Individuals trace and activate public spaces through dynamic, rhythmic, performative acts; camera pans merge private and public experience of the metropolis; two children present video images of their lives played out before the scrutiny of a surveilling society. Each of the artists uses video to transform actions within real personal, social and material environments, highlighting and intervening in our behavioural conventions and experiences of self and place" CD-ROM cover. 791.4530994/1
University of New South Wales Library Investigations 2003 01:15:00 videorecording - 1 videodisc (DVD) (75 min.) :sd., col. ;4 3/4 in. Paula DAWSON Paula Dawson 774/DAW/4
University of New South Wales Library Is this art? Episode 1, Elevate and re-define contemporary dance 2005 00:35:00 videorecording - 1 videodisc (DVD) (ca. 35 min.) :sd., col. ;4 3/4 in. Gideon OBARZANEK, Kostas METAXAS, Lucy GUERIN, Silvia DAMIANI Mariano Puig.; Exero HDTV.; Contemporary Arts Media (distributor); Chunky Move Features interviews, or stories on: 1. Silvia Damiani: As Artistic Director and family member of one of the top five jewellery companies of the world, Silvia Damiani creates collections which challenge the cutting edge of the jeweller's art. 2. Gideon Obarzanek: Melbourne-based Chunky Move was founded by artistic director Gideon Obarzanek in 1995 and has been the State of Victoria's flagship contemporary dance company since 1998. Chunky Move's work constantly seeks to redefine contemporary dance within an ever-evolving Australian culture. 3. Lucy Guerin: Born in Adelaide, Australia, Lucy Guerin graduated from the Centre for Performing Arts in 1982 before joining the companies of Russell Dumas (Dance Exchange) and Nanette Hassall (Danceworks). She moved to New York in 1989 for seven years where she danced with Tere O'Connor Dance, the Bebe Miller Company and Sara Rudner. Guerin recently received the 2000 Sidney Myer Performing Arts Award for achievement by an individual. 4. Mariano Puig: Mariano Puig is based in Barcelona and is one of the few remaining independent, family-owned fragrance houses on an international level. 792.8/125
University of New South Wales Library Jabe Babe: a heightened life 2005 00:52:00 videorecording - 1 video disc (DVD) (52 min.) :sd., col. ;4 3/4 in. Janet MEREWETHER, Deborah SZAPIRO, Georgia WALLACE-CRABBE Go Girl Productions.;Australian Film Commission; New South Wales Film and Television Office; Special Broadcasting Service (Australia) Special features: Interactive menus; scene selection.;PAL format, Region 4.;"Developed and produced in association with the Australian Film Commission.";"Developed and produced in Association with the New South Wales Film and Television Office.";"Produced in association with SBS Independent.";"Janet Merewether trading as Go Girl Productions." Jabe Babe : a heightened life transports its audience to the world of 31 year old Jabe Babe, a tall girl with a tall story. Jabe measures 6 ft 2 inches (188 cm.), works as a dominatrix and lives on the margins, defying society's expectations of the 'normal' 'feminine' body and sexuality. Jabe Babe also has a life threatening genetic condition called Marfan Syndrome, a connective tissue disorder which affects one in three thousand people. This hybrid documentary film, merging fiction and non-fiction forms, inhabits the heightened technicolour world of the tall woman, the outsider, to provoke questions on society's desire for sexual, visual, and genetic conformity."--Container. 306.775/10
University of New South Wales Library Janet Laurence: the life-world 2005 00:30:00 videorecording - 1 videodisc (30 min.) :sd., col. ;4 3/4 in. Richard MORDAUNT, Diana BARBARA Coolamon Films Janet Laurence's work has given new meaning to the words Public Art in Australia. Her work challenges the traditional idea of what public art can be. 709.24/LAUR/6
University of New South Wales Library Landscape animation 2004 2004 00:40:00 videorecording - 1 videodisc (DVD) (40 min.) :sd., col. ;4 3/4 in. John Hughes (producer); College of Fine Arts, University of New South Wales Digital video and computer animation work by the students of COFA, who visited Broken Hill in 2004 with the aim of capturing the landscape in digital art. 791.433/41
University of New South Wales Library Leunig animated 2002 01:40:00 videorecording - 2 videodiscs (DVD) (100 min.) :sd., col. ;4 3/4 in. Special Broadcasting Service (Australia); Madman; New Town Films.; Fruitcup Films Disc 1. Leunig animated -- Disc 2. Leunig documentary. Developed with the assistance of the New South Wales Film & Television Office and produced in association with SBS Independent.;"Based on the cartoons of Michael Leunig";DVD extras: Double DVD set, 55 minute Leunig documentary, 50 1 minute animated Leunigs, 81 foreign language Leunigs, Out takes, Additional music score, biographies, awards, Comparative original Michael Leunig cartoons, Production notes and stills, Random play option, Animated menus, Scene selection. In 50 one minute animations, Leunig's array of characters spring to life, exploring the whimsy, irony, melancholy, bliss and a sense of play. 741.5994/35
University of New South Wales Library Life matters 18 July 2003: consumer emotions study 2003 00:13:00 sound recording - 1 sound disc (12:53 min.) :digital ;4 3/4 in. Julie MCCROSSIN, Michael EDWARDSON, Jo CHICHESTER, Wayne CROKER Radio National (Australia) Program broadcast 18 July 2003. The Society of Consumer Affairs Professionals has enlisted the help of a consumer psychologist and a consumer research company to try and find out what people actually feel about companies they do business with. Traditionally companies measure success based on satisfaction, yet a far greater range of emotions is both promised and experienced. We discuss the findings of SOCAP's Consumer emotions study. 658.8343/1
University of New South Wales Library Looking after Yamini 1985 00:45:00 videorecording - 1 videodisc (DVD)(45 min.) :sd., col. ;4 3/4 in. Peter WEAR, Ruth BERRY, Larry ZETLIN Gulliver Film Productions Some Aboriginal dialogue, English subtitles. Captures life on an outstation with Mandaark, a tribal elder, and his extended family. The film teaches the importance of the old people, attitudes to white Australians, the dream-time, the importance of land and sacred sites, the problems and benefits of outstation life, the ceremonies, bush tucker and the arts and crafts. 305.89915/936
University of New South Wales Library Love 2003 00:21:00 videorecording - 1 videodisc (21 min.) :sd., col., b&w ;4 3/4 in. Tracey MOFFATT, Gary HILLBERG Women Make Movies (distributor) With the use of clips from black and white Hollywood classics to more recent films from the 1960's and 1970's, shows women's love, lust, longing, and revenge. 791.43/426
University of New South Wales Library Loved up 2006 01:41:00 videorecording - 1 videodisc (DVD) (101 min.) :sd., col. ;4 3/4 in. Ivan SEN, Citt WILLIAMS, Tom E., Fleur PARRY, Tracey RIGNEY, Beck COLE, Lawrence JOHNSTON, Peter GEORGE Special Broadcasting Service Corporation (SBS) Off-air recording of SBS-TV program Inside Australia, broadcast May 10 - May 31 2006. Copied under Part VA of the Copyright Act. Series of four documentaries in which indigenous Australians explore their cultural heritage and examine their identity in modern Australian society. In Yellow Fella, actor Tom E. Lewis searches for the burial place of his father. During the journey, Lewis struggles with inner conflicts about his attitude to his father, and his mixed-race identity. Endangered examines the difficulties faced by young women in trying to find eligible Aboriginal men. The Lore Of Love explores the relationship between Jessie, a shy 18 year old girl and her outgoing and mischievous grandmothers. In The Dream of Love, filmmaker Lawrence Johnston looks at the tempestuous relationship between his indigenous mother and his white father. The relationship sometimes tipped into the verbal and physically abusive, due to pressures both social and emotional, but has endured to the present day. 305.89915/770
University of New South Wales Library Lunapark 0,10 1999 01:08:00 sound recording - 1 sound disc (68 min.) :digital, stereo. ;4 3/4 in. Marc DACHY Compact disc.;Catalog number: SR 080. A panorama of the most important avantgarde writers and artists of the century compiled by writer and critic Marc Dachy. It includes original archive recordings from Guillaume Apollinaire, Vladimir Maiakovski, Richard Huelsenbeck, Kurt Schwitters, James Joyce, Gertrude Stein, Antonin Artaud, Tristan Tzara, Camille Bryen, Marcel Duchamp, E.E. Cummings, Bryon Gysin, Julian Beck, Gherasim Luca, Francois Dufrene, Pierre Guyotat and Augusto de Campos. 709.04033/2
University of New South Wales Library Mad mesh a film by David Perry 1968 00:04:00 videorecording - 1 videodisc (DVD) (4 min.) :sd., col. ;4 3/4 in. David PERRY The image of the mesh of a damaged Orthicon picture tube is shown. The image is then deformed by a magnet. The film is shot by repeated filmings through red, blue and red filters resulting in complex highly modile patterns in a range of colours. 709.2/PER/2
University of New South Wales Library Madarrpa funeral at Gurka'wuy 1996 01:24:00 videorecording - 1 videodisc (84min.) :sd., col ;4 3/4 in. Art Gallery Society of New South Wales; Art Gallery of New South Wales; Painting, Australian; Film Australia; Ian Walker (editor) Part of the Yirrkala project. Shows songs, dances and paintings of the Aborigines of North East Arnhem Land. They tell stories about nature as well as expressing man's relationship with his creator ancestors and with his land. Centres around activities that took place after the death of a baby boy. 305.89915/959
University of New South Wales Library Making photographs 2005 00:26:00 videorecording - 1 videodisc (DVD) (26 min.) :sd., col. with b&w sequences ;4 3/4 in. Simon GARNER, Shannon SLEETH Explores all aspects of photography: its beginnings, its purposes and uses, its rules and its role in the media. This program is an excellent resource for students who are beginning to study photography or who want to develop greater depth in their understanding and practice. 770/1
University of New South Wales Library Meshes: music for films and theater 1997 sound recording - 1 sound disc (CD) (57:55 min.) :digital, stereo ;4 3/4 in. Teiji ITO Nonsequitur What Next? Recordings WN0020; Meshes of the afternoon (1959) (13:11 min.) -- The very eye of night (1952) (11:37 min.) -- Axis mundi (1982) (32:50 min.) 781.542/ITO/1
University of New South Wales Library Metabody: from cyborg to symborg 1997 electronic resource - 1 computer laser optical disk :sd., col. ;4 3/4 in. Jeffrey COOK, Sam DE SILVA, Gary ZEBINGTON Merlin Integrated Media A tour of the territory of robotic and digital self-representation and replication. This CD-ROM includes an archive of Stelarc's videos, photo stills, interviews and written material; a short history and contextualisation of human-machines, including early automata in reality and in fiction; and some simulations of various meta-biological processes which operate with the physical body via website log files, internet activity levels, muscle and image analyser devices and software interfaces. System requirements: Power Macintosh 8500 or better, System 7.5.3 or later, 32 Megabytes of RAM, 70 Megabytes free hard disk space, preferably an internet connection. 700.285/11
University of New South Wales Library Mind/body-split 1986 00:45:00 sound recording - 1 sound cassette (45 min.) Pedestrian Tapes 781.65/2
University of New South Wales Library Mint 2001: :end of year student exhibitions 2001 electronic resource - 1 computer optical disc :ill. ;4 3/4 in. +booklet ([16] p.) Australian Film Institute; College of Fine Arts, University of New South Wales Summary: The works seen on the CD represent a broad sample of 3rd year, 4th year, Honours, Masters and PhD students who work in the 13 visual disciplines taught at the College. 709.94/COF/16
University of New South Wales Library National Art School 2005 00:24:00 videorecording - 1 videodisc (24 min.) :sd., col. ;4 3/4 in. Richard MORDAUNT, Diana BARBARA Coolamon Films; National Art School (Australia) The National Art School is Australia's pre-eminent studio art school and has been producing major artists for over a century. 707.0994/22
University of New South Wales Library National Gallery of Victoria: The people's gallery 2006 00:14:00 videorecording - 1 videodisc (DVD) (14 min.) :sd., col. ;4 3/4 in. National Gallery of Victoria Broadcast on ABC television 15/01/2006;Copied under Part VA Copyright Act 1968. Follows construction of a new gallery to house the National Gallery of Victoria's international collection, due to open in early 2004. A behind the scenes look at the people behind the vision and those who are making the vision happen. 708.9945/10
University of New South Wales Library No people: chicken bomb electronic resource - 1 computer optical disc :sd., col. ;4 3/4 in. Wade MARYNOWSKY John Hughes (producer); College of Fine Arts, University of New South Wales Artists on CD: Waydox, Lola D jinx, Rhys The brown hornet, Horn, Justin Fok, Penny Fish, Anti Destination Society, Camilo Jimenez, Prime Cut, Dan Kripac, Sewercap, Josephine Starrs and Leon Cmielewski, (excerpt from User Unfriendly Interface). A collaborative artists CD-ROM with works from College of Fine Arts students and practicing artists. The total of 20 works are linked randomly and combined has a life of its own. To get to the next work click at the bottom of the screen. To get the credits click at the top. 700.285/5
University of New South Wales Library No people: sound workshop 1995 sound recording - 1 sound disc (Digital);4 3/4 in. John Hughes (producer); College of Fine Arts, University of New South Wales Sound consultant and producer: Nick Wishart. Compilation of music by students of the College of Fine Arts. Mabel Lam/Justice pao -- Oliva Patchett/James Bond (disco remix) -- Lee Constable/Dean -- Charles O'neil/Lee -- Tim Ulrick/Little boys -- ** -- Matt/I will take over the world -- Wade Marynowsky -- Future freak -- Camilo Jimenez/Animation loop -- Kay Lammers/Nonsenseia -- Glen Woodhead/Buttman. 781.63/4
University of New South Wales Library Ocean flows: three coastal water soundscapes 1993 01:06:00 sound recording - 1 sound disc (CD) (65 min. 33 sec.) :digital, stereo. ;4 3/4 in. Rik RUE Tall Poppies Tall Poppies: TP036;"These are digital recordings made at rock shelves, reefs, ledges, caverns and crevices along the NSW coast from Nowra to Taree, including locations in Sydney Harbour and at Sydney beaches." -- Accompanying leaflet.;Compact disc. 780.286/1061;786.69/RUE/1
University of New South Wales Library Off air 1985 videorecording - videocassettes (VHS) :sd., col. ;1/2 in. +programme notes. Media Centre, New South Wales Institute of Technology Subtitle on programme notes: A video cassette magazine.;Presented by NSWIT media production students. 791.45305/1
University of New South Wales Library On the wallaby track by Frederick McCubbin, 1896 1978 00:10:00 motion picture - 1 reel (10 min.) : sd., col., 16mm. David MUIR, Malcolm OTTON, Ann GALBALLY Art Gallery Society of New South Wales; Art Gallery of New South Wales; Painting, Australian; Film Australia; Ian Walker (editor) Discussion of McCubbin's painting 759.994/MCC/1
University of New South Wales Library Orientations: Chris Doyle : stirred not shaken 00:52:00 videorecording - 1 videodisc (DVD-R) (52 min.) :sd., col. ;4 3/4 in. Karena SLANINKA, Rick FARQUHARSON, Chris DOYLE Off-air recording of the SBS-TV program on 22/06/03, copied under Part VA of the Copyright Act. Profiles the work of Hong Kong-based Australian cinematographer, Christopher Doyle, particularly his work with acclaimed director Wong Kar-Wai. 778.53/DOY/1
University of New South Wales Library Painting with light in a dark world 2002 00:30:00 videorecording - 1 videodisc (DVD) (30 min.) :sd., col. ;4 3/4 in. Peter Darren MOYLE, Robert MCFARLANE New South Wales Film and Television Office; Australian Film Commission "6SBPW"--Spine.;Distributed by Marcom Projects. At night the pavements of Kings Cross swarm with the deviants of an unknowable underworld. In the thick of this chaos is a photographer who has seen and immortalised it all. Peter Darren Moyle has been trawling the depths of Sydney's underbelly with his old 1936 medium format camera, illuminating the darkest shadows of the city's psyche. The result is a reservoir of mind blowing black and white imagery documenting a social history largely absent from the wider collective consciousness. 779/MOY/1
University of New South Wales Library Pentimento 2002 00:15:00 electronic resource - 1 videodisc (DVD-ROM) (15 min.) :sd., b&w ;4 3/4 in. Dennis DEL FAVERO Zentrum für Kunst und Medientechnologie Karlsruhe.; iCinema Centre for Interactive Cinema Research, University of New South Wales "... offers a fictional but realistic scenario concerning an eruptive, cruela ction from the past ..."-- Cover. 791.4530994/DEL/5
University of New South Wales Library Performance artists: Stelarc, Mike Parr and Jill Orr 2005 sound recording - 1 sound disc :digital, stereo ;4 3/4 in. Julie COPELAND, Debra MCCOY, Rhiannon BROWN Radio National (Australia) 709.04074/88
University of New South Wales Library Plains empty 00:26:00 videorecording - 1 videodisc (26 min.) :sd., col. ;4 3/4 in. Beck COLE, Gerard KENNEDY, Tina BURSILL, Kath SHELPER, Ngaire PIGRAM, Kerry NAYLON Off-air recording of SBS television broadcast 17/7/2005. A film about a woman (Sam) who has recently moved to an isolated mining camp with her man. While he is at work on the minefields, Sam realises she is not alone. 791.43/477
University of New South Wales Library Plywood Box 2006 2006 00:39:00 videorecording - 1 videodisc (DVD) (39 min.) :sd., col. ;4 3/4 in. Sam SMITH, Sumugan SIVANESAN Sam Smith; Sumagan Sivanesan Sam Smith and Sumagan Sivanesan combine electronic, acoustic and digital devices to explore the spatial, physical and resonant qualities of a room. Plywood Box 2006 is a multi channel audio/visual DVD/installation, documenting a series of performances. 791.4530994/SMI/1
University of New South Wales Library Pop tics 1999 sound recording - 1 sound disc :digital, stereo4 3/4 in. +booklet 40 p. Bungalow Records CD contains 16 song tracks plus CD-ROM track by eboy! plus 70 page book. Associated web site www.poptics.com. 781.66/1
University of New South Wales Library Portfolio: a collection of still, moving and interactive graphical stimulus 2002 electronic resource - 2 computer optical discs ;4 3/4 in. +1 booklet (8 p. : col. ill.) David GLASS Australian Film Institute; College of Fine Arts, University of New South Wales 700.285/GLA/1
University of New South Wales Library Proceedings of the 11th Congress of the International Colour Association: University of New South Wales, Sydney, Australia : September 27-October 2 2009 2009 electronic resource - 1 CD-ROM :col. ;4 3/4 in. Dianne P. SMITH International Colour Association; Congress(11th :2009 :Sydney, Australia); Colour Society of Australia International Colour Association; Congress(11th :2009 :Sydney, Australia); Colour Society of Australia 701.85/67
University of New South Wales Library Rampage 2007 01:43:00 videorecording - 1 videodisc (DVD) (103 min.) :sd., col. ;4 3/4 in. +1 sound disc (CD) George GITTOES, Gabrielle DALTON Madman; Australian Film Corporation; Gittoes & Dalton Productions Pty. Ltd. "MMA2530";Film includes play features, scenes and trailers.;"Australian Film Corporation and Gittoes & Dalton Productions Pty Ltd present a George Gittoes Film" -- Back cover.;"A sobering reflection on US domestic affairs threaded through the story of hip hopping brothers" - Richard Kuipers -- Back cover.;CD soundtrack includes: 01. Rampage, 02. Terrible chil*, 03. Soundtrack to war, 04. Dirty dirty, 05. Taking over, 06. Checkin' my style. Scenes. 01. Brown sub -- 02. The family -- 03. Marcus -- 04. The zone -- 05. Knucklehead -- 06. Haters -- 07. Prophesy -- 08. Wake up -- 09. Leaving -- 10. Recording -- 11. Warning -- 12. Deal or no deal. 782.421649/7
University of New South Wales Library Refining the art 1996 sound recording - 1 sound disc :digital ;4 3/4 in. +1 program notes ([2] p.) Australian Broadcasting Corporation; ABC Music Compact disc.; Or la tromba. Rinaldo (3:50) / Handel -- Andante. Sonata in C, K545 (4:16) / Mozart -- Pinkerton, Sharpless and Goro (excerpt). Madam Butterfly (2:57) /Puccini -- Fader of Hevene. Five carols from Quem Quaeritis (1:37) / Ross Edwards -- Village dance. Scenes from Mer de Glace (2:34) / Meale -- Scherzo: Allegro from Piano trio in B flat major op. 97 'Archduke' (7:02) / Beethoven -- Powerhouse (audio edit)(5:04) / Koehne -- Chorale (excerpt). Toccata, chorale and fugue, op. 16 (4:13) / Francis Jackson --Concerto for oboe and orchestra in E flat (adapted for trumpet)(7:47) / Bellini -- La plus que lente (4:07) /Debussy -- Finale: Presto scherzando. Piano concerto no. 2 in D minor op. 40 (6:50) / Mendelssohn --Rigaudon. Dance suite - after Arbeau (2:00) / Leslie Pearson -- Recitativo: Lento Tranquillo. Sinfonia Da Pacifica (4:42) / Peggy Glanville-Hicks -- 'Le Tic-Toc-Choc' from the 18th Ordre of Pièces de clavecin (3:21) / Couperin -- Allegro. Piano trio no. 18 in A HobXV/18 (4:06) / Haydn -- Scherzo. Sonata in G, op. 14, no. 2 (3:22) / Beethoven. 784.2/1
University of New South Wales Library Rehearsal of memory 1996 electronic resource - 1 computer optical disk :sd., b&w ;4 3/4 in. Matthew FULLER, Steve EDGELL Ashworth Hospital Authority; Ashworth Arts; Artec; Book Works; Harwood Essay by Matt Fuller ; Edited by Matt Fuller and Steve Edgell.;"Originally commissioned by Moviola for Video Positive 95". Interactive artwork representing the life experiences of patients and staff at Ashworth Maximum Security Mental Hospital, who "act as a mirror to ourselves (ie, 'normal' society) and to our amnesia when confronted with our society's excesses"--container. 700.285/6
University of New South Wales Library Restoring Tiepolo's Banquet of Cleopatra 2006 00:15:00 videorecording - 1 videodisc (DVD) (15 min.) :sd., col. ;4 3/4 in. National Gallery of Victoria Broadcast on ABC television 20/02/2006;Copied under Part VA Copyright Act 1968. Follows the work of two conservators from The National Gallery of Victoria as they painstakingly and at times nervously restore one of Australia's most valuable art treasures, Banquet of Cleopatra by Gian Battista Tiepolo (1743). 759.5/TIE/12
University of New South Wales Library Richard Frankland 2004 00:28:00 videorecording - 1 videodisc (28 min.) :sd., col. ;4 3/4 in. ABC Television Network The program presents Richard Frankland as one of the highest profile Aboriginal candidates. Richard Frankland is a writer, director, actor, singer, activist, and now he can add political party founder to his list of achievements. Richard is vying for a Senate seat in Victoria in the 2004 Federal election and he's standing for his newly formed Your Voice party.;ABC broadcast date: 1/10/2004. 305.89915092/24
University of New South Wales Library Rom: one 2001 electronic resource - 1 computer laser optical disc ROM AND SON rom and son An experimental CD-ROM made by the interactive design practice cd rom and son. In the sound section cool toys includes Globe, which allows you to make tinkly music via a rotating globe of lights. There are two games - one that invloves pouring tea without spilling a drop, and another, where the player is an air hostess, who has to seat as many passengers as possible within a certain amount of time. System requirements: win 98+, o/s 8.6+;Associated web site: www. info@romandson.com 700.285/15
University of New South Wales Library SHHHH! 1999 02:13:00 sound recording - 2 sound discs (133 min. 66 sec.) :digital, stereo. ;4 3/4 in. +1 booklet. Michael ATHERTON School of Contemporary Arts, University of Western Sydney, Nepean The compilation reflects the range of musical activities undertaken as part of the undergraduate program, encouraging students to generate their own music through composition, performance, music technology and theoretical studies. Includes mixes of live performances from the yearly Sonic Circus events. Composed, performed and recorded by Music students, School of Contemporary Arts, University of Western Sydney, Nepean.;Compact discs.;Contents of each disc listed in the accompanying booklet. Disc one. 1. Audiostretch (0:23) -- 2. Loki (6:18) -- 3. Electric Deladyland (5:35) -- 4. Coca-Yoyo (5:59) -- 5. C'mon you stupid thing (5:32) -- 6. Bending Space (5:36) -- 7. Pulse (3:29) -- 8. Piece of me (4:19) -- 9. Dying Robot (3:16) -- 10. Titian Moon (4:29) -- 11. Agadez (3:38) -- 12. Virtual Van Halen (3:00) -- 13. Improvisation (1:13) -- 14. Drowning (7:14) -- 15. Sonic Manipulation (4:16) -- 16. Duplicate Response (4:15).;Disc two. 1. Ho ro mo nighean donn bhoideach (3:51) -- 2. Blood and Gold (1:59) -- 3. The Green Fields of Canada (5:00) -- 4. Oi dai (3:30) -- 5. Ovdoviala Lissitchkata (2:10) -- 6. Dvadesetpetorka (2:53) -- 7. Permeable life (7:01) -- 8. Mango (8:14) -- 9. Supermarket Song (2:16) -- 10. Improvisation (4:38) -- 11. Gedrangen (3:22) -- 12. Outpost (7:17) -- 13. Travelling in Concentric Circles (4:58) -- 14. New Work (7:51) -- 15. Nostalgia (5:54). 784.1994/1
University of New South Wales Library SIGGRAPH video review. Issue 153, SIGGRAPH 2006. Electronic theater program. 2006 01:10:00 videorecording - 1 videodisc (ca. 70 min.) :sd., col. ;4 3/4 in +1 insert (28 p.) SIGGRAPH.; Association for Computing Machinery A compilation of 27 short films which represent current applications of computer animation. 006.696/42
University of New South Wales Library SIGGRAPH video review. Issue 154, SIGGRAPH 2006.Animation theater program. Part 1 2006 01:37:00 videorecording - 1 videodisc (ca. 97min.) :sd., col. ;4 3/4 in +1 insert (28 p.) SIGGRAPH; Association for Computing Machinery. A compilation of 31 short films representing current applications of computer animation. 006.696/43
University of New South Wales Library SIGGRAPH video review. Issue 155SIGGRAPH 2006. Animation theater program. Part 2 01:04:00 videorecording - 1 videodisc (ca. 64 min.) :sd., col. ;4 3/4 in +1 insert (28 p.) SIGGRAPH; Association for Computing Machinery. A compilation of 26 short films representing current applications of computer animation. 006.696/44
University of New South Wales Library SIGGRAPH video review. Issue 156SIGGRAPH 2007. Animation theater program. 2007 01:00:00 videorecording - 1 videodisc (ca. 60 min.) :sd., col. ;4 3/4 in +1 insert (28 p.) SIGGRAPH.; Association for Computing Machinery A compilation of 29 short films representing current applications of computer animation. 006.696/52
University of New South Wales Library SIGGRAPH video review. Issue 157SIGGRAPH 2007. Animation theater program. Part I 2007 01:00:00 videorecording - 1 videodisc (ca. 60 min.) :sd., col. ;4 3/4 in +1 insert (24 p.) SIGGRAPH.; Association for Computing Machinery A compilation of 31 short films representing current applications of computer animation. 006.696/53
University of New South Wales Library SIGGRAPH video review. Issue 158SIGGRAPH 2007. Animation theater program. Part II 2007 01:00:00 videorecording - 1 videodisc (ca. 60 min.) :sd., col. ;4 3/4 in +1 insert (28 p.) SIGGRAPH.; Association for Computing Machinery A compilation of 35 short films representing current applications of computer animation. 006.696/54
University of New South Wales Library SIGGRAPH video review. Issue 159SIGGRAPH 2008. Computer animation festival. Part 1 2008 videorecording - 1 videodisc :sd., col. ;4 3/4 in +1 insert (1 folded sheet) Special features: Includes Computer Animation Festival / SIGGRAPH Video Review Credits, and SIGGRAPH 2008 Computer Animation Festival Media trailer "Radium" (2:51). S2008 Computer Animation Festival "Opening"(1:15) /Kevin Mack --1.Knoll's Computer-Class: The BRDF (4:34) /Fachhochschule Duesseldorf --2.Our Wonderful Nature (4:20) /Tomer Eshed --3.Family Portrait (:56) /Filmakademie Baden-Württemberg --4.Distraxion (1:43) /Mike Stern --5.Simulating Cloth at the Yarn Level (7:23) /Cornell University --6.Nature "Tzu-Jan" (3:56) /Curv Studios --7.VFX of movie "Dai Nipponjin" (3:09) /Casio Entertainment, Inc. --8.Team Fortress 2: Meet The Engineer (1:26) /Valve --9.Box Racer (1:15) /Ringling College of Art and Design --10.Heavy Duty (4:05) /Digimax, Inc. --11.Fanboy (7:29) /Nickelodeon Animation Studios --12.My Little Angel (3:06) /Flurry Animation Studios --13.Chrysalis (2:33) /la maison --14.IBM Web Campaign - What Makes You Special? (1:42) /Little Fluffy Clouds, LLC --15.My Happy End (4:44) /Milen Vitanov --16.Mindplotter (1:24) /Filmakademie Baden-Württemberg --17.Rua das Tulipas (10:15) /OZI Escola de Audiovisual de Brasília --18.The Secret Life of Vortices (6:27)/ETH Zürich --19.A Faery's Tale (2:59) /School of Visual Arts, NY --20.893 (4:55) /Supinfocom Arles --21.Greenpeace "Rainbow Warrior" (:31) /Filmakademie Baden-Württemberg. 006.696/71
University of New South Wales Library SIGGRAPH video review. Issue 160SIGGRAPH 2008. Computer animation festival. Part 2 2008 videorecording - 1 videodisc :sd., col. ;4 3/4 in +1 insert (1 folded sheet) SIGGRAPH; Association for Computing Machinery. Special features: Includes SIGGRAPH Festival / Video Review Credits, behind the scenes of "Wanderlust" Music Video for Bjork UVPHACTORY (4:15), and SIGGRAPH 2008 Computer Animation Festival Media Trailer "Radium" (2:51). S2008 Computer Animation Festival "Opening"(1:15) /Kevin Mack --1.Tarboy (6:19) /James Lee --2.Animation of Jellyfish with Tentacles (1:15) /The University of Tokyo --3.3deluxe Showreel Opener (:25) /3deluxe motion --4.Renkan (1:36) /Nagoya City University --5.Chump and Clump (9:48) /Michael Herm, Stephan Sacher --6.Fighting Infection by Clonal Selection (4:29) /The Walter and Eliza Hall Institute of Medical Research --7.Shatter (2:13) /Nabla, Inc. --8.Transformers: The Game (2:04) /Blur Studio, Inc. --9.StarCraft II Cinematic Teaser: Building a Better Marine (4:27) /Blizzard Entertainment --10.Dual Scattering for Real-time Multiple Scattering in Hair (:51) /Texas A&M University --11.Mauvais Rôle (7:28) /École Supérieure de Réalisation Audiovisuelle, Bretagne --12.Morula (2:49) /Stuttgart Media University --13.Environ: A Visualization System Aimed at Massive CAD Models (3:02) /Tecgraf, PUC-Rio, CENPES Petrobras --14.The Moment (1:10) /Filmakademie Baden-Württemberg --15.Little Huntress (:58) /Filmakademie Baden-Württemberg --16.Fight For Life (6:27) /Jellyfish Pictures --17.Bärenbraut (8:43) /Filmakademie Baden-Württemberg --18.Goobees (2:32)/Texas A&M University Visualization Sciences --19.Bridgestone: Scream (:32) /Method Studios. A compilation of 19 short pieces representing current applications of computer animation. 006.696/72
University of New South Wales Library SIGGRAPH video review. Issue 161SIGGRAPH 2008. Computer animation festival. Part 3 2008 videorecording - 1 videodisc :sd., col. ;4 3/4 in +1 insert (1 folded sheet) SIGGRAPH; Association for Computing Machinery. Special features: Includes SIGGRAPH Festival / Video Review Credits, Tree Robo -- Independence Interactive & New Media Division / (14:00), and SIGGRAPH 2008 Computer Animation Festival Media Trailer "Radium" (2:51). S2008 Computer animation Festival "Opening" (1:15) /Kevin mack --1.Do Penguins Fly? (2:20) /Panktoon --2.Hugh (9:29) /ESMA - Ecole Supérieure des Métiers Artistiques --3.Anima Facta Est (1:16) /GOBELINS, l'école de l'image --4.Towers in the Tempest (4:18) /NASA Goddard Space Flight Center --5.Blind Spot (3:19) /GOBELINS, l'école de l'image --6.Rhythm & Hues 2007 Feature Film Work (4:36) /Rhythm & Hues Studios --7.Avatara (2:58) /Kam-Li Cheng --8.Mister Sandman (4:58) /Supinfocom Valenciennes --9.Al Dente (6:15) /Supinfocom Valenciennes --10.Chronos 1.0 (1:17) /GOBELINS, l'école de l'image --11.Oktapodi (2:31) /GOBELINS, l'école de l'image --12.L'homme à tête de poule (6:04) /Supinfocom Valenciennes --13.confine(s) (2:40) /TANGRAM Co. Ltd. --14.Jungle Jail (8:04) /ESMA - Ecole Supérieure des Métiers Artistiques --15.Emile and the Fabulous Small Gentlemen (1:53) /GOBELINS, l'école de l'image --16.10th Avatara (2:11) /Charuvi Agrawal --17.Snowtime (1:18) /Axis Animation --18.Now Look What You Did: Cigarette (:20) /MAKE.A compilation of 18 short pieces representing current applications of computer animation. 006.696/73
University of New South Wales Library SIGGRAPH video review. Issue 162,SIGGRAPH Asia 2008 : new horizons : computer animation festival highlights 2008 02:12:00 videorecording - 1 videodisc (ca. 132 min.) :sd., col. ;4 3/4 in. +1 insert (1 pamphlet, [20] p. ; 18 cm.) SIGGRAPH; Association for Computing Machinery. A compilation of 27 short films representing current applications of computer animation. 0SIGGRAPH Asia 2008 Computer Animation Festival Opening /Digital Media Motion Graphics Lab,Center for Consilience of Ubiquitous Arts & Technology,K'ARTS(:30) --1Appleseed Ex Machina /Digital Frontier, Inc.(4:35) --2Fly Out Blue /Red Alien Studio(12:42) --3DELHAIZE /ChezEddy(:45) --4KUDAN /Links DigiWorks Inc.(9:22) --5They Will Come to Town /Filmakademie Baden-Wuerttemberg(1:25) --6E.T.A. /Henrik Bjerregaard Clausen(4:20) --7Minamitama District /Nagoya City University(1:45) --8Keep Right /ETRI(7:57) --9The Bird /Nakyoung Kim(18:40) --10Angkor Ruins: The Bayon Temple and Its Faces /Toppan Printing Co., Ltd.(4:35) --11RED RABBIT /Filmakademie Baden-Wuerttemberg(7:52) --12The Girl Who Cried Flowers (excerpt) /Auryn, Inc.(9:48) --13Search and Destroy /University of Otago(3:31) --14Orb /University of Texas at Dallas(2:20) --15BAD HEAD DAY /Karen Weiss(1:17) --16Clothfighters /WSI/GRIS University of Tuebingen(1:28) --17The Turtle and the Shark /Brigham Young University(3:42) --18Emily /Topix(1:15) --19EVIL TWIN /Yun Wang(3:40) --20Twisted /Filmakademie Baden-Wuerttemberg(:38) --21Big Buck Bunny /Blender Foundation(9:57) --22Ghost in the Shell (promo) /Omnibus Japan, Inc.(:45) --23SIMULACRA /Tatchapon Lertwirojkul(4:06) -- 006.696/74
University of New South Wales Library SIGGRAPH video review. Issue 163, SIGGRAPH 2009 : computer animation festival featured selections 2009 02:02:00 videorecording - 1 videodisc (ca. 122 min.) :sd., col. ;4 3/4 in. +1 insert (1 pamphlet, [28] p. ; 18 cm.) SIGGRAPH.; Association for Computing Machinery A compilation of 35 short films representing current applications of computer animation. 0Vestige /Florian Witzel(1:07) --1Silhouettes of Jazz /ETH Zürich(3:43) --2Barclaycard 'Waterslide' /The Mill(1:31) --3Toshiba 'Time Sculpture' /The Mill(1:00) --4French Roast /Pumpkin Factory,Bibo Films(8:12) --5rebel with a cause /Stuttgart Media University(2:23) --6BBC iPlayer 'Penguins' /Passion Pictures(1:30) --7Harmonix 'Rock Band 2' /Passion Pictures(1:38) --8Dix /The Mill(7:07) --9Project: Alpha /The Animation Workshop(6:38) --10Minamita District /Nagoya City University(1:45) --11phase /tangram co., ltd.(2:49) --12friends? /Vancouver Film School(1:47) --13seed /Taiyo Kikaku Co., Ltd.(1:15) --14ANIMA /Supinfocom Valenciennes(4:50) --15Wilkinson "Fight for Kisses" /Wanda Productions(1:57) --16One Fine Day /Ringling College of Art and Design(1:51) --17cinétique /Maxime Causeret(2:06) --18Lacoste "Future" /Wanda Productions(:56) --19alma /Cecile Hokes(5:20) --20Window Pains /Savannah College of Art and Design(4:43) --21HEY /Anova Music(3:53) --22Pigeon: Impossible /Lucas Martell(6:15) --23Love_Child /National Taiwan University of Science and Technology(2:13) --24;28cEvo - Teaser /Vortice Studios(1:13) --29Scratch Me /boolab(1:21) --30Compare the Market 'Aleks' /Passion Pictures(:30) --31Acura 'Bullet' /The Mill(:30) --32The Incident at Tower 37 /Hampshire College(10:41) --33E.T.A. /The Animation Workshop(4:24) --34TWISTED MURDER /Paulo Mauro(5:05) --35KitKat "The Ultimate Break" /Wanda Productions(2:50). 006.696/75
University of New South Wales Library SIGGRAPH video review. Issue 164, SIGGRAPH 2009 : computer animation festival highlights I 2009 02:01:00 videorecording - 1 videodisc (ca. 121 min.) :sd., col. ;4 3/4 in. +1 insert (1 pamphlet, [26] p. ; 18 cm.) SIGGRAPH.; Association for Computing Machinery A compilation of 38 short films representing current applications of computer animation. 0Vestige /Florian Witzel(1:07) --1Audi 'Unboxed' /Passion Pictures(1:00) --2SPRING (Jump) /framebox(1:03) --3House of Numbers: anatomy of an epidemic HIV Replication Sequences /Emagination-Media(1:34) --4Gorilla /boolab(:41) --5Steel Life /Mathieu Gérard(5:45) --6THE BIG ONE /San Diego Supercomputer Center, UCSD(2:43) --7The Sound Of Silence /Digital Media Design Education Center (DMD)(9:42) --8lilium urbanus /School of Visual Arts(1:40) --9REACH /Animation Mentor(3:50) --10Counterclockwise /Royal College of Art(1:51) --11Hit and Run /Ringling College of Art and Design(3:25) --12MR No. 316 /National Research Council Canada(3:30) --13Krishna's Garden /Ringling College of Art and Design(2:14) --14MIZU-HANABI /Taiyo Kikaku Co., Ltd.(1:00) --15KUDAN /Links DigiWorks Inc.(9:24) --16Taming the Cat /Visual Media Lab, KAIST(1:31) --17Harmonic Fluid Sound Synthesis /Cornell University(:40) --18Yankee Gal /Supinfocom Valenciennes(4:45) --19Cherries /boolab(:31) --20ONE /motionDesign(3:32) --212BTextures /Bowling Green State University(3:09) --22Tongue of the Hidden /Schofield Films(5:54) --23PeKing 1935 /Forest & Land 3D Studio(4:04) --24Unplan the Moment /;26Honglong Century Plaza /Dans Digital Technology Co., Ltd.(3:21) --27Mercuris (excerpts) /De Montfort University(3:00) --28Heroes of the Nation /Lisaa (L'insitut supérieur des arts appliqués - Paris)(2:10) --29The Day the Earth Stood Still /Cinesite, Medius House(1:45) --30Mon(s)tre /Lisaa (L'insitut supérieur des arts appliqués - Paris)(3:34) --31EvoBeat /Japan Electronics College(1:40) --32återbesök /Michael Anyango(3:00) --33Alarm /MESAI(8:50) --34Fernet 1882 "Mini Cab Company" /Pickle Visual Effects & Animation(2:30) --35Hydrodynamic Butterflies /The University of Tokyo(1:42) --36LRO Scouts for Safe Landing Sites /NASA,Goddard Space Flight Center(2:51) --37Hum /The Animation Workshop(3:53) --38murmur /Peter Byrne(3:00). 006.696/76
University of New South Wales Library SIGGRAPH video review. Issue 165, SIGGRAPH 2009 : computer animation festival highlights II 2009 01:55:00 videorecording - 1 videodisc (ca. 115 min.) :sd., col. ;4 3/4 in. +1 insert (1 pamphlet, [26] p. ; 18 cm.) SIGGRAPH.; Association for Computing Machinery A compilation of 37 short films representing current applications of computer animation. 0Vestige /Florian Witzel(1:07) --1Escape from the Temple/The National Academy of Chinese Theatre Arts(5:48) --2People in Red /Gravity(:34) --3Flame dance /Taiyo Kikaku Co., Ltd.(1:00) --4Future Psychoanalysis /Televisa(1:30) --5LAUTRIV CHROMAGNON MEDUSA (LCM) /F.A.B.R.I.CATORS(4:20) --6Office Noise /The Animation Workshop(3:45) --7The Happy Duckling /Gili Dolev(5:15) --8La Main des Maîtres /Georges Méliès School, EESA(4:04) --9The Enlightened Monk /Ringling College of Art and Design(1:53) --10Daydreamer /School of Visual Arts(1:58) --11Murano Togo - Lost Interiors /CAD Center Corporation(4:01) --12THE REBEL /Roguzdon Productions(3:26) --13World of Warcraft: Wrath of the Lich King - Intro Cinematic /Blizzard Entertainment(3:17) --14AS ONE /tangram co., ltd.(2:43) --15Roll'n Rock /boolab(1:40) --16GREED /Embrya AB(2:20) --17Oxygen /Ringling College of Art and Design(2:19) --18second soufflé /Maxime Causeret(1:51) --19Picciotti Della Benavita /Bonsaininja Studio(3:43) --20salia /University of Alabama(2:15) --21Sentinels of the Heliosphere /NASA,Goddard Space Flight Center(7:08) --22Drench 'Brains Dance' /The Mill(1:30) --23Atherosclerosis /Nucleus Medical Art(3:15) --24;26Coach /15 frame animation(8:00) --27PoPoLëi /ciboulotstudio(1:18) --28Après la pluie /Les Gobelins, l'ecole de l'image(3:04) --29Heavenly Appeals /Ringling College of Art and Design(2:21) --30This Way Up /Nexus Productions(:54) --31FRANK HAD A DREAM /Sheridan College(2:54) --32Wild Dogs /Ringling College of Art and Design(2:21) --33Vilnius-Guggenheim /studio amd(1:50) --34Dim Sum /Ringling College of Art and Design(2:35) --35MUZORAMA /La Station Animation(3:03) --36SOE | The Space on Earth Project | Quantum City /F.A.B.R.I.CATORS(5:00) --37TEZCATLIPOCA /School of Visual Art and Design at Southern Adventist University(3:15). 006.696/77
University of New South Wales Library SIGGRAPH2010 conference presentations on DVD-ROM:art papers, computer animation festival, courses, game papers, talks and technical papers : the 37th International Conference and Exhibition on Computer Graphics and Interactive Techniques 2010 electronic resource - 1 computer optical disc (DVD-ROM) :sd., col. ;4 3/4 in. SIGGRAPH; Association for Computing Machinery. Title from title screen.;"Over 200 internationally renowned speakers bring you the latest research and technologies in computer graphic and interactive techniques."--DVD-ROM container "This DVD-ROM includes: synchronized audio and slide presentations -- over 180 presentations totaling more than 125 hours -- presentations from papers, talks, classes, CAF talks -- presentation abstracts and search -- iPod and iPhone compatable videos with metadata."--DVD-ROM container. 006.696/85
University of New South Wales Library SIGGRAPH2011 conference presentations on DVD-ROM:art papers, computer animation festival, courses, game papers, special presentations, talks, technical papers and the studio : the 38th International Conference and Exhibition on Computer Graphics and Interactive Techniques 2011 electronic resource - 1 computer optical disc (DVD-ROM) :sd., col. ;4 3/4 in. SIGGRAPH; Association for Computing Machinery. Title from title screen.;"Over 200 internationally renowned speakers bring you the latest research and technologies in computer graphic and interactive techniques."--DVD-ROM container "This DVD-ROM includes: synchronized audio and slide presentations -- over 200 presentations totaling more than 125 hours -- presentations from papers, talks, classes, CAF talks -- presentation abstracts and search -- iPod and iPhone compatable videos with metadata."--DVD-ROM container. 006.696/86
University of New South Wales Library SOMA 3603, Compositing and motion graphics, final projects 2004 2004 videorecording - 1 videodisc :sd., col. ;4 3/4 in. John Hughes (producer); College of Fine Arts, University of New South Wales 700.285/82
University of New South Wales Library Sample/shuffle/interplay 1998 sound recording - 1 sound disc :digital, stereo ;4 3/4 in. Rik RUE Extreme With dangerous irony and subversive skill, Rik Rue constructs collision collages from appropriated sounds, marauding through, salvaging and juxtaposing the hysterical excesses of a panic culture's electronic mass media, and impacting them into frenzied, often hilarious moments of magnetic sound particles 786.74/RUE/1
University of New South Wales Library Scratch 01:28:00 videorecording - 1 videodisc (DVD-R) (88 min.) :sd., col. ;4 3/4 in. Doug PRAY, Brad BLONDHEIM, Ernest MEZA Intermedia Films; Ridgeway Entertainment; Firewalk Films Off-air recording of SBS television broadcast on 31/10/2003.;College of Fine Arts made for UNSW under Part VA Copright Act. Here are some of the world's best DJs, those famous for solo scratching, competing in international DJ battles, playing for rap artists, or just rocking parties with the most insane records ever dug up. Check out dynamic performances and interviews with DJs Qbert, Z-Trip, Mix Master Mike (of the Beastie Boys), Rob Swift and the X-ecutioners, Cut Chemist & NuMark (of Jurassic 5), DJ Craze, DJ Shadow, The Bullet Proof Space Travelers, Babu (of Dilated Peoples), DJ Krush, DJ Premier (Gang Starr), and others, along with "old-school" innovators like Afrika Bambaataa and Grand Wizard Theodore. 781.65/3
University of New South Wales Library Selected works from the Time-Based Art Class of 2005 2005 00:45:00 videorecording - 1 videodisc (DVD) (ca. 45 min.) :sd., col. ;4 3/4 in. Australian Film Institute; College of Fine Arts, University of New South Wales 791.4530994/22
University of New South Wales Library Selected works, 1986 1986 00:47:00 videorecording - 2 videodiscs (DVD) (ca. 47 min.) :sd., col. ;4 3/4 in. Peter CALLAS Electronic Arts Intermix Australian video artist Peter Callas explores the relationships between commerce, electro-culture, post-industrial environment and time-based art. 1. Double trouble - 2. The esthetics of disappearance - 3. Karkador - 4. Kinema No Yoru (Film night) - 5. Night's high noon - 6. An anti-terrain - 7. Visions. 791.4530994/CAL/6
University of New South Wales Library Shooting Through! 2009 videorecording - 2 videodiscs :sound, b&w and color ;4 3/4 in. SYDNEY TRAMWAY MUSEUM Rail Corporation New South Wales.; National Film and Sound Archive (Australia) Memories of the great days of trams in Sydney and Newcastle. Trams were once part of everyday life in Sydney and Newcastle, so it is interesting to see the current slow redevelopment of light rail in Sydney. Tram enthusiasts will thrill to footage of almost every tram route in Sydney and Newcastle. But that's not all. Shooting Through also contains horse-drawn wagons, veteran and vintage cars, steamrollers, double-deck buses and historic landmarks. 388.4609944/4
University of New South Wales Library Showreel DVD 2005 videorecording - 1 videodisc (DVD) :sd., col. ;4 3/4 in. Shaun GLADWELL Yokohama Triennale 05 ; MMV Breakless Session 05 ; 2004-2000 Works : Other works A showcase of the works of Shaun Gladwell up to 2005. 709.24/GLA/3
University of New South Wales Library Sixties: The years that shaped a generation 2004 videorecording - 2 videodiscs (DVD) :sd., col. ;4 3/4 in. PBS Off-air recording of ABC television broadcast on 10/12/07 and 17/12/2007 under Part VA Copyright Act. The documentary highlights the tumultuous and exhilarating moments of a decade that continues to have a profound impact on our society today from American foreign policy to the birth of the environmental and gay rights and women's librartion movements. 973.922/47
University of New South Wales Library Sound in space: adventures in Australian sound art 1995 sound recording - 1 sound disc :digital ;4 3/4 in. Museum of Contemporary Art (Sydney, N.S.W.) Recordings linked to art exhibition at the Museum of Contemporary Art Sydney, May- August 1995. Harmonium / Carolyn Connors--Triptychos / Alistair Riddell--Randomly-now and then / Joan Brassil--Yeah, but it doesn't sound like a real instrument / Kiri-uu & Carmelita Simonato--Pipes and bells / Densil Cabrera & Robert Britton--Oracle / Nigel Helyer--Concrete jungle / Sherre Delys--Tea-Party / Ernie Althoff--Currawong bush park installation / Ernie Althoff--In the corner / Ernie Althoff-- Yurairong /Derek Kreckler & Brenda L. Croft-- The Braille Book /Nola Farman & Anna Gibbs--Wet / Carolyn Connors--Digital silence. 780.07/1
University of New South Wales Library Stash 2004 videorecording - DVD-ROMs :col., sd. ;4 3/4 in. +booklets. Stash Media, Inc. Description based on: 03, published 2004; title from disc label.;Latest issue consulted: 34 (July 6, 2007). 791.43305/1
University of New South Wales Library Stelarc: extended arm : Friday 25th August 2000 2000 00:10:00 videorecording - 1 videodisc (DVD) (10 min.) :sd., col. ;4 3/4 in. STELARC, Matt DOOLEY, John R. NILAND, Luiza MILEWICZ Australian Film Institute; College of Fine Arts, University of New South Wales This material has been reproduced on behalf of the University of New South Wales pursuant to Section 200AB of the Copyright Act 1968 (the Act). The material in this reproduction may be subject to copyright under the Act. Any further reproduction or communication of this material by you may be the subject of copyright protection under the Act. Using digital stills, digital video of the performance event and interview footage the video shows many aspects of Stelarc, the artist through the life of the performance event. Stelarc is seen preparing devices, assistants are preparing the robotic arm and he discusses different scenarios of the "virtual body". Particular attention was paid to mapping Stelarc in performance - his physical stance, his concentration. At times glimpses of the demanding physical nature of this performance are evident through the body language. 709.04074/STE/4
University of New South Wales Library Subsonics 2003 01:21:00 videorecording - 1 videodisc (DVD) (81 min.) :sd., col. ;4 3/4 in. Brendan WALLS, Electra MANIKAKIS, Joanne GILROY Off-air recording of SBS television broadcast weekly on 7/07/05-21/07/05 under Part VA Copyright Act.; Originally broadcast in 2003. pt.4.No-input. --pt.5.Aeriology - Jocyce Hinterding. --pt.6.The many moods of Atomo Yoshihide. Explores Australian, Japanese and international experimental music. 786.74/15
University of New South Wales Library Talk is cheap 1997 01:06:00 sound recording - 1 sound disc (66 min.) :digital ;4 3/4 in. Chris MANN, Stevie WISHART, Rik RUE, Jim DENLEY, Amanda WISHART Machine for Making Sense All compositions by MFMS (Machine for Making Sense) - Container notes. 786.75/MAC/1
University of New South Wales Library The Australian Eye: 1990 complete series 1990 02:37:00 videorecording - 1 videodisc (DVD) (157 min.) :sd., col. ;4 3/4 in. Tape Services (distributor) Series of 17 episodes screened on SBS in 1990 that trace the history of Australian painting from colonial to contemporary times. 759.994/198
University of New South Wales Library The Cleveland Street Projects: Performance Space, 5-27 May, 2006 2006 01:00:00 videorecording - 1 videodisc (DVD) (ca. 60 min.) :sd., col. ;4 3/4 in. +1 booklet (29 p. ; 19 cm.) Performance Space (Sydney, N.S.W.) Produced in conjunction with the exhibition The Cleveland Street Projects at Performace Space, Sydney. 5-27 May 2006--Booklet. 791.4530994/23
University of New South Wales Library The Glamour Game 2007 01:43:00 videorecording - 2 videodiscs (103 min.) :sd., col. ;4 3/4 in. Off-air recording of SBS-TV broadcast 23/11/2007 and 30/11/2007. Copied under Part VA of the Copyright Act. [v. 1.] The Pageant -- [v. 2.] The Parade. The Pageant (Volume 1) is a documentary about the history of the Miss Australia competition. It also follows the 2006 Miss India Australia contestants and their journey to the competiton. The Parade (Volume 2 ) is a documentary on fashion and fashion designers in Australia. It also documents the journey of four fashion design students as they prepare to debut thir designs at the International Fashion Week in Sydney. 391.00994/10
University of New South Wales Library The Ister 2004 03:09:00 videorecording - 1 videodisc (DVD) (189 min.) :sd., col. ;4 3/4 in. +. Daniel ROSS, David BARISON Black Box Sound and Image This videofilm, by two Australian filmmakers is an accompaniement to Heidegger's 1942 lecture course and to Hölderlin's hymn, The Ister. Heidegger's lectures were a direct confrontation with the political, cultural and military chaos facing Germany and the world in 1942. The film, The Ister takes up some of the most challenging paths in Heidegger's thought, as we journey from the mouth of the Danube river in Romania to its source in the Black Forest. However controversial Heidegger continues to be, his thought remains alive in the work of some of the most remarkable thinkers and artists working today. Four of these conduct our voyage upstream along the Danube: Philippe Lacoue-Labarthe, Jean-Luc Nancy, Bernard Stiegler, and, finally, the filmmaker Hans-Jürgen Syberberg. By drawing the places and times of the river into a constellation with Heidegger's thought, the film invites the viewer to participate in some of the most provocative questions facing Europe and the world today. These questions - of home and place, culture and memory, of technology and ecology, of politics and war - beckon us now as they did Heidegger in 1942. 791.43/514
University of New South Wales Library The Listening Room: double exposure 1997 sound recording - 2 sound discs (CD) :digital,stereo. ;4 3/4 in. Australian Broadcasting Corporation; ABC Music Epsilon: The Edwin Armstrong overture / Robert Iolini--Distant stations / Shaun Rigney--Are you really there? / Ros Bandt--Carousel of light /Andrew Yencken. Zeta: Bells and brakes / Shaun Rigney--World beat and song: sonata for sampler no. 4 / Cathy Peters--Vanishing point / Ion Pearce--Remember Tibet: sonata for sampler no. 2 / Cathy Peters--Song of systems / Elwyn Dennis--Coorong breathing. 786.75/1
University of New South Wales Library The art of fun 2007 00:45:00 videorecording - 1 DVD (ca. 45 min.) :sd., col. with b&w. sequences ;12 cm. Browns Lane; North Sydney (N.S.W. : Municipality) Council; Library Council of New South Wales "This project was made possible by the funding by the Library Council of New South Wales"; Subtitles for the hearing impaired. The DVD describes the art history of Sydney's amusement park Luna Park. It provides interviews with previous resident artists, Martin Sharp, Peter Kingston, Leigh Hobbs, Ashley Taylor and S. John Ross, with an historical overview of the park's history and art. 791.0689441/3
University of New South Wales Library The best of the Visual Artists 2009 02:10:00 videorecording - 2 videodiscs (DVD-R) (130 min.) :sd., col. ;4 3/4 in. Michael VEITCH Australian Broadcasting Corporation-TV (Australia) Videodiscs labelled Volume 1 and Volume 2. 709.94/450
University of New South Wales Library The blackman and his bride 199- 00:08:00 videorecording - 1 videodisc (DVD) (8 min.) :sd., b/w :4 3/4 in. Donald AYRTON, Patrick RYAN, Tim BURSTALL Australian Film Institute This material has been reproduced on behalf of the University of New South Wales pursuant to Section 200AB of the Copyright Act 1968 (the Act). The material in this reproduction may be subject to copyright under the Act. Any further reproduction or communication of this material by you may be the subject of copyright protection under the Act. The series of paintings, The Black man and his Bride, by Arthur Boyd, is presented, using camera movement and editing, accompanied by an original ballad with guitar. 759.994/BOY/1
University of New South Wales Library The children's bread 1983 00:35:00 sound recording - 1 sound cassette (35 min.) +1 programme (24 p. : ill.) Blamire YOUNG, Jonathan WATKINS, Wendy FORD City Art Institute Play performed at the City Art Institute, Nov. 24 and 25, 1983, starring Karen Hill, Jess Tapper and Philippa Winn 822.2/YOU/1
University of New South Wales Library The closet tales of Australian fashion 2006 01:57:00 videorecording - 1 videodisc (DVD) (117 min.) :sd., col. ;4 3/4 in. Tape Services (distributor); Special Broadcasting Service Corporation (SBS) Episode 1. Morrissey -- Episode 2. Willow -- Episode 3. Lover -- Episode 4. Akira. The Closet Tales of Australian Fashion explores the lives of four prominent Australian fashion designers. Each share a similar passion for fashion, but the working realities of their creative pursuits could not be more varied. Explored through four half-hour episodes, Closet Tales features Australia's seminal sartorial stars: Akira Isogowa, Peter Morrissey, Willow and Lover, offering a rare insight into what it takes to succeed and survive in the highly competitive and ever changing fashion industry. 746.920994/8
University of New South Wales Library The defenestrascope 2003 00:06:00 videorecording - 1 videodisc (5 min., 40 sec.) :sd., col. ;4 3/4 in. Steven BALL "...throws the view through windows from monumental towers, in contemporary and medieval European city and town" (cover) 791.433/71
University of New South Wales Library The exquisite mechanism of shivers 1991 01:00:00 sound recording - 1 sound disc (CD) (ca. 60 min.) :digital, stereo. ;4 3/4 in. Bill SEAMAN Produced in conjunction with "Binocular : focusing, material, histories" Sydney : Moet & Chandon, Contemporary Edition (Edition Contemporaine), 1993. 709.24/SEA/1
University of New South Wales Library The fourth window 1999 electronic resource - Computer optical disc :sd., col. ;4 3/4 in. Artspace (Auckland, N.Z.) Combined audio CD and interactive CD-ROM. A project commissioned by Artspace to document a series of audio works and gallery installations. Artists, Chris Cree Brown, Philip Dadson, Michael Hodgson, John Ioane, Juliet Palmer and Greg Wood presented sound installations at Artspace in 1995. The CD-ROM documents, extends and translates the exhibition. 709.93/1
University of New South Wales Library The new black 2009 01:24:00 videorecording - 1 videodisc (DVD) (84 min.) :sd., col. ;4 3/4 in. Deborah MAILMAN, Wayne BLAIR, Romaine MORETON, Michelle BLANCHARD, Dena CURTIS, S.f. TUSA, Adrian WILLS, Leah PURCELL Flickerfest Short Film Bureau Title from disk.; Off-air recording of the ABC programme broadcast 10/12/2009. Copied under part VA, Copyright Act 1968. Copy made 1/8/2011. The New Black is a collection of impressive short films featuring Indigenous stories, authored and crafted by Indigenous people, and told in innovative and compelling ways. In introducing these films, Margaret Pomeranz speaks with Australia's most celebrated Indigenous filmmaker, Warwick Thornton, who wrote, directed and shot Samson & Delilah - winner of the Camera d'OR at the Cannes Film Festival, and Australia's official entry in next year's Academy Awards. 791.437/NEW1/1
University of New South Wales Library The overlanders 1946 01:31:00 videorecording - 1 videodisc (91 min.) :sd., b&w ;4 3/4 in. Harry WATT, Chips RAFFERTY, Ralph SMART Ealing Studios Off -air recording made for UNSW under part VA Copyright Act. Broadcast Channel 9, 1st July 2006.. Although superficially comparable with cattle drive Westerns like Red River, the emphasis in this film is on the cooperative nature of the enterprise - a cattle drive from Northern Australia in 1942 to escape the Japanese - rather than on notions of individualism at the centre of the western ethos. The Overlanders is a documentary in spirit, recreating the hazards of an epic drive and carefully assembling the mannerisms, vocabulary and attitudes to characterize the Australian bushman. There was also a strong role for a woman - Daphne Campbell as Mary Parsons - carrying on the tradition of the bush heroine established in Australian films of the twenties and thirties. 791.43/596
University of New South Wales Library The space between: textiles, art, design, fashion 2004 electronic resource - 1 computer optical disc ;4 3/4 in. Curtin University of Technology At head of CD cover: CD Conference Proceedings Vol. 2 including refereed papers & visual presentations.;An international conference convened by the Textile Exchange Project in Partnership with Curtin University of Technology, 14-17 April 2004, Perth, W.A.;Editors: Moira Doropoulos, Anne Farren, Suzette Worden. 746/63
University of New South Wales Library The war on television 2004 00:06:00 videorecording - 1 videodisc (DVD) (5 min., 38 sec.) :sd., col. ;4 3/4 in. Steven BALL "A celebration of digital anti-aesthetics and entropic fallibility" (cover) 791.433/72
University of New South Wales Library Tony Oursler, video artist 2005 00:27:00 videorecording - 1 videodisc (27 min.) :sd., col. ;12 cm. Mary RECINE, David PETERSON, Tamar HACKER, Tony OURSLER Gallery HD DVD Region 4.;Off-air recording of the television program broadcast on ABC-TV, July 11th, 2006. "Join Tony Oursler as he trolls through theatrical and industrial supply stores for new electronics and we travel to see his NY and Paris full scale exhibits. Oursler creates various video sculptures and installations." -- ABC website. 709.24/OUR/4
University of New South Wales Library Travelling through the storm: Australian bush songs and poems 1996 sound recording - 1 sound disc :digital ;4 3/4 in. +1 booklet ([18] p.) Keith MCKENRY, Alan SCOTT Fanged Wombat Productions; National Library of Australia Compact disc.;Fanged Wombat Productions: FWD 002;1. Patsy Fagan -- 2. Theatre of the road -- 3. St Peter -- 4. The shearer's dream -- 5. The water lilly -- 6. Eighteen pence -- 7. Bloody sheilas --8. The golden vanity -- 9. Pearce -- 10. Starry night for a ramble (tune) -- 11. Arnold -- 12. The Bunyip and the whistling kettle -- 13. Sam Griffith -- 14. The Pop festival -- 15. The union boy -- 16. To morrow -- 17. The Moss Vale Train -- 18. No lift for Jacky -- 19. The nightingale -- 20. The fire at Ross's farm -- 21. Manchester hornpipe -- 22. The Numerella shore -- 23. On the night train -- 24. Time is a tempest. 781.62/2
University of New South Wales Library Two laws 1981 02:10:00 videorecording - 1 videodisc (130 min.) :sd., col. ;4 3/4 in. Carolyn STRACHAN, Alessandro CAVIDINI Smart Street Films (distributor); Australian Film Commission, Creative Development Branch An innovative film on the Borroloola people's struggle for the recognition of Aboriginal law. Aborigines actively collaborated with the filmmakers in determining the form of the film. Police Times is a dramatic re-enactment of white oppression in the 1930s. In Welfare Times, life under the welfare system in the 1950s is re-enacted. In struggle for Our Land, Aboriginal attachment to the land is described and the first hearing of the Borroloola land claim is also reenacted. 994.0049915/74
University of New South Wales Library Uncle Roy all around you 2003 00:11:00 videorecording - 1 videodisc (DVD) (11 min.) :sd., col. ;4 3/4 in. Blast Theory Uncle Roy All Around You is a live game played online in a virtual city and on the streets of an actual city. The project combines engaging gameplay, a groundbreaking use of Mixed Reality and powerful orchestration tools to create an emotionally and intellectually demanding experience for the general public. 709.04074/89
University of New South Wales Library Visual niches: extraordinary music videos 2002 videorecording - 1 videodisc (DVD) :sd., col. ;4 3/4 in. E:MOTION "EFA60111-9". A series of music videos featuring various techno music artists and groups. 781.66/57
University of New South Wales Library Visual storytelling with Iain McCaig 10:40:00 videorecording - 4 videodiscs (640 min) :sd., col. with b&w sequences ;4 3/4 in. DVD. Iain MCCAIG Gnomon Workshop; Design Studio Press "Stories can be written with pictures as well as with words. Veteran storyteller and concept artist Ian McCaig takes you on a journey through the process of creating a story visually--from story beats and story gates, to story drawings and the art of dreaming images on paper." v. 1. Anatomy of a story (160 min.) -- v. 2. Cosmic Mermaid chararacter design (160 min.) -- v. 3. Sea King/Space Witch character design(160 min.) -- v. 4. Human character and environment design (160 min.) 741.6/426
University of New South Wales Library Voice projects:2000 Bachelor of Digital Media 1st Year Sound Media students 2000 02:00:00 sound recording - 2 sound discs (120 min.) :digital ;4 3/4 in. Simon HUNT College of Fine Arts, School of Media Arts, Thesis, University of New South Wales 781.23/COL/1
University of New South Wales Library Wade Marynowsky: interpretative dance, experiments in real time audio visual performance 2002-2007 2007 01:06:00 videorecording - 1 videodisc (DVD) (66 min.) :sd., col. ;4 3/4 in. Wade MARYNOWSKY Demux (experimantal works for screen) "Autonomous Improvisation v.1": is a video anthology of some of Sydney's most infamous solo musicians and performers. The work analyses a range of performance approaches from burlesque to sound art by recording artists in the same studio configuration. The performances happening only for the camera are then reconfigured in the gallery. "The_geek_from_Swampy_Creek": is an alter ego created by Marynowsky. The Geek's seeks to parody the laptop performer by dressing as a quintessential nerd, complete with a brown suit, thick glasses, an extended mega brain helmet and projected visuals. The Geek entertains through theatrics combined with live audio-visual processing. "Uranium country": the work was made after an artist camp at Gunbalanya, Arnhem land organised by 24hr Art, NT. During camp the group recorded video and sound, had a tour of ancient traditional rock art and watched an amazing game of Aussie rules.;"Apocalypse later": documents live audio - visual performance work spaning the years 2002 to 2004. Source footage was shot at The Styx valley of the giants Tasmania, Kakadu national Park, Old Sydney town, and Australias̕ wonderland. The work was made with custom built programs that explore translations between audio to video and video to audio. Autonomous improvisation v.1(2007, 20 min.) --The_geek_from_Swampy_Creek(2007, 8 min.) --Uranium country(2005, 10 min.) --Apocalypse later(2004, 28 min.) 778.59/21
University of New South Wales Library Webcam girls 2005 00:53:00 videorecording - 1 videodisc (53 min.) :sd., col. ;4 3/4 in. Aerlyn WEISSMAN Harry Sutherland and Cari Green (Producers); DECS Tape Services Off-air recording of SBS program broadcast April 14, 2005. This Canadian documentary examines women that live in front of their web-cameras. The new digital generation of women in cyberspace talk about taking on old ideas, fame, shame, opening up a space for new art forms, virtual pornography and internet celebrity. Some of the pioneers and outlaws of the femcam frontier are Ducky, sexologist and burlesque queen; Dionne, ethical porn producer; Ana Voog, the first art/life webcam; and Terri, internet cultural critic. They reveal the world of micro-celebrity and cyberloving. These girls reveal the leading edge of a newly emerging woman-run internet culture. 070.5797/2
University of New South Wales Library Wendy Sharpe paints Annette Kellerman 1999 00:15:00 videorecording - 1 videodisc (15 min.) :sd., col. ;4 3/4 in. Richard MORDAUNT, Diana BARBARA Coolamon Films In this film we take you into the mind of artistWendy Sharpe a she paints a series of larger than life portraits based on the life of Australian swimming legend, Annette Kellerman. 759.994/SHA/2
University of New South Wales Library William Kentridge lecture 2004 01:20:00 videorecording - 1 videodisc (DVD) ( 80 min.) :sd., col. ;4 3/4 in. William KENTRIDGE John Hughes (producer); College of Fine Arts, University of New South Wales Lecture given by William Kentridge at the College of Fine Arts on 30/8/04, in which he discusses his works, his ideas & techniques. 741.0924/KEN/3
University of New South Wales Library Yarnangu Ngaanya :our land, our body : a touring exhibition from the Warburton Community 1993 book - 89 p. :col. ill. ;28 cm. Gary PROCTOR, YARNANGU NGAANYA SH Ervin Gallery; Perth Institute of Contemporary Arts; Warburton Community Perth Institute of Contemporary Arts, 14 March-11 April 1993, SH Ervin Gallery, Sydney, 23 July-22 August 1993. 709.94/AAA/47
Victoria University Library All in it together vhs,dvd BA honours thesis 1999 non-fiction film 33987 b14355280
Victoria University Library Beyond the studio : the creative process in local, site-related dance dvd PHD thesis 2009 dance performance 16102 b22471017
Victoria University Library Conditions for writing home|h[videorecording] vhs,dvd MA thesis 1996 performance - physical dance theatre b12846685
Victoria University Library Cross-marked : Sudanese-Australian young women talk education avi,vimeo PHD thesis 2010 Y Drive has .avi files. Hosted on Vimeo: https://vimeo.com/showcase/3459242 15544
Victoria University Library Cultural residues|h[videorecording] :|ban exploration of dance as an embodied history vhs,dvd MA thesis 2003 performance art/dance performance b16822535
Victoria University Library Here and there - then and now dvd MA thesis 2004 non-fiction film - includes performance excerpt b16393442
Victoria University Library Knowledge and melancholy|h[videorecording] vhs MA thesis 1997 from Sierra information it doesn't appear to have been converetd to dvd. Autobiographical fiction which investigates some of the interrelated and dynamic components of performance b13011029
Victoria University Library Perception of dance of perception|h[kit] vhs,dvd MA thesis 1997 performance/installation b12927983
Victoria University Library Performing identity|h[videorecording] :|bwhite, male, first generation Australian vhs,dvd MA thesis 2000 performance art/experiemental theatre b14200478
Victoria University Library Post performance|h[kit] video - vhs,dvd audio- cassette,CD MA thesis 1997 performance art/experiemental theatre b13011017
Victoria University Library Rapture : excursions in little tyrannies and bigger lies vhs,dvd,vimeo PHD thesis 2002 https://vimeo.com/132162377 239 b14965410
Victoria University Library Sete citades|h[videorecording] :|b(visible, invisible : indivisible) vhs,dvd MA thesis 1999 performance art b13714430
Victoria University Library The cinnabar field|h[videorecording] :|bperforming transformation vhs,dvd MA thesis 2000 dance performance b1419787x
Victoria University Library There's the siren! aurality and respresentation of the sounds of (Australian) football mp3 PHD thesis 2009 part of thesis - iPod with headphones, on which the sonic component of the project. Sounds on ipod 15477
Victoria University Library This is the life!|h[kit] video - vhs,dvd audio- cassette,CD MA thesis 1997 experimental theatre & performance art b12846673
Victoria University Library Threat or thrill in Grovedale : an artist's response to the changing nature of place avi,mov PHD thesis 2009 Eprints has .avi files. Y drive has .mov files 15533
Number of records 4829